Books like A Compact History of Mexico — picked by fans

Years ago, I contributed a chapter to a book edited by Sara R. Massey. When Sara called to check on the progress of my chapter/contribution she excitedly told me about her just finishing reading Quintard Taylor’s book. She loved the book so much that she recommended I buy a copy. I promised to order the book. I kept my promise and almost missed getting my chapter to Sara because I appreciated Quintard Taylor’s book so much. Almost as if he was in my ear, his was a book full of did you know moments.

I understood fully when reading why Sara called. Taylor reminded me that this history is not necessarily parochial– existing only in one location; rather, behavior, social mores and moving from one place to another, telling a familiar tale. A tale, not in the sense of making up history, but showing how the racial construct established… show more.

I loved this book because the author – a professor at the University of Michigan – honestly addresses a tough subject when informing the reader about the North’s benefit from slavery, a benefit which caused a forever compromise on the subject, leading to the Civil War.

I was shocked when I read Wall Street’s profits were so great it wanted to secede from the union and recreate itself as a separate nation-state on the eve of the Civil War in order to continue trading with both the North and South.

The professor does a wonderful job with documentation, particularly how free persons of color were kidnapped and sold into slavery because of the immense profits. At times, when reading this work, my mouth flew open and stayed open until I finished reading. My mind remains open because of the professor’s valuable contribution to this history.

As Jimmy Carter nears the end of his life – a life of contributions to the world – I want to thank him for his book. His book is part historical observation, saying what historians oft-times decline to say, while being prophetically correct in recounting of history and the predictable consequences the regions faced unless action is taken.

The book was published in 2006, long after Carter left the presidency, at a time saying what others were not saying about the region. He made me a participant–as a reader–telling historical truths that I was sure he would be profoundly criticized for – oh, was he. 

I love this book because Jimmy Carter’s book is a reminder that writing non-fiction can be fraught, the same as doing an act which does not make friends. He took a risk and used his credibility to tell the truth, and as a reader, I… show more.

This work is not a history book but a collection of Zora Neal Hurston’s writings. Hurston wrote fiction and nonfiction and was a trained anthropologist. Her work taught me that history is oft-times found in the strangest places. This reader did this for me – a writer and anthropologist Hurston was. When I read the reader, I wanted to raise my hand and ask questions. Other times, I remained silent, only talking to myself and thinking.

In my former life as a trial lawyer, I remember quoting her writings in a final argument to explain language and culture. As my voice broke, tears flowed – this was the first time I explained the power of this book. They understood, and some of my jurors cried with me.  

This nonfiction history of Mexico was compelling because it details everyday life in the occupied country. It also provided details of the US and Mexico before and after the Mexican War.

We get a clearer sense of what motivated soldiers on both sides to join in the largest territorial battle in North America. For Americans it was a great adventure, for Mexicans, the defense of their homeland. I also like the author's use of irony and humor, which gives the book a balance that more academic history cannot risk.

It is often said that history is stranger than fiction and a disastrous French invasion of Mexico in 1862 to establish a European-style monarchy certainly fits the cliché. The then-French emperor, Napoleon III, rescued the Habsburg archduke Ferdinand Maximilian from a life as a dilettante in the shadow of his older brother, Franz Joseph, emperor of Austria. Maximilian was offered a throne propped up by French bayonets across the Atlantic. The only problem was that most Mexicans supported the legitimate president, Benito Juárez. After a vicious civil war and a desperate last stand, Maximilian was captured tried and executed in 1867. 

Months earlier, his wife, Charlotte, had broken down and lost her mind pleading for Catholic support in the Vatican before the Pope. Put simply, you couldn’t make it up and, for the most part, Fernando del Paso’s brilliantly researched and readable novel doesn’t. Having written my own non-fiction account… show more.

Old Cold Cannibal is a bit of an outlier in this list, as it doesn’t fully conform to the Douglas Adams/Terry Pratchett style of humor/narration or plotting. But it’s a unique book with an amazing voice. I have a soft spot for harsh 1800s white narrators whose doubling down on arrogance and (historically accurate) racism wrap around from being awful to weirdly and unsettlingly charming. Old Cold Cannibal delivers on that 100% and allows it to infuse some humor into what is otherwise a very dark and disturbing narrative that follows a journey across the pre-Civil War U.S. to find and slay a dragon. It’s a rough, but entertaining read.

During the flu pandemic of 1918, the author, Katherine Anne Porter, became deathly ill but recovered. Published over twenty years later, Pale Horse, Pale Rider is her fictionalized account about falling in love with a soldier during the war, then fighting to survive the influenza outbreak. I love that Porter drew from her own experience to write this short novel. (She disliked the term novella.) Pale Horse, Pale Rider is a beautifully written story about a devastating disease.

William Carlos Williams’ book The Desert Music was published first in 1954 and later collected in volume two of New Directions’ The Collected Poems of William Carlos Williams. It remains one of William Carlos Williams’ most tender, innovative, and emotionally exigent books.

The so-called desert music becomes, among other things, an enactment and valuing of the “inescapable and insistent” background soundscapes in our lives. Geographically, the poems of the title sequence are situated in the Chihuahua Desert, where Williams, after having suffered a stroke, travels between Juárez, Mexico, and El Paso, Texas.

From characteristically astute descriptions—for instance, of a twisted wild mustard flower (that I still see in my mind’s eye)—the poems segue into meditations on art, love, and mortality. 

I could have picked almost any of Bowden’s books on the border, for example, the excellent Murder City, but I’m choosing Laboratory of the Future as it’s the first piece of his writing I came across. Bowden, who lived on both sides of the US/Mexican border for many years, was intimate with his subject, and the brutal power of his journalistic writing puts most novelists to shame. He is not afraid to question us or confront us, or hide his anger, but it is never unwarranted. In this book, he, and the thirteen Mexican photographers whose frequently shocking images accompany the text, paints a grim picture of the nature of ultra-capitalism when allowed to run free just south of the border – it is, he says, an experiment: it is the laboratory of our future.