Here are 88 books that Whiteout fans have personally recommended if you like
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I have been fascinated with people’s minds since probably my second psychology class in college. It was when I heard a professor say that all creatives were crazy. I argued that one with her. You don’t have to be creative to be crazy; trust me on this, I was right. Yes, many gifted people are borderline, and there really are savants in this world, but I truly believe they are rare. So, I have studied and been up close and personal with people who have psychological issues. I’ve also met some fascinating people who have managed to become successful. Others, not so much.
This book didn’t start out in the usual way. That in itself grabbed my attention. It’s a thriller, so I expect the first paragraph at least to pull me in. It didn’t grab me the way most do; it slowly sucked me in until I found myself not wanting to put it down.
The two main characters seemed to be at odds. One wanting to help and one refusing to speak. I don’t understand not trying to find answers that keep me silent. It must be the curiosity that kept me reading. Because the woman could speak. At least she could at one time. Either it was something traumatic, or it was just plain stubbornness. Or was I missing the entire point? Always an option.
"An unforgettable―and Hollywood-bound―new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy." ―Entertainment Weekly
The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband―and of the therapist obsessed with uncovering her motive.
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five…
Buried Secrets. A web of deceit, betrayal, and danger. Can she survive her fight for justice and truth? Laura thought she knew everything about her late husband before he died. Now, her life and the lives of those she loves are in danger. As Laura delves into his previous role…
As a published author, Debra’s passion for fast-paced, unputdownable novels is unquenchable. She can be ruthless in her criticism, applying the rule, “three strikes and you’re out!” A firm believer that life is too short to read mediocre books, if she isn’t grabbed by chapter 3, she puts the book down and moves on. She wants a book to make her life better, she wants to feel excitement at picking it back up again, and burying herself in the characters and moods, twists and turns, of a great story. Her writing reflects this same trait, if her words won’t keep the reader totally engrossed, then she won’t write them.
Simon Kernick is a master at keeping the reader engaged. His books have an amazing pace, and you will 100% commit to the story. Relentlessmoves you seamlessly through an array of emotions, as you read. You feel desperately for the protagonist, willing him to escape his torment and tormentors. This book twists and turns and gallops you from the first page, right to the last. Prepare to feel exhausted!
John Meron, a happily married father of two who's never been in trouble, receives a phone call that will change his life for ever: his friend Jack Calley, a high-flying City lawyer, is screaming down the phone for help. As Meron listens, Calley is murdered. His last words, spoken to his killer, are the first two lines of Meron's address. Confused and terrified, Meron scoops up his children and hurries out of the house. Just in time. Within minutes, a car pulls up outside, and three men get out. It's clear that they're coming for him. He's being hunted and…
As a published author, Debra’s passion for fast-paced, unputdownable novels is unquenchable. She can be ruthless in her criticism, applying the rule, “three strikes and you’re out!” A firm believer that life is too short to read mediocre books, if she isn’t grabbed by chapter 3, she puts the book down and moves on. She wants a book to make her life better, she wants to feel excitement at picking it back up again, and burying herself in the characters and moods, twists and turns, of a great story. Her writing reflects this same trait, if her words won’t keep the reader totally engrossed, then she won’t write them.
Lesley has a beautiful way of engaging the reader, her characters are relatable, many of them will feel like people you already know, your friends, family, maybe even you. The story is captivating and imaginative, yet this book feels real. It could happen in your town; it could happen to you. This book has an intriguing, ‘girl next door’ feel to it.
When single mum Joanna hears a rumour at the school gates, she never intends to pass it on. But one casual comment leads to another and now there's no going back . . .
Rumour has it that a notorious child killer is living under a new identity, in their sleepy little town of Flinstead-on-Sea.
Sally McGowan was just ten years old when she stabbed little Robbie Harris to death forty-eight years ago - no photos of her exist since her release as a young woman.
So who is the supposedly reformed killer who now lives among them? How…
In his father's jail, young Albert finds what he's always wanted: a teacher who understands him. But some lessons exact a terrible price. When brilliant murderer Edward Rulloff is imprisoned in Ithaca, he offers Albert an education most boys in 1846 could only dream…
I am Annette Joseph, a writer and food stylist. I spend most of the year at our twelfth-century fortress in northern Tuscany. I have written six books, three cookbooks, and two memoirs about life in Italy. We run private retreats on the grounds. My book My Italian Guestbook is based on these retreats. Writing about everything around me in Italy gives me great pleasure.
When a husband from a wealthy family is shot in front of her, his wife goes on a tirade that has you invested in the story from the first page. Chocked with well-described characters, this story is driven by love and loss, from the cold and calculating mother-in-law to the sympathetic brother-in-law.
A wife’s journey to find her husband's killer will have you constantly guessing. This book is full of twists and turns, with a twist at the end that leaves you spinning.
STOP PRESS NEWS! NOW A SUNDAY TIMES TOP TEN BESTSELLER, AND OPTIONED FOR FILM WITH JULIA ROBERTS TO STAR IN AND PRODUCE
If your husband was murdered And you were a witness How do you explain it when he appears on your nanny cam? You thought you trusted him. Now you can't even trust yourself.
Dark secrets and a terrifying hunt for the truth lie at the heart of this gripping new thriller by the 'master of the double twist', Harlan Coben.
There’s nothing I love more than a good thriller, especially one with a locked room setting. I’m fascinated by how people react to psychological pressure, and what it would take for any of us to behave in extreme ways. With The Elevator, I wanted to push that locked room scenario to its limits: two characters, trapped together in a tiny space. This might also be the book that’s been gestating inside me for longest – my mum was trapped in a lift when she was pregnant with me! I hope some of the books on this list appeal to you, and that you enjoy them as much as I did.
This is another chiller thriller, set in a remote hotel in the Scottish Highlands. (Note to self: only holiday in Scotland in the summer!)
The hotel is closed to guests, and Rennie Yorke is working what should be her final shift when a storm blows in and seals off her exit. But she’s not alone for long – an injured man arrives at the door, claiming to be a police officer who was transporting a dangerous prisoner when his car crashed, and the prisoner escaped. Rennie lets him in – but shortly afterward another man arrives, making the same claim.
It’s a brilliant hook, and I was completely immersed in trying to work out who was telling the truth and who was lying.
Remie Yorke has one shift left at the Mackinnon Hotel in the remote Scottish Highlands before she leaves for good. Then Storm Ezra hits.
As temperatures plummet and phone lines go down, an injured man stumbles inside. PC Don Gaines was in a terrible accident on the mountain road. The only other survivor: the prisoner his team was transporting.
When a second stranger arrives, Remie reluctantly lets him in from the blizzard. He, too, is hurt. He claims to be a police officer. His name is also Don Gaines.
I write the NYPD Detective Chiara Corelli Mystery series featuring Corelli and her partner Detective P.J. Parker. Most mysteries have a single main character so I’m passionate about finding other authors who write mysteries with two professional investigators as main characters. It’s fascinating to see how authors writing the same type of characters handle them and what they do about character growth over the course of the series. To me, watching two characters react to each other, seeing their relationship change over the course of a book or a series is much more interesting than reading about a single detective.
As a writer I look to Crombie’s Constable Duncan Kincaid/Sergeant Gemma James series for guidance on how to have your characters grow professionally and personally, to age and experience the kind of changes people go through in real life. I recommend book one of the nineteen in the series, A Share in Death, because it sets up the relationship between the two detectives.
In this “thoroughly entertaining mystery with a cleverly conceived and well-executed plot” (Booklist), Edgar Award-nominated author Deborah Crombie introduces us to Duncan Kincaid of Scotland Yard and his partner, Gemma James.
A week's holiday in a luxurious Yorkshire time-share is just what Scotland Yard's Superintendent Duncan Kincaid needs. But the discovery of a body floating in the whirlpool bath ends Kincaid's vacation before it's begun. One of his new acquaintances at Followdale House is dead; another is a killer. Despite a distinct lack of cooperation from the local constabulary, Kincaid's keen sense of duty won't allow him to ignore the…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I am a Scottish writer who has published two books, one about poker and plumbing (Bad Beat Hotel) and the other about the treatment of men who sailed in the WW2 Arctic convoys and were unable to continue fighting (Sailor’s Heart). I’m interested in how people work and how they can be “repaired” when they wear out, malfunction, or break. My professional background is in clinical psychology and the study of human behaviour. I chose “cowards who become heroes” as my book theme because I’m constantly amazed by people’s resilience when faced with the most terrible circumstances.
It takes real guts to prove all the naysayers wrong, and become a hero.
Raassay is a remote Scottish island, site of the Rona lighthouse, which Calum MacLeod tended full time until 1967 when he was 56, and the lighthouse was semi-automated. As the only man living in northern Raasay, he had some more time on his hands.
To bring more people to the area, he decided to build a road, nearly two miles long, using just a pick, a shovel, a wheelbarrow, multiple pairs of wellington boots, and his bare hands. It took him ten years. Today on Calum’s Road or “Rathad Chaluim” (in Gaelic) drivers are in awe of one man’s determination to do what he believed was needed, despite the cost.
'An incredible testament to one man's determination' - The Sunday Herald
Calum MacLeod had lived on the northern point of Raasay since his birth in 1911. He tended the Rona lighthouse at the very tip of his little archipelago, until semi-automation in 1967 reduced his responsibilities. 'So what he decided to do', says his last neighbour, Donald MacLeod, 'was to build a road out of Arnish in his months off. With a road he hoped new generations of people would return to Arnish and all the north end of Raasay'.
I played rugby union for Durham University and at Rosslyn Park FC in London. Then I became a reporter and editor, for Rugby News magazine and on Fleet Street sports desks. In March 2002, six months after 9/11 and a year before the invasion of Iraq, my Park team played against the cadets of the United States Military Academy. Years later, settled in New York, I decided to find out what happened to those West Point rugby players in the 9/11 wars, and what their experiences might tell us about sports, war, brotherhood, loss, and remembrance.
Tom English has produced a series of oral histories (latterly with Peter Burns) which any fan would be advised to read.
The Grudge tells the story of Scotland v England 1990, a game for the Five Nations title that stood for so much more: politics, nationalism, class warfare. It’s a glorious re-telling of an epic game, an upset Scotland win. But I love it for its portrayal of respect between players, of warriors bound by the violent game they play, of friendships across the lines of battle.
Brian Moore emerges a hero: the fearsome “Pitbull” of the England pack, yet a man who fronted up and went drinking with Scots after a crushing defeat. That, to me, is the true spirit of rugby, and the brotherhood it inspires.
Murrayfield, the Calcutta Cup, March 1990. England vs. Scotland - winner-takes-all for the Five Nations Grand Slam, the biggest prize in northern hemisphere rugby. Will Carling's England are the very embodiment of Margaret Thatcher's Britain - snarling, brutish and all-conquering. Scotland are the underdogs - second-class citizens from a land that's become the testing ground for the most unpopular tax in living memory: Thatcher's Poll Tax. In Edinburgh, nationalism is rising high - what happens in the stadium will resound far beyond the pitch.
The Grudge brilliantly recaptures a day that has gone down in history when a rugby match…
I have lived by the sea in the far north of Scotland, where I wrote The Wee Seal, and several other sea and seal themed books. I now live in Edinburgh by the sea and swim daily. I am also a storyteller with a keen interest in myth, and how myth impacts our lives. The recommendations I have given a nod to myth and their place in our life, and the sea, and how, at least in Britain, it is rarely that far away. A little wild, in a world that can feel, sometimes, too tame.
This is the story of a woman who is having a hard time personally, and she swims to heal herself. She swims to reconnect with her wild nature. And she is brave. She swims in all seasons, all weathers, all conditions. Once she was almost pushed against craggy rocks.
I swim too. I love seals, and know this act of taking to the water - our small bit of wild - to reconnect with my wild nature.
I loved the vulnerability that shines through in this book and I like to read of strong women who dare connect with nature to empower themselves. I feel I do that (a bit) and people like Victoria inspire me to push those wild boundaries a little more.
A book about intense physical and personal experience, narrating how Victoria Whitworth began swimming in the cold waters of Orkney as a means of escaping a failing marriage.
This is a memoir of intense physical and personal experience, exploring how swimming with seals, gulls and orcas in the cold waters off Orkney provided Victoria Whitworth with an escape from a series of life crises and helped her to deal with intolerable loss.
It is also a treasure chest of history and myth, local folklore and archaeological clues, giving us tantalising glimpses of Pictish and Viking men and women, those people…
Spanning multiple timelines, EO-N weaves WWII mystery with contemporary social commentary.
Revolving around a missing aircraft discovered beneath a glacier decades after it disappeared, the story connects an American biotech executive, a Canadian investigator, the plane’s Canadian pilot, a disillusioned German pilot, and a young victim of Nazi horror.
Scotland’s greatest poet since Burns, Hugh MacDiarmid, said that there were no traditions in writing, only precedents. He was thinking that, were traditions followed, adhered to, applauded, and praised, and prized too highly, then the danger of slavish repetition rather than creative divergence was too high. We need the mad moments, when all bets are off and something truly unpredictable will happen. I write with Scots modernist, postmodernist, and experimental precedents in mind. I want there to be Scots literature that reflects a divergent, creative nation, willing to experiment with words and life, and, in Alasdair Gray’s formulation, “work as though in the early days of a better nation.”
A Trocchi renaissance, including a film of Young Adam starring A-Listers Ewan McGregor, Tilda Swinton, and Emily Mortimer, added to a growing reappraisal of Trocchi as a great Scottish writer, his reputation having been tarnished, fairly or unfairly, with drug use, indolence, and writer’s block.
Young Adam is a Scots crime novel the way James Hogg’s The Private Memoirs and Confessions of a Justified Sinner is a high-jinx picaresque, which is to say only technically, and on the understanding that Hogg and Trocchi sit head, shoulders and in fact a full body length above these genres. But moment of madness there is, and arrest, trial, judgment, and condemnation. But the twist is that Trocchi’s own judgment and condemnation of society is what matters.
Set on a canal linking Glasgow and Edinburgh, Young Adam is the masterly literary debut by one of the most important British post-war novelists. Trocchi's narrator is an outsider, a drifter working for the skipper of a barge. Together they discover a young woman's corpse floating in the canal, and tensions increase further in cramped confines with the narrator's highly charged seduction of the skipper's wife. Conventional morality and the objective meaning of events are stripped away in a work that proves compulsively readable.
