Here are 100 books that Miss Mapp fans have personally recommended if you like
Miss Mapp.
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I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.
When you turn the pages of this book, you feel you can see, smell, and hear the dark streets and alleys of Tudor London. This book inspired me to place my books in Tudor England and start The Tudor Rose Murders Series.
It is Tudor Crime at its best. I was so captivated by the characters, the detail, the pace, and the plotting that I could not put it down and felt wretched when I turned the last page.
Awarded the CWA Diamond Dagger - the highest honor in British crime writing
From the bestselling author of Winter in Madrid and Dominion comes the exciting and elegantly written first novel in the Matthew Shardlake Tudor Mystery series
Dissolution is an utterly riveting portrayal of Tudor England. The year is 1537, and the country is divided between those faithful to the Catholic Church and those loyal to the king and the newly established Church of England. When a royal commissioner is brutally murdered in a monastery on the south coast of England, Thomas Cromwell, Henry VIII's feared vicar general, summons…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Privately and professionally, I've always been addicted to literature and history and stirred by the experiences that these studies reveal. Yet as a novelist (retired from college lecturing) I instinctively assume the comic or satirical mode. Whereas in analysing the poetry of perhaps T.S. Eliot, I'm totally serious, when creating a story I start to giggle. Psychiatrists might label this a defence mechanism – but I suspect it's the result of formative years spent reading social satirists such as Huxley, Greene, Wodehouse, and Waugh. While certainly no imitator, I feel that this type of literature has become insidiously bred in the bone – hence my listed choices being socially directed and often comic or acerbic.
A wonderful collection of outrageous, yet drily witty, short stories by the mordant satirist Saki (aka H.H. Munro tragically killed in WW1 – a great loss to literature). The milieux may be “cosy”, in that the setting is upper-class England of the early twentieth century, but the style is cuttingly astringent (darker than Wodehouse), yet the situations farcical. To be enjoyed with a generous libation to hand – though a malt whisky rather than a softer gin might be appropriate. A bonus to this edition is the excellent introduction by the late and great Graham Greene.
The best of Saki is a collection of short stories by the famed 20th century writer Hector Hugh Munro. Saki is the pen name that Munro wrote his short stories under. Saki was a misogynist, anti-semite, and reactionary, who also did not take himself too seriously. His stories, “true enough to be interesting and not true enough to be tiresome”, were considered ideal for reading. Saki was an Edwardian writer of sharply satirical, cynical short stories set in the milieu of well to do upper class Edwardian England. Born in1870, he started writing around the turn of century and died…
Privately and professionally, I've always been addicted to literature and history and stirred by the experiences that these studies reveal. Yet as a novelist (retired from college lecturing) I instinctively assume the comic or satirical mode. Whereas in analysing the poetry of perhaps T.S. Eliot, I'm totally serious, when creating a story I start to giggle. Psychiatrists might label this a defence mechanism – but I suspect it's the result of formative years spent reading social satirists such as Huxley, Greene, Wodehouse, and Waugh. While certainly no imitator, I feel that this type of literature has become insidiously bred in the bone – hence my listed choices being socially directed and often comic or acerbic.
Probably four of my writers would not have suffered the mortification described here, but the scenarios certainly resonated with this pen-pusher!
Seventy contemporary authors – novelists, poets, biographers – describe in wincing detail the embarrassment they had sometimes felt in the course of promotional appearances: book signings, talks, interviews, etc. Their anecdotes are at once funny and cringingly painful. Distinguished names as diverse as Margaret Attwood, Val McDermid, Michael Holroyd, Edna O’Brian, Colm Tóibín, Willian Boyd, poets Thom Gunn and Simon Armitage, and a host of other literary heroes, bravely and vividly recount their worst moments under the public gaze. In some ways the humorous revelations are reassuring – evidently the eminent can be as vulnerable as the lesser known. But in reading this book, comradely laughter is tinged with a frisson of fear!
A collection of stories from some of the world’s greatest writers about their own public humiliation.
Humiliation is not, of course, unique to writers. However, the world of letters does seem to offer a near-perfect micro-climate for embarrassment and shame. There is something about the conjunction of high-mindedness and low income that is inherently comic; something about the very idea of deeply private thoughts – carefully worked and honed into art over the years – being presented to a public audience of dubious strangers that strays perilously close to tragedy.
Here, in over eighty contributions, are stories about the writer’s…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
Privately and professionally, I've always been addicted to literature and history and stirred by the experiences that these studies reveal. Yet as a novelist (retired from college lecturing) I instinctively assume the comic or satirical mode. Whereas in analysing the poetry of perhaps T.S. Eliot, I'm totally serious, when creating a story I start to giggle. Psychiatrists might label this a defence mechanism – but I suspect it's the result of formative years spent reading social satirists such as Huxley, Greene, Wodehouse, and Waugh. While certainly no imitator, I feel that this type of literature has become insidiously bred in the bone – hence my listed choices being socially directed and often comic or acerbic.
Other than the odd dry chuckle, no major laughs here – but you certainly ponder. Slim and compact, this selection of four of Orwell’s most compelling essays is a fitting format for the prose within. Typically Orwellian, no word is wasted, none ill-used; statements are incisive, ideas sharply defined, and imagery spare yet vivid. Clarity is the keynote; probing entertainment the effect. The topics – his own literary motivation, the condition of twentieth-century England, a biting attack on sloppy verbiage and on rhetoric for political fudge, the stark yet witty vignette of a public hanging – all are lucid and provocative. His comments are as relevant today as they were in the 1940s. George Orwell and Graham Greene: what masterly writers!
A selection of George Orwell's politically charged essays on language and writing that give context to his dystopian classic, 1984
Throughout history, some books have changed the world. They have transformed the way we see ourselves-and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives-and destroyed them.
Now, Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization, and helped make us who we are. Penguin's Great Ideas series features twelve groundbreaking works by some of history's most prodigious thinkers, and…
I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.
Another series of novels that I was introduced to through PBS and the BBC, and another that had me laughing hysterically.
This is the fourth in the series, but it brings together Miss Mapp and Mrs. “Lucia” Lucas as social rivals. I adore both women, although I would not want to have to work with either of them!
I love the English country setting, the competition between the two women for leadership, the eccentric secondary characters, and the clothes and the food and the music.
To be honest, I have worked with women like them at different times in my life. I think that’s why I love the books so much, as I get to laugh at them from the sidelines this time.
"Mapp and Lucia" is the centrepiece of E.F. Benson's series of Lucia novels - bringing together for the first time the eponymous middle-aged doyennes of polite 1930s society Miss Elizabeth Mapp and Emmeline Luca (Lucas to her friends). Lucia, recently widowed, is the newcomer to the village of Tilling and eager to wrest the reins of social supremacy from the incumbant Miss Mapp and install herself as its benevolent dictator. In their polite acts of sabotage and ruthless jockeying for the position of cultural arbiter Mapp and Lucia tear up the conventions of drawing-room bridge evenings as their deadly weapons.…
My first experience with historical fiction was reading The Witch from the Sea by that iconic author, Victoria Holt. This sparked a 40-year-long love affair with that genre that’s still burning intensely. I’ve been immersed in such fiction for a lifetime and have read the works of virtually every great author in this genre. I started my own series in 2020 because I feared this type of no-fluff fiction was becoming obsolete. There were 17th Century English characters making noise in my head so I used my creative writing background to bring them to life on the pages of my books, under the pen name Jessica Russell.
I was so tired of books that follow a formula with every author trying to imitate whoever had a bestseller that week when I picked this up. Nothing was what I expected! This was a totally character-driven book and so realistic with regard to how people actually behave and feel instead of contrived dialogue and predictable reactions. I could clearly visualize each and every person in this novel and the character development was superb. On top of that, the plot just didn’t quit! You will never believe the ending.
New York Times bestselling author Belva Plain goes to the heart of what it means to be a woman, a wife, and a friend, in her powerful new novel—a story of love and betrayal that measures the limits of loyalty, friendship, and forgiveness.
They met at school and have been inseparable ever since: Cecile, confident, elegant daughter of privilege; Norma, extraordinarily gifted and sadly troubled; and beautiful, ambitious Amanda, determined to rise above her humble southern beginnings. Two are married. One despairs of ever finding love. Three women. Leading their busy adult lives. Yet first and always: friends.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I believe deeply that, as messy and painful as life is, there is always joy, and usually humor, to be found. The book I wrote, Leaving’s Not the Only Way to Go, pulls from some of the painful experiences I’ve had, and I often find myself following my description of the book, about two women who meet in a grief group, with “but it’s not a downer!” It’s true, because Leaving is also inspired by all the joy and connections I’ve made for myself, even in the midst of loss. I learned how to balance the two sides of life through books like the ones on this list.
Two Asian women living in South Africa in the 1950s meet and take hold of a beautiful opportunity to care for each other, despite both personal struggles and the broader challenges of trying to build a life during Apartheid.
There is tragedy and loss, and also hope and defiance; the two of them have little victories, both personal and political, that build toward a promising future, even if they haven’t quite made it there yet.
In 1950's South Africa, a free-spirited café owner falls for a young wife and mother. Their unexpected attraction pushes them to question the cruel rules of a world that divides white from black and women from men, but a world that might just allow an unexpected love to survive.
A Southern California-based author and screenwriter whose adventures in and around the film business have led to hundreds of feature stories for such magazines as Vibe, Playboy, Entertainment Weekly, American Film, Smithsonian, and Movieline. My books include three dedicated to Disney animated classics and a volume on the art of American movie posters. The lovingly satirical book Bad Movies We Love, co-written with Edward Margulies, inspired a Turner Network movie marathon series. My next non-fiction book will be published in 2024.
Newbie novelist Jacqueline Susann created an iconic all-time bestseller with her tale of three young glamazons who vault to the show business heights, only to tumble into a pit of addictions, poor choices in men, and delightfully overripe dialogue. Susann made her sweeping, sexy soap opera shenanigans even more irresistible by patterning her characters on such 20th-century headline-makers as Marilyn Monroe, Judy Garland, Grace Kelly, Ethel Merman, and the Kennedys. Said publicity-savvy Susann, “They can keep calling it that ‘roman à clef'. It’ll only make my books sell.” They did. It did. Although the sanitized and critically bashed 1967 movie version toned down the à clef elements, it became a box-office smash that has gone on to become enshrined as a kitsch classic.
Before Jackie Collins, Candace Bushnell and Lena Dunham, Jacqueline Susann held the world rapt with her tales of the private passions of Hollywood starlets, high-powered industrialists and the jet-set.
Valley of the Dolls took the world by storm when it was first published, fifty years ago. Never had a book been so frank about sex, drugs and show business. It is often sited as the bestselling novel of all time.
Dolls - red or black; capsules or tablets; washed down with vodka or swallowed straight. For Anne, Neely and Jennifer, it doesn't matter, as long as the pill bottle is…
"My friends are my estate." This quote from Emily Dickinson (which I like so much, I’ve put in my novel!) gives a proper dignity to the concept of friendship. Friends can be overlooked in fiction, often just there to show that the main character isn’t a complete loner. Friendships are portrayed as less interesting and important than romances. Yet in real life, romantic relationships come and go, whilst friends are there for you, no matter what. Or at least, the best ones are. I’m a passionate believer in stories which reflect the importance, and complexity, of what, for many of us, are our longest-lasting relationships.
This funny, lively story tells first one friend’s version of events, then the other’s; the reader has to decide where they think the truth and lies are.
It was one of the books that inspired me to write, and it may not be a coincidence that my first novel also tells a story from two different accounts…!
Here, friends Gemma and Lily hope to never see each other again after a huge falling out over a man, but the more we find out, the more we aren’t sure whose side we should be on. What a rare talent Marian Keyes has for seeing the humanity, and the humour, in everyone.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I’ve been reading romance novels since I was way too young to be reading romances and I love the romance genre. I’m a fan of many tropes, but second-chance romance is one of my favorites and it is the main trope in my debut novel, Just a Fling. When I read romance, I want to read stories that make my heart break and then stitch it back together. Second-chance romances do that because they capture the essence of hope and forgiveness. They give readers the opportunity to experience the beauty and power of forgiveness and to believe in the transformative power of love.
Ain't She Sweet is my favorite second-chance romance. It will make you laugh, cry, and fall in love all over again.
It's about Sugar Beth Carey, the ultimate mean girl, who returns to her hometown and tries to make amends for all the drama she caused in the past. And of course, there's a handsome man from her past, Colin Byrne, who she just can't resist.
With hilarious banter, relatable characters, and steamy scenes, Ain't She Sweet is a must-read for romance junkies.
In high school Sugar Carey had reigned supreme. She alone had decided what or who was cool. Her spiral perm had been the perm against which all others were measured, and her opinion on which boys were acceptable to date the only one that counted. A beautiful, blonde - if not always benevolent - dictator, she had a reputation for being the wild child of Parrish, Mississippi, the girl most likely to set the world on fire, and leave a trail of destruction in her wake. When she left home she swore she'd never return. Only now, fifteen years and…
