Here are 66 books that Carry On, Jeeves fans have personally recommended if you like
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I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
I love the absolutely authentic atmosphere of this book – the clothes, the music, the booze -- and the exploration of the dark side of the 1920s.
I find some of the characters sympathetic, some repellent, and some impossible to understand, just as in real life. Regardless, I feel that I really get to know them by the end of the book, even if I still don’t understand them. I can’t help but make comparisons with that time period and now, a century later. So much has changed, yet so much remains the same.
I’ll be honest that it can be a depressing read, so I have to be in the right mood for it, but when I am, nothing else will satisfy.
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
Another series of novels that I was introduced to through PBS and the BBC, and another that had me laughing hysterically.
This is the fourth in the series, but it brings together Miss Mapp and Mrs. “Lucia” Lucas as social rivals. I adore both women, although I would not want to have to work with either of them!
I love the English country setting, the competition between the two women for leadership, the eccentric secondary characters, and the clothes and the food and the music.
To be honest, I have worked with women like them at different times in my life. I think that’s why I love the books so much, as I get to laugh at them from the sidelines this time.
"Mapp and Lucia" is the centrepiece of E.F. Benson's series of Lucia novels - bringing together for the first time the eponymous middle-aged doyennes of polite 1930s society Miss Elizabeth Mapp and Emmeline Luca (Lucas to her friends). Lucia, recently widowed, is the newcomer to the village of Tilling and eager to wrest the reins of social supremacy from the incumbant Miss Mapp and install herself as its benevolent dictator. In their polite acts of sabotage and ruthless jockeying for the position of cultural arbiter Mapp and Lucia tear up the conventions of drawing-room bridge evenings as their deadly weapons.…
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
I first read this book when I was in my twenties, the same age as Tommy and Tuppence (Prudence) Beresford, the protagonists.
I immediately wanted to be Tuppence and married to Tommy! The two of them are young and adventurous in post-WWI London. They not only solve mysteries, but Tuppence does it while wearing fabulous 1920s outfits that I can only dream about.
I also love the relationship between the two of them as partners in crime and life. Tommy is more level-headed, and Tuppence is more imaginative and creative. Together they make the perfect detective team – and married couple.
I was thrilled to discover that there were four more books in the series.
Six short stories from the Queen of Crime, featuring our favourite young detectives, Tommy and Tuppence.
Tommy and Tuppence Beresford were restless for adventure, so when they were asked to take over Blunt's International Detective Agency, they leapt at the chance.
After their triumphant recovery of a pink pearl, intriguing cases kept on coming their way: a stabbing on Sunningdale golf course; cryptic messages in the personal columns of newspapers; and even a box of poisoned chocolates.
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
I love the setting and atmosphere of the book, first and foremost. New York City in 1932, just before the end of Prohibition, so there are still bootleggers and gangsters and all that jazz (literally).
I love the characters of Nick and Nora Charles – witty, sophisticated, glamorous, and living a life I can only dream of (literally – I was born 50 years too late!). While it has its humorous elements, this is a hardboiled detective story.
I love the contrast between Nick and Nora and the underworld characters that they encounter, as well as the strong undertone of cynicism that runs through it. It feels more like real life than many other detective stories, where everything is resolved by the end.
'When I opened my eyes and sat up in bed Nora was shaking me and a man with a gun in his hand was standing in the bedroom doorway.'
Ex-detective Nick Charles attracts trouble like a magnet. He thinks his sleuthing days are over, but when Julia Wolf, a former acquaintance, is found dead, her body riddled with bullets, Nick - along with his glamorous wife, Nora - can't resist making a few enquiries. Clyde Miller Wynant, Julia's lover and boss, has disappeared. Everyone is after him, but Nick is not convinced Wynant is the murderer - and when he…
Writing this biography was an extraordinary experience for me. I have been writing about the arts for more than forty years. Over the decades I was Associate Editor of Ballet Review and dance critic for The New York Sun. Talking to Alla Osipenko provided singular insight into the culture and politics of the Soviet Union, as well as the individual artistry and psychology of this great ballerina. I left every interview with her feeling elated. By the time my biography was published in 2015, I also knew/met/had interviewed many of the people she described and could write from some degree of first-hand knowledge.
It's not strictly a biography, but it might as well be one. A brilliant stylist, Breslin creates a fictionalized dramatization that has the unerring ring of Runyon’s truth.
His chronicling of the raffish world of Broadway and adjacent side streets was the basis for the musical Guys and Dolls. Breslin uses copious dialogue and minutely observed incidents to flesh out things that happened or may very well have happened.
Immortalizes Damon Runyon in a biography of the Roaring Twenties journalist who covered the Mexican Revolution, World War I, the Lindbergh kidnapping, sports and theater
Originally from Punta Gorda, Florida, I am an exiled Florida Man, living in Texas, and specialize in creative nonfiction. I love the absurd, the unusual, and enjoy finding ways to examine and teach history through unexpected topics and sometimes maligned or ridiculed things. My first book, for example, was on the infamous Yugo car. I then wrote a history of the ill-starred Sarajevo Olympics and the oh-for-twenty-six 1976-1977 Tampa Bay Bucs, and most recently a book on the wild heydays of Florida land development in the 1950s, 60s, and 70s. I have a PhD in history from Indiana University Bloomington and have appeared on NPR’s "Weekend Edition," APM’s "Marketplace," and C-SPAN’S "Book TV."
The 1920s in Florida was a time of incredible excess, immense wealth, and precipitous collapse. The decade there produced the largest human migration in American history, far exceeding the settlement of the West, as millions flocked to the grand hotels and the new cities that rose rapidly from the teeming wetlands. The boom spawned a new subdivision civilization—and the most egregious large-scale assault on the environment in the name of “progress.”
Christopher Knowlton, author of Cattle Kingdom and former Fortune writer, takes an in-depth look at the spectacular Florida land boom of the 1920s and shows how it led directly to the Great Depression.
The 1920s in Florida was a time of incredible excess, immense wealth, and precipitous collapse. The decade there produced the largest human migration in American history, far exceeding the settlement of the West, as millions flocked to the grand hotels and the new cities that rose rapidly from the teeming wetlands. The boom spawned a new subdivision civilization-and the most egregious large-scale assault on the environment in…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
One of the great job benefits of being a newspaper reporter is the wide array of interesting people I get to meet. Not only getto meet but in fact, get paid to meet and to tell their stories. Some of them are famous, and that’s fine. Much more interesting, I think, are the ordinary folk nobody knows who are doing something extraordinary. And then there is a third category that I find most interesting of all: The people who have something to hide. They are mysteries who don’t want to be cracked, and I find them irresistible.
Before Ponzi was a scheme, Ponzi was a man. His name was Charles Ponzi. He sailed to the US from Europe with nothing – after gambling away his nest egg during the trans-Atlantic crossing – and then made himself an ill-gotten fortune through a swindle so famous it is now named for him. I love learning history, but not through academic texts. I need to learn it through stories. And the critical ingredient that makes compelling narrative nonfiction are the details that enable me to see the characters and their world in my mind. Zuckoff’s book put me in Boston in 1920, with the sights, sounds, and odors to bring Ponzi and his victims to life.
It was a time when anything seemed possible–instant wealth, glittering fame, fabulous luxury–and for a run of magical weeks in the spring and summer of 1920, Charles Ponzi made it all come true. Promising to double investors’ money in three months, the dapper, charming Ponzi raised the “rob Peter to pay Paul” scam to an art form. At the peak of his success, Ponzi was raking in more than $2 million a week at his office in downtown Boston. Then his house of cards came crashing down–thanks in large part to the relentless investigative reporting of Richard Grozier’s Boston Post.…
I made up Faythe of North Hinkapee by being a jerk! I was ranting about
how bad a "best seller" book I had read was. My wife looked at me and
said, "So, could you write a bestseller?" I was challenged, and then,
somehow, this book just tumbled out. It was about a girl in Colonial
Times—her family burned as witches—vowing vengeance and how she gets
it. My wife looked at me and said: “My God, that could be a bestseller!’ My kids also loved the story. For about twenty years, I
planned to write it, and after a ton of work, I finally finished.
I was hooked in the first chapter when the protagonist, Mary Russell, meets Sherlock Holmes, who is retired. There – do I have to say more?
She is a young woman and Sherlock is, well, Sherlock, and yet she matches wits with him while they end up in the middle of a creative and a bit scary Sherlock Holmes-ish tale. I couldn’t wait to get and read the sequels.
In 1915, Sherlock Holmes is retired and quietly engaged in the study of honeybees when a young woman literally stumbles into him on the Sussex Downs. Fifteen years old, gawky, egotistical, and recently orphaned, the young Mary Russell displays an intellect to impress even Sherlock Holmes--and match him wit for wit. Under his reluctant tutelage, this very modern twentieth-century woman proves a deft protegee and a fitting partner for the Victorian detective. But even in their first case together, the pair face a truly cunning adversary who will stop at nothing to put an end to their partnership.
When I was a teen, I had zero aspirations to become a writer. I didn’t discover my passion for writing until I was thirty! But once I started writing, it was these books and the way they made me feel that I drew on. I wanted strong heroines that I wanted to be—and be friends with. I wanted a slow burn, skin-tingling romance with a lot of push and pull. I wanted to be part of something bigger than myself. To go on a quest. To feel victorious. And it is my hope that I can give my readers all the feels these books gave me.
I devoured everything in the Sweet Valley world as a teen, though I was more into Sweet Valley Twins than Sweet Valley High for some reason. Maybe it’s because I liked the twins’ innocence, and the high school drama was too much (or too relatable!) to me. I like to escape to a happy ending! And in complete seriousness, I debated naming my daughter Lila because I didn’t want her to be associated with mean girl Lila Flower. In the end, I named her Delilah (Lilah—with an h!—for short) and that eased my worries.
At any rate, I’ll read a family saga any day. And we’ve established that I love historical romance and costumes, so give me all the Wakefield history.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
When I was a kid growing up in Vancouver my parents had a collection of books arranged on shelves around the living room. The only one I remember taking down and actually reading was an early history of the city. I recalled being impressed by the simple fact that someone had thought my hometown was interesting enough to write about, not something that was self-evident to a cocky teenager. Many years later, some two dozen books of my own under my belt, I decided maybe I’d earned the right to take a crack at the city myself.
Janet Smith was a young Scottish housemaid who was murdered in the home of her well-to-do employer in 1924. Never solved, the murder is one of the most celebrated crimes in Vancouver history, featuring political corruption, racial animosity, sex, drugs, and jazz. The book is a wonderful evocation of life in the city in the 1920s when it was emerging from world war and recession and finding its feet as a cosmopolitan community with pretensions to economic leadership. This is one of the first books I ever read about Vancouver history and it remains a favourite.
Literary Nonfiction. New Edition as part City of Vancouver's Legacy Book Project, with foreword by historian Daniel Francis. WHO KILLED JANEY SMITH? examines one of the most infamous and still unsolved murder cases in Canadian history: the 1924 murder of twenty-two-year-old Scottish nursemaid Janet Smith. Originally published in 1984, and out of print for over a decade, this tale of intrigue, racism, privilege, and corruption in high places is a true-crime recreation that reads like a complex thriller.
Anvil Press is pleased to be reissuing this title as part of the City of Vancouver's Legacy Book Project. This new edition…
