Here are 82 books that A Good Scent from a Strange Mountain fans have personally recommended if you like
A Good Scent from a Strange Mountain.
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From an early age, I have made a life out of listening to, telling, teaching, and writing about war stories. I am intrigued by their widespread personal and public importance. My changing associations with these stories and their tellers have paralleled evolving stages in my life—son, soldier, father, and college professor. Each stage has spawned different questions and insights about the tales and their narrators. At various moments in my own life, these war stories have also given rise to fantasized adventure, catharsis, emotional highs and lows, insights about human nature tested within the crucible of war, and intriguing relationships with the storytellers—their lives and minds.
As a Vietnam veteran, teacher of war literature, and writer, I am disappointed that I never interviewed Michael Herr. I can only imagine what such an encounter might have been like with this larger-than-life figure, at least the persona (adrenaline junky, reporter on drugs) found in this fragmented collection of war reportage. With its New Journalistic style and content, the sensory-overload writing might be best described as a collection of literary illumination rounds (their underlying message—war is hell and addictive). As a freelance journalist, Herr arrived in Vietnam wanting to reveal the large ugly truths about the war, which he succeeds in doing, but I find the soldiers’ personal war stories more gripping and truthful. For me and even Herr, the real surprise is that this book ultimately chronicles the author’s own war story of innocence lost: the anti-war reporter becomes just as addicted to war as some of his…
A groundbreaking piece of journalism which inspired Stanley Kubrick's classic Vietnam War film Full Metal Jacket.
We took space back quickly, expensively, with total panic and close to maximum brutality. Our machine was devastating. And versatile. It could do everything but stop.
Michael Herr went to Vietnam as a war correspondent for Esquire. He returned to tell the real story in all its hallucinatory madness and brutality, cutting to the quick of the conflict and its seductive, devastating impact on a generation of young men. His unflinching account is haunting in its violence, but…
Master the Art and Craft of Writing
by
Leon Conrad,
A comprehensive collection of engaging and effective exercises tailored for writers at all levels. Whether you're a beginner eager to find your voice, a seasoned writer exploring new genres, or a professional honing your craft, in this book, you'll discover invaluable techniques that will transform your writing journey.
As I write this, I massage aching bits of shrapnel still embedded beneath silvered scars. I’ve read many Vietnam War stories—praising the war, glorifying combat, condemning the war. My stories are 1st person limited POV, voice of a twenty-year-old sailor. My title is a spin-off of Joseph Conrad’s Heart of Darkness. By the time I wrote my memoir, I realized that our national goals in Vietnam had been Muddy from the beginning. I too, traveled Jungle Rivers. During my time on the riverboat, I witnessed Rivers of blood—rivers of life, trickle across our deck. And yes, Jungle is a fitting metaphor for our life at that time.
This is the first Vietnam War book I read. For almost ten years I remained silent about my military service—many coworkers did not know I had served, let alone two tours and wounded in action. Caputo’s voice and sense of loss and waste and rage touched so close to my feelings. His gift of words made me live again the countless hours of boredom punctuated by moments of terror—for me, ambushes, mines, incoming artillery, and mortar rounds. Twenty years in the future, when I began writing my stories, I read Caputo’s book again because I hoped to emulate his sense of angst.
The 40th anniversary edition of the classic Vietnam memoir―featured in the PBS documentary series The Vietnam War by Ken Burns and Lynn Novick―with a new foreword by Kevin Powers
In March of 1965, Lieutenant Philip J. Caputo landed at Danang with the first ground combat unit deployed to Vietnam. Sixteen months later, having served on the line in one of modern history’s ugliest wars, he returned home―physically whole but emotionally wasted, his youthful idealism forever gone.
A Rumor of War is far more than one soldier’s story. Upon its publication in 1977, it shattered America’s indifference to the fate of…
I am the child of Holocaust survivors who chose not to talk about it. The effects were clear and stark – my mother crying out with nightmares, my father doing everything in his power not to be noticed by authorities – but I was not allowed to know their sources. Though my lottery number was 76, I missed going to Vietnam by a year as the draft ended; I watched so many of my peers come back either damaged or at least profoundly changed. I never wish I experienced war in all its hellaciousness, but from early adolescence, I have wondered how I would have acted.
How does one capture and transmit what the mixture of boredom and abject terror that is often a soldier’s life does to the psyche most effectively?
I had read a number of fictionalized reportages and Slaughterhouse-Five by Vonnegut, which added science fiction. Still, it wasn’t until I powered through this book that I felt I could know how difficult it is for young men to try and make sense of it. The book was a puzzle with pieces that were hard to place next to each other into a coherent picture, and that felt to me like what Vietnam did to those in my generation who fought there.
Winner of the National Book Award, 'Going After Cacciato' captures the peculiar mixture of horror and hallucination that marked the Vietnam War, this strangest of wars.
In a blend of reality and fantasy, this novel tells the story of a young soldier who one day lays down his rifle and sets off on a quixotic journey from the jungles of Indochina to the streets of Paris.
In its memorable evocation of men both fleeing from and meeting the demands of battle, 'Going After Cacciato' stands as much more than just a great war novel. Ultimately it's about the forces of…
Master the Art and Craft of Writing
by
Leon Conrad,
A comprehensive collection of engaging and effective exercises tailored for writers at all levels. Whether you're a beginner eager to find your voice, a seasoned writer exploring new genres, or a professional honing your craft, in this book, you'll discover invaluable techniques that will transform your writing journey.
From an early age, I have made a life out of listening to, telling, teaching, and writing about war stories. I am intrigued by their widespread personal and public importance. My changing associations with these stories and their tellers have paralleled evolving stages in my life—son, soldier, father, and college professor. Each stage has spawned different questions and insights about the tales and their narrators. At various moments in my own life, these war stories have also given rise to fantasized adventure, catharsis, emotional highs and lows, insights about human nature tested within the crucible of war, and intriguing relationships with the storytellers—their lives and minds.
For me, this book is the best of the Vietnam War “aftermath” novels, books dealing with veterans’ post-war physical and psychological struggles. Winner of the 1987 National Book Award for fiction, this novel, according to the author in our 2005 interview, was written to “get the hair up on the back of your [reader’s] neck.” Haunting, as well as times cynical, ironic, and brutally graphic, the author accomplishes his goal. Heinemann deftly portrays Army veteran Paco Sullivan’s cross-country odyssey, via interstate buses, in search of both spiritual and physical homes. This interstate nomad is a tragic character—mysterious and complex. At the end of this thought-provoking and uncomfortable novel, I am left with an unresolved question: is Paco a sympathetic victim of the war and America’s indifference to veterans or an active agent in his own physical and psychological turmoil?
Paco Sullivan is the only man in Alpha Company to survive a cataclysmic Viet Cong attack on Fire Base Harriette in Vietnam. Everyone else is annihilated. When a medic finally rescues Paco almost two days later, he is waiting to die, flies and maggots covering his burnt, shattered body. He winds up back in the US with his legs full of pins, daily rations of Librium and Valium, and no sense of what to do next. One evening, on the tail of a rainstorm, he limps off the bus and into the small town of Boone, determined to find a…
We moved to New Orleans in July 2005. We had six weeks in our first home, filling it with furniture, buying a new car, and taking advantage of my first job. When Hurricane Katrina collapsed the levees holding back the nearby lakes, our home – and those of 80% of the city – filled with water. As I waited for FEMA and insurance to help us, I saw instead it was our friends, friends of friends, and faith-based organizations that helped us get back on our feet. Using our own experiences as a start, I traveled to India and Japan to study how communities around the world survived and thrived during shocks.
As someone who lived in New Orleans before, during, and after Hurricane Katrina, I often wondered why different communities bounced back from that terrible flooding. Mark van Landingham finds that, despite low levels of English fluency, education, and income, the Vietnamese and Vietnamese-American community of Village De L’Est brought back more people and businesses than any other part of the city. Within a year they were back to 90% capacity of pre-Katrina levels. This community's residents – connected to each other through Catholicism and a shared language and history – worked collectively to help evacuees who had scattered across the country. Through collective action, they rebuilt their community even better, adding in new schools, medical centers, and even urban farms.
In 2005, Hurricane Katrina devastated New Orleans. The principal Vietnamese-American enclave was a remote, low-income area that flooded badly. Many residents arrived decades earlier as refugees from the Vietnam War and were marginally fluent in English. Yet, despite these poor odds of success, the Vietnamese made a surprisingly strong comeback in the wake of the flood. In Weathering Katrina, public health scholar Mark VanLandingham analyzes their path to recovery, and examines the extent to which culture helped them cope during this crisis.
Contrasting his longitudinal survey data and qualitative interviews of Vietnamese residents with the work of other research teams,…
As an American history major in college, I planned an academic career. But a professor teaching my Civil War seminar said, “You are more interested in history as it affects the present. You should be a journalist.” So I was and am but always viewing current events through history. In my writing, as a journalist and author, I try to place people and places within a time frame, emphasizing links to the past. The Civil War era has loomed large in my work since so much of our story is rooted there. My appetite for historical nonfiction remains undimmed, and wherever I travel, I find that the past is always present.
Imagine a political maverick rejecting the leader and crusade he’d long supported, along with “the Lost Cause,” a credo subscribed to by millions (and generations) of unreconstructed white Southerners. James Longstreet, one of Robert E. Lee’s top generals, I learned, was not one of them.
That surprised me, as he was fully devoted to preserving slavery and supporting secession during the war but became a staunch Unionist afterward, even working with Black officials in his newly adopted home state of Louisiana. If you’ve ever wondered why there are no memorial statues on courthouse lawns to this rebel general, read this book to learn why.
I found this biography of “The Confederate General Who Defied the South” to be well-written, revelatory, and absorbing. It challenges long-held views of the Confederate cause.
Finalist, Los Angeles Times Book Prize for Biography American Battlefield Trust Prize for History Finalist
A "compelling portrait" (Jon Meacham, Pulitzer Prize -winning author) of the controversial Confederate general who later embraced Reconstruction and became an outcast in the South.
It was the most remarkable political about-face in American history. During the Civil War, General James Longstreet fought tenaciously for the Confederacy. He was alongside Lee at Gettysburg (and counseled him not to order the ill-fated attacks on entrenched Union forces there). He won a major Confederate victory at Chickamauga and was seriously wounded during a later battle.
I have been writing and illustrating books for fifteen years, and I am passionate about the art of making picture books. I love music and dance too. While making this list, I was amazed by how different visual artists that I admire—and who have very different styles—were able to capture movement, rhythm, and energy. I was also fascinated by how the different authors crafted their stories and yet all of them managed to celebrate Black culture and resilience.
I love Gregory Christie’s artwork. His naïf style illustrations may seem crude and simple at first glance, but I think they are incredibly rhythmic and powerful.
His images pair seamlessly with the book's lyrical text, which depicts the awful hardships that enslaved people in New Orleans endured and the joy they felt on Sundays when they were free to play music, dance, and spend time together in Congo Square.
Winner of a Caldecott Honor and a Coretta Scott King Illustrator Honor A Kirkus Reviews Best Book of 2016 A School Library Journal Best Book of 2016: Nonfiction Starred reviews from School Library Journal, Booklist, Kirkus Reviews, and The Horn Book Magazine A Junior Library Guild Selection
This poetic, nonfiction story about a little-known piece of African American history captures a human's capacity to find hope and joy in difficult circumstances and demonstrates how New Orleans' Congo Square was truly freedom's heart.
I’ve loved jazz ever since I learned to play the clarinet as a child. My two great loves in life have been music and books, so it made sense to combine the two things and write novels with a link to jazz. These books are some of my favourites with a jazz theme. I promise that even if you’re not a jazz fan, these are all excellent novels, to be enjoyed with or without music playing in the background!
A young Louis Armstrong as an amateur detective – if that concept doesn’t draw you in, I’m not sure what will!
The year is 1919 and there’s a terrifying serial killer on the loose in New Orleans. This is the first installment in Celestin’s City Blues Quartet. I love all four books but The Axeman is probably my favourite because of the New Orleans vibe. You get jazz, mafia, Pinkerton detectives, crooked cops, and a taste of the macabre.
"Ray Celestin skillfully depicts the desperate revels of that idiosyncratic city and its bizarre legends in his first novel, THE AXEMAN." - The New York Times Sunday Book Review (Marilyn Stasio, Crime Columnist)
The Axeman stalks the streets of New Orleans...
In a town filled with gangsters, voodoo, and jazz trumpets sounding from the dance halls, a sense of intoxicating mystery often beckons from the back alleys. But when a serial killer roams the sultry nights, even the corrupt cops can't see the clues. That is, until a letter from the Axeman himself is published in the newspaper, proclaiming that…
I have been a fan of romantic suspense since I was a teen (many decades ago) and started writing my DAG Team Series in 2016. I adore everything about this genre – the puzzles, the intrigue and how they affect the budding relationship between the main characters. Dating is difficult when you are trying to catch a killer or on the run! Despite the central mystery, the focus is on the romance between the couple. The issues serve to add a layer of non-sexual tension.
The first in the Doucet series and a real nail-biter. A killer has been set free and the couple must team up to catch him. The trail leads them through the bayous of Louisiana and the author does a great job at escalating the tension between them and the environment.
A botched investigation - and a killer walks free...
The death of a beautiful woman ... an arrogant man who claimed to be her suitor but was probably her murderer ... a cop accused of planting evidence ... and a town steeped in secrets and shadows.
Deputy Annie Broussard is still haunted by the case of Pamela Bichon. The killer walked free, and Annie can't forget the sight of Pamela's mutilated body.
But her obsessive search for justice lands her with a dilemma where she must defend or accuse a fellow cop ...
Being from Upstate New York I went to college at Cornell University but headed off to New Orleans as soon as I could. By and by I became an instructor at Delgado Community College. Always a big fan of the city’s amazing historic cemeteries, when teaching a world architectural history class, I took the class to the Metairie Cemetery where I could show the students real examples of every style from Ancient Egyptian to Modern American. After coming to Texas State University, San Marcos (30 miles from Austin), I went back to New Orleans on sabbatical in 2013 and wrote The Cemeteries of New Orleans.
This book provides an intimate look at Storyville, the legal New Orleans red-light district that operated in a grid of streets nestled between St. Louis Cemeteries no. 1 and 2 near the French Quarter from 1897 to 1917.
Although the book is a bit dated (it was published in 1974) and includes a few wild and unsubstantiated stories about certain historic New Orleans personalities, such as Marie Laveau, this mostly factual volume is a fascinating and detailed portrait of the "District," as Storyville was often called, and the colorful, sometimes tragic stories of the people who lived and worked there.
A true-to-life impression of Storyville, the only legally established red light district in the US
At the turn of the twentieth-century, there were hundreds of red-light districts in the United States, ranging in size from a discreet “house” or two in or near small towns and cities to block after bawdy block of brothels in larger cities such as Chicago and San Francisco. Storyville, New Orleans: Being an Authentic, Illustrated Account of the Notorious Red Light District seeks to offer the reader a reasonably true-to-life impression of Storyville, the most famous of the large districts and the only such district…
