Here are 100 books that Mapp and Lucia fans have personally recommended if you like
Mapp and Lucia.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
I love the absolutely authentic atmosphere of this book – the clothes, the music, the booze -- and the exploration of the dark side of the 1920s.
I find some of the characters sympathetic, some repellent, and some impossible to understand, just as in real life. Regardless, I feel that I really get to know them by the end of the book, even if I still don’t understand them. I can’t help but make comparisons with that time period and now, a century later. So much has changed, yet so much remains the same.
I’ll be honest that it can be a depressing read, so I have to be in the right mood for it, but when I am, nothing else will satisfy.
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I was fortunate enough to meet my husband over 17 years ago, and we have packed a lot of life in since then. Along with two kids and a dog, we’ve had our fair share of tough moments: financial challenges, bereavement, family issues, marital disagreement, and traumatic life events that taught me just as much as my two decades-long career as a relationship psychotherapist has. This, combined with working with individuals, couples, and partners in search of what love means and how to practically go about achieving it, has clarified for me just how much we all need tools and teachings when it comes to matters of the heart.
Jane Austen would have made such a great therapist! Her razor-sharp observations, combined with profound insights into people and relationships, make this book an all-time favorite of mine. I love her descriptions of falling in (and out of) love and how fallible each of her characters is, reminding us of our humanity–especially when it comes to matters of the heart.
What also strikes me is how true it is that pride, image, and status can still play out in our more modern relationships today. This book feels very old-fashioned in places, but it warns us how easily we can hurt other people and damage relationships, sometimes irrevocably. There’s a lot to learn from Emma, and I enjoy seeing relationships depicted in fiction, where so much can be explored through a fascinating and absorbing story, too.
'Her masterpiece, mixing the sparkle of her early books with a deep sensibility' Robert McCrum, Observer
Although described by Jane Austen as a character 'whom no one but myself will much like', the irrepressible Emma Woodhouse is one of her most beloved heroines. Clever, rich and beautiful, she sees no need for marriage, but loves interfering in the romantic lives of others, until her matchmaking plans unravel, with consequences that she never expected. Jane Austen's novel of youthful exuberance and gradual self-knowledge is a brilliant, sparkling comic masterpiece.
I’ve been “big-five-published” in contemporary fiction, Indie-published in speculative thrillers and I – only last year – rejected several publishers in favour of self-publishing books Jane Austen herself might have loved. A Jane Austen fanatic from an early age, I know most of the novels by heart, and appear to have succeeded (to some extent) in understanding her style. My Susan – a unique imagining of Austen’s Lady Susan as a young girl – is both award-winning and bestselling and my Harriet– an imaginative “take” on Austen’s Emma,has just been selected as "Editor's Pick - outstanding" on Publishers Weekly.
The delight of this book is in the characters of the two sisters, and the character development/coming-of-age arc of the hero.
We have two sisters in a little village (living in the Small House at Allington). They are very different, but both delightful - one sought by a cousin she can't care for, the other jilted by a casual gallant.
As I've written elsewhere, the plot is Austenesque and the writing not far inferior - the dialogue instantly transports one to the period, to the village, and every character is cleverly drawn. It was first published in serial form, so there are no boring bits. There's a satirical portrait of high society, too, and the men are much better-developed than is generally the case in the period. There's a HEA, but not necessarily the one expected!! Highly recommended!
'She had resolved to trust in everything, and, having so trusted, she would not provide for herself any possibility of retreat.'
Lively and attractive, Lily Dale lives with her mother and sister at the Small House at Allington. She falls passionately in love with the urbane Adolphus Crosbie, and is devastated when he abandons her for the aristocratic Lady Alexandrina de Courcy. But Lily has another suitor, Johnny Eames, who has been devoted to her since boyhood. Perhaps she can find renewed happiness in Johnny's courtship?
The Small House at Allington was among the most successful of Trollope's Barsetshire novels,…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I’ve been “big-five-published” in contemporary fiction, Indie-published in speculative thrillers and I – only last year – rejected several publishers in favour of self-publishing books Jane Austen herself might have loved. A Jane Austen fanatic from an early age, I know most of the novels by heart, and appear to have succeeded (to some extent) in understanding her style. My Susan – a unique imagining of Austen’s Lady Susan as a young girl – is both award-winning and bestselling and my Harriet– an imaginative “take” on Austen’s Emma,has just been selected as "Editor's Pick - outstanding" on Publishers Weekly.
I could have picked most of the Jeeves novels - though the Mulliner stories are almost as funny - of the immortal P.G. Wodehouse, but this one is especially full of panache. Bertie Wooster is forced to pretend to be Gussie Fink-Nottle in Deverill Hall - a stately pile infested with any number of critical aunts - and the machinations Jeeves is involved in while sorting out the love lives of the rest - not Bertie, on this occasion - are brilliantly done. A great introduction to Wodehouse, for the uninitiated - for the aficionados, a treat.
Follow the adventures of Bertie Wooster and his gentleman's gentleman, Jeeves, in this stunning new edition of one of the greatest comic novels in the English language. Steeple Bumphleigh is a very picturesque place. But for Bertie Wooster, it is a place to be avoided, containing not only the appalling Aunt Agatha but also her husband, the terrifying Lord Worplesdon. So when a certain amount of familial arm-twisting is applied, Bertie heads for the sticks in fear and trepidation despite the support of the irreplaceable Jeeves.
I’ve been “big-five-published” in contemporary fiction, Indie-published in speculative thrillers and I – only last year – rejected several publishers in favour of self-publishing books Jane Austen herself might have loved. A Jane Austen fanatic from an early age, I know most of the novels by heart, and appear to have succeeded (to some extent) in understanding her style. My Susan – a unique imagining of Austen’s Lady Susan as a young girl – is both award-winning and bestselling and my Harriet– an imaginative “take” on Austen’s Emma,has just been selected as "Editor's Pick - outstanding" on Publishers Weekly.
Hornblower is a fantastic character, and the entire series is worth a read, but C.S. Forester got more accomplished throughout the series. Meticulously researched - and recently wildly popular, thanks to a TV series - the books are still much deeper, more resonant, and better!! Hornblower is in constant turmoil, too sensitive for his own good or for the crises every Admiral probably had to face, he is also so self-conscious that even in love - and he is very passionate - he can't quite let go. Combine that with a number of vivid females and still more interesting fellow officers - all with their own crosses to bear - and the Napoleonic war on the seas and... could not have been written better.
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
I first read this book when I was in my twenties, the same age as Tommy and Tuppence (Prudence) Beresford, the protagonists.
I immediately wanted to be Tuppence and married to Tommy! The two of them are young and adventurous in post-WWI London. They not only solve mysteries, but Tuppence does it while wearing fabulous 1920s outfits that I can only dream about.
I also love the relationship between the two of them as partners in crime and life. Tommy is more level-headed, and Tuppence is more imaginative and creative. Together they make the perfect detective team – and married couple.
I was thrilled to discover that there were four more books in the series.
Six short stories from the Queen of Crime, featuring our favourite young detectives, Tommy and Tuppence.
Tommy and Tuppence Beresford were restless for adventure, so when they were asked to take over Blunt's International Detective Agency, they leapt at the chance.
After their triumphant recovery of a pink pearl, intriguing cases kept on coming their way: a stabbing on Sunningdale golf course; cryptic messages in the personal columns of newspapers; and even a box of poisoned chocolates.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
I love the setting and atmosphere of the book, first and foremost. New York City in 1932, just before the end of Prohibition, so there are still bootleggers and gangsters and all that jazz (literally).
I love the characters of Nick and Nora Charles – witty, sophisticated, glamorous, and living a life I can only dream of (literally – I was born 50 years too late!). While it has its humorous elements, this is a hardboiled detective story.
I love the contrast between Nick and Nora and the underworld characters that they encounter, as well as the strong undertone of cynicism that runs through it. It feels more like real life than many other detective stories, where everything is resolved by the end.
'When I opened my eyes and sat up in bed Nora was shaking me and a man with a gun in his hand was standing in the bedroom doorway.'
Ex-detective Nick Charles attracts trouble like a magnet. He thinks his sleuthing days are over, but when Julia Wolf, a former acquaintance, is found dead, her body riddled with bullets, Nick - along with his glamorous wife, Nora - can't resist making a few enquiries. Clyde Miller Wynant, Julia's lover and boss, has disappeared. Everyone is after him, but Nick is not convinced Wynant is the murderer - and when he…
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
I was first introduced to Wodehouse when PBS aired the BBC adaptations starring Hugh Laurie as the silly ass, Bertie Wooster, and Stephen Fry as his gentleman’s gentleman, Jeeves.
As soon as I stopped laughing, I started looking for the books, most of which are collections of short stories. Published in 1925, Carry On, Jeeves is the third in the series, but it includes the story of how Bertie came to hire Jeeves, so it’s a good place to start.
I find the stories, which satirize the idle rich of London of the 1920s, incredibly funny, but never cruel or mean. Bertie means well. He’s just an idiot. Jeeves calmly and expertly comes to the rescue. We could all use a Jeeves in our lives.
The peerless Jeeves makes his first appearance in this magical collection of ten short stories, in which he extricates the chronically befuddled Bertie Wooster from countless jams with formidable aunts, brainy girls, unbidden guests, and pals in a bind. This collection includes the first story to feature both Jeeves and Bertie Wooster THE ARTISTIC CAREER OF CORKY.
Privately and professionally, I've always been addicted to literature and history and stirred by the experiences that these studies reveal. Yet as a novelist (retired from college lecturing) I instinctively assume the comic or satirical mode. Whereas in analysing the poetry of perhaps T.S. Eliot, I'm totally serious, when creating a story I start to giggle. Psychiatrists might label this a defence mechanism – but I suspect it's the result of formative years spent reading social satirists such as Huxley, Greene, Wodehouse, and Waugh. While certainly no imitator, I feel that this type of literature has become insidiously bred in the bone – hence my listed choices being socially directed and often comic or acerbic.
Part of Benson’s much-loved Lucia series. Gentler than Saki, this comedy of manners (also set in a bygone England) is deliciously entertaining, with its eccentric characters gleefully etched. Miss Mapp herself – prim and genteel but with lethal eyes – is a social snooper par excellence, and whose insidious wiles and steely shafts create havoc among the gossiping residents of sedate Tilling (firmly based on the ancient Sussex town of Rye, once home to Henry James.) As they negotiate the delicate snares of bridge, golf, and “charming” tea parties, cronies and quarries alike are pawns in her ruthless game of one-upmanship. It is a game she plays with relish and practised ease... that is until, elsewhere in the series, she is upstaged by the awesome Lucia. Hilarious.
The acclaimed author of Mapp and Lucia introduces the beloved Miss Elizabeth Mapp, a devious social climber, in this charming British comedy of manners.
In the English seaside village of Tilling, Miss Elizabeth Mapp keeps a thorough notebook about everyone’s business, including her servants. Whatever information she can’t collect through gossip, she discovers with the aid of opera glasses. Looking out from her window over High Street, she pays especially avid attention to her neighbor, Maj. Benjamin Flint, whom she has been planning for years to marry.
The second novel in E. F. Benson’s popular Mapp and Lucia series, which…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
My first experience with historical fiction was reading The Witch from the Sea by that iconic author, Victoria Holt. This sparked a 40-year-long love affair with that genre that’s still burning intensely. I’ve been immersed in such fiction for a lifetime and have read the works of virtually every great author in this genre. I started my own series in 2020 because I feared this type of no-fluff fiction was becoming obsolete. There were 17th Century English characters making noise in my head so I used my creative writing background to bring them to life on the pages of my books, under the pen name Jessica Russell.
I was so tired of books that follow a formula with every author trying to imitate whoever had a bestseller that week when I picked this up. Nothing was what I expected! This was a totally character-driven book and so realistic with regard to how people actually behave and feel instead of contrived dialogue and predictable reactions. I could clearly visualize each and every person in this novel and the character development was superb. On top of that, the plot just didn’t quit! You will never believe the ending.
New York Times bestselling author Belva Plain goes to the heart of what it means to be a woman, a wife, and a friend, in her powerful new novel—a story of love and betrayal that measures the limits of loyalty, friendship, and forgiveness.
They met at school and have been inseparable ever since: Cecile, confident, elegant daughter of privilege; Norma, extraordinarily gifted and sadly troubled; and beautiful, ambitious Amanda, determined to rise above her humble southern beginnings. Two are married. One despairs of ever finding love. Three women. Leading their busy adult lives. Yet first and always: friends.