47 Books Like Fool Me Once

I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.

I have been fascinated with people’s minds since probably my second psychology class in college. It was when I heard a professor say that all creatives were crazy. I argued that one with her. You don’t have to be creative to be crazy; trust me on this, I was right. Yes, many gifted people are borderline, and there really are savants in this world, but I truly believe they are rare. So, I have studied and been up close and personal with people who have psychological issues. I’ve also met some fascinating people who have managed to become successful. Others, not so much.

As a published author, Debra’s passion for fast-paced, unputdownable novels is unquenchable. She can be ruthless in her criticism, applying the rule, “three strikes and you’re out!”  A firm believer that life is too short to read mediocre books, if she isn’t grabbed by chapter 3, she puts the book down and moves on. She wants a book to make her life better, she wants to feel excitement at picking it back up again, and burying herself in the characters and moods, twists and turns, of a great story. Her writing reflects this same trait, if her words won’t keep the reader totally engrossed, then she won’t write them.

As a published author, Debra’s passion for fast-paced, unputdownable novels is unquenchable. She can be ruthless in her criticism, applying the rule, “three strikes and you’re out!”  A firm believer that life is too short to read mediocre books, if she isn’t grabbed by chapter 3, she puts the book down and moves on. She wants a book to make her life better, she wants to feel excitement at picking it back up again, and burying herself in the characters and moods, twists and turns, of a great story. Her writing reflects this same trait, if her words won’t keep the reader totally engrossed, then she won’t write them.

As a published author, Debra’s passion for fast-paced, unputdownable novels is unquenchable. She can be ruthless in her criticism, applying the rule, “three strikes and you’re out!”  A firm believer that life is too short to read mediocre books, if she isn’t grabbed by chapter 3, she puts the book down and moves on. She wants a book to make her life better, she wants to feel excitement at picking it back up again, and burying herself in the characters and moods, twists and turns, of a great story. Her writing reflects this same trait, if her words won’t keep the reader totally engrossed, then she won’t write them.

I am a long-time ER nurse, aid worker, and writer, and I have long been fascinated by true crime/mysteries; much of that interest honed in the ER, where I was often stumped when patient injuries or recollections of witnesses didn’t quite add up. As amateur detectives, we ER nurses often hounded detectives with our own theories, and in one especially big murder case, we had figured out exactly what had happened and who the real killer was before the detectives did. I am also a voracious reader and love a good mystery/thriller to take me away from real life, except when I am solving real life crimes on Dateline.

With a name like Susan Wands, it was inevitable that I would be drawn to the occult and to the world of tarot cards. In high school, I was drawn to a set of tarot cards, not knowing that this deck, the Ryde Waite deck, was illustrated by Pamela Colman Smith. Pamela was the co-creator of the world’s best-selling tarot deck, and I became obsessed with her and her life story. I have written a historical fantasy series, the Arcana Oracle Series, based on Pamela’s life and lectured worldwide on the Golden Dawn, Tarot, and Magical Women.

Even as a boy, I could see (or maybe just sense) the darkness that resides just below the surface of this otherwise pleasant world. We all have stories, and the ones we hold closest to ourselves are often the darkest. Those are the stories that fascinate me the most. What are the limits of man’s menace? What causes seemingly normal people to snap? To turn on their fellow man? I could do one of two things with this fascination: become a sociopath (perhaps psychopath) or an author of dark, twisted, twisty tales. As you know, I chose the latter. 

I am the New York Times bestselling author of The Paris Library and Moonlight in Odessa. Like the authors on the list I selected for Shepherd, I'm skilled at turning experiences at minimum-wage jobs into novels. I earned $25 a month teaching full-time at a high school in Odessa, which is the setting for my first novel. My second book takes place at the American Library in Paris, where I was the programs manager. Setting is the start of my fiction, because I believe that where we are from has a lot to do with who we are. I hope that you’ll enjoy these selections.

I’m a cognitive scientist, and I love reading, thinking, and researching about the nature of the human – and especially the young – mind, and what it is capable of. Even while I was still doing my PhD in experimental psychology at Oxford in the early 1970s, I was gripped by the new possibilities for thinking about education that were being opened up by science. In particular, the assumption of a close association between intelligence and intellect was being profoundly challenged, and I could see that there was so much more that education could be, and increasing needed to be, than filling kids’ heads with pockets of dusty knowledge and the ability to knock out small essays and routine calculations. In particular, we now know that learning itself is not a simple reflection of IQ, but is a complex craft that draws on a number of acquired habits that are capable of being systematically cultivated in school – if we have a mind to do it.