Here are 68 books that Our Wives Under the Sea fans have personally recommended if you like
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I have been writing for more than 40 years, and while I don’t normally write gothic literature, it is a genre that has fascinated me since my early youth. While I have written a couple of gothic or horror short stories, I tend to write other types of literature. However, I was pulled into this novel by something I saw on the TV news, and so I put away the novel I was originally working on and set to work on this one instead. The setting and the characters immediately pulled me in. I hope that it’s mystery and unusual characters will do the same for you.
I love this book so much, I have read it at least three times. It is a classic gothic novel with an eerie setting and interesting characters, including those with psychosis that add to the mystery of he novel.
While the film version is undoubtedly a classic, the novel is by far better.
31
authors picked
Dracula
as one of their favorite books, and they share
why you should read it.
This book is for kids age
17.
What is this book about?
'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable.
It’s been said by smarter people than me how writing horror for kids isn’t about scaring them, it’s about showing them how brave they are.
A Monster Calls is the perfect illustration of that. The scariness and the spookiness are a stand-in for the real-life horrors that this kid is facing. Kids deal with a lot, and this book is the perfect example of how to survive when the worst happens.
The artwork too—wow! I wish I could get some of this artwork to hang on my walls. Absolutely gorgeous book.
The bestselling novel and major film about love, loss and hope from the twice Carnegie Medal-winning Patrick Ness.
Conor has the same dream every night, ever since his mother first fell ill, ever since she started the treatments that don't quite seem to be working. But tonight is different. Tonight, when he wakes, there's a visitor at his window. It's ancient, elemental, a force of nature. And it wants the most dangerous thing of all from Conor. It wants the truth. Patrick Ness takes the final idea of the late, award-winning writer Siobhan Dowd and weaves an extraordinary and heartbreaking…
I’ve been obsessed with sci-fi romance since I was a kid watching the Klingon wedding of Worf and Jadzia Dax in Star Trek: Deep Space Nine. I love the idea of mashing these two distinct genres together. While sci-fi and romance both explore the human condition, sci-fi goes wide while romance is intimate. I think this makes the crossover of these two genres work especially well. My foremost inspiration for sci-fi romance is Lois McMaster Bujold, who offers a masterclass in how to deftly weave compelling romance into a sci-fi setting without sacrificing any action or political intrigue.
This book is unhinged in the best way. I love Gideon’s unique voice. Around her is a deadly-serious necromancer murder mystery with interplanetary stakes, and she cares more about cracking dirty jokes and finally eating some warm food. Her relationship with her arch-nemesis/only friend Harrow leaps off the page.
I love the scene where they get into a pool so Harrow can finally confess to Gideon her darkest secret—so hot and so disturbing all at the same time. While this book isn’t technically a romance and the genre feels more like a horror fantasy set in space, I couldn’t resist putting it on the list. As Gideon says to Harrow, “One flesh, one end, bitch.”
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I’m chronically ill. Whether I’m swept up, terrified, swooning, or trying to solve a mystery, I love my fiction to take me elsewhere. The dichotomy of wanting to share my experiences, discuss disability, open up the conversation around the topic, and have others lose themselves in story has been a fine line I’ve walked with all of my work. With Joyce, I wanted to bring grief and disability to life in a more resonate way. The words pain and fatigue mean drastically different things to different people. When magic is involved, it transcends your definition or mine, allowing us to focus on the experience with less personal context.
Truly magical realism at its finest, Carlos Ruiz Zafón weaves a sweeping story into the most breathtaking setting.
I’ve not read anything like Shadow of the Wind. I was so immersed that my review in 2016, the minute after I read it for the first time, I wrote that I was a ten-year-old boy discovering books for the first time.
I fell in love and grew up and solved a mystery. I experienced it, not just read it. I got lost in the pages and came out gasping, having just been through so much. It was a gift that you should give yourself too.
"The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero." -Entertainment Weekly (Editor's Choice)
"One gorgeous read." -Stephen King
Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer's son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julian Carax. But when he sets out to find the author's other works, he makes a shocking discovery: someone has been…
I’m chronically ill. Whether I’m swept up, terrified, swooning, or trying to solve a mystery, I love my fiction to take me elsewhere. The dichotomy of wanting to share my experiences, discuss disability, open up the conversation around the topic, and have others lose themselves in story has been a fine line I’ve walked with all of my work. With Joyce, I wanted to bring grief and disability to life in a more resonate way. The words pain and fatigue mean drastically different things to different people. When magic is involved, it transcends your definition or mine, allowing us to focus on the experience with less personal context.
Like some other powerhouse books I’ve read, it would take hours to fully discuss the brilliant storytelling, the compelling characters, the descriptions that have you smelling the damp earth, and to truly explain the awe I felt when reading this book.
When I say, “I’ve never read anything like this,” I usually mean that wowed me this much or that one aspect was unique or clingy. In this case, I mean it in every sense. It was chewy and raw and rare, unique and visceral, sumptuous and dark, devastating and lyrical.
Dealing with illness in magical realism is something I’m familiar with, clearly. To see it being handled in the way Sue Rainsford does is spine-tingling and refreshing, if one can call a book so guttural as this one such.
'A tangled, gnarled, wonderfully original, strange, beautiful beast of a book' DAISY JOHNSON, author of Everything Under
'Beautiful and terrifying' SUNDAY TIMES
'Seethingly assured debut fuses magical realism with critical and feminist theory' GUARDIAN
In house in a wood, Ada and her father live peacefully, tending to their garden and the wildlife in it. They are not human though. Ada was made by her father from the Ground, a unique patch of earth with birthing and healing properties. Though perhaps he didn't get her quite right. They spend their days healing the local human folk - named Cures - who…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
From the first page, this story felt intimate and infinite all at once.
It’s written like a love letter and a battlefield, all at once. What I loved most was how it turned connection into an act of defiance, how two people trapped by duty and ideology choose to reach across time anyway.
Every line feels deliberate, like poetry disguised as science fiction. I was completely undone by how much humanity could fit into such a small space.
It reminded me that love, friendship, and understanding don’t need to make sense to be real; they just need to be chosen, again and again.
WINNER OF The Hugo and Nebula Awards for Best Novella, the Reddit Stabby Award for Best Novella AND The British Science Fiction Association Award for Best Novella
SHORTLISTED FOR 2020 Theodore Sturgeon Memorial Award The Ray Bradbury Prize Kitschies Red Tentacle Award Kitschies Inky Tentacle Brave New Words Award
'A fireworks display from two very talented storytellers' Madeline Miller, author of Circe
Co-written by two award-winning writers, This Is How You Lose the Time War is an epic love story spanning time and space.
Among the ashes of a dying world, an agent of the Commandant finds a letter. It…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I’m chronically ill. Whether I’m swept up, terrified, swooning, or trying to solve a mystery, I love my fiction to take me elsewhere. The dichotomy of wanting to share my experiences, discuss disability, open up the conversation around the topic, and have others lose themselves in story has been a fine line I’ve walked with all of my work. With Joyce, I wanted to bring grief and disability to life in a more resonate way. The words pain and fatigue mean drastically different things to different people. When magic is involved, it transcends your definition or mine, allowing us to focus on the experience with less personal context.
Have you ever read a book that makes your mouth and eyes water at the same time? That makes you laugh and takes your breath away and pisses you off and has you telling your partner every single detail of it, assuring they’ll never need to read it, but they want to anyhow? That’s Like Water for Chocolate.
The opening scene sets the whole tone of the book, and from then on, it sways between emotional heartbreaker, hilarious romp, devastating family drama, and magical realism that is so brilliant it feels real. What I’m saying is, it’s a delight.
THE INTOXICATING INTERNATIONAL BESTSELLER ABOUT LOVE, COOKING AND MAGIC. PERFECT FOR FANS OF JOANNE HARRIS AND ISABEL ALLENDE.
'This magical, mythical, moving story of love, sacrifice and summering sensuality is something I will savour for a long time' MAUREEN LIPMAN
Like Water For Chocolate tells the captivating story of the De la Garza family. As the youngest daughter, Tita is forbidden by Mexican tradition to marry. Instead, she pours all of her emotions into her delicious recipes, which she shares with readers along the way.When Tita falls in love with Pedro, he is seduced by the magical food she cooks.…
I’ve been a fan of horror stories since I was a child. It was never about the shock or the gore, but the sense of dread and unease such stories could build, and how they challenged society’s norms in a variety of ways. The driving force in a lot of horror is often the threat—or even the result—of some sort of loss, and that’s what I tend to explore in my own work. Whether it’s the loss of life, of love or loved ones, the loss of sanity, of reality, horror allows us to discover and/or face our fears while providing a means by which to manage them.
I came to this one after watching and loving the television version and found the book even more fulfilling (although very different). It focuses on what happens when millions of people suddenly disappear from the world’s population and it looks not only at how people deal with this massive loss but also how they deal with the mystery of it, the not knowing why. People don’t only lose loved ones in this book but also their own sense of how the world should work, leaving them with a lot to deal with. I loved the characters, the tight focus on one community (and mostly one family within that community), and I loved how Perrotta made such a wild possibility seem entirely plausible.
With heart, intelligence and a rare ability to illuminate the struggles inherent in ordinary lives, Tom Perrotta's The Leftovers—now adapted into an HBO series—is a startling, thought-provoking novel about love, connection and loss.
What if—whoosh, right now, with no explanation—a number of us simply vanished? Would some of us collapse? Would others of us go on, one foot in front of the other, as we did before the world turned upside down?
That's what the bewildered citizens of Mapleton, who lost many of their neighbors, friends and lovers in the event known as the Sudden Departure, have to figure out.…
I’ve been a fan of horror stories since I was a child. It was never about the shock or the gore, but the sense of dread and unease such stories could build, and how they challenged society’s norms in a variety of ways. The driving force in a lot of horror is often the threat—or even the result—of some sort of loss, and that’s what I tend to explore in my own work. Whether it’s the loss of life, of love or loved ones, the loss of sanity, of reality, horror allows us to discover and/or face our fears while providing a means by which to manage them.
This is one of the best collections I’ve ever read, and I’ve read it a few times now. These are emotionally intimate stories, bleak but beautiful. Dines really knows how to write convincing, troubled characters, people you will care about and suffer with as they struggle with the losses life forces upon them, and while each of the stories stands alone, there are connections between many of them which serves to build on your relationship with these characters. This is a debut collection, but every story has clearly been written by someone who has mastered their craft. Dines knows exactly what he’s doing, and what he’s doing is making you care, making you feel, and making you realise you are not alone. I love this book.
The past is never far behind. If we do not leave it, if we insist on carrying it with us to the end...that end is a monster.
This stunning debut collection of dark, literary fiction drowns the reader in its themes of grief, regret, love, and hope.
A family is torn apart by tragedy and misadventure, their future creaking under the weight of judgment. Old men play at being ghosts while a young boy sees real ones wherever he turns. A wandering immortal desperately seeks an end to his pain.
Intimate, unflinching, and poignant, these eleven tales of the broken…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I’ve been a fan of horror stories since I was a child. It was never about the shock or the gore, but the sense of dread and unease such stories could build, and how they challenged society’s norms in a variety of ways. The driving force in a lot of horror is often the threat—or even the result—of some sort of loss, and that’s what I tend to explore in my own work. Whether it’s the loss of life, of love or loved ones, the loss of sanity, of reality, horror allows us to discover and/or face our fears while providing a means by which to manage them.
There’s so much to love about this book. Every story here is brilliant, and while sadness is the thread running through all of them, I’d say they also deal with issues of loss or the pain of losing, and the things we do to cope. I’ve loved Mauro’s writing from day one, and this collection gathers her best into a powerful volume that does indeed sing. It filled and then broke my heart. The book is worth buying for the award-winning story "Looking for Laika" alone, but there really isn’t a single story here that isn’t a masterclass in writing, and not a single one that doesn’t move the reader to feel the sadness and feel it deeply. I can’t wait for whatever Laura Mauro does next.
British Fantasy Award-winning author, and Shirley Jackson Award finalist Laura Mauro, a leading voice in contemporary dark fiction, delivers a remarkable debut collection of startling short fiction. Human and humane tales of beauty, strangeness, and transformation told in prose as precise and sparing as a surgeon’s knife. A major new talent!
Featuring "Looking for Laika," winner of the British Fantasy Award, and "Sun Dogs," a finalist for the Shirley Jackson Award.
