Here are 100 books that The Bear and the Nightingale fans have personally recommended if you like
The Bear and the Nightingale.
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I was introduced to the paranormal and unknown by my father. He was open to all possibilities. I loved being shocked, awed, and traumatized by the depths of dystopia and the heights of Utopian Imagination! I think, because we all live somewhere in between, flowing up and down as life experiences us, riding us ever onward!
I knew the basics of the Norse Gods and Goddesses, but told in the perspicacious words of a master storyteller like Gaiman, really painted the ruined walls with all the color needed!
I love processing what the minds who birthed these Gods must have thought, dreamed, meant, and saw!
Neil Gaiman, long inspired by ancient mythology in creating the fantastical realms of his fiction, presents a bravura rendition of the Norse gods and their world from their origin though their upheaval in Ragnarok.
In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin's son, incredibly strong yet not the wisest of gods; and Loki-son of a giant-blood brother to Odin and a trickster and unsurpassable manipulator.
Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the…
Wishes are dangerous. They can bring you a night out, a gown, even a pair of slippers. Or something you never should have wished for in the first place.
After the royal wedding, the girl in the glass slippers has everything she ever wanted: an escape from a life of…
I have a passion for reading and telling tales. But I am a Christian first and foremost, and when I am not studying the Bible, I love to write when my mind is at rest and not too busy with life’s responsibilities. I love fantasy as it has a rich capacity for symbolism, and Jesus taught with parables. Symbolism in storytelling is such a potent way to convey truths and stimulate thought as thoughts work like seeds. It only takes one seed to germinate and sprout. It takes a humble heart to listen and consider something new we haven’t thought of before. And epic tales have a strong impact for touching hearts, for it had truly reached mine.
I would have thought to list another book here, and for sure, there are truly many books to be read that could easily be listed here, and despite that, this is listing Tolkien’s works for a third time; the truth simply stands in my library that his works are simply that great.
So far be it that the renowned book of The Lord of the Rings be not included. I had been introduced to Tolkien and fantasy’s more serious nature by my dad and grandfather with readings of The Hobbit, and by it, I was already enamored with the world of Middle-earth, as Bilbo was my hero.
I loved the classic animated cartoon adaptations back then by Rankin and Bass, and Bakshi, which at the time was my main exposure to The Lord of the Rings, along with commentaries from my dad, until I finally read it at the time…
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.
I write and read fantasy that doesn’t play safe—where magic is messy, divine, rotten, or reborn in mud. I’m obsessed with stories that walk barefoot through forgotten folklore, eerie townships, and mythic detours. The Fallow Swallow grew from this exact craving: for fantasy that’s personal, poetic, and just a little unwell. I gravitate toward tales that embrace magical realism, morally grey characters, and dark humour—and these books helped shape my voice as a writer.
Reading this was like drinking tea with a ghost in a dusty library—charming, eerie, and wonderfully slow.
Clarke's ability to mix historical fiction with brooding, folkloric magic was inspiring. I admired how it builds tension not with battles, but with manners, contracts, and impossible choices. It taught me patience in worldbuilding and in life.
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
The wolves of the Wood do more than hunt you… they know your name.
When Red’s life collides with the royal family of Alameth, she is drawn into the haunting mystery of the wolves and the shadowed Wood that preys on her and her people. But as darkness closes in,…
As a child, I was a maladaptive daydreamer. I could often be found crafting elaborate fantasies in my head featuring fully-fledged worlds and characters that I would actively interact with and speak to as if they were real. I was a strange child, and I kept that strangeness with me when I went into fiction. Since then, I’ve always wanted to encapsulate the feeling of giving a movie-like experience in book form. I want the people who read my work to feel like they’re experiencing something real.
Reading this book felt like drinking a pitch-black winter night. That’s the best way I can describe it. Somehow, Valente managed to masterfully bottle the frigid sensation of a bleak midwinter and transport it to the page.
I’ve always loved this book for how mythic and grandiose it feels even in the short amount of pages it has. This is something that I feel would come alive in an animated adaptation where you can really capture the eerie and surrealist imagery used.
A handsome young man arrives in St Petersburg at the house of Marya Morevna. He is Koschei, the Tsar of Life, and he is Marya's fate. For years she follows him in love and in war, and bears the scars. But eventually Marya returns to her birthplace - only to discover a starveling city, haunted by death. Deathless is a fierce story of life and death, love and power, old memories, deep myth and dark magic, set against the history of Russia in the twentieth century. It is, quite simply, unforgettable.
I’ve always been fascinated by the concept of time travel, especially how it can pull you into an entirely different timeline and make you question the choices that shape your life. As a reader, I’m drawn to stories where time travel isn’t just a plot device but a way to explore themes of fate, identity, and the consequences of our actions. Over the years, I’ve delved into countless books that do just that—books that transport me to worlds both familiar and entirely new. This list reflects my passion for time travel stories that not only entertain but make me think long after I’ve turned the last page.
This is a wonderful blend of magic, history, and romance that completely swept me away. I loved how Harkness created a world where science and magic coexist, and the way she weaves historical references into a modern love story stole my heart.
The relationship between Diana and Matthew feels real, complicated, and deeply emotional, and I found myself fully invested in their journey. What really hooked me was the rich world-building, with its intricate details of witches, vampires, and daemons, making it feel like a universe I could dive into again and again. This is an annual reread for me. Book 1 in a wonderful series.
In this tale of passion and obsession, Diana Bishop, a young scholar and a descendant of witches, discovers a long-lost and enchanted alchemical manuscript, Ashmole 782, deep in Oxford's Bodleian Library. Its reappearance summons a fantastical underworld, which she navigates with her leading man, vampire geneticist Matthew Clairmont.
I’ve been obsessed with sci-fi romance since I was a kid watching the Klingon wedding of Worf and Jadzia Dax in Star Trek: Deep Space Nine. I love the idea of mashing these two distinct genres together. While sci-fi and romance both explore the human condition, sci-fi goes wide while romance is intimate. I think this makes the crossover of these two genres work especially well. My foremost inspiration for sci-fi romance is Lois McMaster Bujold, who offers a masterclass in how to deftly weave compelling romance into a sci-fi setting without sacrificing any action or political intrigue.
This book is unhinged in the best way. I love Gideon’s unique voice. Around her is a deadly-serious necromancer murder mystery with interplanetary stakes, and she cares more about cracking dirty jokes and finally eating some warm food. Her relationship with her arch-nemesis/only friend Harrow leaps off the page.
I love the scene where they get into a pool so Harrow can finally confess to Gideon her darkest secret—so hot and so disturbing all at the same time. While this book isn’t technically a romance and the genre feels more like a horror fantasy set in space, I couldn’t resist putting it on the list. As Gideon says to Harrow, “One flesh, one end, bitch.”
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
We are all surrounded by darkness. And we are all drawn to the light.
The Orkney Islands north of Scotland are steeped in stories of selkies, seal folk who swim in cold ocean waters and shed their skins to sing and dance on land.
The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.
Leavitt’s story is a fairytale and like all good fairytales, there is a handsome prince except this one is played by Lord Death himself.
I love Keturah. She is brave enough not to be afraid and big-hearted enough to see beyond Death’s terrifying purpose to the underlying sadness of the feared and hated outsider. Through the course of the book, she also comes to appreciate the meaning he brings to life.
“It was Death who…made her see the sun in the blue sky and hear the trees in a spring wind. He made her see how much she loved her friends…Made her love the breath in her lungs. She knew she had never been truly alive as when she met him. Never so happy and content with her lot until she was touched by the sorrow of him.”
A young woman makes a bargain with Death himself-and only true love can set her free-in this spellbinding YA fantasy romance for fans of Robin McKinley.
For most of her sixteen years, beautiful Keturah Reeves has mesmerized the villagers with her gift for storytelling. But when she becomes hopelessly lost in the king's forest, her strength all but diminished, she must spin the most important of tale of life. With her fate hanging in the balance, she charms Death himself-a handsome, melancholy, and stern lord-with a story of a love so true that he agrees to…
Throughout my life I found the trick to getting through rough patches meant isolating dark thoughts. I got them out by creating something (artworks, poems, stories), and looked forward to new horizons, though these works could easily be misinterpreted by those around me. When I was fifteen, after my father died and we were forced off the farm, I created a series of disturbing drawings that won the school's art prize and were displayed at graduation. A friend of my mother saw the exhibit and said, “Oh Dorothy, I’m so sorry.” It gave us a laugh later when Mother realized this method of cleansing beat finding a psychiatrist, and the cost couldn’t be beat.
This story is a twist on a familiar Lewis Carroll tale.
It is unsettling in a dementia-like way, spinning the reader from the known into the unknown with just enough of the old story to keep them from tipping completely off balance, hope and dark humor always alive.
This book helped me with the twisting of fact and fiction in my own books, where I used many of my own family incidents (and fears), but gave them to fictional characters with their own generational slant.
In a warren of crumbling buildings and desperate people called the Old City, there stands a hospital with cinderblock walls which echo with the screams of the poor souls inside.In the hospital, there is a woman. Her hair, once blonde, hangs in tangles down her back. She doesn't remember why she's in such a terrible place-just a tea party long ago, and long ears, and blood...Then, one night, a fire at the hospital gives the woman a chance to escape, tumbling out of the hole that imprisoned her, leaving her free to uncover the truth about what happened to her…
Fantasy has long been one of my go-to genres. I also studied history in college and grad school. And while my academic focus was 20th-century America, I’ve always enjoyed studying other regions and eras. So if you can boil a book down to the equation History + Fantasy = Magical Learning Experience, I’m in. Those are also the types of novels I love to write.
Gods of Jade and Shadow starts as a Mexican Cinderella story, except that the fairy godmother is a Mayan god of death.
Not sold yet? What if I told you the god of death is also Prince Charming?
It’s an awesome premise.
I also enjoyed the setting. The story takes place in Jazz Age Mexico, shortly after the Mexican Revolution and at a time when pop culture was “all about the United States” and “reproducing its women, its dances, its fast pace.” Yet there’s far more old than new here. Mayan mythology threads throughout.
I didn’t always love the pace, but the book has an irresistible style. If you like fresh takes on classic fairy tales, Gods of Jade and Shadow is definitely worth a look.
'This is historical fantasy at its best' S.A. Chakraborty, author of The City of Brass
Inspired by Mexican folklore, Gods of Jade and Shadow is a magical, wildly imaginative coming-of-age tale for fans of Katherine Arden, Naomi Novik and Helene Wecker.
The Jazz Age is in full swing, but it's passing Casiopea Tun by. She's too busy scrubbing floors in her wealthy grandfather's house to do anything more than dream of a life far from her dusty, small town in southern Mexico. A life she could call her own.
This dream is impossible, distant as the stars - until the…
Cassie Fairhope longs for only one thing: to escape her mother’s tyranny.
Her plan? Seduce the young man, who is acting as innkeeper while her father is away on business, into marrying her. But Flint Hamilton has his own plans and they don’t include marriage, even to the pretty temptress.…
I have been thinking about spiritual things since I was around 9 years old, and as soon as I was old enough, I was off learning experientially in the world. This has allowed for deep learning and understanding of a wide range of subjects, particularly spirituality and ultimate reality. I teach philosophy, religious studies, and politics in my day job, and so, now on the cusp of 46 years, I can truly say I love spiritual and philosophical thought. I also think it’s hard to write books about these topics and I love how allegory and fable can be so accessible.
I laughed out loud and had moments of deep philosophical reflection, normally at the same time, with this book. I loved the clever and deep meanings and parodies of faith and the divine. I think that this book taught me to always take things with a pinch of salt, and I started thinking critically because of it.
I could not stop reading it and devoured the other books in the series and I think this is one of my favourite authors. I am inspired to emulate some aspects of the author’s thinking and this book is why.
Fans of Sir Terry Pratchett will love this stunning graphic novel adaptation of his bestselling standalone Discworld novel Small Gods. Beautifully brought to life by illustrator Ray Friesen, it takes a close look at religion's institutions, its people, its practices and its role in politics in Pratchett's unique way...
'An intriguing satire on institutionalized religion corrupted by power...' - Independent 'Deftly weaves themes of forgiveness, belief and spiritual regeneration' - The Times 'I loved this book. I wish it could go on and on and on because it was so enjoyable to read. I wish more books are like this…
