Books like Atlantica and the Rustic

I have published 18 books of poetry, most recently the one I have listed here, as well as a collection of literary essays, Fables of Representation. My emphasis has always been on the more progressive and risk-taking kinds of expression, as seen with the Beat poets, Ginsberg and Corso, and the New York School poets, Ashbery and O'Hara. Seeing a lack of that perspective on bookshelves, I edited two editions of a major anthology, Postmodern American Poetry: A Norton Anthology, and 42 issues of the literary magazine, New American Writing. I have been reading, more recently, a lot of great writing by women, especially those writing at length, with the volume up. 

I have published 18 books of poetry, most recently the one I have listed here, as well as a collection of literary essays, Fables of Representation. My emphasis has always been on the more progressive and risk-taking kinds of expression, as seen with the Beat poets, Ginsberg and Corso, and the New York School poets, Ashbery and O'Hara. Seeing a lack of that perspective on bookshelves, I edited two editions of a major anthology, Postmodern American Poetry: A Norton Anthology, and 42 issues of the literary magazine, New American Writing. I have been reading, more recently, a lot of great writing by women, especially those writing at length, with the volume up. 

I have published 18 books of poetry, most recently the one I have listed here, as well as a collection of literary essays, Fables of Representation. My emphasis has always been on the more progressive and risk-taking kinds of expression, as seen with the Beat poets, Ginsberg and Corso, and the New York School poets, Ashbery and O'Hara. Seeing a lack of that perspective on bookshelves, I edited two editions of a major anthology, Postmodern American Poetry: A Norton Anthology, and 42 issues of the literary magazine, New American Writing. I have been reading, more recently, a lot of great writing by women, especially those writing at length, with the volume up. 

I have published 18 books of poetry, most recently the one I have listed here, as well as a collection of literary essays, Fables of Representation. My emphasis has always been on the more progressive and risk-taking kinds of expression, as seen with the Beat poets, Ginsberg and Corso, and the New York School poets, Ashbery and O'Hara. Seeing a lack of that perspective on bookshelves, I edited two editions of a major anthology, Postmodern American Poetry: A Norton Anthology, and 42 issues of the literary magazine, New American Writing. I have been reading, more recently, a lot of great writing by women, especially those writing at length, with the volume up. 

Perhaps it was being born in a large seaport – Liverpool – where I would watch from our front window the great liners steaming out on the tide that made me love travel and seeing the world. My book about the great age of British travel, A Corkscrew is Most Useful was the product of this obsession with how people travel, what they see, how they interpret their journeys. I have also written about Bruce Chatwin, one of the most original of modern travellers, and in my 2016 book Crossings I have explored the idea of borders, real and metaphorical, which figure so largely in the life of anyone moving from country to country and define our sense of belonging and identity.

Ever since I was a child, I have been fascinated by work and the ways that it organizes the rest of life. Mining is one of those activities that brings together economics, politics, gender, class, kinship, and cosmology in especially tight proximity. I am also fascinated by Latin America, a region where mining has been important for thousands of years. These interests led me to become an anthropologist specializing in mining in Mexico and Colombia. It has been my privilege to work in this area for over twenty-five years now, making lifelong friends, learning about their lives and struggles, and sharing that knowledge with students and readers. 

I grew up in Mexico listening to my father´s stories about the Mexican revolution. His storytelling abilities drew me in as he described his childhood memories and those of his father, who lived through the revolution. That's why I became a historian writing about the Mexican Revolution with a preference for biographies. As the Latin Americanist historian at St. John's University in New York City, I've written two books: Maximino Avila Camacho and the One Party State, Pancho Villa: A Biography, and edited A Brief History of Mexico by Lynn V. Foster. I hope you enjoy the list of books on significant personalities that shaped the first major social revolution of the twentieth century.

I am mainly known as an Interiors Photographer and although accidentally falling into photographing Interiors, it has become a passion, always interested in the story these places tell and alongside my husband we have built our own home creating a unique space using recuperated materials. As part of my work, I am always looking for interesting and inspirational books and places. It is how I train my eye, drawn to the unusual. I am as happy photographing a chateau in Provence as I am in a small and remote cabin in Norway. 

If five gentlemen from Mexico, a colored/negro woman from Eatonville, Florida, a former President who happened to be white, with historical privilege, from Plains, Georgia, and two Professors of History can use their knowledge, training, God’s gifts to help us to understand history better, why shouldn't I also be passionate and excited to write. Telling stories, writing, contributing, and unearthing lies and truths so that a child who looks like me – or who does not look like me – is provided a better world. Let me hokey about this – maybe the word is dorky – whatever, the privilege is mine.

I have lived in Mazatlán, Mexico, for the last 6 years and have explored much of this beautiful country, from the Pacific coast to Mexico City to Puerto Peñasca and the region around the Sea of Cortez. It’s fascinating and varied, and the people here are welcoming and kind. I teach art to primary school children at a local school and love sharing Spanish and English books with them about Mexico. These are some of my favorite books that my students love.