Here are 100 books that Dancing Hands fans have personally recommended if you like
Dancing Hands.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
This is a powerful picture book about a brother and sister crossing the border on their own that is written from a child's point of view. The journey the characters have to take is set up as a game in which they have to escape and hide from the monsters in order to get to the other side.
The theme of migration and refugees is treated with sensitivity, and it is clear that it is an important topic for the author-illustrator, who had contact with families and children who had to live through this. I think it is a very important and relevant topic for today.
Author-illustrator Erika Meza delivers a stunning and emotionally rich book from the viewpoint of those most impacted by border walls: young refugee children. This powerfully told tale highlights the spirit and strength of those embarking on a dangerous trek, and what awaits them on the other side.
My sister tells me the rules of the game are simple.
Avoid the monsters. Don’t get caught. And keep moving.
If the monsters catch you, you’re out.
A young boy and his older sister have left home to play a game. To win, they must travel across endless lands together and make it…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
If you are like me, you enjoy stories about grandparents. This book is about a granddaughter's relationship with her grandmother, and the embarrassment she feels about the yellow handkerchief her grandmother uses.
I love everything Cynthia Alonso illustrates, and this book is no exception. The illustrations are playful and colorful, depicting the bond between these two characters in a beautiful way. I also like that the text includes some Spanish words.
In the end, the character realizes that her grandmother's yellow handkerchief makes her unique, and the legacy is passed on, a beautiful takeaway.
A child confronts conflicting feelings of embarrassment and love for her Mexican abuela in this moving, personal story from Newbery- and Pura Belpre Award-winning author Donna Barba HigueraMy abuela wears an old yellow handkerchief that her grandmother gave to her.I don't like the yellow handkerchief.When a young girl feels ashamed of her family for being "different" and subconsciously blames her abuela, she gradually grows to not only accept but also love the yellow handkerchief that represents a language and culture that once brought embarrassment.Inspired by the personal experiences of award-winning author Donna Barba Higuera and expressively illustrated by Cynthia Alonso,…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
A story in which the author celebrates her place of origin, her family, and her culture. It's about magic, and how it can take different forms, like when people's hands touch the earth or when houses turn into homes.
I love that the book feels so personal. The illustrations are beautiful.
1
author picked
Magic
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
In her debut as author and illustrator, Mirelle Ortega shares her own story of growing up on her family's pineapple farm in Mexico, where she learned the true meaning of magicI learned that magic isn't good or bad, it just is. Sometimes it gives, sometimes it takes. Sometimes life blossoms, sometimes it wilts.Growing up on a pineapple farm in Mexico, a girl discovers the true meaning of the word magic in this truly magical picture book about change and transformation of all kinds-what we can't control, such as natural disasters and loss, and what we can. Magic can transform dirt…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
Family separation, leaving one's own country, and learning a new language are some of the topics readers will find in this book, all of which are very relevant for kids to understand and to be empathetic to today. It's informative, sensitive, and beautifully illustrated by Luisa Uribe, one of my favorite illustrators at the moment.
It is the true story of author Areli Morales, and it follows a Mexican girl who emigrated to the United States. Reading it just makes you want to cheer for Areli, that she will be reunited with her family, that she will find her place in her new city and school, and that her family will have a better future.
In the first picture book written by a DACA Dreamer, Areli Morales tells her own powerful and vibrant immigration story.
When Areli was just a baby, her mama and papa moved from Mexico to New York with her brother, Alex, to make a better life for the family--and when she was in kindergarten, they sent for her, too.
Everything in New York was different. Gone were the Saturdays at Abuela’s house, filled with cousins and sunshine. Instead, things were busy and fast and noisy. Areli’s limited English came out wrong, and schoolmates accused her of being illegal. But with time,…
I am an art school dropout and recovering rock critic who, since 1981, has published a dozen books on Australian music and popular culture, plus worked extensively in television and as a freelance journalist. I'm too old to be called an enfant terrible, but with the way I still seem to be able to court controversy, I must remain some sort of loose cannon! Sydney’s Sun-Herald has called me "our best chronicler of Australian grass-roots culture," and that’s a tag I’m flattered by but which does get at what I’ve always been interested in. I consider myself a historian who finds resonances where most don’t even bother to look, in our own backyard, yesterday, and the fact that so much of my backlist including Inner City Sound, Highway to Hell, Buried Country, Golden Miles, History is Made at Night, and Stranded are still in print, I take as vindication I’m on the right track…
This book illustrates why this list had to be called the best Australian books about music. Because it’s an Australian author writing about an American musician. This is an exchange that works both ways: just this year, British musician/author Tracy Thorn published a book about Go-Betweens drummer Lindy Morrison, called My Rock’n’Roll Friend. Blind Tom is a biography of slave pianist Tom Wiggins, one of the first African-American musicians to crossover to success with white audiences, and remarkably he had not been so accounted for until Deidre O’Connell took up the cudgels. O’Connell is an academic, but thankfully doesn’t write like one, and this her first and thus far only book is totally engrossing. I hope she writes some more.
I took piano lessons as a kid, but my teacher was imperious and boring. In my mid-30s I started thinking about it again, and my partner bought me a state-of-the-art Yamaha keyboard as a Valentine’s Day present. I found a wonderful teacher, Rafael Cortés, who worked at a community music school a few blocks from my office. Every piece we worked on began with a conversation about the composer, the period in which she/he wrote the piece, and the other artists–painters, sculptors, poets–who were working then. I fell in love with both playing and learning about music, and more than 30 years later, I’m still taking weekly lessons with Rafael.
Practically every page of this book has something fascinating to say about music, and Denk has an appealing, charming, often funny voice that one doesn’t often encounter in books about classical music.
As an amateur pianist I learned more about technique from Denk than I ever expected from a memoir, from how to use my thumb “as a transit system” to rolling chords at different speeds as if I were “unrolling a carpet.”
He teaches us how to listen more acutely to the messages in music, whether it’s Bach, Mendelssohn, Mozart, Chopin, or Philip Glass, and page by page, he shines a new light on the music we think we know and how an artist approaches it.
NEW YORK TIMES BESTSELLER • A beautifully written, witty memoir that is also an immersive exploration of classical music—its power, its meanings, and what it can teach us about ourselves—from the MacArthur “Genius” Grant–winning pianist
LONGLISTED FOR THE ANDREW CARNEGIE MEDAL • “Jeremy Denk has written a love letter to the music, and especially to the music teachers, in his life.”—Conrad Tao, pianist and composer
ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker
In Every Good Boy Does Fine, renowned pianist Jeremy Denk traces an implausible journey. His life is already a little tough as a precocious,…
I am the author of three novels that all explore contemporary notions of fidentity. In 2016 I received a scholarship to travel from New Zealand to Berlin for three months and fell in love with the city. I ended up staying there for nearly four years, until the pandemic started. As a writer I liked the way that being detached from your regular life, and living in a country where you are unfamiliar with the language and the rules, makes you alert to the quirks. It helps you to gain a fresh perspective about the place that you came from, and also the place that you are in.
Deborah Levy’s novels are often set in places where the location becomes a character – blazing hot Spain in Hot Milk, south of France in Swimming Home – but also estrangement unsettles her characters enough to begin to really consider who they are.
In her latest, August Blue, Elsa is a classical piano prodigy, still reeling from a catastrophic concert, when she sees her doppelganger in an Athens flea market. The encounter triggers gauzy memories of her upbringing, as she travels to Paris, to London, and then to Sardinia where the man who adopted her at the age of six and nurtured her talent is dying.
Each place is so viscerally described, I wanted to be physically there as Levy drops obscure metaphorical clues about Elsa’s true identity.
The mesmerising new novel from the twice Booker-shortlisted author of Hot Milk and Swimming Home
At the height of her career, concert pianist Elsa M. Anderson - former child prodigy, now in her thirties - walks off the stage in Vienna, mid-performance.
Now she is in Athens, watching as another young woman, a stranger but uncannily familiar - almost her double - purchases a pair of mechanical dancing horses at a flea market. Elsa wants the horses too, but there are no more for sale. She drifts to the ferry port, on the run from her talent and her history.…
Though I live in the foothills of the Ozarks, I’m an Anglophile at heart, loving all things Jane Eyre and Jane Austen. I spent much of my angsty adolescence tucked away in Regency and Victorian England with my nose stuck in a book. As a result, I now jump at every chance I get to skip across the pond and roam the English countryside, listening hard to hear all the voices from the past—which is why my stories are always tied to British history. So whether you love ballrooms or shadowy tales set in gothic manors, here’s a great list for you.
Sometimes you need a good read to curl up with on a rainy day, one that’s a bit melancholic yet romantic at the same time. I know I do, and The Lost Melody checked both those boxes. My heart ached for heroine Vivienne Mourdant, for have we not all struggled with reality now and then? And who wouldn’t if trapped within an insane asylum? This one kept me guessing until the very end as to how poor Vivienne would ever escape in one piece.
"Darkly premised and brilliantly presented. The Lost Melody serves a pitch-perfect blend of history, romance, mystery, and faith."--Booklist starred review
***
When concert pianist Vivienne Mourdant's father dies, he leaves to her the care of an adult ward she knew nothing about. The woman is supposedly a patient at Hurstwell Asylum. The woman's portrait is shockingly familiar to Vivienne, so when the asylum claims she was never a patient there, Vivienne is compelled to discover what happened to the figure she remembers from childhood dreams.
The longer she lingers in the deep shadows and forgotten towers at Hurstwell, the fuzzier…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
When one reads Bernhard, one never reads anything else the same again. In fact, every story feels false by comparison. Maybe it’s because The Loser is written in one unbroken paragraph or because it repeats a line ad nauseum or because the story, in any other writer’s hands, would feel mawkish.
But this novel about a triangular intellectual relationship between piano virtuoso Glenn Gould and his two students is anything but. It’s funny, heartbreaking, and confusing. The way life is.
Thomas Bernhard was one of the most original writers of the twentieth century. His formal innovation ranks with Beckett and Kafka, his outrageously cantankerous voice recalls Dostoevsky, but his gift for lacerating, lyrical, provocative prose is incomparably his own.One of Bernhard's most acclaimed novels, The Loser centers on a fictional relationship between piano virtuoso Glenn Gould and two of his fellow students who feel compelled to renounce their musical ambitions in the face of Gould's incomparable genius. One commits suicide, while the other-- the obsessive, witty, and self-mocking narrator-- has retreated into obscurity. Written as a monologue in one remarkable…
I can’t imagine going through a day without listening to music. I remember buying my first Beatles album at eight years old. I saw Elvis on his last tour, Whitney Houston on her first, and Barbra Streisand on her comeback tour—twice. I remember listening to “Kind of Blue” the first time. I remember seeing Ella Fitzgerald late in her career at a club in Houston; her body was failing her—she had to sit in a chair to sing—but her voice was as beautiful as ever. Of all the artists I’ve admired over the years, the one whose work has consistently spoken to me most profoundly is Billie Holiday.
One of the treasures of American show business is Hazel Scott. A child prodigy on piano who attended Julliard, a headliner at Café Society thanks to Billie Holiday’s mentorship, and eventually the wife of Adam Clayton Powell, Jr., she was the first African American to host her own television show, “The Hazel Scott Show,” in 1950.
A confrontation with the House Un-American Activities Committee prompted the cancellation of her network show, which led her to go into a kind of exile in Paris where she set up a salon that saw as guests everyone from Lester Young to the Beatles.
Karen Chilton vividly documents the life and times of the singer in this book. I love the book because it captures the artistry of a true original. In the future, more attention should be paid to Hazel Scott, who has become show business history’s forgotten genius.
Hazel Scott was an important figure in the later part of the Black renaissance onward. Even in an era where there was limited mainstream recognition of Black Stars, Hazel Scott's talent stood out and she is still fondly remembered by a large segment of the community. I am pleased to see her legend honored. ---Melvin Van Peebles, filmmaker and director""This book is really, really important. It comprises a lot of history---of culture, race, gender, and America. In many ways, Hazel's story is the story of the twentieth century."" ---Murray Horwitz, NPR commentator and coauthor ofAin't Misbehavin'""Karen Chilton has deftly woven…
