Here are 100 books that Signals fans have personally recommended if you like
Signals.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a great-great-great-great-grandchild of Irish immigrants, I come from a long, proud line of alcoholics, especially on my mother’s side. My childhood was a masterclass in chaos: family scream-fests, flung insults, and someone cracking a joke while dodging a punch. It was painful, yes, but also absurd and often hilarious. That’s where my dark wit comes from. Razor-sharp humor was how we made it out alive. It becomes a lens you’re trained to observe the world through since you were a wee lad. I’ve always been drawn to stories where grief and laughter sit at the same table, clinking pints. Satire and absurdity aren’t interests for me. They’re muscle memory.
I didn’t know whether to laugh or stage an intervention. This book introduced me to Ignatius J. Reilly, a character so insufferable and absurdly grandiose that I kept turning pages just to see how much worse he could get. I was horrified and hypnotized. I couldn’t look away.
What I love about this book is that it doesn’t ask you to like anyone. It asks you to witness the glorious wreckage of human delusion. It is chaotic, bloated, brilliant, and somehow still moving. Toole gave me a character I wanted to strangle, and a novel I wanted to reread. That kind of friction is rare, and I live for it.
'This is probably my favourite book of all time' Billy Connolly
A pithy, laugh-out-loud story following John Kennedy Toole's larger-than-life Ignatius J. Reilly, floundering his way through 1960s New Orleans, beautifully resigned with cover art by Gary Taxali _____________
'This city is famous for its gamblers, prostitutes, exhibitionists, anti-Christs, alcoholics, sodomites, drug addicts, fetishists, onanists, pornographers, frauds, jades, litterbugs, and lesbians . . . don't make the mistake of bothering me.'
Ignatius J. Reilly: fat, flatulent, eloquent and almost unemployable. By the standards of ordinary folk he is pretty much…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Growing up in Scott, Louisiana, I didn’t know that everyone else in the United States did not get Mardi Gras off from school and work. I thought everyone knew some French. Crawfish boils were a natural, expectable part of every spring. South Louisiana is a world unto itself. Over the years, I’ve come to appreciate my heritage, my Cajun lineage, and the sometimes-befuddling ways we Louisianians look at that world. Between conversations with elders, reading historical documents, and even looking at land transfer maps, I’ve become even more grounded in what being from this little wet corner of the world means.
This is another book to tackle the uncommon quirks of this region. Lejeune finds the backroads through this part of the world to tie legends, myths, and history together and then bind them to epochs in his own life.
I felt like I was right next to him the whole time, feeling confusion, appreciation, and awe as every dogleg on the bayou or rise over a chenier brought me on a journey inward as well. This is a book I’d like to read again while traveling.
In Finding Myself Lost in Louisiana, author Keagan LeJeune brilliantly weaves the unusual folklore, landscape, and history of Louisiana along with his own family lineage that begins in 1760 to trace the trajectory of people's lives in the Bayou State. His account confronts the challenging environmental record evident in Louisiana's landscapes. LeJeune also celebrates and memorializes traditions of some underrepresented communities in Louisiana, communities that are vanishing or have vanished-communities including the author's own.
Each section in the memoir is a journey to a fascinating place, but it's also a search for LeJeune's own sense of belonging. The book is…
I came to Montgomery, Alabama, in 1988 to serve as a law clerk for a prominent federal judge (played by Martin Sheen in the movie Selma). I was convinced that the death penalty could be justly administered, and seeing Ted Bundy’s final appeal did little to change my mind. Subsequent cases, however, slowly worked a change in my attitude as I saw an execution’s effect on everyone involved in the process. My passion comes from this behind-the-scenes look at capital punishment in America.
I loved this beautifully written book for its depiction of how the death penalty worked in the Jim Crow South. I loved the compassion shown by the characters, both black and white, and the attempt by Gaines to reveal the complexity of crime and punishment in an era that may not be so different from our own.
As a law clerk in the 1980s in the Deep South, I witnessed the legacy of the system that Gaines describes.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A deep and compassionate novel about a young man who returns to 1940s Cajun country to visit a Black youth on death row for a crime he didn't commit. Together they come to understand the heroism of resisting.
"An instant classic." —Chicago Tribune
A “majestic, moving novel...an instant classic, a book that will be read, discussed and taught beyond the rest of our lives" (Chicago Tribune), from the critically acclaimed author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman.
"A Lesson Before Dying reconfirms Ernest J. Gaines's position…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
Growing up in Scott, Louisiana, I didn’t know that everyone else in the United States did not get Mardi Gras off from school and work. I thought everyone knew some French. Crawfish boils were a natural, expectable part of every spring. South Louisiana is a world unto itself. Over the years, I’ve come to appreciate my heritage, my Cajun lineage, and the sometimes-befuddling ways we Louisianians look at that world. Between conversations with elders, reading historical documents, and even looking at land transfer maps, I’ve become even more grounded in what being from this little wet corner of the world means.
South Louisianians are skeptical of anyone not from here who tries to write about us. We often end up as caricatures. But Mike Tidwell came from the outside and saw us anew.
In his book, he depicts the communities along our coastal areas and wetlands. I was shocked at how he could capture fishermen and traiteurs (faith healers) with such accuracy and respect.
And I can’t forget to mention how he bravely calls attention to one of America’s regions most endangered by climate change, which also happens to be the place I will always call home.
The Cajun coast of Louisiana is home to a way of life as unique, complex, and beautiful as the terrain itself. As award-winning travel writer Mike Tidwell journeys through the bayou, he introduces us to the food and the language, the shrimp fisherman, the Houma Indians, and the rich cultural history that makes it unlike any other place in the world. But seeing the skeletons of oak trees killed by the salinity of the groundwater, and whole cemeteries sinking into swampland and out of sight, Tidwell also explains why each introduction may be a farewell—as the storied Louisiana coast steadily…
I’m a middle grade author, and I believe so much in the power of books to help broker conversations between kids and the adults in their lives, especially if those conversations are about things that are often tricky and tough to talk about. I love how middle grade fiction will fearlessly tackle these difficult topics, but does so well with heart and humor.
I love this book so much! It is about a small town in Louisiana, Fawn Creek (known as Yawn Creek to the residents) where the same 12 kids have been going to school forever until one day a new girl, Orchid Mason shows up and begins to mix things up. It’s about friendship, family, self-deception, and following your dreams. I absolutely loved it. Erin Entrada Kelly is such a master at showing the reader multiple perspectives, which greatly enhances the reading experience.
“A powerful and thought-provoking story.”—Shelf Awareness (starred review)
“An emotionally resonant story about authenticity and belonging.”—Kirkus Reviews (starred review)
“A raw, real exploration of belonging that’s also sweetly hopeful.”—Publishers Weekly (starred review)
Every day in Fawn Creek, Louisiana, is exactly the same—until Orchid Mason arrives. From Erin Entrada Kelly, the winner of the Newbery Medal for Hello, Universe and a Newbery Honor for We Dream of Space, this contemporary school story set in small-town Louisiana is about friendship, family, deception, and being true to yourself and your dreams.
There are twelve kids in the seventh grade at Fawn Creek Middle…
I’m Gen X, through and through. And because I grew up in that (glorious?) time before social media, I didn’t have the worry that my messy-woman missteps would be exposed online. But the trade-off to keeping my mistakes as private as possible was that I often felt like I couldn’t live boldly. So now I’m fascinated by the ways other women handle the messier aspects of their lives: the obsessions and frustrations, the secrets we all keep, the duality we choke down. I want to know what we’re each quietly starving for, what’s driving us when we strip away social expectation and are left to sit with our gnawing hungers.
One of my favorite things about this book is how Chung effortlessly weaves the human experience with the magical, braiding in Korean folklore and science as she goes. The women in these stories are feeling their way through their worlds, both everyday and fantastical, stumbling through love, family, duty, loss, and talking dolls.
Chung’s stories are infused with an emotional numbness that feels so familiar to me, a shadow side I recognize in myself, too. This only made my heart break harder when each story ended, exposing all the different bones of womanhood. I always have that sense of Yes, that’s just it when I read her writing.
From the author of Sea Change comes a short story collection that explores Korean American womanhood, bodies, animals, and transformation as a means of survival.
"The stories hit, each one, and land with such seeming perfection. Chung's book sits next to my all-time favorite story collections by masters of the craft: Karen Russell, Nana Kwame Adjei-Brenyah, George Saunders, and Ted Chiang."—Morgan Talty, award-winning author of Night of the Living Rez
Equal parts fantastical—a pair of talking dolls help twins escape a stifling home, a heart boils on the stove as part of an…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
Lots of us rely occasionally on technology to help us entertain a young child, but the connection we form when looking at a book together cannot be beaten. I have found, both personally and professionally, that great books are born when a kind of magical mix-up is created in a child’s imagination between the words you read and the pictures they see. It feels so wonderful when this happens that they want to revisit the book again and again. I have written many books for young children over more than 20 years, and I am always striving to help cast that magical spell.
This bold, punchy book was an absolute winner in our house. The pages are BIG, giving space for the striking illustrations, and the story is deliciously gasp-worthy!
The large, loud Shrimpton family just loves to be noticed, apart from Maude, who feels invisible in this houseful of flamboyant extroverts. We read this book a lot and gasped a little every time. Especially when it turned out to be a very good thing for Maude that she did blend in with her surroundings!
Maude was published in 2013 when my daughter was 8. She is 18 now and still loves it! But now she notices different things – how stylish the characters are and how striking the Shrimpton’s beautiful home is. Even the wallpaper is gorgeous!
Lauren Child teams up with a debut illustrator to tell a cautionary tale about the surprising perils of craving constant attention.
Meet the Shrimpton family — so talented, so eccentric, so larger than life, you couldn’t miss them if you wanted to. Mrs. Shrimpton wears flamboyant hats, and Mr. Shrimpton’s moustache makes quite a statement. The youngsters each have a stand-out quality: beauty, dancing, singing, a sense of humor that’s a laugh a minute. Indeed, the Shrimptons live to be noticed — all that is, except Maude, who prefers to blend into the wallpaper. But when Maude receives a ferocious…
I have been writing all my life, but was never able to find my voice until I had my daughters. It was for them I wrote “Wrightsville Beach”. I wanted to show them what a good relationship should look like and how their decisions make a difference in where they will go. I want my readers to relive that feeling of falling in love and to be sent in unexpected directions, as life so often does to us. I want you to enjoy it so much, you don’t want to put the book down until it’s finished and once you do, to sit and reflect on it, savoring the feeling it has left behind.
This book is part of a series, but this particular one captured my heart. Cara’s niece, Linnea, is like Jess in so many ways. Having just graduated college, she joins the turtle team that works with the turtle hospital, learns to surf, and of course, falls in love. She also sets out to find her own calling and when she does, it requires sacrifices she did not know she would have to make. It is the pain we all feel when we discover our path does not align with those we love. Mary Alice Monroe has such a strong connection to nature and it comes through in all her books, particularly here when she describes life at the beach and those turtles, oh, those turtles...
The New York Times bestselling author and “skilled storyteller who never lets her readers down” (Huffington Post) returns to her beloved Beach House series with this “authentic, generous, and heartfelt” (Mary Kay Andrews, New York Times bestselling author) tale of new beginnings, resilience, and one family’s enduring love.
Cara Rutledge returns to her Southern home on the idyllic Isle of Palms. Comforting in its familiarity, it is still rife with painful memories. Only through reconnecting with family, friends, and the rhythms of the lowcountry can Cara let go of the past and open herself to the possibility of a new…
I’m a storyteller. I’ve told stories through journalism, theater, film, and comics. When I was the editor of a film magazine, Scenario: “The Magazine of the Art of Screenwriting” I interviewed filmmakers about the craft of telling a great story. As a journalist, I love original sources and voices, for the way they tell a personal version of history. They say history is told by the winners. I prefer the reverse angle—history told, not by the “losers” but by true, strong, authentic voices. I somehow want to read, reveal, recommend, and illuminate marginalized voices.
This book is quietly hilarious. I loved being “inside” Patricia Lockwood’s mind. As a fellow lapsed Catholic, I resonated with her upbringing and living in the strange shadow of religion. Lockwood weaves a contradictory coming-of-age story with profound wit and lyricism.
She also explores the complexities of what she calls “The Portal”—the internet of things that boggle the mind even as they bring solace. I loved how Lockwood used “the portal” to understand her conservative upbringing and eventually find her own irreverent path in the world.
The book led me to follow her online presence too, and helped me learn new ways to “be” online. As Lockwood writes in Priestdaddy: “Part of what you have to figure out in this life is, who would I be if I hadn’t been frightened? What hurt me, and what would I be if it hadn’t?”
'Glorious' Sunday Times 'Laugh-out-loud funny' The Times 'Extraordinary' Observer 'Exceptional' Telegraph 'Electric' New York Times 'Snort-out-loud' Financial Times 'Dazzling' Guardian 'Do yourself a favour and read this memoir!' BookPage
The childhood of Patricia Lockwood, the poet dubbed' The Smutty-Metaphor Queen of Lawrence, Kansas' by The New York Times, was unusual in many respects. There was the location: an impoverished, nuclear waste-riddled area of the American Midwest. There was her mother, a woman who speaks almost entirely in strange riddles and warnings of impending danger. Above all, there was her gun-toting, guitar-riffing,…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
How I love to laugh at the same time that I’m feeling all the raw pain of being a human—in this case a human woman who runs away from home. The beginning of this book—about a housewife, cooking ware saleswoman's trip to hell and back, is belly-laugh-inducing, causing one to cough and gasp in joy. But there’s more: Gilman writes real, complicated characters, complete with pain and delusions. And the reason they are so deeply funny is that Gilman is self-aware enough to know and show their flaws better than they know them.
Titular protagonist Donna Koczynski may inhabit a particular era (one when trendiness reigns), but she is rooted in her own psychology, which includes equal parts compassion, open-minded curiosity, lunatic-level denial, and crazed she-wolf rage.
Donna Koczynski is a failed punk rocker, recovering alcoholic, and suburban mother of two teenagers whose relatively peaceful existence suddenly detonates when she comes home early from a sales conference in Vegas to find the surprise of a lifetime. Suddenly realizing that life can be more than the rut of middle-aged motherhood, she sets off on an impulsive quest to reclaim everything she believes she sacrificed since her wild youth: Friendship, great love, and art. But as she flees her family and drives across the U.S. on what she calls an "emotional scavenger hunt"(and others might call a midlife crisis),…
