Here are 85 books that Finding Myself Lost in Louisiana fans have personally recommended if you like
Finding Myself Lost in Louisiana.
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As a great-great-great-great-grandchild of Irish immigrants, I come from a long, proud line of alcoholics, especially on my mother’s side. My childhood was a masterclass in chaos: family scream-fests, flung insults, and someone cracking a joke while dodging a punch. It was painful, yes, but also absurd and often hilarious. That’s where my dark wit comes from. Razor-sharp humor was how we made it out alive. It becomes a lens you’re trained to observe the world through since you were a wee lad. I’ve always been drawn to stories where grief and laughter sit at the same table, clinking pints. Satire and absurdity aren’t interests for me. They’re muscle memory.
I didn’t know whether to laugh or stage an intervention. This book introduced me to Ignatius J. Reilly, a character so insufferable and absurdly grandiose that I kept turning pages just to see how much worse he could get. I was horrified and hypnotized. I couldn’t look away.
What I love about this book is that it doesn’t ask you to like anyone. It asks you to witness the glorious wreckage of human delusion. It is chaotic, bloated, brilliant, and somehow still moving. Toole gave me a character I wanted to strangle, and a novel I wanted to reread. That kind of friction is rare, and I live for it.
'This is probably my favourite book of all time' Billy Connolly
A pithy, laugh-out-loud story following John Kennedy Toole's larger-than-life Ignatius J. Reilly, floundering his way through 1960s New Orleans, beautifully resigned with cover art by Gary Taxali _____________
'This city is famous for its gamblers, prostitutes, exhibitionists, anti-Christs, alcoholics, sodomites, drug addicts, fetishists, onanists, pornographers, frauds, jades, litterbugs, and lesbians . . . don't make the mistake of bothering me.'
Ignatius J. Reilly: fat, flatulent, eloquent and almost unemployable. By the standards of ordinary folk he is pretty much…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I came to Montgomery, Alabama, in 1988 to serve as a law clerk for a prominent federal judge (played by Martin Sheen in the movie Selma). I was convinced that the death penalty could be justly administered, and seeing Ted Bundy’s final appeal did little to change my mind. Subsequent cases, however, slowly worked a change in my attitude as I saw an execution’s effect on everyone involved in the process. My passion comes from this behind-the-scenes look at capital punishment in America.
I loved this beautifully written book for its depiction of how the death penalty worked in the Jim Crow South. I loved the compassion shown by the characters, both black and white, and the attempt by Gaines to reveal the complexity of crime and punishment in an era that may not be so different from our own.
As a law clerk in the 1980s in the Deep South, I witnessed the legacy of the system that Gaines describes.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A deep and compassionate novel about a young man who returns to 1940s Cajun country to visit a Black youth on death row for a crime he didn't commit. Together they come to understand the heroism of resisting.
"An instant classic." —Chicago Tribune
A “majestic, moving novel...an instant classic, a book that will be read, discussed and taught beyond the rest of our lives" (Chicago Tribune), from the critically acclaimed author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman.
"A Lesson Before Dying reconfirms Ernest J. Gaines's position…
Growing up in Scott, Louisiana, I didn’t know that everyone else in the United States did not get Mardi Gras off from school and work. I thought everyone knew some French. Crawfish boils were a natural, expectable part of every spring. South Louisiana is a world unto itself. Over the years, I’ve come to appreciate my heritage, my Cajun lineage, and the sometimes-befuddling ways we Louisianians look at that world. Between conversations with elders, reading historical documents, and even looking at land transfer maps, I’ve become even more grounded in what being from this little wet corner of the world means.
South Louisianians are skeptical of anyone not from here who tries to write about us. We often end up as caricatures. But Mike Tidwell came from the outside and saw us anew.
In his book, he depicts the communities along our coastal areas and wetlands. I was shocked at how he could capture fishermen and traiteurs (faith healers) with such accuracy and respect.
And I can’t forget to mention how he bravely calls attention to one of America’s regions most endangered by climate change, which also happens to be the place I will always call home.
The Cajun coast of Louisiana is home to a way of life as unique, complex, and beautiful as the terrain itself. As award-winning travel writer Mike Tidwell journeys through the bayou, he introduces us to the food and the language, the shrimp fisherman, the Houma Indians, and the rich cultural history that makes it unlike any other place in the world. But seeing the skeletons of oak trees killed by the salinity of the groundwater, and whole cemeteries sinking into swampland and out of sight, Tidwell also explains why each introduction may be a farewell—as the storied Louisiana coast steadily…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
Growing up in Scott, Louisiana, I didn’t know that everyone else in the United States did not get Mardi Gras off from school and work. I thought everyone knew some French. Crawfish boils were a natural, expectable part of every spring. South Louisiana is a world unto itself. Over the years, I’ve come to appreciate my heritage, my Cajun lineage, and the sometimes-befuddling ways we Louisianians look at that world. Between conversations with elders, reading historical documents, and even looking at land transfer maps, I’ve become even more grounded in what being from this little wet corner of the world means.
When I grow up, I want to write like Tim Gautreaux.
I read this book about five years ago, and it was like I’d just started reading all over again. I felt seen. Gautreaux found the soul of South Louisiana, distilled it, and somehow made it make all the sense in the world. His characters breathe.
I closed the book and stayed in his fictional town of Crapaud. Anytime I am lonesome for my home state I just need to read any one of these stories.
ONE OF THE WALL STREET JOURNAL AND NPR'S BEST BOOKS OF 2017
Containing twelve new stories and nine classics from previous collections, Signals is Tim Gautreaux at his best. Effortlessly conjuring the heat and humidity of the author’s beloved South, these stories of men and women grappling with faith, small town life, and blue-collar work are alternately ridiculous and sublime. For both longtime fans and readers lucky enough to encounter him for the very first time, Signals cements Gautreaux’s place as an American master.
I was passionate about anthropology in the 1970s when I was in my twenties and am still passionate about anthropology in the 2020s in my seventies. Throughout the years I have expressed my passion for anthropology in university classrooms, in public lectures, and in the 16 books I have published. As my mind has matured, I understand more and more fully just how important it is to write powerfully, cogently, and accessibly about the wisdom of others. In all my books I have attempted to convey to the public this fundamental wisdom, none more so than in my latest book, Wisdom from the Edge: Writing Ethnography in Turbulent Times.
Hurston’s Mules and Men is a classic work in which the author returns to her hometown, Eatonville, Florida, in the late 1920s to conduct anthropological research.
In the work Hurston captures the complex texture of social life in a fully incorporated African American community. The result is a rich mix of character descriptions, masterfully crafted dialogues, and a collection of stories that reflect powerfully the deep knowledge and profound wisdom of Eatonville’s cast of characters.
I’d always been a bookworm, but once I settled into a not-so-exciting career, I became a voracious reader of romance and mystery to escape the monotony of my day job. I’d frequent the library during my lunch breaks and devour the titles by my favorite authors. While this was entertainment, it was also educational. My love for writing became rekindled, and I started studying cozies and romantic mysteries with the goal to write what I most loved to read: fun, lighthearted mystery. I especially enjoy writing and reading humorous whodunits that are populated by quirky, loveable characters as reflected by my list. I hope you enjoy them too!
A CIA assassin who is forced to go undercover as a girly girl in the tiny bayou town of Sinful, Louisiana? From that premise alone, I knew this would be a fun read, and wow, does Jana DeLeon ever deliver in book one of her Miss Fortune Mystery series.
It’s a fabulous fish-out-of-water story filled with quirky characters of all ages, secrets that refuse to stay buried, and wrongs to be made right. There’s a splash of romance and plenty of laughs in this well-paced, sassy whodunit. My favorite kind of lighthearted mystery!
CIA assassin Fortune Redding is about to undertake her most difficult mission ever-in Sinful, Louisiana. With a leak at the CIA and a price placed on her head by one of the world's largest arms dealers, Fortune has to go off-grid, but she never expected to be this far out of her element. Posing as a former beauty queen turned librarian in a small bayou town seems worse than death to Fortune, but she's determined to fly below the radar until her boss finds the leak and puts the arms dealer out…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
Political power has intrigued me since I read Macbethand Machiavelli in high school – how to acquire it, wield it, and keep it, and how it seduces and ultimately corrupts. Political bosses fascinated me – Svengalis who built empires, often through charisma, populism, and ruthlessness. I began writing about politics as a newspaper reporter, then ran press shops for lawmakers and candidates, including a presidential campaign; co-wrote three nonfiction books with senators, including a former majority leader; then turned to writing fiction, a passion since boyhood, largely under the theme “For what is a man profited, if he shall gain the whole world and lose his own soul?”
I began reading Williams’s biography as research for a recent historical novel, scanning passages listed in the index. Soon enough, I was gulping whole sections and chapters; I couldn’t stop reading the thing. Williams reminded me how exuberant political narrative nonfiction can be and taught me as much about writing as about Huey Long. He showed ways to showcase characters’ traits and tells, portraits-in-miniature, in a “God is in the details” vibe. He showed how to set a story in its historical context while also using history as a mirror for contemporary times. And, through Long himself, Williams made me again admire the boundless audacity and ambition that I’d never possessed – and again made me thankful for its absence.
He was one of the most extraordinary figures in American political history, a great natural politician who looked, and often seemed to behave, like a caricature of the red-neck Southern politico - and yet he had become, at the time of his assassination, a serious rival to Franklin D. Roosevelt for the presidency.
In this "masterpiece of American biography" (New York Times), Huey Long stands wholly revealed, analyzed, and understood.
My administrative career covered a mix of legal and hospital work which provided a wealth of real-life scenarios to fuel my own convoluted story ideas. Thrilled to take early retirement and pursue a writing career, I have since published five romantic suspense novels. I strive to produce quality stories on par with the countless amazing romantic suspense authors I have enjoyed since my teen years. Storyline prompts surround us. A dark bunkie, screaming neighbor, or even an oddly shaped bag of garbage can trigger my suspicion. My favorite spot to walk is the peaceful shores of Lake Huron, where my twisted imagination soars, and my best stories come to life.
Young love and late-night high school parties along a riverbank create a classic setting for antics, which seem innocent enough until the dangerous bad boy, star quarterback, son of the town’s most powerful family takes over.
This explicit novel leaves the romance at the start and takes a dark twist with sibling rivalry, hidden family secrets, revenge, and triggers galore. It will have you reading long into the night to see how this party ends and trust me, it will leave a lasting impression.
"Alexandrea Weis is one of the most talented authors around, and in a short time her novels are destined to stand along with authors such as Stephen King, Gillian Flynn, Joyce Carol Oates, and Jeffery Deaver." ~The Strand Magazine "A psychological portrait akin to Lord of the Flies." ~Midwest Book Review SOME TRUTHS ARE BETTER KEPT SECRET. SOME SECRETS ARE BETTER OFF DEAD. Along the banks of the Bogue Falaya River, sits the abandoned St. Francis Seminary. Beneath a canopy of oaks, blocked from prying eyes, the teens of St. Benedict High gather here on Fridays. The rest of the…
I’ve been in the children’s book publishing industry for more than twenty-five years, as an editor, bookseller, author, library volunteer, school visit coordinator for authors, and more! I love connecting readers with great books, especially if the readers are middle schoolers, which is my favorite reading level. I see book searches as scavenger hunts—give me a small clue and I’ll find you the book!—and I find it especially gratifying to pair a reader with a book they’ve never heard of before. I’m also good at pairing books with ice cream flavors (Anne of Green Gables + Cinnamon Apple, Little House In the Big Woods with Maple Sugar, Charlie and the Chocolate Factory with Darkest Fudge, and so on!), but that’s a story for another time.
Maddy is a city kid spending her first summer alone at her Grandmère’s house on the bayou in Louisiana. Her grandmother is a little bit strange, but she and Maddy get along perfectly and can even read each other’s minds. At Grandmère’s side, Maddy learns to cook, to care for her chickens, to make healing potions, study the weather and tides, but she also learns not to stare, not to mumble, not to be quick to judge. And when an environmental and emotional disaster occurs, Maddy is called on to lead and to heal all on her own. Her triumph is thanks to what she learned from Grandmère. This multigenerational story, gorgeously written by Coretta Scott King award-winner Rhodes, is heartwarming and exciting and Maddy’s survival skills are impressive.
If only Maddy can see the mermaid, can it be real?
It's Maddy's turn to have a bayou summer. At first she misses life back home in the city, but soon she grows to love everything about her new surroundings -- the glimmering fireflies, the glorious landscape, and something else, deep within the water, that only Maddy sees. Could it be a mermaid? As her grandmother shares wisdom about sayings and signs, Maddy realizes she may be the only sibling to carry on her family's magical legacy. And when a disastrous oil leak threatens the bayou, she knows she may…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
Being from Upstate New York I went to college at Cornell University but headed off to New Orleans as soon as I could. By and by I became an instructor at Delgado Community College. Always a big fan of the city’s amazing historic cemeteries, when teaching a world architectural history class, I took the class to the Metairie Cemetery where I could show the students real examples of every style from Ancient Egyptian to Modern American. After coming to Texas State University, San Marcos (30 miles from Austin), I went back to New Orleans on sabbatical in 2013 and wrote The Cemeteries of New Orleans.
Written by accomplished historian Carolyn Morrow Long, A New Orleans Voudou Priestess tells the true story of Voodoo queen Marie Laveau based on extensive archival research.
In telling her readers about this Creole woman of color who was deeply embedded in the culture of New Orleans in the 1800s, we learn the real story of a woman who was often glorified and denigrated by the press and by local authors who wrote many fantastical tales about her life misleading many about her character and her religion.
Legendary for an unusual combination of spiritual power, beauty, charisma, showmanship, intimidation, and shrewd business sense, Marie Leveau also was known for her kindness and charity, nursing yellow fever victims and ministering to condemned prisoners, and her devotion to the Roman Catholic Church. In separating verifiable fact from semi-truths and complete fabrication, Carolyn Morrow Long explores the unique social, political, and legal setting in which the lives of Laveau's African and European ancestors became intertwined in nineteenth-century New Orleans.