100 Books Like Follow Me to Ground

This book has haunted me for decades. 

So much so that I’ve read it several times since I first encountered it as a teenager. (Plus watched both movie versions, twice each.)

The first line, "Last night I dreamt I went to Manderley again," drew me in and refused to let go. I wanted to return to Manderley. I wanted to find out what dark secrets would be revealed there. The unnamed, naive young heroine is haunted by the all-pervading presence of her husband’s first wife, Rebecca… and so was I.

And although some of the social attitudes are jarring to a 21st-century reader, and although I know the plot by heart now… I will still return to it.

This is hands-down a standout for me in its unique portrayal of the Asian-American immigrant story. Set during the California Gold Rush, the novel tells the tale of Lucy, a young, orphaned Chinese-American woman, and the adventure she and her sister embark on to carve a new, secure future for themselves.

It is at once an unforgettable adventure and an unflinching exploration of sisterhood that made me consider how the female bildungsroman is often not so much about a woman growing up but rather growing into the self she wants to be, despite the confines of the society in which she lives. Plus, Zhang’s original, gleaming prose is just a delight to read.

When I first read Interview with the Vampire (I was 12), I was struck by how Anne Rice made darkness beautiful. The mood, the grief, the sensuality—it all felt so rich and strange and alive.

I didn’t just want to read about Louis and Lestat; I wanted to live inside that shadowed world, however painful. The power of her vampires was alluring, even as their sadness confused me. How could being immortal be such a torment?

This book taught me that supernatural fiction could be poetic, philosophical, even transcendent. There’s a reason this novel endures.

It made me want to write stories where beauty and horror dance together in candlelight.

I read this during a confusing time—when I was seeking treatment for depression, from age 16 through 24.

Here was the third-most adapted book in history, and yet with each adaptation, the story grew further from the author’s true voice, which was that of an 18-year-old girl. How odd that this could happen, given that Frankenstein revolves around the creature finding his identity.

He only wants to do good, but when he learns how to read, he also learns how to label himself—as separate from God, and separate from man. He believes he must be bad because he’s different. The whole town agrees. 

When I read this, I also felt different. This feeling didn’t go away until I finished my dad’s bucket list and saw the beauty and wonder he’d seen in me. I was different. But this was a good thing. I pray Mary Shelley found the same peace,… show more.

Truly magical realism at its finest, Carlos Ruiz Zafón weaves a sweeping story into the most breathtaking setting.

I’ve not read anything like Shadow of the Wind. I was so immersed that my review in 2016, the minute after I read it for the first time, I wrote that I was a ten-year-old boy discovering books for the first time.

I fell in love and grew up and solved a mystery. I experienced it, not just read it. I got lost in the pages and came out gasping, having just been through so much. It was a gift that you should give yourself too.

Have you ever read a book that makes your mouth and eyes water at the same time? That makes you laugh and takes your breath away and pisses you off and has you telling your partner every single detail of it, assuring they’ll never need to read it, but they want to anyhow? That’s Like Water for Chocolate.

The opening scene sets the whole tone of the book, and from then on, it sways between emotional heartbreaker, hilarious romp, devastating family drama, and magical realism that is so brilliant it feels real. What I’m saying is, it’s a delight.

Some say this book is horror. I recommend it not as a horror book, but as a glimpse into illness, grief, and uncertainty through the lens of magical realism.

I see the moments along the way that are scary, but for me, those are just jump pads to the action of living, of existing, of the complicated state of being unwell, and how love will allow you to accept more than you thought you were capable of.

Does Julia know she showcased the slow decline of a chronically ill person in the way she did? I do not know. But as a chronically ill person myself, I saw poignant vignettes of tenderness around the topic.

Though the dual storylines, the unknown, the fear, are interesting and creative, it’s the quiet moments between two women who love each other, just wondering what’s next, that will stay with you.

There is something special about Heather Webber’s work—all of it, mind you. But South of the Buttonwood Tree has something a little extra. 

It’ll break your heart on the same page you’re laughing. Her characters become people you’ve known your whole life by the end of the first chapter. By the end of the book, you’re leaving friends and family behind to live their lives without you—that’s how rich the story is.

There is no getting bogged down in details, yet you have them all. The story flows in a rhythm that feels warm and comforting but not so formulaic that you know what to expect when you read the first word. She really hits that comfort spot I know I need, and you might too.

This book is like taking a step inside a dream. For me, it had everything I could ever ask for from a novel—lyrical prose, gorgeous imagery, fun and lovable characters, a little bit of quirk, and a rare depth at the heart of it. Nature is a major element, taking place in Oklahoma, Oregon, Michigan, Mississippi, and Montana. The writing is so vivid it immerses you in the adventure, making it feel as though you’re walking beneath the pines, smelling the gulf coast air, or simply marveling in the beauty of the natural world alongside Wylan, the quirky and heroic protagonist. 

I immediately loved this book for its alternate history, detailed folklore, and dark academic vibes. I connected with the complex characters and a strong female protagonist who was fearless of social expectations. The unique combination of folklore and an archaeology background that I share with the author Heather Fawcett was something I found familiarity with instantly.

I enjoyed the alternate history where dark academia met with the more traditional Gaslamp-style fantasy fiction to create something new. This combination of dark academia, marginalized voices, and alternate history is a style I enjoy delving into the past in new, unusual ways and revealing voices that otherwise remain unheard.