Here are 100 books that Magic fans have personally recommended if you like
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I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
This is a powerful picture book about a brother and sister crossing the border on their own that is written from a child's point of view. The journey the characters have to take is set up as a game in which they have to escape and hide from the monsters in order to get to the other side.
The theme of migration and refugees is treated with sensitivity, and it is clear that it is an important topic for the author-illustrator, who had contact with families and children who had to live through this. I think it is a very important and relevant topic for today.
Author-illustrator Erika Meza delivers a stunning and emotionally rich book from the viewpoint of those most impacted by border walls: young refugee children. This powerfully told tale highlights the spirit and strength of those embarking on a dangerous trek, and what awaits them on the other side.
My sister tells me the rules of the game are simple.
Avoid the monsters. Don’t get caught. And keep moving.
If the monsters catch you, you’re out.
A young boy and his older sister have left home to play a game. To win, they must travel across endless lands together and make it…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
I love this book because it's about the power of music, and how songs are a means to express ourselves and communicate what we feel. These are all topics that I am passionate about.
In the book, the main character travels the world to play the piano, and people are drawn to the music because songs always create a sense of community.
Winner of the Pura Belpre Illustrator Award A Kirkus Reviews Best Picture Book
In soaring words and stunning illustrations, Margarita Engle and Rafael Lopez tell the story of Teresa Carreno, a child prodigy who played piano for Abraham Lincoln.
As a little girl, Teresa Carreno loved to let her hands dance across the beautiful keys of the piano. If she felt sad, music cheered her up, and when she was happy, the piano helped her share that joy. Soon she was writing her own songs and performing in grand cathedrals. Then a revolution in Venezuela forced her family to flee…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
If you are like me, you enjoy stories about grandparents. This book is about a granddaughter's relationship with her grandmother, and the embarrassment she feels about the yellow handkerchief her grandmother uses.
I love everything Cynthia Alonso illustrates, and this book is no exception. The illustrations are playful and colorful, depicting the bond between these two characters in a beautiful way. I also like that the text includes some Spanish words.
In the end, the character realizes that her grandmother's yellow handkerchief makes her unique, and the legacy is passed on, a beautiful takeaway.
A child confronts conflicting feelings of embarrassment and love for her Mexican abuela in this moving, personal story from Newbery- and Pura Belpre Award-winning author Donna Barba HigueraMy abuela wears an old yellow handkerchief that her grandmother gave to her.I don't like the yellow handkerchief.When a young girl feels ashamed of her family for being "different" and subconsciously blames her abuela, she gradually grows to not only accept but also love the yellow handkerchief that represents a language and culture that once brought embarrassment.Inspired by the personal experiences of award-winning author Donna Barba Higuera and expressively illustrated by Cynthia Alonso,…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
Family separation, leaving one's own country, and learning a new language are some of the topics readers will find in this book, all of which are very relevant for kids to understand and to be empathetic to today. It's informative, sensitive, and beautifully illustrated by Luisa Uribe, one of my favorite illustrators at the moment.
It is the true story of author Areli Morales, and it follows a Mexican girl who emigrated to the United States. Reading it just makes you want to cheer for Areli, that she will be reunited with her family, that she will find her place in her new city and school, and that her family will have a better future.
In the first picture book written by a DACA Dreamer, Areli Morales tells her own powerful and vibrant immigration story.
When Areli was just a baby, her mama and papa moved from Mexico to New York with her brother, Alex, to make a better life for the family--and when she was in kindergarten, they sent for her, too.
Everything in New York was different. Gone were the Saturdays at Abuela’s house, filled with cousins and sunshine. Instead, things were busy and fast and noisy. Areli’s limited English came out wrong, and schoolmates accused her of being illegal. But with time,…
I am the author of 30 books. I live and teach in Mexico. I became interested in the St. Patrick's Battalion story when I moved here in 1990. The only book at the time was Shamrock and Sword, and while I enjoyed the book, I was dismayed that there were no Mexican or Irish sources. I did intensive research in the military archives of both countries and visited every battle site. Spurred on by the fact that one of my ancestors fought in the war, it became a passion. Later, I wrote my book and was a consultant for the film One Man's Hero. The rest, as they say, is history.
This nonfiction history of Mexico was compelling because it details everyday life in the occupied country. It also provided details of the US and Mexico before and after the Mexican War.
We get a clearer sense of what motivated soldiers on both sides to join in the largest territorial battle in North America. For Americans it was a great adventure, for Mexicans, the defense of their homeland. I also like the author's use of irony and humor, which gives the book a balance that more academic history cannot risk.
A complete, accessible, and nonacademic history of Mexico for general readers, this volume is a solidly researched introduction to a surprisingly multicultural, multifaceted nation. Presenting Mexico as it is and often with a refreshing wit and humor, this history puts flesh and bones on the dusty figures of the past while shedding light on the common humanity of the uncommon humans who created this unique country and its culture. From Mayans and Spanish conquistadors to guerillas and tourist invasions, the full thread of Mexican history is told here in a fresh, lively, uncompromising narrative for scholars, general readers, and generations…
I have always had an interest in reading factual information about other people’s lives. I am a realist, and prefer reading non-fiction that is true. I am especially interested in reading inspirational stories from people that have overcome adversity, illness, or discrimination.
We all need a laugh from time to time, and this book is pleasant light-hearted reading. ‘Ladies of a certain age’ look back with amusement and sometimes embarrassment at their younger selves. All women of a certain age can identify with this group of authors and the silly things we did during our youth way back when there was no internet or mobile phones and we had to actually talk to people face to face!
Remember ironing your hair? Rolling it in soda cans to straighten it? Lacquering it with enough spray that it could ward off bullets? Ever slather on cement-colored lipstick so heavy, you looked like a zombie princess? Remember hot pants and platform heels? The danger of patent-leather shoes? Were you a secretary, nurse, or teacher, but only, as our mothers urged us, until you found “Mr. Right.” In her new book, LAUGH OUT LOUD: 40 WOMEN HUMORISTS CELEBRATE THEN AND NOW…BEFORE WE FORGET, Allia Zobel Nolan and 40 funny ladies from the Erma Bombeck Writers’ Workshop chronicle these blips in time…
I am mainly known as an Interiors Photographer and although accidentally falling into photographing Interiors, it has become a passion, always interested in the story these places tell and alongside my husband we have built our own home creating a unique space using recuperated materials. As part of my work, I am always looking for interesting and inspirational books and places. It is how I train my eye, drawn to the unusual. I am as happy photographing a chateau in Provence as I am in a small and remote cabin in Norway.
I was given this as a present and what a wonderful present it was. Deborah Turbeville is a wonderful photographer whose work I admire. Her fashion photography was innovative, imaginative and so creative.
This book, a visual diary of her house and time in Mexico is filled with her signature blurred images, from black and white portraits to colourful interiors. It goes against everything we learn in Interiors but it’s magical, evocative, and gothic.
In the tradition of Kahlo and Allende, Turbeville’s brilliantly stylish portrait of her Mexican house evokes both her vivid imagination and the mystique of Mexico. High-ceilinged rooms surround a central courtyard that is lined with faded frescoes of biblical scenes. The glimmer and shafts of diffused light that stream into the courtyards and curtained rooms add to the romantic atmosphere—one feels as though they have entered into a quintessential Turbeville photograph. Turbeville has captured the spiritual nature of Mexican culture by incorporating into candlelit interiors such traditional religious artifacts as colorful painted tin retablos, hand-carved saints, wooden tableau boxes, and…
I’m a person like you who has lived difficult situations, has had losses, made mistakes, and deals with bad days wondering about my existence and purpose in life. I have a gift, and it's writing; I began sending reflective messages to the people at my office and that’s when I noticed that people loved them. Years later, after reading several books and accumulating more experience, I realized that there are several experiences that are common to all, but few questioned. Therefore, I decided to share my insight and thoughts in my second book, hoping to help people be a better version of themselves and live their lives to their fullest.
This book first caught my attention for the title—it’s a common Mexican phrase we use at the end of a fairytale story.
When I began reading it, I loved that the author used different color fonts so we can identify which character is talking. I found it very entertaining and fun.
When I read it, I was living in pain, longing to have a partner. This book helped me to see that nothing can be rushed; everything happens when it must happen. I learned that I could use fear to my favor and live life as I want, because the rest will come. Life is always on our side. And from time to time, I still read again the key parts that helped me when I was in pain.
Not The End was first released in 2001 and since that first edition has been read and reread, given, lent and recommended by readers of all ages, of all genders, of different religions, preferences and countries. It has passed from hand to hand and from mouth to mouth, changed publisher, cover, color and presentation. Less than two years after its publication, it became a national bestseller in Mexico and has deeply touched the hearts and lives of thousands of people.
Now eleven years later, Not The End celebrates its twenty-ninth edition in Mexico and the first one in it´s translation…
I have published 18 books of poetry, most recently the one I have listed here, as well as a collection of literary essays, Fables of Representation. My emphasis has always been on the more progressive and risk-taking kinds of expression, as seen with the Beat poets, Ginsberg and Corso, and the New York School poets, Ashbery and O'Hara. Seeing a lack of that perspective on bookshelves, I edited two editions of a major anthology, Postmodern American Poetry: A Norton Anthology, and 42 issues of the literary magazine, New American Writing. I have been reading, more recently, a lot of great writing by women, especially those writing at length, with the volume up.
Known for her long and often book-length poems, Maria Baranda is a leading poet of Mexico. This book contains two works, "From the Natural History of the Rustic"and "From the Natural History of Atlantica."
The project was inspired by an artist friend who would collect objects in the forest for his artworks, but first, he would talk at length about them. Written with a light hand, the poem is a gentle spoof of the friend who also shares in his wonderment: “I think of white lilies at the height of lightning. My friend has taught me.”
ATLANTICA AND THE RUSTIC is a luminous collection of verses documenting the earth in all its radiant, ravaged particularity. Like the shifting boundary between sea and sky, a tenuous horizon joins the two halves of this brilliantly translated book: the first a series of ecological encounters reported to the poet by a friend; the second a fragmented lyric from the very edge of the terrestrial world. Throughout, María Baranda's bristling, peripatetic lines remind us that "any route is an artifice," any memory stained with the "vestiges of oblivion." This translation marks an invaluable contribution to the field of Anglophone ecopoetics…
If five gentlemen from Mexico, a colored/negro woman from Eatonville, Florida, a former President who happened to be white, with historical privilege, from Plains, Georgia, and two Professors of History can use their knowledge, training, God’s gifts to help us to understand history better, why shouldn't I also be passionate and excited to write. Telling stories, writing, contributing, and unearthing lies and truths so that a child who looks like me – or who does not look like me – is provided a better world. Let me hokey about this – maybe the word is dorky – whatever, the privilege is mine.
Texas schools do an incredible job of acculturating their students in Texas history. The school system starts by telling the story of true Texans. Unfortunately, some of those tales were what we called “stories.”
In college, I took a course called The History of Mexico. The course book used by Professor Macias (if I remember his name correctly) was a small book, less than 200 pages, called The Compact History of Mexico. What a wonderful course and wonderful book.
I have not looked at the book in years, even though I ordered a copy when writing this. I felt like a child reading the book, being told a different story than I had been told over the years, providing to me – a black student – the why and how history and both sides of a story are so important. Always feeling left out of the discussion, hearing a distorted…
Esta obra contiene la dosis mínima de conocimiento sobre la historia de nuestro país. Destinada a todos cuantos quieran una historia verdadera, interesante y escrita en un lenguaje sencillo y claro.
