100 Books Like Mink River

This is a perfect wintry read for me: a book set in the dark, snow-laden forests filled with dangerous creatures who stepped right out of the Russian folk tales.

I love the main protagonist, Vasya, a brave, stubborn girl who fights to protect her family. I found the story immersive and unputdownable, filled with darkness and enchanting beauty, and I wholeheartedly recommend it, as well as its two sequels in the Winternight Trilogy.

Eowyn Ivey’s work hits every one of my interests: lush writing, Alaskan wilderness, family drama, untamed beasts, folklore and fairy tales, parenthood, childhood, and the struggle to survive…I mean, really, it couldn’t be more perfect.

Her debut novel references the Russian fairy tale “Snegurochka,” about a girl made of ice. It’s an absolutely gorgeous and transporting book that also happens to have been a finalist for the Pulitzer Prize—again, perfect, right? 

This book is about a young couple who fall in love in a city gripped by war, and step through a magic door which transports them to a different life. 

It is a careful study of how their relationship slowly changes, their love morphing into something else.

Hamid is a master stylist, and while this book is not ostensibly about metamorphosis, it spoke directly to the three main questions I ask in my own book: Where did we come from? Where are we going? And what is the self?

This book is happiness. 

Okay, but here’s the thing: It takes about 30 pages for Niall Williams to hit his stride. There’s a lot about weather at first, the whole Irish rain situation. Stick with it. Once Christy comes on the scene in this small Irish town, Faha, and is hoping to have a meeting with a woman he left at the alter 30 years before, and once our young narrator gets involved in his plan—BAM. 

The reader is fully in the world of Faha as electricity is introduced into the village, as Noel begins to figure out love and the insanity that is normal around him—well, I did not want it ever to end, even as at the beginning I was waiting for it to begin. Another book to clutch to the heart.    

Samuel R. Delaney’s masterpiece, Dhalgren, is set in a city in the Midwest that has been emptied by an unnamed catastrophe.

A sense of freedom, violence and disaster hang everywhere as the hero – Kidd, Kid, or the kid, a man with no memory and of ambiguous race (he remembers his mother was Native American) – gains entry into the subcultures that remain behind: parties, high-rise poetry readings with older white people, gun fights, gangs, graphic sex.

Time and perspective seem fluxive, inconstant, and looping. 

This is beautiful, destabilized world building. Dhalgren answers no questions yet evokes a time, place, and milieu that shifts as you read.

I first found it when I was working as a librarian in a prison out on the plains. I didn’t last in prison.

This is a collection of wonderful short stories, not a novel. It was my introduction to de Lint’s Newford, the setting of many of de Lint’s later novels and collections, a fictional composite of the best aspects of several North American cities, where beings from different mythologies co-exist with humans and interact with those who believe in them. It's such a fascinating setting, and feels so real, that I wish I could live there.

This is a masterful work covering the period from the Norman conquest to the Black Death. Sarah Rees Jones is one of my go-to scholars for medieval York, as well as an engaging writer. I particularly appreciate her looking beyond the importance of the royal government in the city’s development to include the strong influence of the Minster and other ecclesiastical institutions in the city as well as the significance of the people of York—merchants and craftspeople.

Check here first if you want a feel for how the city grew, who were the makers and shakers, how the neighborhoods developed, where the influential people lived. Every time I dip into this book I learn something new. With 18 useful maps and an extensive bibliography.

Charles de Lint is one of my favorite authors, and this book of short stories is set in Newford, his fictional city. It’s a fully-formed universe where there's always more to discover. You can read any of his books at any time; there’s no order they must be read in. I guarantee that the more you learn of his worlds—and especially Newford—the more you’ll want. I read Pixel Pixies (my favorite short story of all time) to my mom and dad when my mom was dying of cancer. I could barely read the last paragraph for wanting to cry; not because the story is sad, but because it's so beautiful, so hopeful, so abso-freaking-lutely wonderful. I still get teary-eyed thinking about that evening of reading that story to my mom and dad.

That’s what de Lint does. He transports you not only to a world, but indelibly marks the feelings… show more.

“I want a long, calm book about people with large incomes – a book like a flat green meadow and the sheep feeding in it… I read most of the time and I am happy.” First published in1939, this novel is a portrait of a woman who struggles in Paris. She is on her own and has no job or money.

Ian Frazier’s exploration of his own family’s history takes the reader on a fascinating deep (and broad) dive into American history.

What begins as a chance discovery of letters written between his parents as a young couple leads him inexorably back into the far-reaching branches of his family tree, and a unique perspective on American life from the eighteenth century to the twentieth.

David McCullough called this book a ”remarkable history of an unremarkable family.” The author’s keen curiosity, masterful storytelling, and elegant prose kept me spellbound. I read this book when it first came out, and it was one of those books that for a while I couldn’t stop telling everyone to read.

I’ve never forgotten it, and now I think I’m about to read it again.