Books like Gridiron Gourmet — picked by fans

The author, R. W. Connell, is a fascinating person, originally a man, who became a woman, in the midst of a very successful career as a student of masculinity. Her work was among the earliest I’ve encountered to deal with that subject. And what a fascinating perspective! In this work, she posits four power-related configurations of masculinity: Hegemonic, complicit, subordinated, and marginalized. Although originally among those who emphasized mainly negative and unitary features of manhood – something I categorically reject – her views have broadened over the years, recognizing considerable diversity in values. This work remains a classic in the field and provides readers with some excellent insights into one influential form of masculinity.

This is one of the early books to counter the more common view of a ‘hegemonic masculinity’ that applied to all men. Instead, its 17 chapters provide examples of diverse forms of masculinity – in terms of both ideals and practice – from every continent. I particularly appreciated this book for this reason. It reinforced my sense (and evidence) that masculinities vary from place to place and time to time, and it served as an impetus to write my own book on the subject.

Masculinities and Femininities in Latin America’s Uneven Development provided further reinforcement for my interest in showing the diversity of masculinities. Paulson’s long history in Latin America and longstanding involvement with gender studies convinced me of her expertise. This was particularly valuable for me, with my limited Latin American experience. Additionally, her discussions of the interactions between notions of masculinity, as perceived and acted out by men with varying degrees of power, was a new way of looking at the issue for me, an eye opener. She clarified some of the dynamics of colonialism as it operates in the present and in that context.

Erotic Triangles returns to a part of the world I know well, though the topic is alien to my own natural resource emphasis. Yet I found it fascinating for its symbolic analyses of West Java’s musical and art worlds – intertwined intimately with the relations between men and women and among men. Its emphasis on triangles was the inspiration for me to structure my own analyses as a harp (another ‘triangle’), within which the strings signify traits that men value in a given culture. Spiller’s analysis inspired my own analogy between the creation of harp music and the clusters of values that influence men’s identities, their personal and cultural ‘songs.’

Lundin writes one of the best explorations of internalized and externalized misogyny I’ve ever read in this contemporary YA about Mara, a lesbian who needs a new sport when she’s bounced off of basketball for a fight and finds herself fighting to join football. She’s soon joined by four other girls (including both her crush and her enemy) aiming to join with her, which pisses her off—why do they have to turn it into some girl power thing when she just genuinely loves the sport? But the way things play out teaches Mara a lot about who’s really on her team. 

Through her marriage to Ferdinand of Aragon, Isabel of Castile united the two most powerful kingdoms of the Iberian Peninsula, becoming the first early Renaissance queen to rule in her own right. As mother to five daughters and one son, the formidable ruler provided them with an unparalleled education and procured their marriages to the reigning dynasties of Europe. Much of what is known about Isabel, however, has relied on medieval chronicles and her own image-making as a legitimate heir, devoted wife, and pious ruler. Examining how this public image was created, Barbara Weissberger demonstrates the strategies adopted by both her supporters and her detractors when negotiating the challenges posed by her gender and her political program for converting all non-Catholics to Catholicism.

While her followers viewed her as a virtuous and submissive queen, her detractors imagined her as a rapacious vixen, whose illicit power threatened gender norms, creating anxiety… show more.

Professor Paglia’s books are a tad academic for most people’s taste, but I find it important to feature her here.

In this book, she stirs up important questions around gender and sex. It seems that we are steadily moving towards a growing acceptance of diversity to the point in which androgyny is even becoming a desirable trait.

Being genderfluid myself, I’ve sometimes asked myself these questions daily. In order to have more spiritual sex, it’s important that we accept and acknowledge our desires, and I’m all for supporting the full expression of feminine and masculine in both women and men.

On top of this, Paglia is a real provocateur, which I like and can relate to. Truly one of the bright minds of our time.

The more I learned about the social structures and constructs that perpetuate violence against women, the more I saw how deeply rooted the ideas are in the stories that we tell—the stories that we’ve been telling for centuries. Why aren’t women believed? Where do the misogynistic tropes come from?

This book shows how our culture’s origin stories have been shaped by men, and as Lesser writes, “embedded in the stories are the values and priorities we live by, and what we believe about women and men, power and war, sex and love.” What I love about this book is that it reimagines if women had been the storytellers, and empowers readers to redefine women and power. 

This book is a fascinating collection of essays on Antigone, written by key contemporary thinkers, such as Julia Kristeva, Luce Irigaray, Judith Butler, Bracha L. Ettinger, and Adriana Cavarero. Hegel daringly compared Antigone to Socrates and Jesus and this book shows the full range of ethical questions and consequences, related to Antigone and her highest ethical demand. Through this book, the fictitious woman from Sophocles’ drama written 2,500 years ago, incarnates in front of us as a living figure of contemporary feminine ethics.

This book takes a tour through the most impactful and influential popular literature circulating in the 19th and early 20th centuries—the stories that laid the groundwork for a collective Anglo-American consciousness—and explains how these stories produced a set of feminist ideologies that were reliant upon a racist and imperialist imaginary. Whether it is her chapter on the “King and I” in “Uncle Tom’s Cabin” or her tracking of the “picanninies” romping through “Peter Pan” and a “Passage to India,” Donaldson explains how we came to associate feminism with the ideologies of slavery and colonialism in the deepest recesses of our imaginations.