100 Books Like Follow Me to Ground

This book has haunted me for decades. 

So much so that I’ve read it several times since I first encountered it as a teenager. (Plus watched both movie versions, twice each.)

The first line, "Last night I dreamt I went to Manderley again," drew me in and refused to let go. I wanted to return to Manderley. I wanted to find out what dark secrets would be revealed there. The unnamed, naive young heroine is haunted by the all-pervading presence of her husband’s first wife, Rebecca… and so was I.

And although some of the social attitudes are jarring to a 21st-century reader, and although I know the plot by heart now… I will still return to it.

This is hands-down a standout for me in its unique portrayal of the Asian-American immigrant story. Set during the California Gold Rush, the novel tells the tale of Lucy, a young, orphaned Chinese-American woman, and the adventure she and her sister embark on to carve a new, secure future for themselves.

It is at once an unforgettable adventure and an unflinching exploration of sisterhood that made me consider how the female bildungsroman is often not so much about a woman growing up but rather growing into the self she wants to be, despite the confines of the society in which she lives. Plus, Zhang’s original, gleaming prose is just a delight to read.

When I first read Interview with the Vampire (I was 12), I was struck by how Anne Rice made darkness beautiful. The mood, the grief, the sensuality—it all felt so rich and strange and alive.

I didn’t just want to read about Louis and Lestat; I wanted to live inside that shadowed world, however painful. The power of her vampires was alluring, even as their sadness confused me. How could being immortal be such a torment?

This book taught me that supernatural fiction could be poetic, philosophical, even transcendent. There’s a reason this novel endures.

It made me want to write stories where beauty and horror dance together in candlelight.

Truly a book for the ages, how could I not recommend this? It is THE iconic book about a constructed being and his consequent travails.

Made by Victor Frankenstein from all sorts of collected detritus, when the monster opens his “yellow, watery eyes,” the scientist flees from him and never looks back. The monster is left to negotiate the world on his own, but much like a newborn baby, he is ignorant and unequipped to do so.

I love how, unlike the popular concept of the monster, he is, in fact, a vegetarian, and at the start, very vulnerable and peaceful. He learns to read by sitting outside a cottage where he can hear the cottagers teaching a foreigner to read.

I wrote a whole novel about him, A Monster’s Notes, which transports him into the 21st century.

I love the idea that books have souls, and I adore this quotation from Zafon’s classic novel: “Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it.”

I was thrilled to find this novel after I’d written my book because it shows that there are others who sense the soulful quality of old books. I also love it because it is written by a Spanish novelist, and it is in the Spanish-speaking world that we find the true literary origins of my most-loved genre of writing – magical realism.

I am not a fan of fantasy, but this is magical realism at its best. Not too much, not too little, just enough to remind everyone that the spirits are still working on behalf of true love and goodness and that justice prevails despite all obstacles…like a fairy tale with complications. Just my cup of tea. 

How realistic is it that food transmits any emotions the cook may be feeling while making the food? This idea captivated me immediately; it was something I had never thought about. And yet, growing up in my family, women always made the food. So again, a very female tale.

In the beginning, Tita, the heroine, is passionate and in love, but she succumbs to tradition and rejects true love and passion to submit to tradition, which dictates she takes care of her mother. In time, Tita learns to disobey the injustice of that tradition… show more.

I view this book as an equal mix of cosmic deep-sea horror, exploration of loneliness, and marital devotion.

I really appreciate that this book follows two flawed women across multiple periods of time, on land and in the deep sea, and across the full length of their relationship. The weight of one of them disappearing beneath the ocean for months profoundly affects both of them–mentally, emotionally, and physically–in different and weird ways, but underneath everything is an enduring love.

I particularly enjoyed the slow-moving body horror in this one, plus the escalating creep of being stuck at the bottom of the ocean for months and the overarching terror of losing the one you love.

I immediately loved this book for its alternate history, detailed folklore, and dark academic vibes. I connected with the complex characters and a strong female protagonist who was fearless of social expectations. The unique combination of folklore and an archaeology background that I share with the author Heather Fawcett was something I found familiarity with instantly.

I enjoyed the alternate history where dark academia met with the more traditional Gaslamp-style fantasy fiction to create something new. This combination of dark academia, marginalized voices, and alternate history is a style I enjoy delving into the past in new, unusual ways and revealing voices that otherwise remain unheard.  

This book is like taking a step inside a dream. For me, it had everything I could ever ask for from a novel—lyrical prose, gorgeous imagery, fun and lovable characters, a little bit of quirk, and a rare depth at the heart of it. Nature is a major element, taking place in Oklahoma, Oregon, Michigan, Mississippi, and Montana. The writing is so vivid it immerses you in the adventure, making it feel as though you’re walking beneath the pines, smelling the gulf coast air, or simply marveling in the beauty of the natural world alongside Wylan, the quirky and heroic protagonist. 

Set in Victorian England, this novel begins where romances often start—with a beleaguered heroine. She is a brilliant cook with a questionable past. Her patron dies. His brother takes over the estate where—let’s say—she’s been multi-tasking. The brother has perversely cut all pleasure from his life. But oh, that food. Complications develop, including his desire to not desire the food or the cook. There are dark secrets and dark hungers including a hunger for revenge on both the hero’s and heroine’s parts. I love a sexy, twisty story that I can’t put down. This one meets all of my marks.