100 Books Like As Above, So Below

This book was a phenomenon when it came out, and with good reason.

Chevalier’s words paint a picture of the life of a young girl, Griet, who is working in the house of the artist, Johannes Vermeer in 1660s Delft. In the novel, Griet is the model for the famous painting. The relationship between artist and model, and what they do, and don’t, mean to each other, is complex and intriguing.

The way that Chevalier depicts the restrained interactions between the two seems to mimic Vermeer’s restrained yet visually detailed style.

What’s the difference between a fake and a copy? Is a copy of a copy a forgery? Based on the famous 1990 Gardner Museum heist, still unsolved, Shapiro’s story peels back layers of duplicity to reveal a shocking deception.

As someone asked to authenticate paintings (which I don’t do!), I appreciated the author’s analysis of the subtleties involved. I sympathized with Claire Roth, her neurotic protagonist, and enjoyed the skewering of art-world pretensions, media-driven reputations, and marketing strategies. Still, I couldn’t help rooting for Claire and her dealer, hoping their clever scheme would succeed.

I love chess, and even though I’m not brilliant at it, I really enjoy books where the characters play chess. The Royal Game by Stefan Zweig is probably the most famous, but I really enjoyed this murder mystery with a game of chess at its heart, which beautifully mirrors the plot as it unfolds.

The game is featured mid-game in a Flemish fifteenth-century painting. The modern protagonists analyze it forward and backward to understand the past and future. I loved the fact that the book includes illustrations of the game as it proceeds for the reader to analyze. There are also some interesting allusions to Douglas Hofstadter’s idea of strange loops, which is another one of my obsessions. 

After the Impressionists and Vincent Van Gogh, the artists that come easily in third place for fictional ink spilled about them are the Pre-Raphaelites. Their personal lives are as colorful as their artwork. Australian Kate Forsyth has tackled the second phase of Pre-Raphaelitism led by Edward Burne-Jones's mythological and Arthurian paintings and William Morris's designs for furniture, wallpaper, and book art. The love lives of the artists, wives, models, and daughters find their way interwoven in the story of the art. Gabriel Rossetti, who was a major figure of the first phase of Pre-Raphaeltisim, is the flint that ignites the second phase. They all want to live in the dreams of the past, and of legends, but real life is never a fairy tale.

The advent of the exactly repeatable pictorial statement is arguably the most significant technological and cultural innovation in the history of humankind. This book examines in detail the contributions to scientific knowledge made by significant Renaissance artists, Hans Holbein, Albrecht Dürer, and Hendrick Goltzius principally among them. In addition to reproducing woodcuts, engravings, and etchings, the book depicts various complex forms of paper engineering from the Renaissance that acted as scientific instruments, maps, simulacra, or utile devices in themselves. 

Originally published in 1970, this was another foundational text for me and other witchcraft scholars of my generation.

It grew out of Macfarlane’s doctoral thesis focusing on Essex, which had been supervised by Keith Thomas, whose own great book, Religion and the Decline of Magic (much of which dealt with witches), came out the following year. Even then, the historian Macfarlane was on his way to becoming an anthropologist – a transition visible on every page of this fascinating book.

But its overriding character is that of a work of sociology. Social science models helped to impose interpretative order on the kind of archival information dug up by C. L’Estange Ewen, and connected a rise in witchcraft accusations to a number of strains in late-sixteenth- and early seventeenth-century English life, especially economic strains.

Although their interpretations differ in substance and emphasis, Macfarlane and Thomas are still associated with a paradigm… show more.

Finally, you can’t talk about maps and not talk about sea monsters.

Want to buy a sea monster? Van Duzer tells you how! Given my professional (and personal) interest in cartography, water, sailing, and animals, this book absolutely had to appear on my “Best Books” list. It is very richly illustrated (115 color images), but is not simply a picture book.

Van Duzer’s narrative is engaging and informative. He explores terrifying and whimsical marine creatures that peopled Medieval and Renaissance waters (many are imaginary; some are more or less based on actual sea animals). And he situates them within the broader context of the individual maps, their impact, and marine biology.

Van Duzer thus helps his audience read European Medieval and Renaissance Maps more fully and richly. 

Okay, fine, this book isn’t actually nonfiction, but it’s so accurate and believable that it may as well be. You might not question Clarke’s life choices, but you’ll question Paul West, the protagonist. Have you ever wanted to know what it’s like to be a bureaucrat? Neither have I. But that didn’t stop me from reading this book. As someone who has had to deal with funcionarios  (Spanish government employees), bureaucrats aren’t high on my list as people I’d invite to a dinner party, but this book gave me a chance to learn about their lives at a safe distance. I learned something new and laughed out loud on almost every page.

Any time you pick up a book with Illuminated Manuscript anywhere in the title, you know you’re in for a visual feast. If you’re just starting out with this unique medieval art form, this book is an excellent introduction. It’s not too long, so it won’t overwhelm you. This book provided the foundation for my first steps into researching medieval illumination for my historical romantic novel. What is illumination? Why were books illuminated and what types of books were considered worthy of illumination? Who were some of the most famous medieval illuminators? (Perhaps my heroine’s father had studied with one.) What kind of patrons might my heroine have encountered in her father’s workshop?

This book ignited my imagination while helping me discover the best answers for my story. (NOTE: So much of this art has been digitized that most of the B&W photos are now easy to find in color… show more.

The author gets ahold of his mother’s copy of Frommer's 1967 Europe on Five Dollars a Day and uses it as his basis for a contemporary visit. Like his mother, I, too, did the tour in 1967. I was curious to see what had happened to Europe and to my view of it. Of course, most of the restaurants no longer exist, and $5 dollars a day was more like $50 dollars a day, but this travel memoir is full of funny, disastrous, and touching adventures. I admit to a fondness for funny disasters.