Books like Monsieur Vénus — picked by fans

Like Ludwig Wittgenstein himself, this book is a work of extremes.

The delusions are grand, the narrative is dense, and the non-sequiturs are out of control. And yet, the more time you spend with it, the more these inhibitors become the very reason for your voracious engagement.

Once you get through that, what stands out about this work is the nuanced approach Markson takes to the female voice. On the one hand, it’s very subtle, with thin, cosmetic references to clothing, aesthetics, and male love interests. But as you immerse yourself in the text, you begin to sense a deeper ambition is possibly at work, inherent in the stream-of-consciousness narrative he employs.

The other thing that’s cool about this book is the series of disparate facts Markson weaves together about a range of cultural figures. It’s easy to take these as throwaway comments until you remember they were accumulated manually,… show more.

This was provocative in a different way, in that it made me realize how accurately an author can capture the voice of the opposite sex.

Dolly’s portrayal of Andy was, in many ways, both convincing and emotionally resonant, and she achieves this while sustaining a thoroughly entertaining narrative. It was a bittersweet experience because, as enjoyable as the read was, it set an excessively high benchmark for my own attempt.

Thankfully, by the time I got around to reading her book, it was too late to do anything about it, other than make a mental note of how much work would be required if I ever decided to make another run at it.

One of the most interesting and influential writers of all time, he was banished from society for being too provocative before inspiring and appearing in the works of Shakespeare, Dante, and Goethe.

Heroides is one of my favorite works from his long list of great titles, in no small part due to the sheer creativity of the undertaking. It not only retells Greek myths from the perspective of a woman but also restructures the narratives around love rather than war and destruction.

Not bad for 20BCE and probably about as comforting a reference as one could ask for when writing from the perspective of the opposite gender.

There’s so much to like about this book, whether it’s the quality of writing, entertaining narrative, or intriguing character study.

But for me, the most memorable aspect was that it brought an entirely new appreciation for the beauty of cross-gender narratives. Specifically, the uniqueness such endeavors offer through the introspection they invite.

Whether it’s on a conscious or subconscious basis, you’re encouraged to evaluate the voice on a deeper level than you otherwise would—its accuracy, its sincerity, and so on. And in doing so, you inevitably draw on your own experiences and perhaps become aware of your own biases or limitations.

It adds a whole new dimension to the work, and one that can arguably feel more personal than what you might find in other types of narratives.

I like to recommend difficult books—everyone needs a challenge once in a while and the nihilist Huysmans kind of throws down a literary gauntlet here in that he’s sort of daring you to go with him to the abysses of the modern soul. 

This book is indeed way more psychedelic than any 60’s Beat guy or girl ever penned or dreamed.

The Hill of Dreams will appeal to anyone who has struggled to gain creative acceptance. Welsh-born Machen who was admired by Lovecraft spins a wondrous if tragic tale of a faun-like country boy, Lucian who moves to London, hoping to write a novel based on a pagan vision but loses his way in the course of setting magic to paper.

Machen effortlessly captures the poetic hopelessness expressed by Chatterton, Ernest Dowson, and Lionel Johnson, literary waifs all. An exquisite elegy for romantic outsiders of all centuries, it evokes the fading lilt of Pan’s Pipes at dusk.  Although most people consider The Picture of Dorian Gray to be the ultimate expression of Decadent literature, The Hill of Dreams with its morbid beauty and taint of autumnal decay is the equal of Oscar Wilde’s esoteric masterpiece. Machen’s yearning for the ineffable so beautifully expressed in his book was the inspiration for my… show more.

I’m actually recommending two books here: Carrie's Story and Safe Word – a duet telling the full story.

Whether these came before the internet was a “thing” is arguable, but they were certainly published before ebooks had a chance to change the publishing industry.

They are well written, and once again come clearly from someone who understands the lifestyle. These books are highly recommended, and come towards the end of my list mainly because I’m doing this (up to this point) chronologically.

The more I learned about the social structures and constructs that perpetuate violence against women, the more I saw how deeply rooted the ideas are in the stories that we tell—the stories that we’ve been telling for centuries. Why aren’t women believed? Where do the misogynistic tropes come from?

This book shows how our culture’s origin stories have been shaped by men, and as Lesser writes, “embedded in the stories are the values and priorities we live by, and what we believe about women and men, power and war, sex and love.” What I love about this book is that it reimagines if women had been the storytellers, and empowers readers to redefine women and power. 

Cars and trucks and things that go are not exclusively the realm of boys. In this rhythmic read-aloud, a dozen girls hit the road and sky with a rumble, vroom, and roar.

Kids will love the sound words and the repetitive “Go, Girls, Go!” The bold illustrations are a joy. And an invitation near the end (“What about you?”) encourages little imaginations to race away with possibilities.

Through her marriage to Ferdinand of Aragon, Isabel of Castile united the two most powerful kingdoms of the Iberian Peninsula, becoming the first early Renaissance queen to rule in her own right. As mother to five daughters and one son, the formidable ruler provided them with an unparalleled education and procured their marriages to the reigning dynasties of Europe. Much of what is known about Isabel, however, has relied on medieval chronicles and her own image-making as a legitimate heir, devoted wife, and pious ruler. Examining how this public image was created, Barbara Weissberger demonstrates the strategies adopted by both her supporters and her detractors when negotiating the challenges posed by her gender and her political program for converting all non-Catholics to Catholicism.

While her followers viewed her as a virtuous and submissive queen, her detractors imagined her as a rapacious vixen, whose illicit power threatened gender norms, creating anxiety… show more.