Books like Dreams Underfoot

I grew up hearing Scottish folklore told as truth, stories of spirits, warnings, and strange kindnesses passed off as everyday fact. I have always been fascinated by the idea that there is something more, something hidden just out of sight. As a child I was scared of everything, so I forced myself to watch old Hammer horror films to toughen up. It worked a bit too well and left me with a lifelong love of the dark underside of things. Now, as a stand-up comedian and writer, I have learned there can be humour in anything, and sometimes the best way to make something real is to laugh at the awful.

I’ve had a passion for weirdness in mundane settings since my childhood days watching The Addams Family in a boring suburb. I grew up with the Apollo program, but as I realized I’d never be an astronaut, I increasingly turned to writing science fiction and fantasy set on Earth. I discovered role-playing games shortly after D&D came out, but when I became bored with characters who were only after money and mayhem, I found other RPGs and began writing for them. FGU’s Bushido introduced me to Japanese mythology, which inspired my first urban fantasy novel, The Art of Arrow Cutting, which led me to being invited to write Shadowrun novels.

I’ve had a passion for weirdness in mundane settings since my childhood days watching The Addams Family in a boring suburb. I grew up with the Apollo program, but as I realized I’d never be an astronaut, I increasingly turned to writing science fiction and fantasy set on Earth. I discovered role-playing games shortly after D&D came out, but when I became bored with characters who were only after money and mayhem, I found other RPGs and began writing for them. FGU’s Bushido introduced me to Japanese mythology, which inspired my first urban fantasy novel, The Art of Arrow Cutting, which led me to being invited to write Shadowrun novels.

I’ve had a passion for weirdness in mundane settings since my childhood days watching The Addams Family in a boring suburb. I grew up with the Apollo program, but as I realized I’d never be an astronaut, I increasingly turned to writing science fiction and fantasy set on Earth. I discovered role-playing games shortly after D&D came out, but when I became bored with characters who were only after money and mayhem, I found other RPGs and began writing for them. FGU’s Bushido introduced me to Japanese mythology, which inspired my first urban fantasy novel, The Art of Arrow Cutting, which led me to being invited to write Shadowrun novels.

As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.

I grew up in Minnesota, and although I have not lived there for most of my adult life, it will always be home for me. I miss the prairie, the lakes, and the wide open skies; I even miss the winters. So I love reading good books set in the Midwest. To me these five books exemplify all that is best about Midwesterners: their honesty, their modesty, their connection to the land; their belief in themselves, and in the interesting and good people in this part of the country. Each of these writers shows that sometimes you can go home again: and that it can be worth it to do so. 

Throughout my teenage and early adult years, I experienced episodes of mental illness. Thankfully, it seems to be behind me, but it's not something I’ll ever forget, and I find myself deeply intrigued by the manifestations of those darker aspects in others. Some people hurt themselves and some hurt others, the common thread is the presence of pain and suffering. As heartrending as this reality is, it holds a certain fascination for me, both in real life and in literature. That’s why I write about it; that’s why I read about it.

I am what you might call an “armchair explorer.” I love reading about new places and parts of the world. I am fascinated by the history of communities. Places are not just locations; they are ideas formed by the stories that people tell about them. I love novels where I can get a true sense of a place and time. This passion led me to a love for folklore and legend. Nothing can provide a sense of a place better than its folklore. When I wrote Intercession, one of my main goals was to create a place and people that could be known through the stories they tell each other. 

I am the New York Times bestselling author of The Paris Library and Moonlight in Odessa. Like the authors on the list I selected for Shepherd, I'm skilled at turning experiences at minimum-wage jobs into novels. I earned $25 a month teaching full-time at a high school in Odessa, which is the setting for my first novel. My second book takes place at the American Library in Paris, where I was the programs manager. Setting is the start of my fiction, because I believe that where we are from has a lot to do with who we are. I hope that you’ll enjoy these selections.

I write action-packed post-apocalyptic and dystopian adventures—with a dash of romance. An avid reader of science fiction and fantasy from an early age, the only job I ever wanted—besides being a writer—was to be a Star Fleet Officer. I owe my love of all things zombie to my older brothers, whose influence in books, music, and film continues to this day, although my tolerance for puns and movies that are "so bad they're good" is a whole lot lower than theirs. The idea of becoming a zombie because my car runs out of gas gets me to the gas station when I'd rather not bother.