Here are 86 books that American Hippo fans have personally recommended if you like
American Hippo.
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I’ve always firmly believed that, being an all-encompassing genre, speculative fiction represents nearly everything I love about writing and storytelling. I’m therefore very proud to have established myself in that world over the past several years and hope to positively impact others in the way I’ve been positively impacted by the sorts of works I’ve mentioned here.
For me, the Dark Tower series is an easy first pick as it so thoroughly encompasses everything I love about speculative fiction: big ideas, compelling, at times mysterious but ultimately fully realized characters, and a healthy, rich, and potent dose of world-building.
Over the years, I’ve reluctantly come to accept that this book and series are not necessarily for everyone, but they are absolutely for me, and I always find myself feeling a sort of kinship with other readers who love them as much as I do.
The Dark Tower is now a major motion picture starring Matthew McConaughey and Idris Elba.
'The man in black fled across the desert, and the gunslinger followed.' The iconic opening line of Stephen King's groundbreaking series, The Dark Tower, introduces one of his most enigmatic and powerful heroes: Roland of Gilead, the Last Gunslinger.
Roland is a haunting figure, a loner, on a spellbinding journey toward the mysterious Dark Tower, in a desolate world which frighteningly echoes our own.
On his quest, Roland begins a friendship with a kid from New York named Jake, encounters an alluring woman and faces…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
My life quest has been to find true magic. Once believing it could only be uncovered in ruins or cathedrals continents away, I ended up discovering it in my own backyard under the Big Sky. When I was young, I read everything science fiction and fantasy to feel like that magic was real and bask in worlds far different from my own. Now, as a professional editor and author based in the West… I still read everything science fiction and fantasy, but now I get paid to do it.
I read this when my son was born, looking for a familiar story in more ways than one. This imported classic European fairy tale has our gunslinging Snow White escaping to the wild west and feels like a new comfort fable… if replacing dark twisted forests for a wind-whipped big sky can be comforting. It’s a story that doesn’t know how to end, or even if it should end—making it another facet to join numerous retellings. The Huntsman becomes a Pinkerton, the dwarves now a band of women on the run, and the Prince a melancholy expression of America’s history where many have no voice. It’s a bit cerebral and reveals heart-wrenching lessons when reflected on current times. Which, I suppose, is the purpose of a fable, right?
A New York Times bestselling author offers a brilliant reinvention of one of the best-known fairy tales of all time with Snow White as a gunslinger in the mythical Wild West.
Forget the dark, enchanted forest. Picture instead a masterfully evoked Old West where you are more likely to find coyotes as the seven dwarves. Insert into this scene a plain-spoken, appealing narrator who relates the history of our heroine’s parents—a Nevada silver baron who forced the Crow people to give up one of their most beautiful daughters, Gun That Sings, in marriage to him. Although her mother’s life ended…
Errick Nunnally was born and raised in Boston, Massachusetts, and served one tour in the Marine Corps before deciding art school was a safer pursuit. He enjoys art, comics, and genre novels. A graphic designer, he has trained in Krav Maga and Muay Thai kickboxing. His work has appeared in several anthologies of speculative fiction. His work can be found in Apex Magazine, Fiyah Magazine, Galaxy’s Edge, Lamplight, Nightlight Podcast, and the novels, Lightning Wears a Red Cape, Blood for the Sun, and All the Dead Men.
This book falls under the category “urban fiction” or “magical realism” or “western” or…something. At least, that’s what drew me to it in the first place. It takes place in America’s old west, features magic-using criminals leading a gang and draws on some Native American lore. The magic is terrifying, it’s a mix of environmental and mind-altering hoodoo. The most powerful antagonist is rugged, homosexual, unashamed, and a conflicted terror of a person. His partner in crime is simply terrifying. Together, they drive a trilogy that’s so well threaded through the old west you can taste the grit as you turn the page. Though the emphasis is on the pursuit of magic and the machinations it drives, the settings are a delight to experience. Files weaves a world in these novels that is equally fascinating and terrifying. Her prose and daring are an inspiration.
"Gemma Files has one of the great dark imaginations in fiction visionary, transgressive, and totally original." -Jeff VanderMeer
In Gemma Files's "boundary-busting horror-fantasy debut," former Confederate chaplain Asher Rook has cheated death and now possesses a dark magic (Publishers Weekly). He uses his power to terrorize the Wild West, leading a gang of outlaws, thieves, and killers, with his cruel lieutenant and lover, Chess Pargeter, by his side.
Pinkerton agent Ed Morrow is going undercover to infiltrate the gang, armed with a shotgun and a device that measures sorcerous energy. His job is to gain knowledge of Rook's…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
My life quest has been to find true magic. Once believing it could only be uncovered in ruins or cathedrals continents away, I ended up discovering it in my own backyard under the Big Sky. When I was young, I read everything science fiction and fantasy to feel like that magic was real and bask in worlds far different from my own. Now, as a professional editor and author based in the West… I still read everything science fiction and fantasy, but now I get paid to do it.
A serious Welcome To The Nightvale-styled western, Golgotha is like any other mining town… except full of writhing demonic worms desperate to possess you. So many legends and religions rub elbows in this saloon-heavy godforsaken place that it feels like any re-imagined version of a dark fantasy americana world, warts and all, is possible. Each character threatened to whisk me on a new journey. I mean, there’s a doctor who can keep severed heads alive? A boy with a mysterious green eye? An unkillable gunslinger sheriff? An angel running a casino? An assassin queen? What is even happening? But all this allowed my imagination to flourish. Instead of spelling out the reasoning for the clashing magic and lore, it reminded me why I love speculative fiction in the first place: the possibilities.
Nevada, 1869: Beyond the pitiless 40-Mile Desert lies Golgotha, a cattle town hiding more than its share of unnatural secrets. The sheriff bears the mark of the noose around his neck; a dead man whose time has not yet come. His half-human deputy is kin to coyotes. The mayor guards a hoard of mythical treasures. And a shady saloon owner, fingers in everyone's business, may know more about the town's origins than he's letting on. Golgotha has known many strange events, but nothing like the primordial darkness stirring in the abandoned silver mine overlooking the town. Bleeding midnight, an ancient…
As a journalist, I’ve often been frustrated at the sense that I am preaching to the choir – those who take the time to read about a serious topic don’t need to, and those who need to, won’t. I’ve learned to spread awareness by packaging serious information inside a “Trojan Horse," one so fun to read that it reaches people who can actually benefit from the educational bits. These brilliant books, and many others, show that a spoonful of sugar can help us easily swallow information about social justice, endangered species, the U.S. military, and American history. I happily make these books Christmas gifts, knowing they are joys, not obligations.
This book doesn’t just read like a novel – it reads like a great novel: A battle between two compelling characters set against the absurd backdrop of an effort to establish a hippo population in America’s swampland. Mooallem’s understated wit showed me that sometimes the best way to understand history is by tracking the people we’ve never heard of, and the initiatives that never succeeded.
In 1910, the United States—its population exploding, its frontier all but exhausted—was in the throes of a serious meat shortage. But a small and industrious group of thinkers stepped forward with an answer, a bold idea being endorsed by the likes of Theodore Roosevelt and The New York Times. Their plan: to import hippopotamuses to the swamps of Louisiana and convince Americans to eat them.
The only thing stranger than the hippo idea itself was the partnership promoting it. At its center were two hard-bitten spies: Frederick Russell Burnham, a superhumanly competent frontiersman, freelance adventurer, and fervent optimist about America’s…
By chance, I was entrusted with rare historical documents about the immigrant generations in our family, which inspired this novel and grounded it in reality. Who wouldn’t wonder why they came? Besides, I have always been fascinated by pre-modern times and how steam power changed everything and dragged us along, kicking and screaming. And, even though they arrived in America in 1836, I grew up on the farm where they lived, so I heard tales of their amazing journey. It may be 186 years on, but it’s time to tell their story, which, it turns out, is a story for us all.
As a teenager, Abraham Lincoln built a flatboat and floated down the Mississippi to New Orleans to sell the produce his family and neighbors had grown. This and a similar trip three years later were his only exposure to the Deep South. They immersed him in a culture of riverboat men that was archetypical of the era and included events that became part of the mythology surrounding him, an attack by runaway slaves that could have killed him, and his rescue of fellow boatman from drowning. Campanella is a university professor, tireless researcher, and excellent writer.
In 1828, a teenaged Abraham Lincoln guided a flatboat down the Mississippi River to New Orleans. The adventure marked his first visit to a major city and exposed him to the nation's largest slave marketplace. It also nearly cost him his life, in a nighttime attack in the Louisiana plantation country. That trip, and a second one in 1831, would form the two longest journeys of Lincoln's life, his only visits to the Deep South, and his foremost experience in a racially, culturally, and linguistically diverse urban environment.
Lincoln in New Orleans: The 1828-1831 Flatboat Voyages and Their Place in…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I am a historian of race and slavery in the lower Mississippi Valley because the region is a fulcrum of United States history. I was always fascinated by the significance of the Mississippi River for American expansion, society, and culture. Ultimately, this region of the country is so deeply influenced by people of African descent that must be included in all histories, and I wanted to share their stories in a particular place during the colonial period. Telling these stories in places where they have commonly been less well represented is very rewarding and it opens more ways to understand the histories of places like Natchez along the Mississippi River.
Gwendolyn Hall’s Africans in Colonial Louisianais still a foundational text when it comes to studying African people in the colonial lower Mississippi Valley. Her deep knowledge of the archives and skill in bringing the stories of enslaved Africans to live make this a wonderfully informative book. She draws deep connections between the places that Africans left and their forced new homes in Louisiana, while placing a special emphasis on how that culture turned into an African creole culture in the lower Mississippi Valley.
Although a number of important studies of American slavery have explored the formation of slave cultures in the English colonies, few books have undertaken a comprehensive assessment of the development of the distinctive African-Creole culture of colonial Louisiana. This culture, based upon a separate language community with its own folklore, musical, religious and historical traditions, was created by slaves brought directly from Africa to Louisiana before 1731. It still survives as the acknowledged cultural heritage of tens of thousands of people of all races in the southern part of the state. In this work, Gwendolyn Hall studies Louisiana's Creole slave…
I am a historian of race and slavery in the lower Mississippi Valley because the region is a fulcrum of United States history. I was always fascinated by the significance of the Mississippi River for American expansion, society, and culture. Ultimately, this region of the country is so deeply influenced by people of African descent that must be included in all histories, and I wanted to share their stories in a particular place during the colonial period. Telling these stories in places where they have commonly been less well represented is very rewarding and it opens more ways to understand the histories of places like Natchez along the Mississippi River.
George Milne writes the definitive history of the Natchez people and how their encounter with the French changed the power dynamics in the lower Mississippi Valley in the eighteenth century. Milne draws on research in French archives to show how French and Natchez built a fragile cultural understanding based on misinterpretation of social and cultural cues. This book is very good at elaborating on the complicated relationships that often turned on questions of race, dominance, and submissiveness in the lower Mississippi Valley. It specifically highlights the way in which the Natchez people became aware of the way the French viewed them as racially inferior and in turn defined their own people as distinct from Europeans and Africans.
At the dawn of the 1700s the Natchez viewed the first Francophones in the Lower Mississippi Valley as potential inductees to their chiefdom. This mistaken perception lulled them into permitting these outsiders to settle among them. Within two decades conditions in Natchez Country had taken a turn for the worse. The trickle of wayfarers had given way to a torrent of colonists (and their enslaved Africans) who refused to recognize the Natchez's hierarchy. These newcomers threatened to seize key authority-generating features of Natchez Country: mounds, a plaza, and a temple. This threat inspired these Indians to turn to a recent…
Political power has intrigued me since I read Macbethand Machiavelli in high school – how to acquire it, wield it, and keep it, and how it seduces and ultimately corrupts. Political bosses fascinated me – Svengalis who built empires, often through charisma, populism, and ruthlessness. I began writing about politics as a newspaper reporter, then ran press shops for lawmakers and candidates, including a presidential campaign; co-wrote three nonfiction books with senators, including a former majority leader; then turned to writing fiction, a passion since boyhood, largely under the theme “For what is a man profited, if he shall gain the whole world and lose his own soul?”
I began reading Williams’s biography as research for a recent historical novel, scanning passages listed in the index. Soon enough, I was gulping whole sections and chapters; I couldn’t stop reading the thing. Williams reminded me how exuberant political narrative nonfiction can be and taught me as much about writing as about Huey Long. He showed ways to showcase characters’ traits and tells, portraits-in-miniature, in a “God is in the details” vibe. He showed how to set a story in its historical context while also using history as a mirror for contemporary times. And, through Long himself, Williams made me again admire the boundless audacity and ambition that I’d never possessed – and again made me thankful for its absence.
He was one of the most extraordinary figures in American political history, a great natural politician who looked, and often seemed to behave, like a caricature of the red-neck Southern politico - and yet he had become, at the time of his assassination, a serious rival to Franklin D. Roosevelt for the presidency.
In this "masterpiece of American biography" (New York Times), Huey Long stands wholly revealed, analyzed, and understood.
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I have been writing and illustrating books for fifteen years, and I am passionate about the art of making picture books. I love music and dance too. While making this list, I was amazed by how different visual artists that I admire—and who have very different styles—were able to capture movement, rhythm, and energy. I was also fascinated by how the different authors crafted their stories and yet all of them managed to celebrate Black culture and resilience.
I love Gregory Christie’s artwork. His naïf style illustrations may seem crude and simple at first glance, but I think they are incredibly rhythmic and powerful.
His images pair seamlessly with the book's lyrical text, which depicts the awful hardships that enslaved people in New Orleans endured and the joy they felt on Sundays when they were free to play music, dance, and spend time together in Congo Square.
Winner of a Caldecott Honor and a Coretta Scott King Illustrator Honor A Kirkus Reviews Best Book of 2016 A School Library Journal Best Book of 2016: Nonfiction Starred reviews from School Library Journal, Booklist, Kirkus Reviews, and The Horn Book Magazine A Junior Library Guild Selection
This poetic, nonfiction story about a little-known piece of African American history captures a human's capacity to find hope and joy in difficult circumstances and demonstrates how New Orleans' Congo Square was truly freedom's heart.
