100 Books Like South of the Buttonwood Tree

Truly magical realism at its finest, Carlos Ruiz Zafón weaves a sweeping story into the most breathtaking setting.

I’ve not read anything like Shadow of the Wind. I was so immersed that my review in 2016, the minute after I read it for the first time, I wrote that I was a ten-year-old boy discovering books for the first time.

I fell in love and grew up and solved a mystery. I experienced it, not just read it. I got lost in the pages and came out gasping, having just been through so much. It was a gift that you should give yourself too.

Like some other powerhouse books I’ve read, it would take hours to fully discuss the brilliant storytelling, the compelling characters, the descriptions that have you smelling the damp earth, and to truly explain the awe I felt when reading this book.

When I say, “I’ve never read anything like this,” I usually mean that wowed me this much or that one aspect was unique or clingy. In this case, I mean it in every sense. It was chewy and raw and rare, unique and visceral, sumptuous and dark, devastating and lyrical.

Dealing with illness in magical realism is something I’m familiar with, clearly. To see it being handled in the way Sue Rainsford does is spine-tingling and refreshing, if one can call a book so guttural as this one such.

Have you ever read a book that makes your mouth and eyes water at the same time? That makes you laugh and takes your breath away and pisses you off and has you telling your partner every single detail of it, assuring they’ll never need to read it, but they want to anyhow? That’s Like Water for Chocolate.

The opening scene sets the whole tone of the book, and from then on, it sways between emotional heartbreaker, hilarious romp, devastating family drama, and magical realism that is so brilliant it feels real. What I’m saying is, it’s a delight.

Some say this book is horror. I recommend it not as a horror book, but as a glimpse into illness, grief, and uncertainty through the lens of magical realism.

I see the moments along the way that are scary, but for me, those are just jump pads to the action of living, of existing, of the complicated state of being unwell, and how love will allow you to accept more than you thought you were capable of.

Does Julia know she showcased the slow decline of a chronically ill person in the way she did? I do not know. But as a chronically ill person myself, I saw poignant vignettes of tenderness around the topic.

Though the dual storylines, the unknown, the fear, are interesting and creative, it’s the quiet moments between two women who love each other, just wondering what’s next, that will stay with you.

Warren St. John spent a season with the University of Alabama fans who drive their RVs to every single Crimson Tide game, chronicling the lengths and depths of their obsessive fandom, the ways they build community and identity out of a bunch of kids playing a kids’ game... and this was before the Crimson Tide won six national championships in the last 15 years.

As I often tell my wife, an Alabama fan born and raised, “You people are insane.” Lucky for me I find their insanity captivating.

After the Civil War, the South was in turmoil, with ruined farms, destitute people, and existential uncertainty about the future.

John Hollis Bankhead of Alabama was one who stepped forward to ensure that little would change. He voted against the Thirteenth and Fourteenth Amendments and helped institutionalize convict leasing. As author Kari Frederickson writes, "Confederates may have lost the war, but white men like Bankhead were determined to thwart any possible political or social revolution."

Other Bankheads continued in the same vein including Marie who, as director of the Alabama state archives, embraced the Lost Cause narrative, rejected symbols of Reconstruction, and, in the name of state’s rights, opposed voting rights for women. Learning about this family’s success in molding the post-war South gave me new insight into issues of today.

Tales of enemies who become lovers – whether from warring families or rival gangs – are as old as Pyramus and Thisbe, Romeo and Juliet, and Tony and Maria.

Setting this story during an actual war heightens the tension. This book will draw you in from the start.

Josef Landermann sails aboard a German U-boat, hunting Allied supply ships in the waters of the Gulf Coast. Helen Mason is the embittered Alabama widow of a US Army Air Force pilot killed by the Luftwaffe. How Josef and Helen come together is a remarkable, enchanting true story.

Woven around themes of love and forgiveness, The Heart Mender is a thrilling page-turner that will touch your heart.

This picture book tells the story of Hamilton v. Alabama, a lesser-known U.S. Supreme Court ruling on behalf of Miss Mary Hamilton. Mary Hamilton, a Black civil rights activist arrested for her protests against segregation, demanded in a court hearing that she be addressed as "Miss Hamilton," rather than by her first name. This courtesy was extended to white people but often not to Blacks. When she refused to respond to "Mary," the judge held her in contempt. The NAACP took the case to the United States Supreme Court, which reversed in a 1964 order. Powerful poetic text and art by the talented mother-son Boston Weatherford team puts Mary's demand for respect into its historical and social context.

Sara Brooks was one of seventeen children raised by landowning African American farmers in Alabama. Hers is a lively and evocative account of growing up on the land in a loving family and a harsh coming of age at the hands of an abusive man. Like many southern black women of the era, Brooks is able to escape the bleak conditions of her life by moving first to Mobile and then to Cleveland where she worked as a domestic, eventually acquiring her own home and reuniting with the children she had been forced to leave behind. Hers is a hopeful and richly textured story of resistance and resilience.

This brilliant, best-selling book turned award-winning documentary is so fantastic for unraveling a revisionist history of the “tired old lady who wouldn’t move to the back of the bus.”

Not unlike the way I show how Dr. King’s memory has been sanitized and defanged, Theoharis shows how Parks’ memory has been voided of her long history of radical activism, and her unyielding pursuit of racial and social justice.

I thought about this book a lot as I was writing my chapter on the hidden Black women, the “sheroes” of the Civil Rights Movement who present-day Black feminist activists are resurrecting in public consciousness.