100 Books Like Casa No Name

As quoted by Axel Vervoordt his philosophy “is a belief that a home should be a personal expression of your soul. It should represent the way you want to live, the ideas that define your tastes, perspectives, and connections to the world. The spaces where people share private experiences with family and friends should restore and give energy. ”
Vervoordt is a master of Interiors and this quote sums up my belief towards my own Interiors. This book is outstanding. It has been a big influence in my life and as a photographer. He incorporates the Japanese philosophy of Wabi Sabi - acceptance of transience and imperfection - and I see this in many aspects of what we have tried to create in our own home. 

This book was not only an inspiration for my first book but a book that visually spoke to me not only through the photography, but the spaces and places included in it. There are many Interiors books on the market but this one is up there as one of my all time favourites. It inspires me to be a better photographer and I find myself looking at this book over and over again. 

A recent purchase, when I discovered this book on Instagram (secondhand) I immediately wanted to buy it.

First published in 1993 it is still relevant today as I am sure it was then. We are all in love with Cabins, sheds, corrugated iron, escapism and there are many books on this subject. Marie France Boyer works for The World of Interiors amongst other magazines and has a wonderful eye and this book inspires me in my research for cabins in the world.

This book is one of my most recent purchases. I really love Sean Scherer’s style and it speaks to both myself and my husband.

The photography is great in this book and Sean has a wonderful eye for detail. It’s a feast for the eyes. It has that ‘cabinet de curiosité’ style and so many details I want to keep looking at. I have visited the Catskills area and this book certainly makes me want to go back there again. It is a well-thought-out and inspiring book.

This short novel is by a Mexican writer and takes place underground. At first, we cannot tell who is living and who is dead, but we eventually accept the fact that the characters are ghosts. 

The ghosts come and go, remembering their past lives together. They remind each other of the events of the Mexican Revolution that they lived through, and they especially remember the strongman in the village. Pedro Páramo runs things with an iron hand, and he also pines for a woman who is beyond his control—the only thing he wants that he can’t have.

The voices in this novel are like a chorus of whispers breathing the picture of a poor village. I love the beauty and mystery of the writing. Many Mexicans consider this their greatest novel, and for all readers, it is a small masterpiece. 

I am not a fan of fantasy, but this is magical realism at its best. Not too much, not too little, just enough to remind everyone that the spirits are still working on behalf of true love and goodness and that justice prevails despite all obstacles…like a fairy tale with complications. Just my cup of tea. 

How realistic is it that food transmits any emotions the cook may be feeling while making the food? This idea captivated me immediately; it was something I had never thought about. And yet, growing up in my family, women always made the food. So again, a very female tale.

In the beginning, Tita, the heroine, is passionate and in love, but she succumbs to tradition and rejects true love and passion to submit to tradition, which dictates she takes care of her mother. In time, Tita learns to disobey the injustice of that tradition… show more.

I read The Brick People when it was first published in 1988.

At the time, I was already familiar with Morales’ work, but this historical novel about the Simons Brick Factory in Southern California and the Mexican migrants who the Simons brother depended upon for their success seized my imagination.

The author blends folklore, history, myth, and magical realism into a novel that relates the story of Mexican migrants and their complicity with or rebellion against the Simons brothers and the mores of the early 20th Century Los Angeles region.

Morales shows how history from the ground up is manifested in people’s lives.  His characters work and play hard as they seek to build community and pursue dreams of social mobility even when customs and laws prohibit them.

In this masterpiece of historical narrative, Paul Sullivan investigates the 1875 sacking of a sugar plantation (called Xuxub) and the murder of its American manager by Maya rebels. Located on the geographical frontier between “Ladino” and Maya society, Xuxub became a microcosm of all of the conflicts that haunted Mexico as it entered its “Guilded Age”: inter-elite rivalries, international competition in the wake of the U.S.-Mexico War, and the overwhelming fear that the nation’s Indigenous population would rise up against encroaching liberal capitalism. It all comes together in a murder mystery, written more like true crime than an academic text, right down to the final poetic twist. This is an immensely enjoyable read, so much so that I have read it no fewer than fifteen times. 

Texas schools do an incredible job of acculturating their students in Texas history. The school system starts by telling the story of true Texans. Unfortunately, some of those tales were what we called “stories.” 

In college, I took a course called The History of Mexico. The course book used by Professor Macias (if I remember his name correctly) was a small book, less than 200 pages, called The Compact History of Mexico. What a wonderful course and wonderful book. 

I have not looked at the book in years, even though I ordered a copy when writing this. I felt like a child reading the book, being told a different story than I had been told over the years, providing to me – a black student – the why and how history and both sides of a story are so important. Always feeling left out of the discussion, hearing a distorted… show more.

If you ask American expats in San Miguel de Allende how they “discovered” this beautiful city in the central highlands as far from a beach as one can be in Mexico, a significant percentage of us will mention Tony Cohan’s lovely memoir, On Mexican Time, set in the San Miguel of 1985.

San Miguel is often referred to as magical, and most of us tend to think of whatever moment we personally arrived as peak San Miguel magic. The longer we’re here, the more nostalgic we grow for that lost era. The thing about magic, though, is that it can evolve. Today’s San Miguel de Allende is less sleepy and quirky than the town Tony described, but it is still abundantly charmed.