Here are 100 books that Life in Medieval Europe fans have personally recommended if you like
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Madina Papadopoulos is a New Orleans-born, New York-based freelance writer and author. She is currently working on the sequel to The Step-Spinsters, the first in the Unspun Fairytale series, which retells classic princess stories set in the late Middle Ages. She studied French and Italian at Tulane University and received her MFA in screenwriting at UCLA. After teaching foreign languages at the university level, as well as in childhood and elementary school programs, she developed and illustrated foreign language coloring workbooks for preschoolers. As a freelance writer, she focuses on food, drinks, and entertainment.
Much of the fiction set in the Middle Ages follows landmark historical moments and infamous individuals. But just as today, nothing is more complex than the inner life of a teenage girl, so it was in 1290. Written as a personal diary, this book follows Catherine, nicknamed ‘Birdy,’ as she trudges through her lessons on becoming a lady (sewing, spinning, soap making), her fears of an arranged marriage to a gnarly old nobleman, the importance of friendship and the heartbreak of unrequited love. Universal truths, all comically relatable and sprinkled with amusing details of picking off fleas and using the privy. As a preteen and teen, I read, re-read, and re-re-read Catherine's diary, escaping into her daily life as I easily imagined myself in it. This book was a friend I knew I could always return to for comfort and understanding.
A funny coming-of-age novel about a fourteen-year-old girl's fight for freedom and right to self-determination in medieval England.
Catherine's in trouble. Caught between a mother who is determined to turn her into the perfect medieval lady and a father who wants her to marry her off to much older and utterly repulsive suitor.
Luckily, Catherine has a plan. She has experience outwitting suitors and is ready to take matters into her own hands . . .
Karen Cushman's Catherine, Called Birdy is the inspiration for Prime Video's medieval comedy film directed by…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve always been attracted to the Gothic before I even knew the term. From watching The Munstersas a child to wanting to live in a haunted house and devouring classic Gothic novels like The Mysteries of Udolpho and Dracula, I’ve never been able to get enough of the Gothic. After fully exploring British Gothic in my book The Gothic Wanderer, I discovered the French Gothic tradition, which made me realize how universal the genre is. Everyone can relate to its themes of fear, death, loss, guilt, forgiveness, and redemption. On some level, we are all Gothic wanderers, trying to find meaning in what is too often a nightmarish world.
You may know this book as The Hunchback of Notre Dame, but you probably don’t really know it. Films, most notably the Disney cartoon, have grossly distorted this novel, often having Esmeralda ride off into the sunset with Phoebus. But the novel is really a very dark, Gothic story of love and lust, and one of the first existential novels. Frollo and Quasimodo both love Esmeralda, but she loves Phoebus, and he only loves himself. In the end, everyone dies, allowing their lust to destroy their common sense. Hugo wrote it to help popularize and save Notre-Dame Cathedral from falling into further disrepair. It influenced British author William Harrison Ainsworth to writeThe Tower of London, thus revitalizing British Gothic in a new way just as it did French Gothic.
Victor Hugo's great story of Quasimodo, the deformed bell ringer of Notre Dame and his unrequited love for the dancer, Esmeralda. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes theme discussions and study questions, which can be used both in the classroom and at home to further engage the reader in the story.
Madina Papadopoulos is a New Orleans-born, New York-based freelance writer and author. She is currently working on the sequel to The Step-Spinsters, the first in the Unspun Fairytale series, which retells classic princess stories set in the late Middle Ages. She studied French and Italian at Tulane University and received her MFA in screenwriting at UCLA. After teaching foreign languages at the university level, as well as in childhood and elementary school programs, she developed and illustrated foreign language coloring workbooks for preschoolers. As a freelance writer, she focuses on food, drinks, and entertainment.
Tracy Chevalier once again manages to transport readers into iconic works of art, bringing the story of famed images to life, and exploring the personality of every hand that took to create it. Set in 1490, this book invents a tale behind the creation of “The Lady and the Unicorn Tapestries.” It has everything an engrossing read should have—romance, ambition, betrayal. But for the medieval aficionado, Chevalier’s incredible research on the creation of a tapestry—from designing the cartoon, to sheering the sheep’s wool to the dying it, to the weaving and the warping—is described as a master class that leaves the reader wanting to pick up a loom.
A tour de force of history and imagination, The Lady and the Unicorn is Tracy Chevalier’s answer to the mystery behind one of the art world’s great masterpieces—a set of bewitching medieval tapestries that hangs today in the Cluny Museum in Paris. They appear to portray the seduction of a unicorn, but the story behind their making is unknown—until now.
Paris, 1490. A shrewd French nobleman commissions six lavish tapestries celebrating his rising status at Court. He hires the charismatic, arrogant, sublimely talented Nicolas des Innocents to design them. Nicolas creates havoc among the women in the house—mother and daughter,…
Madina Papadopoulos is a New Orleans-born, New York-based freelance writer and author. She is currently working on the sequel to The Step-Spinsters, the first in the Unspun Fairytale series, which retells classic princess stories set in the late Middle Ages. She studied French and Italian at Tulane University and received her MFA in screenwriting at UCLA. After teaching foreign languages at the university level, as well as in childhood and elementary school programs, she developed and illustrated foreign language coloring workbooks for preschoolers. As a freelance writer, she focuses on food, drinks, and entertainment.
It’s often said that the golden rule for storytelling is “thou shalt not bore.” While as a history buff, I get a kick out of historical fiction even when it might read more non-fiction than fiction, the genre risks falling prey to having to balance fact over fun. This is not the case with esteemed historical fiction author, Philippa Gregory. For those who like their history with a touch of steam and can forgive historical “embellishments,” Gregory delivers heavily researched stories that put character arcs and plot twists front and center. These tempting books follow the women in power behind the scenes of the War of the Roses. As a prolific writer, Gregory bestows upon us a bounty of six books in this series, carrying the reader on more of a year abroad than just a quick vacation.
The inspiration for the critically acclaimed Starz miniseries The White Queen, #1 New York Times bestselling author Philippa Gregory brings to life the extraordinary story of Elizabeth Woodville, a woman who rises from obscurity to become Queen of England, and changes the course of history forever.
Elizabeth Woodville is a woman of extraordinary beauty and ambition. Her mother is Jacquetta, also known as the mystical lady of the rivers, and she is even more determined to bring power and wealth to the family line. While riding in the woods one day, Elizabeth captures the attentions of the newly crowned King…
I'm a medievalist with a focus on German and European literature. Already with my Ph.D. diss. in 1987, I endeavored to explore interdisciplinary, interlingual connections (German-Italian), and much of my subsequent work (119 scholarly books so far) has continued with this focus. I have developed a large profile of studies on cultural, literary, social, religious, and economic aspects of the pre-modern era. In the last two decades or so, I have researched many concepts pertaining to the history of mentality, emotions, everyday-life conditions, and now also on transcultural and global aspects before 1800. Numerous books and articles have dealt with gender issues, communication, and historical and social conditions as expressed in literature.
Contrary to our common assumptions, women in the Middle Ages were not simply muted or repressed. Much depended on the social, economic, religious, and cultural circumstances. Blamires brings to light a wealth of documents that confirm the much more complex conditions for women in the pre-modern age, many of whom received considerable respect if not admiration.
Misogyny is of course not the whole story of medieval discourse on women: medieval culture also envisaged a case for women. But hitherto studies of profeminine attitudes in that periods culture have tended to concentrate on courtly literature or on female visionary writings or on attempts to transcend misogyny by major authors such as Christine de Pizan and Chaucer. This book sets out to demonstrate something different: that there existed from early in the Middle Ages a corpus of substantial traditions in defence of women, on which the more familiar authors drew, and that this corpus itself consolidated strands of…
In the 1980s, I was living in Spain, teaching high school. On weekends and vacations, I traveled throughout the country, fascinated with the remnants of its flourishing medieval civilization, where Jews, Christians, and Muslims mingled. When I later became a historian, I focused on the rich history of Jewish-Christian-Muslim contact in Spain and throughout the Mediterranean. I also wanted to understand conflict and prejudice, particularly the historical roots of antisemitism and islamophobia in Europe. I have increasingly realized that classical religious texts need to be reread and contextualized and that we need to rethink our ideas about religion and religious conflict.
In the US, when we think about Christianity, we tend not to think much about saints and when we do, they are at best a sort of role model for piety, an antiquated cast of characters in the history of religion. But to early Christians, saints were powerful patrons. The earliest saints were the martyrs put to death by the pagan Roman state: thrown to the lions, massacred by gladiators, executed at the orders of Roman officials. These saints’ bodies and tombs became objects of veneration, purported to produce miracles. In the middle ages, as Christianity became the dominant force in Europe, everyone wanted to benefit from the proximity to these holy men and women. But if you lived in Northern Europe, you didn’t have access to the hundreds of saintly bodies buried in Spain, Italy, or Provence. What to do? Buy them or steal them! In this fascinating book,…
To obtain sacred relics, medieval monks plundered tombs, avaricious merchants raided churches, and relic-mongers scoured the Roman catacombs. In a revised edition of Furta Sacra, Patrick Geary considers the social and cultural context for these acts, asking how the relics were perceived and why the thefts met with the approval of medieval Christians.
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I’d already published a scholarly book about the household of a medieval widow, who was just a decade older than Margery Kempe and lived sixty miles away, so the time, place, and mindset seemed very familiar. As a Jungian Psychoanalyst I’m interested in how individuals find the central meaning in their lives. Clearly for Margery it was the search for God, although she doesn’t appear to have been a kindly soul. When I read that she twice quarreled with her maidservant, I realised the maidservant could tell her own tale. And so she did, and sometimes it seemed she was dictating it to me! Characters really do speak for themselves...
Eileen Power was a pioneer in Women’s History and this was the first book I read when I went back to university. It’s an inspiring collection of essays on medieval ideas of women, working women in town and country, education, and nunneries. If you’re planning to write a book about women in the Middle Ages, start your research here.
Power refers to many diverse contemporary texts such as The Goodman of Paris and works by Chaucer and Christine de Pisan, which enabled me (or, which will enable you) to portray authentic detail in my own book. The essay on nunneries, which I drew on for my novel, is a summary of her seminal work on medieval English nunneries. There are also forty-two well-chosen illustrations that complement the text.
Throughout her career as a medieval historian, Eileen Power was engaged on a book about women in the Middle Ages. She did not live to write the book but some of the material she collected found its way into her popular lectures on medieval women. These lectures were brought together and edited by M. M. Postan. They reveal the world in which women lived, were educated, worked and worshipped. Power gives a vivid account of the worlds of the lady, the peasant, the townswoman and the nun. The result is a historical yet intimate picture of a period gone by…
I am an art historian and a horticulturist, specializing in the art, architecture, and gardens of the Middle Ages, and I’ve published a number of books on these subjects. But I’ve always loved mystery stories, and I dreamed of writing one of my own. When I discovered Christine de Pizan, an extraordinary personage who defied all the stereotypes about medieval women, I decided to write a series of mystery novels featuring her as the sleuth.
This is the book to which I turn for all the details of Christine’s life. Willard shows that Christine, who lived from 1364-1430, was an immensely courageous woman who, against all odds in an age that disparaged the female sex, succeeded in making her living as a writer and gained so much respect among the nobility that she was able to comment with impunity on the major political events of her time.
"Readers will learn a great deal about Paris during the most tumultuous days of the Hundred Years' War, about the culture of Renaissance France, and most of all about this unusual and heroic woman."―Virginia Quarterly
A biography of France's first woman of letters, who lived from 1364-1429. Among her works is the classic defense of women, The Book of the City of Ladies.
I am King George III Professor in British History at the Ohio State University. While later medieval England is my specialty, I approach it through a study of the legal record. Medieval people were highly litigious – the average person ended up in court far more often than we do today, making legal records the best means to unearth information about the lives of normal people from the era. Most of my research has been sparked by questions students have asked me in class, such as: did medieval women stay with their abusive husbands? Did medieval children have rights? What was it like to be a single woman in medieval England?
For much of Western history, birth out of wedlock has been a serious barrier to inheritance and succession. It is often assumed that this attitude arrived alongside Christianity: yet, McDougall explains that the medieval world actually cared very little about the circumstances of one’s birth until the thirteenth century. What historians have consistently misinterpreted as concern for legitimate birth was instead dogged insistence that a legitimate marriage existed only when husband and wife were of equivalent status. This is particularly relevant when it comes to an heir’s “throneworthiness.” It was not sufficient for a king to be the son of a great man with a remarkable patriline; the matriline had to be every bit as impressive to qualify him for the throne.
McDougall’s eminently readable and thought-provoking book reveals how the misogynistic assumptions of modern-day historians have gotten in the way of understanding medieval dynasties. Historians have preferred to see…
The stigmatization as 'bastards' of children born outside of wedlock is commonly thought to have emerged early in Medieval European history. Christian ideas about legitimate marriage, it is assumed, set the standard for legitimate birth. Children born to anything other than marriage had fewer rights or opportunities. They certainly could not become king or queen. As this volume demonstrates, however, well into the late twelfth century, ideas of what made a child a legitimate heir had little to do with the validity of his or her parents' union according to the dictates of Christian marriage law. Instead a child's prospects…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I was born in London, but growing up in a Polish family ensured that I was well aware of the history of the Teutonic Order. As a post-doctoral researcher in Cambridge, I was fortunate enough to gain access to archaeological material from the magnificent castle at Malbork in north Poland, the Order’s medieval headquarters. That moment really spurred my interest in the Northern Crusades, after which I spent a decade working across the eastern Baltic. I’ve also had the opportunity to excavate medieval frontier sites at both ends of the Mediterranean. As an archaeologist, I always found the lived experiences of these societies far more interesting than the traditional military histories written about them.
This captivating book, with its broad vision, puts the crusades in context in a way that no other has done. Bartlett’s magisterial overview of the expansion of Latin Christendom remains the most engaging work on how conquest, migration, and religion transformed and laid the foundations for the Europe we know today. Erudite, scholarly, and packed with detail, but also accessible and enjoyable, his thematic approach pulls together examples from diverse regions to make a compelling (and at times controversial) case for how a shared European culture was created as the bounds of Christendom were pushed in all directions. It’s an essential introduction to medieval Europe’s frontier societies–several of which were shaped by crusading.
From our twentieth-century perspective, we tend to think of the Europe of the past as a colonizer, a series of empires that conquered lands beyond their borders and forced European cultural values on other peoples. This provocative book shows that Europe in the Middle Ages was as much a product of a process of conquest and colonization as it was later a colonizer.