Here are 100 books that Monsieur Vénus fans have personally recommended if you like
Monsieur Vénus.
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When I set out to write a novel in the female voice, it was purely intended as an interesting riff on one of my favorite works, Alfie. There were no literary ambitions, or frankly, awareness of other works to benchmark myself against or build upon. My motivation was the rawness of the idea itself and the excitement of an uncharted, enjoyable venture. It wasn’t until I read other reference works—before, during, and after the writing process—that I became aware of the unique and enriching reading experience such an approach can offer. A multi-faceted experience that, for many, ultimately becomes less about the story and more about the introspection and awareness it fosters.
Like Ludwig Wittgenstein himself, this book is a work of extremes.
The delusions are grand, the narrative is dense, and the non-sequiturs are out of control. And yet, the more time you spend with it, the more these inhibitors become the very reason for your voracious engagement.
Once you get through that, what stands out about this work is the nuanced approach Markson takes to the female voice. On the one hand, it’s very subtle, with thin, cosmetic references to clothing, aesthetics, and male love interests. But as you immerse yourself in the text, you begin to sense a deeper ambition is possibly at work, inherent in the stream-of-consciousness narrative he employs.
The other thing that’s cool about this book is the series of disparate facts Markson weaves together about a range of cultural figures. It’s easy to take these as throwaway comments until you remember they were accumulated manually,…
Wittgenstein's Mistress is a novel unlike anything David Markson or anyone else has ever written before. It is the story of a woman who is convinced and, astonishingly, will ultimately convince the reader as well that she is the only person left on earth.
Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy. And as…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
When I set out to write a novel in the female voice, it was purely intended as an interesting riff on one of my favorite works, Alfie. There were no literary ambitions, or frankly, awareness of other works to benchmark myself against or build upon. My motivation was the rawness of the idea itself and the excitement of an uncharted, enjoyable venture. It wasn’t until I read other reference works—before, during, and after the writing process—that I became aware of the unique and enriching reading experience such an approach can offer. A multi-faceted experience that, for many, ultimately becomes less about the story and more about the introspection and awareness it fosters.
This was provocative in a different way, in that it made me realize how accurately an author can capture the voice of the opposite sex.
Dolly’s portrayal of Andy was, in many ways, both convincing and emotionally resonant, and she achieves this while sustaining a thoroughly entertaining narrative. It was a bittersweet experience because, as enjoyable as the read was, it set an excessively high benchmark for my own attempt.
Thankfully, by the time I got around to reading her book, it was too late to do anything about it, other than make a mental note of how much work would be required if I ever decided to make another run at it.
'Funny - of course it's funny - but also smart, insightful and sincere about heartbreak' David Nicholls, author of One Day
'A novel to be devoured, adored, underlined ... if only more books made you laugh as much as this' The i
'The author of Everything I Know About Love nails the zeitgeist with a witty, relatable and acutely insightful page-turner about the trials and tribulations of the lovelorn' Daily Express
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Every relationship has one beginning. This one has two endings.
Andy loves Jen. Jen loved Andy. And he can't work out why she stopped.
When I set out to write a novel in the female voice, it was purely intended as an interesting riff on one of my favorite works, Alfie. There were no literary ambitions, or frankly, awareness of other works to benchmark myself against or build upon. My motivation was the rawness of the idea itself and the excitement of an uncharted, enjoyable venture. It wasn’t until I read other reference works—before, during, and after the writing process—that I became aware of the unique and enriching reading experience such an approach can offer. A multi-faceted experience that, for many, ultimately becomes less about the story and more about the introspection and awareness it fosters.
One of the most interesting and influential writers of all time, he was banished from society for being too provocative before inspiring and appearing in the works of Shakespeare, Dante, and Goethe.
Heroides is one of my favorite works from his long list of great titles, in no small part due to the sheer creativity of the undertaking. It not only retells Greek myths from the perspective of a woman but also restructures the narratives around love rather than war and destruction.
Not bad for 20BCE and probably about as comforting a reference as one could ask for when writing from the perspective of the opposite gender.
In the twenty-one poems of the Heroides, Ovid gave voice to the heroines and heroes of epic and myth. These deeply moving literary epistles reveal the happiness and torment of love, as the writers tell of their pain at separation, forgiveness of infidelity or anger at betrayal. The faithful Penelope wonders at the suspiciously long absence of Ulysses, while Dido bitterly reproaches Aeneas for too eagerly leaving her bed to follow his destiny, and Sappho - the only historical figure portrayed here - describes her passion for the cruelly rejecting Phaon. In the poetic letters between Paris and Helen the…
When an EMP brings down the power grid, Dr. Anna Hastings must learn what it means to be a doctor in a world deprived of almost all technology. She joins devoted father Mark Ryan and his young daughter on a perilous journey across a thousand miles of backcountry trails.
When I set out to write a novel in the female voice, it was purely intended as an interesting riff on one of my favorite works, Alfie. There were no literary ambitions, or frankly, awareness of other works to benchmark myself against or build upon. My motivation was the rawness of the idea itself and the excitement of an uncharted, enjoyable venture. It wasn’t until I read other reference works—before, during, and after the writing process—that I became aware of the unique and enriching reading experience such an approach can offer. A multi-faceted experience that, for many, ultimately becomes less about the story and more about the introspection and awareness it fosters.
There’s so much to like about this book, whether it’s the quality of writing, entertaining narrative, or intriguing character study.
But for me, the most memorable aspect was that it brought an entirely new appreciation for the beauty of cross-gender narratives. Specifically, the uniqueness such endeavors offer through the introspection they invite.
Whether it’s on a conscious or subconscious basis, you’re encouraged to evaluate the voice on a deeper level than you otherwise would—its accuracy, its sincerity, and so on. And in doing so, you inevitably draw on your own experiences and perhaps become aware of your own biases or limitations.
It adds a whole new dimension to the work, and one that can arguably feel more personal than what you might find in other types of narratives.
Nathaniel Piven is a rising star in Brooklyn's literary scene. After several lean, striving years and an early life as a class-A nerd, he now (to his surprise) has a lucrative book deal, his pick of plum magazine assignments, and the attentions of many desirable women: Juliet, the hotshot business journalist; Elisa, Nate's gorgeous ex-girlfriend, now friend; Hannah, lively and fun and 'almost universally regarded as nice and smart, or smart and nice'.
In this twenty-first-century literary enclave, wit and conversation are not at all dead. But is romance? In The Love Affairs of Nathaniel P. Adelle Waldman plunges into…
A cult author who has survived by the skin of her wits. Nina has spent her adult years in London though many believe she is from New York, which sounds like a lot of travelling for someone who has spent the majority of her life in the dream land of writing. What does being a cult author entail? It is to be a literary Will o’ the Wisp, possessing a gem like glimmering in a mist of obscurity, loved by the rarified few. After writing many critically acclaimed books on various nefarious rock n’ rollers, her ardor dimmed with the passing years as those she had loved were no more and so she returned to her first love, which is the strange and supernatural.
The Hill of Dreams will appeal to anyone who has struggled to gain creative acceptance. Welsh-born Machen who was admired by Lovecraft spins a wondrous if tragic tale of a faun-like country boy, Lucian who moves to London, hoping to write a novel based on a pagan vision but loses his way in the course of setting magic to paper.
Machen effortlessly captures the poetic hopelessness expressed by Chatterton, Ernest Dowson, and Lionel Johnson, literary waifs all. An exquisite elegy for romantic outsiders of all centuries, it evokes the fading lilt of Pan’s Pipes at dusk. Although most people consider The Picture of Dorian Gray to be the ultimate expression of Decadent literature, The Hill of Dreams with its morbid beauty and taint of autumnal decay is the equal of Oscar Wilde’s esoteric masterpiece. Machen’s yearning for the ineffable so beautifully expressed in his book was the inspiration for my…
I’m a perfect of exemplar of an author whose party days are decidedly not over, but I’m doubtless at the age/stage where I’m bloody contemplating at least paring down my intakes plural. Not that I’m still at it like a Sophomore or anything but I’m hanging in there. I get a great, tingly buzz (you had to have seen this coming!) recommending great books to keen readers. I live in a library—essentially—and friends who visit for a beer or a spliff most often leave with a book I’ve given them. Now you lot are gonna ask me to lend you some scratch! Now you’ve gone and done it, John! Haha.
I like to recommend difficult books—everyone needs a challenge once in a while and the nihilist Huysmans kind of throws down a literary gauntlet here in that he’s sort of daring you to go with him to the abysses of the modern soul.
This book is indeed way more psychedelic than any 60’s Beat guy or girl ever penned or dreamed.
Connections In Time Bain's Story
by
S.G. Boudreaux,
Finding Family, Discovery, Destiny. This is what nineteen-year-old Bain Brinley is searching for.
In his homeland, far in the mountains, he stepped into what he could only describe as a time-portal and landed in a strange land known as Egypt. Then he falls through another portal during a storm, only…
I am fifty-five years old, and I’ve been active in the BDSM lifestyle since my early twenties. My Safeword series was written because, at the time, most of the BDSM hitting the ebook market was clearly written by people who’d never felt the sting of a whip. I was certain I could do better, and eventually, after six attempts, I wrote something I thought a publisher might be interested in. Fifteen years later, I write mostly paranormal romance, but a fair amount of kink and power exchange still sneaks in. Vampires and werewolves aren’t known for submitting to others, after all.
I’m actually recommending two books here: Carrie's Story and Safe Word – a duet telling the full story.
Whether these came before the internet was a “thing” is arguable, but they were certainly published before ebooks had a chance to change the publishing industry.
They are well written, and once again come clearly from someone who understands the lifestyle. These books are highly recommended, and come towards the end of my list mainly because I’m doing this (up to this point) chronologically.
Carrie's Story is regarded as one of the finest erotic novels ever written- smart, devastatingly sexy and, at times, shocking, Molly Weatherfield has penned a book that is standing the test of time alongside The Story of O and Justine in this new era of "BDSM romance," a la 50 Shades of Grey the whips and cuffs are out of the closet and "chateau porn" has given way to mommy porn. Carrie's Story remains at the head of the class, literally. Imagine The Story of O starring a Berkeley PhD candidate in comparative literature, who moonlights as a bike messenger,…
We talk a lot about the big public events that expanded the #MeToo movement so astronomically, like the election to the US presidency of a man who bragged about assaulting women, and the allegations made against Harvey Weinstein. But I think most American women have other, more personal beefs that originate from their being a woman. I, for one, was shocked at how unnecessarily difficult it was to be a new mother in the US. Other places support this vulnerable group much more than we do here, and living that disparity angered me—like, for example, when my husband exhausted what little parental leave he had available before our twins were even released from the NICU.
In my book, the protagonist Harriet gets more and more pissed about a whole range of things, one being the fact that she’s got to do so much more than her husband Theo when it comes to the work of running their household.
In All the Rage, Darcy Lockman shows just how pervasive this reality is, and how deeply inconsistent it is with the worldviews of the women and men who find themselves stuck it. This mom-heavy imbalance of household labor is a breaking of a promise, in a way—one that so many of us went into our marriage with, and that remains an ongoing source of tension not only in my book but in homes across the US.
Why do men do so little at home? Why do women do so much? Why don't our egalitarian values match our lived experiences?
Journalist-turned-psychologist Darcy Lockman offers a clear-eyed look at the most pernicious problem facing modern parents-how progressive relationships become traditional ones when children are introduced into the household.
In an era of seemingly unprecedented feminist activism, enlightenment, and change, data shows that one area of gender inequality stubbornly persists: the disproportionate amount of parental work that falls to women, no matter their background, class, or professional status. All the Rage investigates the cause of this pervasive inequity to…
I am a writer with multiple cultures and heritage. I believe stories are magical, they touch our hearts and change the way we think and behave. Having lived in different continents around the world, my book list reflects stories with diversity of cultures and story settings around the world, and how the impact of these stories reverberated with me for a long time after reading them.
The story is set in the Cholistan Desert in Pakistan near the border between Pakistan and India. I so admired the young 11-year-old girl Shabanu, who is strong-willed, independent, and ‘wild as the wind.’ It tore my heart to read about the tragic encounter with a wealthy landowner that ruined Shabunu’s older sister’s plan of marriage and when Shabanu was called upon to sacrifice all her dreams. A girl in a Muslim family always obeys her father’s wishes so when Shabanu is betrothed to an older man, I was anxious to find out if she would honor her family and heritage or follow her heart and flee.
The Newbery Honor winner about a heroic Pakistani girl that The Boston Globe called “Remarkable . . . a riveting tour de force.”
Life is both sweet and cruel to strong-willed young Shabanu, whose home is the windswept Cholistan Desert of Pakistan. The second daughter in a family with no sons, she’s been allowed freedoms forbidden to most Muslim girls. But when a tragic encounter with a wealthy and powerful landowner ruins the marriage plans of her older sister, Shabanu is called upon to sacrifice everything she’s dreamed of. Should she do what is necessary to uphold her family’s honor—or…
The Go-Giver tells the story of an ambitious young man named Joe who yearns for success. Joe is a true go-getter, though sometimes he feels as if the harder and faster he works, the further away his goals seem to be.
I am a historian with a doctorate and years of experience in diplomatic history. While researching a foreign minister’s policy decisions, I stumbled across his wife’s diaries. Later, I went back to read them. What started as sheer curiosity turned into a mission when I realised how vital diplomats’ wives were to the functioning of twentieth-century diplomacy. Yet I had spent years in the field without reading about the influence of gender. I wrote a book to bridge the gap and challenge the idea that diplomatic history can disregard gender if its focus is political. The books on my list show how everyday gendered practices are connected to political power.
In 1975, Hilary Callan published a paper on diplomats’ wives using the term incorporated wife.
In this edited volume, she and Shirley Ardener applied that concept to a broader set of occupations. I find it brilliant because the term alludes to the idea of marriage as two bodies becoming one while calling out the asymmetry of this corporeality, wives being “drawn into the ‘social person’ of their husbands”, as Callan puts it in the book’s introduction.
The term also connotes the couple as a corporation, which has helped me to think about how diplomatic couples work together. With its collection of articles, the volume acknowledges differences depending on context. At the same time, it shows how one general mechanism – the incorporation of wives – has consequences far beyond the personal.
