Here are 100 books that Partners in Crime fans have personally recommended if you like
Partners in Crime.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
I love the absolutely authentic atmosphere of this book – the clothes, the music, the booze -- and the exploration of the dark side of the 1920s.
I find some of the characters sympathetic, some repellent, and some impossible to understand, just as in real life. Regardless, I feel that I really get to know them by the end of the book, even if I still don’t understand them. I can’t help but make comparisons with that time period and now, a century later. So much has changed, yet so much remains the same.
I’ll be honest that it can be a depressing read, so I have to be in the right mood for it, but when I am, nothing else will satisfy.
As the summer unfolds, Nick is drawn into Gatsby's world of luxury cars, speedboats and extravagant parties. But the more he hears about Gatsby - even from what Gatsby himself tells him - the less he seems to believe. Did he really go to Oxford University? Was Gatsby a hero in the war? Did he once kill a man? Nick recalls how he comes to know Gatsby and how he also enters the world of his cousin Daisy and her wealthy husband Tom. Does their money make them any happier? Do the stories all connect? Shall we come to know…
What Happened to Frank? is the first book in the Meg Sheppard Mystery Series. Meg is an amateur sleuth who owns racehorses and lives on a horse farm. Her beloved border collie, Kelly, is usually at Meg's side as she investigates murders and solves other mysteries. The books are action-packed…
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
Another series of novels that I was introduced to through PBS and the BBC, and another that had me laughing hysterically.
This is the fourth in the series, but it brings together Miss Mapp and Mrs. “Lucia” Lucas as social rivals. I adore both women, although I would not want to have to work with either of them!
I love the English country setting, the competition between the two women for leadership, the eccentric secondary characters, and the clothes and the food and the music.
To be honest, I have worked with women like them at different times in my life. I think that’s why I love the books so much, as I get to laugh at them from the sidelines this time.
"Mapp and Lucia" is the centrepiece of E.F. Benson's series of Lucia novels - bringing together for the first time the eponymous middle-aged doyennes of polite 1930s society Miss Elizabeth Mapp and Emmeline Luca (Lucas to her friends). Lucia, recently widowed, is the newcomer to the village of Tilling and eager to wrest the reins of social supremacy from the incumbant Miss Mapp and install herself as its benevolent dictator. In their polite acts of sabotage and ruthless jockeying for the position of cultural arbiter Mapp and Lucia tear up the conventions of drawing-room bridge evenings as their deadly weapons.…
Humans are absurd. We are. Short stories that present this in a true and honest fashion, without being cruel or vulgar are a rare and delicious gem. In all of these books there is not a single ounce of malice or bitterness. Humans are born, we live, we suffer, and then we die. These books don’t deny this, or ignore it, instead they choose to focus on the funny, the fun, the absurd lives that we live.
The pure and real absurdity of the stories in this book kept me coming back again and again. The cranky old backwoods-man, the paranoid mother, and the hard-as-nails grandmother all felt like real people to me, and you never knew when Strange the dog would show up. Experience the world through the eyes of a child growing up in early 20th-century backwoods America.
America’s “most gifted outdoor humorist” (Detroit Free Press) regales readers with this collection of gut-busting, man vs. nature tales originally published in such magazines as Field & Stream and Outdoor Living.
Patrick F. McManus’s hilarious and comic stories of camping and other nature-oriented activities reach ridiculous proportions in The Night the Bear Ate Goombaw. From teaching his stepfather the methods of madness behind farm work through his best friend’s grandmother’s fear of bears, McManus reveals that human behavior is even wilder than the wilderness.
Joth Proctor is an under-employed, criminal defense lawyer based in Arlington, Virginia, where a mix of southern charm, shady business dealings, and Washington, D.C. intrigue pervade the story. Upon the suspicious death of the wife of a close friend, Proctor enters a tangled web of drug and alcohol abuse, real…
Humans are absurd. We are. Short stories that present this in a true and honest fashion, without being cruel or vulgar are a rare and delicious gem. In all of these books there is not a single ounce of malice or bitterness. Humans are born, we live, we suffer, and then we die. These books don’t deny this, or ignore it, instead they choose to focus on the funny, the fun, the absurd lives that we live.
Life happens. The septic tank overflows. Girls get in fights. Boys track dirt over your best carpet. You are absolutely going to ruin their lives with your attempt to explain the facts of life. Erma Bombeck takes these realities and laughs at them. You can’t help but laugh along with her from her tiny suburban home to her efforts to “forgive her enemies.”
The “marvelously funny” and much-loved humorist explores the perils of suburban living in this New York Times bestseller (Vogue). For years, the Bombecks have heard rumors of a magical land called Suburbia where the air is clean, the grass is trimmed, and children don’t risk getting mugged on their walk to school. After watching their friends flee the city for subdivided utopias like Bonaparte’s Retreat and Mortgage Mañana, Erma and her family load up their belongings and cry, “Station wagons . . . ho!” But life on the suburban frontier is not as perfect as they had hoped. The trees…
Humans are absurd. We are. Short stories that present this in a true and honest fashion, without being cruel or vulgar are a rare and delicious gem. In all of these books there is not a single ounce of malice or bitterness. Humans are born, we live, we suffer, and then we die. These books don’t deny this, or ignore it, instead they choose to focus on the funny, the fun, the absurd lives that we live.
To little grade school me this book was high fantasy. A healer with amazing powers walking through another world. A vet doing his rounds in Pre-WWI Yorkshire. I laughed at every absurdity. The poodle that believed she was pregnant. The boxer that wouldn’t stop farting in his high-class lady’s house. Everything made me laugh while transporting me to a world where old men drink pints in pubs while their “wee bron doggie” sits under their stools.
From the #1 New York Times–bestselling author of All Creatures Great and Small: more true stories of a veterinarian in small-town Yorkshire, England. After his first day on the job, James Herriot’s mentor warns him that the life of a country veterinarian is full of small triumphs and big disasters, but that he’d never be bored. From night visits to drafty barns during freezing northern England winters, to the beautiful vitality of rural life in the summertime, to the colorful menagerie of animals—and their owners—that pass through his office, Herriot experiences new challenges and joys every day. In these pages,…
I’d thought I was writing a novel about someone putting a life back together after everything fell apart but, when I’d finished, readers told me I’d written a book about vivid, authentic friendships. It was a welcome surprise. From Charles Dickens to Sylvia Plath, nuanced characters have always interested me and so, when writing, I set myself the task of believable dialogue and interactions which readers can relate to like it’s their own friends sitting around a table; laughing, crying, or bickering. When a life falls apart it’s often friendships that are tested to breaking but then become stronger as a result.
It’s never the plot that draws me to a novel; it’s always other ingredients like people and place and, in these regards, Cranford is a stellar delight. The protagonist is a frequent house guest in the small town of Cranford, giving readers intimate access to the quirky social codes of its mostly female population. From the ones who care about social mores to the ones who care less, these wonderful vignettes document their attempts to outwit a visiting magician, or foil rumored night-burglars, or adapt to the losses of loved ones. Each woman has had a journey in some way stifled by the patriarchy of the 1800s but these ladies’ timeless and absorbing intelligence, compassion, loyalty, ingenuity, forbearance, and above all, wit, shine through.
Elizabeth Gaskell was a British author during the Victorian era. Gaskell's novels are notable for detailed descriptions of the different classes of society in 19th century Britain. Cranford is a novel about a fictional town modeled closely after one Gaskell was familiar with. The story features a series of episodes in the life of Mary Smith.
Dr. Power is promoted to a chair of forensic psychiatry at Allminster University and selected by the Vice Chancellor for a key task which stokes the jealousy of the Deans, and he is plunged into a precariously dangerous situation when there is a series of deaths and the deputy Vice…
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
I love the setting and atmosphere of the book, first and foremost. New York City in 1932, just before the end of Prohibition, so there are still bootleggers and gangsters and all that jazz (literally).
I love the characters of Nick and Nora Charles – witty, sophisticated, glamorous, and living a life I can only dream of (literally – I was born 50 years too late!). While it has its humorous elements, this is a hardboiled detective story.
I love the contrast between Nick and Nora and the underworld characters that they encounter, as well as the strong undertone of cynicism that runs through it. It feels more like real life than many other detective stories, where everything is resolved by the end.
'When I opened my eyes and sat up in bed Nora was shaking me and a man with a gun in his hand was standing in the bedroom doorway.'
Ex-detective Nick Charles attracts trouble like a magnet. He thinks his sleuthing days are over, but when Julia Wolf, a former acquaintance, is found dead, her body riddled with bullets, Nick - along with his glamorous wife, Nora - can't resist making a few enquiries. Clyde Miller Wynant, Julia's lover and boss, has disappeared. Everyone is after him, but Nick is not convinced Wynant is the murderer - and when he…
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
I was first introduced to Wodehouse when PBS aired the BBC adaptations starring Hugh Laurie as the silly ass, Bertie Wooster, and Stephen Fry as his gentleman’s gentleman, Jeeves.
As soon as I stopped laughing, I started looking for the books, most of which are collections of short stories. Published in 1925, Carry On, Jeeves is the third in the series, but it includes the story of how Bertie came to hire Jeeves, so it’s a good place to start.
I find the stories, which satirize the idle rich of London of the 1920s, incredibly funny, but never cruel or mean. Bertie means well. He’s just an idiot. Jeeves calmly and expertly comes to the rescue. We could all use a Jeeves in our lives.
The peerless Jeeves makes his first appearance in this magical collection of ten short stories, in which he extricates the chronically befuddled Bertie Wooster from countless jams with formidable aunts, brainy girls, unbidden guests, and pals in a bind. This collection includes the first story to feature both Jeeves and Bertie Wooster THE ARTISTIC CAREER OF CORKY.
I've been a mystery lover all my life, reading through all the Nancy Drew and Agatha Christie books I could get my hands on in my small-town West Virginia library. Although I enjoy watching TV mysteries, it takes a lot to trick me, and when I find shows or books that surprise me, they quickly become my favorites. As a cozy mystery author, I love bringing clean mysteries with unexpected twists (even to me as I write them!) to my readers. Writing mysteries is my happy place, and when I get reviews saying readers find my books surprising yet satisfying, I know I'm following in the steps of Agatha, at least to some small degree.
I had to choose a mystery by the absolute master of the genre, Agatha Christie (bonus—my dog's name is Agatha, if that tells you how much I love her books). Agatha had a way of writing non-graphic mysteries that could still get under your skin...along with villains that were unforgettable, as was the case in this one. I won't say more since I don't want to give spoilers, but I'll never forget the creep factor of the whodunit in this book. And it's a bonus that Tommy and Tuppence Beresford are the sleuths—married sleuths for the win!
An old woman in a nursing home speaks of a child buried behind the fireplace...
When Tommy and Tuppence visited an elderly aunt in her gothic nursing home, they thought nothing of her mistrust of the doctors; after all, Ada was a very difficult old lady.
But when Mrs Lockett mentioned a poisoned mushroom stew and Mrs Lancaster talked about `something behind the fireplace', Tommy and Tuppence found themselves caught up in an unexpected adventure involving possible black magic...
I’m a multi-genre writer who loves hearing the characters’ voices and getting their stories out there in the world. A lot of my characters are shaped by their gifts, whether they have supernatural ones or not. The things that happen to them shape who they are and how they react to future events. I exist on sarcasm, sass, and hot tea, so many of my characters do too.
It’s been a while since I read this book, but I remember thinking every place described felt real. It hits all the right notes of thriller with a fallible yet strong heroine who gets the job done, sometimes at great personal cost. Michael is as close to a shapeshifter as normal humans can be. She can become anybody. (Content warning – contains strong language)
Governments pay her. Criminals fear her. Nobody sees her coming.
Vanessa “Michael” Munroe deals in information—expensive information—working for corporations, heads of state, private clients, and anyone else who can pay for her unique brand of expertise. Born to missionary parents in lawless central Africa, Munroe took up with an infamous gunrunner and his mercenary crew when she was just fourteen. As his protégé, she earned the respect of the jungle's most dangerous men, cultivating her own reputation for years until something sent her running. After almost a decade building a new life and lucrative career from her home base in…
