100 Books Like Dreams Underfoot

I grew up hearing Scottish folklore told as truth, stories of spirits, warnings, and strange kindnesses passed off as everyday fact. I have always been fascinated by the idea that there is something more, something hidden just out of sight. As a child I was scared of everything, so I forced myself to watch old Hammer horror films to toughen up. It worked a bit too well and left me with a lifelong love of the dark underside of things. Now, as a stand-up comedian and writer, I have learned there can be humour in anything, and sometimes the best way to make something real is to laugh at the awful.

I’ve had a passion for weirdness in mundane settings since my childhood days watching The Addams Family in a boring suburb. I grew up with the Apollo program, but as I realized I’d never be an astronaut, I increasingly turned to writing science fiction and fantasy set on Earth. I discovered role-playing games shortly after D&D came out, but when I became bored with characters who were only after money and mayhem, I found other RPGs and began writing for them. FGU’s Bushido introduced me to Japanese mythology, which inspired my first urban fantasy novel, The Art of Arrow Cutting, which led me to being invited to write Shadowrun novels.

I’ve had a passion for weirdness in mundane settings since my childhood days watching The Addams Family in a boring suburb. I grew up with the Apollo program, but as I realized I’d never be an astronaut, I increasingly turned to writing science fiction and fantasy set on Earth. I discovered role-playing games shortly after D&D came out, but when I became bored with characters who were only after money and mayhem, I found other RPGs and began writing for them. FGU’s Bushido introduced me to Japanese mythology, which inspired my first urban fantasy novel, The Art of Arrow Cutting, which led me to being invited to write Shadowrun novels.

I’ve had a passion for weirdness in mundane settings since my childhood days watching The Addams Family in a boring suburb. I grew up with the Apollo program, but as I realized I’d never be an astronaut, I increasingly turned to writing science fiction and fantasy set on Earth. I discovered role-playing games shortly after D&D came out, but when I became bored with characters who were only after money and mayhem, I found other RPGs and began writing for them. FGU’s Bushido introduced me to Japanese mythology, which inspired my first urban fantasy novel, The Art of Arrow Cutting, which led me to being invited to write Shadowrun novels.

I am an award-winning author of picture books and early readers. I have set my stories in many kinds of locations, including a haunted house, an Eastern European shtetl, an English Renaissance village, and a working cattle ranch. For Wake Up, City, I turned to the setting I know best, the city. I drew on memories of walking to kindergarten in early morning Brooklyn. This book is my love song to cities everywhere. As a lifelong city dweller, I worry about the impact of urban spread on the planet, but I feel hopeful, too, because many cities are becoming more nature and wildlife-friendly. The books I'm excited to share celebrate city wildlife. 

I am what you might call an “armchair explorer.” I love reading about new places and parts of the world. I am fascinated by the history of communities. Places are not just locations; they are ideas formed by the stories that people tell about them. I love novels where I can get a true sense of a place and time. This passion led me to a love for folklore and legend. Nothing can provide a sense of a place better than its folklore. When I wrote Intercession, one of my main goals was to create a place and people that could be known through the stories they tell each other. 

I write action-packed post-apocalyptic and dystopian adventures—with a dash of romance. An avid reader of science fiction and fantasy from an early age, the only job I ever wanted—besides being a writer—was to be a Star Fleet Officer. I owe my love of all things zombie to my older brothers, whose influence in books, music, and film continues to this day, although my tolerance for puns and movies that are "so bad they're good" is a whole lot lower than theirs. The idea of becoming a zombie because my car runs out of gas gets me to the gas station when I'd rather not bother.

I have lived in Mazatlán, Mexico, for the last 6 years and have explored much of this beautiful country, from the Pacific coast to Mexico City to Puerto Peñasca and the region around the Sea of Cortez. It’s fascinating and varied, and the people here are welcoming and kind. I teach art to primary school children at a local school and love sharing Spanish and English books with them about Mexico. These are some of my favorite books that my students love.

I am the New York Times bestselling author of The Paris Library and Moonlight in Odessa. Like the authors on the list I selected for Shepherd, I'm skilled at turning experiences at minimum-wage jobs into novels. I earned $25 a month teaching full-time at a high school in Odessa, which is the setting for my first novel. My second book takes place at the American Library in Paris, where I was the programs manager. Setting is the start of my fiction, because I believe that where we are from has a lot to do with who we are. I hope that you’ll enjoy these selections.

As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.