Books like York

If you want even earlier information than 1068, Palliser begins with Roman York, Eboracum, moves through Scandinavian York, Jorvik, and then joins up with the city as it grows in the middle ages. The introduction discusses why a city grew in this particular spot, the strategic, geologic, and geographic advantage of the Vale of York.

This is the perfect complement to Rees Jones’s book, with more emphasis on the political and military history than hers and extending past the Black Death into the large degree of independent rule gained in two charters granted by King Richard II, then on to the gradual decline of the city in the 16th century.

Kermode focuses on the dynamics of northern urban society in the three major towns along the corridor on the lowland plain by the River Ouse—York, Beverley, and Hull. Merchants from the three towns joined partnerships and intermarried, creating dynasties, the most prominent mingling with the gentry and royal households of the region, and served in parliament as MP’s. The merchants tend to be wealthier than their craftsmen neighbors.

Chapters cover politics, the nuts, and bolts of their trade, how they accrued wealth, and how they used that wealth. Appendix B, Some Merchant Biographies, reads like the society pages, offering tantalizing glimpses into family connections.

A classic cited in every title on my list, Goldberg’s book provides a glimpse into the lives of women in the area, both rural and urban. The book grew out of the question, How far was marriage a necessity for medieval women? His focus is on women in the north, with its unique labor issues. To answer the question he examines the economy and how women participated in it, with an emphasis on the changes brought on by the decline in population after the Black Death in the later 14th century.

He covers tradeswomen, servants, prostitutes, farm laborers, with glimpses into the lives they led and how the different groups made choices about marriage. Women in York and Yorkshire chose to enter the workforce, often delaying marriage until it offered a clear advantage, and their economic independence offered them an advantage in making decisions about their future. Gives a… show more.

Why would this 50 year period be so interesting in these two cities? In these years Bristol and York were second only to London in influence and growth within the realm, and as the rising merchant class accrued wealth they used it to make agreements with the crown—to their advantage, of course. With King Edward III it was all about his war with France; with his grandson and successor King Richard II it was about gaining charters that made them more independent of royal interference as well as negotiating their way between the political factions within the nobility.

Richard’s reign was a dangerous time, especially at the end when York merchants chose to loan money to Henry Bolingbroke’s uprising against his cousin the king. The stakes were high and the personalities larger than life.

I learnt so much from this book when I was writing my biography of Chaucer. It is hard to find out information about childhood in history, and yet it is impossible to try to understand a society if we don’t know how children were brought up, what games they played, how they were educated, what adolescence was like. This book tells us about all those things. You can find out about how children learnt to read, what happened to orphans, the opportunities for pre-marital sex. Looking at a wide range of historical records and literary texts, Hanawalt pieces together a remarkably complete picture of medieval childhood. Looking at causes of death, for example, tells her where male and female children spent their time and what they were likely to be doing (boys were more likely to be outside). And archaeological finds reveal what kinds of toys children played with. Fascinating… show more.

Charles de Lint is one of my favorite authors, and this book of short stories is set in Newford, his fictional city. It’s a fully-formed universe where there's always more to discover. You can read any of his books at any time; there’s no order they must be read in. I guarantee that the more you learn of his worlds—and especially Newford—the more you’ll want. I read Pixel Pixies (my favorite short story of all time) to my mom and dad when my mom was dying of cancer. I could barely read the last paragraph for wanting to cry; not because the story is sad, but because it's so beautiful, so hopeful, so abso-freaking-lutely wonderful. I still get teary-eyed thinking about that evening of reading that story to my mom and dad.

That’s what de Lint does. He transports you not only to a world, but indelibly marks the feelings… show more.

I recommend this book because, to me, it is unique–I’ve never read a book like it. It’s an interesting plot, end-of-the-world stuff, with some very unlikeable, low-life characters. It’s set in a very dark version of London that I know and love, in a pub environment similar to the one that I grew up in.

There is murder on the cards throughout the story, but the author still manages to squeeze in some humor. It’s just a different style of writing that I think people should give a try.

This is based on the L.A. River (which is undergoing an exciting revitalization) but it could be any industrial downtown: freeways, warehouses, graffiti, smog. A boy discovers a secret place, where a river still runs through a concrete bed. In hushed tones, he tells us who else knows his secret - an egret, a green-winged teal, nesting mallards, coyotes, and possum. The vivid description makes me feel as if I am right there with him, sharing his sense of wonder. This deceptively simple book offers a powerful argument for restoring green space. 

Samuel R. Delaney’s masterpiece, Dhalgren, is set in a city in the Midwest that has been emptied by an unnamed catastrophe.

A sense of freedom, violence and disaster hang everywhere as the hero – Kidd, Kid, or the kid, a man with no memory and of ambiguous race (he remembers his mother was Native American) – gains entry into the subcultures that remain behind: parties, high-rise poetry readings with older white people, gun fights, gangs, graphic sex.

Time and perspective seem fluxive, inconstant, and looping. 

This is beautiful, destabilized world building. Dhalgren answers no questions yet evokes a time, place, and milieu that shifts as you read.

I first found it when I was working as a librarian in a prison out on the plains. I didn’t last in prison.

“I want a long, calm book about people with large incomes – a book like a flat green meadow and the sheep feeding in it… I read most of the time and I am happy.” First published in1939, this novel is a portrait of a woman who struggles in Paris. She is on her own and has no job or money.