Here are 100 books that Exit West fans have personally recommended if you like
Exit West.
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From an early age, I was steeped in stories. My mother is a great storyteller and would tell vivid and exciting stories of her childhood, giving me a great sense of my own life as a part of the story of generations. We moved around a lot for my father’s job, which was sometimes disorientating and could lead to loneliness, and I took refuge in libraries and in writing stories of my own. By the time I left school, literature was my big love and mainstay, and I took a degree in English and later taught it in schools. Reading and writing stories has since become my life.
I honestly felt my life had more meaning after I first read this book, as it touched on so much that was close to my heart.
I totally identified with the protagonist’s emotional journey: a childhood imbued with a sense of things lost and hidden, which, in adulthood, he tries to quell with erudition before the past erupts and he learns the truth of his tortured origins.
I found it really haunting and more in touch with the truth about the human condition than most books I’ve read. I’ve read it three times, once with my reading group, and I’m sure I’ll read it again.
This tenth anniversary edition of W. G. Sebald’s celebrated masterpiece includes a new Introduction by acclaimed critic James Wood. Austerlitz is the story of a man’s search for the answer to his life’s central riddle. A small child when he comes to England on a Kindertransport in the summer of 1939, Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, fleeting memories return to him, and obeying an instinct he only dimly understands, Austerlitz follows their trail back to the world he…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have always been drawn to stories about identity and belonging, not just because of my own journey, but because of how powerful stories can be in helping us understand each other. Growing up between cultures, I often found myself searching for where I fit. Books played a big role in that. They gave me perspective, comfort, and sometimes just the reassurance that I was not alone in feeling that way. That is why these stories matter to me. They help people feel seen, and in doing so, help them understand others in a deeper and more human way.
This is one of those books that stayed with me long after I finished it.
I connected deeply with the way it explores friendship, guilt, and what it means to carry your past with you. What stood out to me most was how human it felt.
It reminded me that behind every journey and every label, there are relationships and moments that shape who we become. It does not simplify anything, and that honesty is what makes it powerful.
Afghanistan, 1975: Twelve-year-old Amir is desperate to win the local kite-fighting tournament and his loyal friend Hassan promises to help him. But neither of the boys can foresee what will happen to Hassan that afternoon, an event that is to shatter their lives. After the Russians invade and the family is forced to flee to America, Amir realises that one day he must return to Afghanistan under Taliban rule to find the one thing that his new world cannot grant him: redemption.
I am an art historian, curator, and speculative fiction writer from Croatia, and I’ve always been in love with folklore, mythology, and all things ancient. In my work, I always try to blend real historical details with magic, and I adore secondary worlds that are immersive and solid enough to walk into yet different from our own.
This is a perfect wintry read for me: a book set in the dark, snow-laden forests filled with dangerous creatures who stepped right out of the Russian folk tales.
I love the main protagonist, Vasya, a brave, stubborn girl who fights to protect her family. I found the story immersive and unputdownable, filled with darkness and enchanting beauty, and I wholeheartedly recommend it, as well as its two sequels in the Winternight Trilogy.
_____________________________ Beware the evil in the woods...
In a village at the edge of the wilderness of northern Russia, where the winds blow cold and the snow falls many months of the year, an elderly servant tells stories of sorcery, folklore and the Winter King to the children of the family, tales of old magic frowned upon by the church.
But for the young, wild Vasya these are far more than just stories. She alone can see the house spirits that guard her home, and sense the growing forces of dark magic in the woods. . .
Former model Kira McGovern picks up the paint brushes of her youth and through an unexpected epiphany she decides to mix ashes of the deceased with her paints to produce tributes for grieving families.
Unexpectedly this leads to visions and images of the subjects of her work and terrifying changes…
I love wordless books immoderately, and I also love books that have meta, surreal, or magical realism elements. This list combines these two features! I was personally so happy that The Red Book was described in a review as “a wordless mind trip for tots,” and I think all the books on this list would perfectly fit that description (and much, much more!) too.
I will remain forever astonished at the epic feat of world-building in The Arrival. It thoroughly pulls me into an immersive experience where I am learning along with the main character how to navigate the new world into which he has immigrated. As he learns, we learn. I find myself so emotionally involved with his success in his hopeful new reality. The art is amazingly detailed and conveys the complex and richly visual world, yet also sets a strong emotional tone that brings us into the action.
What drives so many to leave everything behind and journey alone to a mysterious country, a place without family or friends, where everything is nameless and the future is unknown. This silent graphic novel is the story of every migrant, every refugee, every displaced person, and a tribute to all those who have made the journey.
THE ARRIVAL has become one of the most critically acclaimed books of recent years, a wordless masterpiece that describes a world beyond any familiar time or place.
Sited as No 35 in The Times 100 Best Books of all time. It has sold over…
These days, I’m an author, but that was long predated by being a reader. I’ve loved fairy tales all my life and spent most of my childhood lugging around a thick paperback copy of the Brothers Grimm's stories. My nationally bestselling second novel, Bear, is a reimagining of my favorite tale: “Snow-White and Rose-Red. " It is about two sisters who live in a cottage with their mother and whose lives are upended when a bear shows up at their door.
Eowyn Ivey’s work hits every one of my interests: lush writing, Alaskan wilderness, family drama, untamed beasts, folklore and fairy tales, parenthood, childhood, and the struggle to survive…I mean, really, it couldn’t be more perfect.
Her debut novel references the Russian fairy tale “Snegurochka,” about a girl made of ice. It’s an absolutely gorgeous and transporting book that also happens to have been a finalist for the Pulitzer Prize—again, perfect, right?
A bewitching tale of heartbreak and hope set in 1920s Alaska, Eowyn Ivey's THE SNOW CHILD was a top ten bestseller in hardback and paperback, and went on to be a Finalist for the Pulitzer Prize.
Alaska, the 1920s. Jack and Mabel have staked everything on a fresh start in a remote homestead, but the wilderness is a stark place, and Mabel is haunted by the baby she lost many years before. When a little girl appears mysteriously on their land, each is filled with wonder, but also foreboding: is she what she seems, and can they find room in…
My obsession with metamorphosis began after my wife and I discovered that we're going to have our third child. I started having nightly dreams about the butterflies I kept in a dry aquarium when I was a kid, waking up in the middle of the night with a flashlight strapped to my forehead, waiting to see them emerge from their chrysalis. A pregnancy somehow feels like our human version of emergence: few experiences are as life-changing as becoming a parent, and fewer wonders more exhilarating than the natural magic of metamorphosis. Both mark beginnings but are in fact continuations. Both, in different ways, are also forms of endings. Both make us wonder about the riddles of our world.
Maria Sibylla Merian was a 17th-century painter and naturalist who traveled with her daughter at the age of 52, in the year 1699, to observe and paint the life-cycle of butterflies and other insects in the Suriname jungles.
She was an extraordinary woman, often referred to as "the Mother of Ecology", and this is a beautiful book telling her story.
As it happens, Maria played an important role in cracking the mystery of metamorphosis, going back to the philosophers and naturalists of ancient Greece.
Before Darwin, before Audubon, before Gilbert White, there was Merian. An artist turned naturalist, known for her botanical illustrations, Maria Sybilla Merian was born in Germany just sixteen years after Galileo proclaimed that the earth orbited the sun. But at the age of fifty she sailed from Europe to the New World on a solo scientific expedition to study insect metamorphosis - an unheard-of journey for any naturalist at that time, much less an unaccompanied woman. When she returned she produced a book that secured her reputation, only to have it savaged in the nineteenth century by scientists who disdained…
Rusty Allen is an Iraqi War veteran with PTSD. He moves to his grandfather's cabin in the mountains to find some peace and go back to wilderness training.
He gets wrapped up in a kidnapping first, as a suspect and then as a guide. He tolerates the sheriff's deputy with…
A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirling’s novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
A children’s book that adults will enjoy, The Night Diary is the story of twelve-year-old Nisha, half-Muslim, half-Hindu, and caught up in the tragedy of partition – where Pakistan and India separated in the aftermath of India’s independence from Britain.
Nisha is about to experience the disorientation and fear that comes when a family decides to flee for safety. Nisha’s story is told through a series of letters to her mother as she leaves what is now Pakistan, to find a home and an identity. Her predicament – that of a desperate search not just for physical safety but for hope - reminds me of that of Resi, the main character in Sigh For A Strange Land, who wants nothing more than to find that "'tomorrow' is not a threatening word."
It's 1947, and India, newly independent of British rule, has been separated into two countries: Pakistan and India. The divide has created much tension between Hindus and Muslims, and hundreds of thousands are killed crossing borders.
Half-Muslim, half-Hindu twelve-year-old Nisha doesn't know where she belongs, or what her country is anymore. When Papa decides it's too dangerous to stay in what is now Pakistan, Nisha and her family become refugees and embark first by train but later on foot to reach her new home. The journey is long, difficult, and dangerous, and after losing her mother as a baby, Nisha…
My obsession with metamorphosis began after my wife and I discovered that we're going to have our third child. I started having nightly dreams about the butterflies I kept in a dry aquarium when I was a kid, waking up in the middle of the night with a flashlight strapped to my forehead, waiting to see them emerge from their chrysalis. A pregnancy somehow feels like our human version of emergence: few experiences are as life-changing as becoming a parent, and fewer wonders more exhilarating than the natural magic of metamorphosis. Both mark beginnings but are in fact continuations. Both, in different ways, are also forms of endings. Both make us wonder about the riddles of our world.
In this classic, Gregor Samsa, a traveling salesman, famously wakes up one morning to discover that he is a gigantic vermin.
Interpretations of the book range from Kafka trying to say that modern life reduces us all to being bugs, to the idea that Kafka was really writing about art, and how, since the artist cannot ever be understood, he might as well be an insect.
I read it as Kafka's attempt to reconcile two philosophies - that of Nietzsche, who claimed that the human will is a force that leads to happiness, and that of Schopenhauer, who claimed that the will is just about survival.
In Kafka's hands, metamorphosis is both life-affirming and life-denying.
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.”
With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century…
I've been aware since childhood how people are battered by political and social forces. My family lived in Taiwan in the 1950s, when it was an impoverished, insecure place. Later, back in D.C., the Civil Rights movement and nascent counterculture and my mother's death deepened my conviction that conflict and fragility are facts of life. Novels like these five, whose characters face overwhelming situations, nurture our reserves of empathy. In my memoir of adolescence, I reexamined how, at 16, I tried to handle the jigsaw pieces of looming adulthood, gay panic, family tragedy, and social upheaval. That needed all the empathy—for myself—that I could muster.
This quiet, unsettling book was written over a decade ago but still feels so topical and urgent that it might have been published today. In a German city, dozens of African migrants living on the street stage a hunger strike for the right to work. Richard, a widowed academic in bored retirement goes to meet them, and gets involved.
I recalled my own impulses to activism and charity as a kid and now— my curiosity to understand other people's plight, compulsion to help, and perhaps guilt that, in comparison, my own problems are negligible.
Richard is motivated by morality, a search for meaning, and a desire for connection and shared action. I've been there, too, and like him, I've learned that friendships can sour and good intentions go wrong.
Go, Went, Gone is the masterful new novel by the acclaimed German writer Jenny Erpenbeck, "one of the most significant German-language novelists of her generation" (The Millions). The novel tells the tale of Richard, a retired classics professor who lives in Berlin. His wife has died, and he lives a routine existence until one day he spies some African refugees staging a hunger strike in Alexanderplatz. Curiosity turns to compassion and an inner transformation, as he visits their shelter, interviews them, and becomes embroiled in their harrowing fates. Go, Went, Gone is a scathing indictment of Western policy toward the…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I have always been drawn to stories about identity and belonging, not just because of my own journey, but because of how powerful stories can be in helping us understand each other. Growing up between cultures, I often found myself searching for where I fit. Books played a big role in that. They gave me perspective, comfort, and sometimes just the reassurance that I was not alone in feeling that way. That is why these stories matter to me. They help people feel seen, and in doing so, help them understand others in a deeper and more human way.
I admire how this book makes difficult themes accessible without losing their depth. It is told through a child’s perspective, but the message carries far beyond that.
What stood out to me was the simplicity of kindness. Sometimes we overthink what it means to support or understand someone, but this book brings it back to something more human and instinctive. That simplicity is what makes it powerful.
WINNER OF THE BLUE PETER BOOK AWARD 2019 WINNER OF THE WATERSTONES CHILDREN'S BOOK PRIZE 2019 SHORTLISTED FOR THE JHALAK PRIZE 2019
Told with heart and humour, The Boy at the Back of the Class is a child's perspective on the refugee crisis, highlighting the importance of friendship and kindness in a world that doesn't always make sense.
There used to be an empty chair at the back of my class, but now a new boy called Ahmet is sitting in it.
He's nine years old (just like me), but he's very strange. He…
