Books like Affinities — picked by fans

I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of images—each image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.

I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of images—each image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.

I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of images—each image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.

I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of images—each image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.

I’ve been obsessed with Paris since the age of five. For most of my life I’ve travelled there regularly and read every book on the subject I could find. After working as a beauty editor, I decided to try to make my passion my day job. That inspired me to write Paris Dreaming: What the City of Light Taught Me About Life, Love & Lipstick, and launch a travel consultancy business, Paris for Dreamers. I work with like-minded lovers of Paris, who constantly yearn for the city’s beguiling beauty and fascinating history, and who are always planning their next trip—or visiting Paris virtually, through the pages of a book!

Michael Corballis is a psychologist and brain scientist. His interests lie in how the mind works, how it maps onto the brain, and how it evolved. Much of his work is published in books and scientific articles, but he has also written books aimed at a general readership. These include Pieces of Mind, The Lopsided Ape, The Recursive Mind, The Wandering Mind, and The Truth about Language.

Since childhood, I have been fascinated by the culture and stories of my place, the Mississippi Delta. I began my education in the beauty shop, where my mother “fixed” hair six days a week. I continued my education in the pool hall when I was 13 or 14, listening to the braggarts and fools who pontificated about every subject under the sun. I escaped to Memphis in the late 60s and became a hippie, drinking in the experience of Memphis’ electric streets. These experiences informed my thinking and helped me become a writer and filmmaker.

I’m a historian who wants to understand the big picture as best I can. And while occasionally I can clear my schedule enough to read a 1,000pp book, realistically that won’t happen often so I am always on the alert for short books that aim to provide what I am looking for: a coherent vision of the whole of human history. That’s asking a lot of an author, but these five do it well.

I am a chameleon scholar. Though my first love is poetry, I have written about all the arts, about 18th-century authors (especially Samuel Johnson), about theories of literature and literary vocations, about Sappho and other abandoned women, about ancients and moderns and chess and marginal glosses and the meaning of life and, most recently, the Scientific Revolution. But I am a teacher too, and The Ordering of the Arts grew out of my fascination with those writers who first taught readers what to look for in painting, music and poetry—what works were best, what works could change their lives. That project has inspired my own life and all my writing.

In the 1960s, inspired by the civil rights and antiwar movements, the women's and environmental movements, and the counterculture, I became an activist and political organizer. Eventually, I called myself a revolutionary and helped found a militant underground organization. Out of anger and youthful naiveté, and being in too much of a hurry to think clearly, I made some superficial choices and did some things I now regret. Ever since, I have been hypersensitive to the nuances and contradictions in what motivates people to become radicals and to flirt with—or embrace—violence as a legitimate action.