Here are 100 books that Our Wives Under the Sea fans have personally recommended if you like
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I have been writing for more than 40 years, and while I don’t normally write gothic literature, it is a genre that has fascinated me since my early youth. While I have written a couple of gothic or horror short stories, I tend to write other types of literature. However, I was pulled into this novel by something I saw on the TV news, and so I put away the novel I was originally working on and set to work on this one instead. The setting and the characters immediately pulled me in. I hope that it’s mystery and unusual characters will do the same for you.
I love this book so much, I have read it at least three times. It is a classic gothic novel with an eerie setting and interesting characters, including those with psychosis that add to the mystery of he novel.
While the film version is undoubtedly a classic, the novel is by far better.
30
authors picked
Dracula
as one of their favorite books, and they share
why you should read it.
This book is for kids age
17.
What is this book about?
'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable.
It’s been said by smarter people than me how writing horror for kids isn’t about scaring them, it’s about showing them how brave they are.
A Monster Calls is the perfect illustration of that. The scariness and the spookiness are a stand-in for the real-life horrors that this kid is facing. Kids deal with a lot, and this book is the perfect example of how to survive when the worst happens.
The artwork too—wow! I wish I could get some of this artwork to hang on my walls. Absolutely gorgeous book.
The bestselling novel and major film about love, loss and hope from the twice Carnegie Medal-winning Patrick Ness.
Conor has the same dream every night, ever since his mother first fell ill, ever since she started the treatments that don't quite seem to be working. But tonight is different. Tonight, when he wakes, there's a visitor at his window. It's ancient, elemental, a force of nature. And it wants the most dangerous thing of all from Conor. It wants the truth. Patrick Ness takes the final idea of the late, award-winning writer Siobhan Dowd and weaves an extraordinary and heartbreaking…
I’ve been obsessed with sci-fi romance since I was a kid watching the Klingon wedding of Worf and Jadzia Dax in Star Trek: Deep Space Nine. I love the idea of mashing these two distinct genres together. While sci-fi and romance both explore the human condition, sci-fi goes wide while romance is intimate. I think this makes the crossover of these two genres work especially well. My foremost inspiration for sci-fi romance is Lois McMaster Bujold, who offers a masterclass in how to deftly weave compelling romance into a sci-fi setting without sacrificing any action or political intrigue.
This book is unhinged in the best way. I love Gideon’s unique voice. Around her is a deadly-serious necromancer murder mystery with interplanetary stakes, and she cares more about cracking dirty jokes and finally eating some warm food. Her relationship with her arch-nemesis/only friend Harrow leaps off the page.
I love the scene where they get into a pool so Harrow can finally confess to Gideon her darkest secret—so hot and so disturbing all at the same time. While this book isn’t technically a romance and the genre feels more like a horror fantasy set in space, I couldn’t resist putting it on the list. As Gideon says to Harrow, “One flesh, one end, bitch.”
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
When I was a boy, my adoptive father – a star pupil and friend of C.S. Lewis – heard I’d started reading the Sherlock Holmes stories. He bought every Sherlock Holmes book he could find. I remember lifting one to my nose and smelling the pages. I fell in love with books that day. I went on to earn a senior scholarship in English Literature at Cambridge University, and a PhD in storytelling. Since then, I have written over 50 books of my own and ghostwritten over 30 titles. I now host The Christian Storyteller Channel on YouTube, and I run BookLab, dedicated to helping emerging authors. My whole life is books.
I love the idea that books have souls, and I adore this quotation from Zafon’s classic novel: “Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it.”
I was thrilled to find this novel after I’d written my book because it shows that there are others who sense the soulful quality of old books. I also love it because it is written by a Spanish novelist, and it is in the Spanish-speaking world that we find the true literary origins of my most-loved genre of writing – magical realism.
"The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero." -Entertainment Weekly (Editor's Choice)
"One gorgeous read." -Stephen King
Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer's son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julian Carax. But when he sets out to find the author's other works, he makes a shocking discovery: someone has been…
I’m just a girl who fell in love with French literature: Les Miserables, The Count of Monte Cristo, The Phantom of the Opera. And then the associated Gothics: Dracula, A Christmas Carol, A Picture of Dorian Gray. Then I ran out. Apparently, there are only so many gothic novels one can find in 18th- and 19th-century writings—and I even read several of the more obscure ones. But I wasn’t done with the genre yet. I wanted one more gothic novel, with all the mystery of Edmond Dantès and with all the philosophical complexity of Jean-Valjean—but with a strong female protagonist and a lush Americana setting. So I wrote it myself.
Nothing scary happens exactly, but that doesn’t stop this novel from holding a strange and creepy tension throughout the whole of it. With a heavy surrealist bent, the book centers on a girl and her father who were born from the ground, and so have the powers to heal people by moving around the things that are inside them. It’s exactly as haunting as it sounds.
'A tangled, gnarled, wonderfully original, strange, beautiful beast of a book' DAISY JOHNSON, author of Everything Under
'Beautiful and terrifying' SUNDAY TIMES
'Seethingly assured debut fuses magical realism with critical and feminist theory' GUARDIAN
In house in a wood, Ada and her father live peacefully, tending to their garden and the wildlife in it. They are not human though. Ada was made by her father from the Ground, a unique patch of earth with birthing and healing properties. Though perhaps he didn't get her quite right. They spend their days healing the local human folk - named Cures - who…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
From the first page, this story felt intimate and infinite all at once.
It’s written like a love letter and a battlefield, all at once. What I loved most was how it turned connection into an act of defiance, how two people trapped by duty and ideology choose to reach across time anyway.
Every line feels deliberate, like poetry disguised as science fiction. I was completely undone by how much humanity could fit into such a small space.
It reminded me that love, friendship, and understanding don’t need to make sense to be real; they just need to be chosen, again and again.
WINNER OF The Hugo and Nebula Awards for Best Novella, the Reddit Stabby Award for Best Novella AND The British Science Fiction Association Award for Best Novella
SHORTLISTED FOR 2020 Theodore Sturgeon Memorial Award The Ray Bradbury Prize Kitschies Red Tentacle Award Kitschies Inky Tentacle Brave New Words Award
'A fireworks display from two very talented storytellers' Madeline Miller, author of Circe
Co-written by two award-winning writers, This Is How You Lose the Time War is an epic love story spanning time and space.
Among the ashes of a dying world, an agent of the Commandant finds a letter. It…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I have learned about the nature of magic and the mythical firsthand. I have always been a seeker, fiercely curious and an avid reader to try to understand the world so as to find myself and my destiny. Wise women appeared to guide my path as I quested the heroine’s journey with its many helpers and spirits, its coincidences, and its marvels. When I dreamt about the Roma, I knew the story was important; I attended UCLA and got to work. My passion has never dwindled during the 20 years it took to manifest the Destiny's Consent book series.
I am not a fan of fantasy, but this is magical realism at its best. Not too much, not too little, just enough to remind everyone that the spirits are still working on behalf of true love and goodness and that justice prevails despite all obstacles…like a fairy tale with complications. Just my cup of tea.
How realistic is it that food transmits any emotions the cook may be feeling while making the food? This idea captivated me immediately; it was something I had never thought about. And yet, growing up in my family, women always made the food. So again, a very female tale.
In the beginning, Tita, the heroine, is passionate and in love, but she succumbs to tradition and rejects true love and passion to submit to tradition, which dictates she takes care of her mother. In time, Tita learns to disobey the injustice of that tradition…
THE INTOXICATING INTERNATIONAL BESTSELLER ABOUT LOVE, COOKING AND MAGIC. PERFECT FOR FANS OF JOANNE HARRIS AND ISABEL ALLENDE.
'This magical, mythical, moving story of love, sacrifice and summering sensuality is something I will savour for a long time' MAUREEN LIPMAN
Like Water For Chocolate tells the captivating story of the De la Garza family. As the youngest daughter, Tita is forbidden by Mexican tradition to marry. Instead, she pours all of her emotions into her delicious recipes, which she shares with readers along the way.When Tita falls in love with Pedro, he is seduced by the magical food she cooks.…
I’ve been a fan of horror stories since I was a child. It was never about the shock or the gore, but the sense of dread and unease such stories could build, and how they challenged society’s norms in a variety of ways. The driving force in a lot of horror is often the threat—or even the result—of some sort of loss, and that’s what I tend to explore in my own work. Whether it’s the loss of life, of love or loved ones, the loss of sanity, of reality, horror allows us to discover and/or face our fears while providing a means by which to manage them.
I came to this one after watching and loving the television version and found the book even more fulfilling (although very different). It focuses on what happens when millions of people suddenly disappear from the world’s population and it looks not only at how people deal with this massive loss but also how they deal with the mystery of it, the not knowing why. People don’t only lose loved ones in this book but also their own sense of how the world should work, leaving them with a lot to deal with. I loved the characters, the tight focus on one community (and mostly one family within that community), and I loved how Perrotta made such a wild possibility seem entirely plausible.
With heart, intelligence and a rare ability to illuminate the struggles inherent in ordinary lives, Tom Perrotta's The Leftovers—now adapted into an HBO series—is a startling, thought-provoking novel about love, connection and loss.
What if—whoosh, right now, with no explanation—a number of us simply vanished? Would some of us collapse? Would others of us go on, one foot in front of the other, as we did before the world turned upside down?
That's what the bewildered citizens of Mapleton, who lost many of their neighbors, friends and lovers in the event known as the Sudden Departure, have to figure out.…
I’ve been a fan of horror stories since I was a child. It was never about the shock or the gore, but the sense of dread and unease such stories could build, and how they challenged society’s norms in a variety of ways. The driving force in a lot of horror is often the threat—or even the result—of some sort of loss, and that’s what I tend to explore in my own work. Whether it’s the loss of life, of love or loved ones, the loss of sanity, of reality, horror allows us to discover and/or face our fears while providing a means by which to manage them.
This is one of the best collections I’ve ever read, and I’ve read it a few times now. These are emotionally intimate stories, bleak but beautiful. Dines really knows how to write convincing, troubled characters, people you will care about and suffer with as they struggle with the losses life forces upon them, and while each of the stories stands alone, there are connections between many of them which serves to build on your relationship with these characters. This is a debut collection, but every story has clearly been written by someone who has mastered their craft. Dines knows exactly what he’s doing, and what he’s doing is making you care, making you feel, and making you realise you are not alone. I love this book.
The past is never far behind. If we do not leave it, if we insist on carrying it with us to the end...that end is a monster.
This stunning debut collection of dark, literary fiction drowns the reader in its themes of grief, regret, love, and hope.
A family is torn apart by tragedy and misadventure, their future creaking under the weight of judgment. Old men play at being ghosts while a young boy sees real ones wherever he turns. A wandering immortal desperately seeks an end to his pain.
Intimate, unflinching, and poignant, these eleven tales of the broken…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve been a fan of horror stories since I was a child. It was never about the shock or the gore, but the sense of dread and unease such stories could build, and how they challenged society’s norms in a variety of ways. The driving force in a lot of horror is often the threat—or even the result—of some sort of loss, and that’s what I tend to explore in my own work. Whether it’s the loss of life, of love or loved ones, the loss of sanity, of reality, horror allows us to discover and/or face our fears while providing a means by which to manage them.
There’s so much to love about this book. Every story here is brilliant, and while sadness is the thread running through all of them, I’d say they also deal with issues of loss or the pain of losing, and the things we do to cope. I’ve loved Mauro’s writing from day one, and this collection gathers her best into a powerful volume that does indeed sing. It filled and then broke my heart. The book is worth buying for the award-winning story "Looking for Laika" alone, but there really isn’t a single story here that isn’t a masterclass in writing, and not a single one that doesn’t move the reader to feel the sadness and feel it deeply. I can’t wait for whatever Laura Mauro does next.
British Fantasy Award-winning author, and Shirley Jackson Award finalist Laura Mauro, a leading voice in contemporary dark fiction, delivers a remarkable debut collection of startling short fiction. Human and humane tales of beauty, strangeness, and transformation told in prose as precise and sparing as a surgeon’s knife. A major new talent!
Featuring "Looking for Laika," winner of the British Fantasy Award, and "Sun Dogs," a finalist for the Shirley Jackson Award.
