Books like Heroides — picked by fans

Like Ludwig Wittgenstein himself, this book is a work of extremes.

The delusions are grand, the narrative is dense, and the non-sequiturs are out of control. And yet, the more time you spend with it, the more these inhibitors become the very reason for your voracious engagement.

Once you get through that, what stands out about this work is the nuanced approach Markson takes to the female voice. On the one hand, it’s very subtle, with thin, cosmetic references to clothing, aesthetics, and male love interests. But as you immerse yourself in the text, you begin to sense a deeper ambition is possibly at work, inherent in the stream-of-consciousness narrative he employs.

The other thing that’s cool about this book is the series of disparate facts Markson weaves together about a range of cultural figures. It’s easy to take these as throwaway comments until you remember they were accumulated manually,… show more.

This was provocative in a different way, in that it made me realize how accurately an author can capture the voice of the opposite sex.

Dolly’s portrayal of Andy was, in many ways, both convincing and emotionally resonant, and she achieves this while sustaining a thoroughly entertaining narrative. It was a bittersweet experience because, as enjoyable as the read was, it set an excessively high benchmark for my own attempt.

Thankfully, by the time I got around to reading her book, it was too late to do anything about it, other than make a mental note of how much work would be required if I ever decided to make another run at it.

There’s so much to like about this book, whether it’s the quality of writing, entertaining narrative, or intriguing character study.

But for me, the most memorable aspect was that it brought an entirely new appreciation for the beauty of cross-gender narratives. Specifically, the uniqueness such endeavors offer through the introspection they invite.

Whether it’s on a conscious or subconscious basis, you’re encouraged to evaluate the voice on a deeper level than you otherwise would—its accuracy, its sincerity, and so on. And in doing so, you inevitably draw on your own experiences and perhaps become aware of your own biases or limitations.

It adds a whole new dimension to the work, and one that can arguably feel more personal than what you might find in other types of narratives.

I came across this at the Tate Modern, where they were featuring a room of works highlighting gender fluidity, named after Rachilde’s work, along with an accompanying narrative.

I’m all about serendipity, and the fact that I was in London promoting Vesper and stumbled across this the day before I left; well, I found it timely and intriguing. What followed was one of the most provocative reads I’ve come across of late, particularly when you contextualize the impact it likely had when it was written in 19th-century Paris.

What’s noteworthy about the piece is the author’s bold inversion of gender stereotypes, dramatized through the power dynamic between an aristocratic woman and her impoverished but highly attractive lover. The subversion is so pronounced that it pushes you to form an opinion on how such perceptions are treated in contemporary times; another example of the unique qualities these kinds of works can… show more.

In her groundbreaking Gender Trouble, Judith Butler develops the idea that we today call gender fluidity. Butler knows queer life intimately, and Gender Trouble speaks to much of the difficulty queer people, myself included, face in the world. It is thus not only brilliant but also generous and caring.

Butler set the stage for a philosophical problem I address in my book, namely that her type of position cannot fully explain (philosophically) why some people identify as gay, straight, lesbian, or bisexual – just as they cannot explain why it’s existentially important for some trans people to transition.

Through her marriage to Ferdinand of Aragon, Isabel of Castile united the two most powerful kingdoms of the Iberian Peninsula, becoming the first early Renaissance queen to rule in her own right. As mother to five daughters and one son, the formidable ruler provided them with an unparalleled education and procured their marriages to the reigning dynasties of Europe. Much of what is known about Isabel, however, has relied on medieval chronicles and her own image-making as a legitimate heir, devoted wife, and pious ruler. Examining how this public image was created, Barbara Weissberger demonstrates the strategies adopted by both her supporters and her detractors when negotiating the challenges posed by her gender and her political program for converting all non-Catholics to Catholicism.

While her followers viewed her as a virtuous and submissive queen, her detractors imagined her as a rapacious vixen, whose illicit power threatened gender norms, creating anxiety… show more.

Jennifer Morgan’s history of childbearing in the Black Atlantic cracked open an entirely new field, exposing how American society has for centuries relied on Black women’s work as mothers. Her attention to the role of reproduction in the perpetuation of racial slavery in the Americas during the sixteenth and seventeenth centuries exposed how European imperialism had, from its inception, relied upon pushing Black women into dual roles as labourers in the fields of new world plantations and also as labouring mothers. Morgan’s analysis of European travel literature highlights how white men’s perceptions of Black women’s bodies was shaped by these dual roles, as for example in the recurring trope that depicted African women as able to suckle infants over their shoulder whilst attending to other sorts of labour. 

The more I learned about the social structures and constructs that perpetuate violence against women, the more I saw how deeply rooted the ideas are in the stories that we tell—the stories that we’ve been telling for centuries. Why aren’t women believed? Where do the misogynistic tropes come from?

This book shows how our culture’s origin stories have been shaped by men, and as Lesser writes, “embedded in the stories are the values and priorities we live by, and what we believe about women and men, power and war, sex and love.” What I love about this book is that it reimagines if women had been the storytellers, and empowers readers to redefine women and power. 

The period after the Civil War known as Reconstruction has long been overlooked by historians and educators; even less has been written about this period from a gendered perspective.

Laura Edwards provides an excellent analysis of the experiences of newly-emancipated women in shaping and surviving the political, social, and economic landscape of Reconstruction. She studies their history through first-hand narratives of how they established households, pursued their legal rights, and claimed their new roles as free women.

The book is not only a fascinating read about Reconstruction, it helped contextualize Edmonia Lewis’s and Meta Fuller’s emancipation sculptures, and their message about the freedwoman’s new identity.

This science fiction and mystery story is about an astronaut from a world without men crashes on Earth and blows all our minds… except we’re also reading a story about a woman living in our 1970s, and a parallel Earth where WWII never happened… it gets a little confusing, in a really fun way.

Russ uses this engaging, sometimes funny, sometimes tragic multiverse story to explore topics of sex essentialism and gender fluidity in a way that still feels bracing and mind-expanding today.

You could say this is as much a philosophical treatise as a novel but that makes it sound like it isn’t any fun, when in fact it’s a blast. If you’re open to a far-out read you will not be disappointed.