Book cover of Frankenstein

Book description

One of the BBC's '100 Novels That Shaped Our World'

'That rare story to pass from literature into myth' The New York Times

Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who,…

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Why read it?

52 authors picked Frankenstein as one of their favorite books. Why do they recommend it?

I really wanted to read this classic after seeing so many adaptations through film and television. To think that Shelly was so young when she wrote this is extremely impressive.
Although I did find the pacing somewhat slow at various points, I still found this to be a really enjoyable read and one to tick off my list.

Truly a book for the ages, how could I not recommend this? It is THE iconic book about a constructed being and his consequent travails.

Made by Victor Frankenstein from all sorts of collected detritus, when the monster opens his “yellow, watery eyes,” the scientist flees from him and never looks back. The monster is left to negotiate the world on his own, but much like a newborn baby, he is ignorant and unequipped to do so.

I love how, unlike the popular concept of the monster, he is, in fact, a vegetarian, and at the start, very vulnerable and…

We tend to conceptualize the Frankenstein monster as the creature portrayed by Boris Karloff in the old Universal films. But Mary Shelley’s version of the monster is far more subtle and nuanced. He is intelligent and articulate, and therefore, even more painfully aware of his being viewed by humans as a misfit and a pariah.

Karloff was masterful at evoking sympathy for the monster in the films, but I think Mary Shelley’s monster does so even more powerfully in the novel.

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Book cover of The High House

The High House by James Stoddard,

The Victorian mansion, Evenmere, is the mechanism that runs the universe.

The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.

Appointed the Steward of Evenmere, Carter Anderson must learn the…

You know the movies, but maybe not Mary Shelley’s novel. Published in 1818 and revised in 1821, it’s a disquieting story of things going very wrong between a negligent parent (Victor von Frankenstein) and his sensitive child (the monster he created).

I identify with both sides of the equation. I also take Shelley's Frankenstein as a rich historical document of Romantic fascination with anatomy and the illicit grave robbery that supplied bodies to the dissecting tables. And “galvanism,” which Giovanni Aldini publicly demonstrated in 1803 by placing electrodes on the corpse of an executed criminal, causing his legs and arms…

I love that this book was the result of a dare! In 1816, eighteen-year-old Mary Shelley and three friends held a contest to see who could write the scariest story. Mary’s story—like her monster—has since taken on a life of its own and today permeates all forms of storytelling.

I find it amusing that my favorite version of the monster is the one Mel Brooks gave us in Young Frankenstein. I wonder what Mary Shelley would think if she knew how much her acceptance of a dare would change storytelling forever.

I like to revisit the original story from time…

From Lori's list on teenage authors.

The first time I read Mary Shelly's Frankenstein was decades ago, and when I finished reading it, I felt like I'd just read one of the greatest loves stories ever told, and now after reading it a third time I feel exactly the same. Her heart felt writing of a misunderstood creature who is only seeking love and companionship, but is looked upon as a monster because of his physical appearance, shows us that no matter what era we live in, human nature does not change.

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Book cover of The Guardian of the Palace

The Guardian of the Palace by Steven J. Morris,

The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.

When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…

"Frankenstein" captivated me with its haunting exploration of ambition, isolation, and the quest for identity with gay themes between the lines. I was moved by the Creature’s yearning for acceptance, making him a tragic, sympathetic figure rather than a simple monster. The story is a powerful reminder of responsibility, empathy, and the human need for connection—even in the face of fear and rejection.

We have all heard of this book. We all know something about the plot either by watching the film or hearing something about it at school. If you haven’t yet read the book, you must put it on your reading list. We can only give Mary Shelley’s work full justice by reading it from beginning to end; not until then will you be able to feel Victor’s internal struggles. In his attempt to achieve immortality, he created a monster.

I never get tired of reading chapter five where Shelley describes Victor’s utter disappointment upon watching his creation coming to life.…

Frankenstein digs deep into a parent’s responsibility to their child and the beginning roots of violence. Mary Shelley asks if rejection, isolation, and suffering through neglect is sufficiently potent to make a monster. This one isn’t obscure, but I was surprised and touched by the poignant and relatable themes.

It got me thinking about my childhood and my parent’s even rougher upbringings. They tried to overcome the traumas passed on to them and stumbled quite a bit. I’ve done the same with my children and wonder at what point those increments of positive change reach a tipping point. Frankenstein asserts…

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Book cover of Oaky With a Hint of Murder

Oaky With a Hint of Murder by Dawn Brotherton,

Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…

Perhaps the most classic work of horror fiction in both literature and cinema. As an English teacher, I find that there is so much fodder for lessons prevalent in this book–nature vs nurture, the dangers of forbidden knowledge and playing God, the arrogance of science, and who the real monster is. I particularly love the difference between The Monster in the novel and the film, its articulation, desires, abilities, and even its physical appearance. Few written works have been more seminal.

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Book cover of The High House

The High House by James Stoddard,

The Victorian mansion, Evenmere, is the mechanism that runs the universe.

The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.

Appointed the Steward of Evenmere, Carter Anderson must learn the…

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