Here are 90 books that Mules and Men fans have personally recommended if you like
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I was passionate about anthropology in the 1970s when I was in my twenties and am still passionate about anthropology in the 2020s in my seventies. Throughout the years I have expressed my passion for anthropology in university classrooms, in public lectures, and in the 16 books I have published. As my mind has matured, I understand more and more fully just how important it is to write powerfully, cogently, and accessibly about the wisdom of others. In all my books I have attempted to convey to the public this fundamental wisdom, none more so than in my latest book, Wisdom from the Edge: Writing Ethnography in Turbulent Times.
The Vulnerable Observer is a classic work in anthropology in which the author underscores the emotional impact of being a research anthropologist.
Behar’s wonderfully crafted stories evoke the wisdom of others and demonstrate why it is important for anthropologists to describe the emotional impact of social being in the world. It is an important text for understanding the emotional contours of the human condition.
Eloquently interweaving ethnography and memoir, award-winning anthropologist Ruth Behar offers a new theory and practice for humanistic anthropology. She proposes an anthropology that is lived and written in a personal voice. She does so in the hope that it will lead us toward greater depth of understanding and feeling, not only in contemporary anthropology, but in all acts of witnessing.
Bettina Jaja spent years of her life obeying a man everyone both revered and feared, a man she called her husband - a man of God who gave her a comfortable life by all external accounts. Why, then, was she so unhappy? Pouring her heart out in her uncensored life…
I study culture. Ever since I was little, I’ve been fascinated by what people think, feel, believe, have, and do. I’ve always wondered why people need things to be meaningful. Why do people need an explanation for why things happen that puts the meaning outside their own minds? I wanted to get beyond the need for things to be meaningful by themselves, so I began looking into meaning-making as a thing we do. Once I realized the process was infinitely more interesting and valuable, I read books like those on my list. I hope they spark you as much as they have me.
I love that Basso can take me so far inside someone's mind that I can begin to understand not just what they think and feel but how and why they think and feel it.
This book contains the very systems and processes that we use to make knowledge and meaning, and I love learning about a way of knowing and making meaning that is very different from mine—entirely logical, purposeful, valid, and different from mine.
This remarkable book introduces us to four unforgettable Apache people, each of whom offers a different take on the significance of places in their culture. Apache conceptions of wisdom, manners and morals, and of their own history are inextricably intertwined with place, and by allowing us to overhear his conversations with Apaches on these subjects Basso expands our awareness of what place can mean to people.
Most of us use the term sense of place often and rather carelessly when we think of nature or home or literature. Our senses of place, however, come not only from our individual experiences…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Perhaps the most “realistic” novel of this bunch, Ralph Ellison’s National Book Award-winning novel follows an unnamed black narrator’s life in a small southern town, as detailed through his memories, dreams, and desires.
Ellison didn’t intend to write a “protest novel,” apparently, but it has become exactly that: a protestation of the inequities of an American system designed to keep Black people in the shadows. The novel’s voice, though singular, is representative of an entire social movement. A perfect novel.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
Bettina Jaja spent years of her life obeying a man everyone both revered and feared, a man she called her husband - a man of God who gave her a comfortable life by all external accounts. Why, then, was she so unhappy? Pouring her heart out in her uncensored life…
I'm a devotee of the Word. I collect folklore. I teach literature. Generally I deal with everything from the Greek epics to Jamaican dub poetry, but my focus has been on African American folklore and culture. You might say that I'm something of a proselytizer, dedicated to seeking the Word, collecting and preserving the Word, interpreting the Word, spreading the Word. To paraphrase an old folk saying, "I've got the Word in me, and I can preach it, you know." My numerous collections of folklore have won awards and citations and enthusiastic praise from some impressive personalities and journals, but my greatest reward is witnessing the impact my collections have on ordinary, just plainlongso folk.
The Music of Black Americansis the unmatched study of AA music.
I love this book. I frequently reference it in my writing and teaching. There are many other studies of African American literature, but Southern’s is the classic, the key source out of which the other studies grew.
Beginning with the arrival of the first Africans in the English colonies, Eileen Southern weaves a fascinating narrative of intense musical activity. As singers, players, and composers, black American musicians are fully chronicled in this landmark book. Now in the third edition, the author has brought the entire text up to date and has added a wealth of new material covering the latest developments in gospel, blues, jazz, classical, crossover, Broadway, and rap as they relate to African American music.
I was passionate about anthropology in the 1970s when I was in my twenties and am still passionate about anthropology in the 2020s in my seventies. Throughout the years I have expressed my passion for anthropology in university classrooms, in public lectures, and in the 16 books I have published. As my mind has matured, I understand more and more fully just how important it is to write powerfully, cogently, and accessibly about the wisdom of others. In all my books I have attempted to convey to the public this fundamental wisdom, none more so than in my latest book, Wisdom from the Edge: Writing Ethnography in Turbulent Times.
Walter Mosely is one of my favorite fiction writers. His Easy Rollins mysteries, of which Cinnamon Kiss is a prime example, describe with great skill the cultural texture of street life among African Americans in Los Angeles.
He does so through sensuous descriptions of LA neighborhoods, gripping dialogue, and creative construction of character. In so doing he evokes the practical wisdom of urban street life—a model for writing about contemporary wisdom.
New York Times bestseller Walter Mosley's sizzling new novel pits Easy Rawlins against his greatest ever challenge.
It is the Summer of Love as CINNAMON KISS opens, and Easy Rawlins is contemplating robbing an armoured car. It's further outside the law than Easy has ever travelled, but his daughter Feather needs a medical treatment that costs far more than Easy can earn or borrow in time. And his friend Mouse tells him it's a cinch.
Then another friend, Saul Lynx, offers a job that might solve Easy's problem without jail time. He has to track the disappearance of an eccentric,…
I'm a devotee of the Word. I collect folklore. I teach literature. Generally I deal with everything from the Greek epics to Jamaican dub poetry, but my focus has been on African American folklore and culture. You might say that I'm something of a proselytizer, dedicated to seeking the Word, collecting and preserving the Word, interpreting the Word, spreading the Word. To paraphrase an old folk saying, "I've got the Word in me, and I can preach it, you know." My numerous collections of folklore have won awards and citations and enthusiastic praise from some impressive personalities and journals, but my greatest reward is witnessing the impact my collections have on ordinary, just plainlongso folk.
The Greenwood Encyclopedia of African American Folklore is a superb three-volume introduction to every area of African American Folklore by one of the nation’s leading Black folklorists.
I found it required reading for anyone interested in Black folklore. The entries are detailed and well written. I am frequently recommending this encyclopedia to people who often write to me with questions about African American folklore.
African American culture draws upon a rich body of traditions from Africa, Latin America, and the South, and folklore is fundamental to the African American heritage. The first work of its kind, this definitive encyclopedia comprehensively overviews African American folklore. Included are roughly 700 alphabetically arranged entries by more than 100 expert contributors on such topics as folktales, music, art, foodways, spiritual beliefs, proverbs, and many other subjects. Entries cite works for further reading, and the encyclopedia concludes with a bibliography of major works.
African American folklore has played a dominant role in shaping the spirit and soul of the…
I'm a devotee of the Word. I collect folklore. I teach literature. Generally I deal with everything from the Greek epics to Jamaican dub poetry, but my focus has been on African American folklore and culture. You might say that I'm something of a proselytizer, dedicated to seeking the Word, collecting and preserving the Word, interpreting the Word, spreading the Word. To paraphrase an old folk saying, "I've got the Word in me, and I can preach it, you know." My numerous collections of folklore have won awards and citations and enthusiastic praise from some impressive personalities and journals, but my greatest reward is witnessing the impact my collections have on ordinary, just plainlongso folk.
The
Signifying Monkeyis
the groundbreaking theoretical study of the role of folklore in African
American literature.
I could not put it down when I first read
it. It was required reading for my
literature students. I have probably
quoted it in at least four essays. Gates
is, of course, the leading scholar of African American literature. He set the
standard for all of us who write and teach in this field.
Henry Louis Gates, Jr.'s original, groundbreaking study explores the relationship between the African and African-American vernacular traditions and black literature, elaborating a new critical approach located within this tradition that allows the black voice to speak for itself. Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, and particularly the Yoruba trickster figure of Esu-Elegbara and the Signifying Monkey, whose myths help articulate the black tradition's theory of its literature, Gates uncovers a unique system of interpretation and a powerful vernacular tradition that black slaves brought with them to the New World. His critical approach…
I was passionate about anthropology in the 1970s when I was in my twenties and am still passionate about anthropology in the 2020s in my seventies. Throughout the years I have expressed my passion for anthropology in university classrooms, in public lectures, and in the 16 books I have published. As my mind has matured, I understand more and more fully just how important it is to write powerfully, cogently, and accessibly about the wisdom of others. In all my books I have attempted to convey to the public this fundamental wisdom, none more so than in my latest book, Wisdom from the Edge: Writing Ethnography in Turbulent Times.
Anna Badkhen, a writer of creative non-fiction and fiction, publishes lyrical descriptions of people, place, and character. She has written about social life in Afghanistan as well as the challenging lifeways of people in Mali and Senegal.
Fisherman’s Blues, which is situated in the artisan fishing village of Joal, Senegal, is an inspiring story that describes how Senegalese fishermen employ practical wisdom, passed down from generation to generation, to maintain their way of life in environmentally challenging times.
NAMED A BEST BOOK OF THE YEAR BY THE CHRISTIAN SCIENCE MONITOR AND PASTE MAGAZINE
An intimate account of life in a West African fishing village, tugged by currents ancient and modern, and dependent on an ocean that is being radically transformed.
The sea is broken, fishermen say. The sea is empty. The genii have taken the fish elsewhere.
For centuries, fishermen have launched their pirogues from the Senegalese port of Joal, where the fish used to be so plentiful a man could dip his hand into the grey-green ocean and pull one out as big as his thigh. But…
Being from Upstate New York I went to college at Cornell University but headed off to New Orleans as soon as I could. By and by I became an instructor at Delgado Community College. Always a big fan of the city’s amazing historic cemeteries, when teaching a world architectural history class, I took the class to the Metairie Cemetery where I could show the students real examples of every style from Ancient Egyptian to Modern American. After coming to Texas State University, San Marcos (30 miles from Austin), I went back to New Orleans on sabbatical in 2013 and wrote The Cemeteries of New Orleans.
Written by accomplished historian Carolyn Morrow Long, A New Orleans Voudou Priestess tells the true story of Voodoo queen Marie Laveau based on extensive archival research.
In telling her readers about this Creole woman of color who was deeply embedded in the culture of New Orleans in the 1800s, we learn the real story of a woman who was often glorified and denigrated by the press and by local authors who wrote many fantastical tales about her life misleading many about her character and her religion.
Legendary for an unusual combination of spiritual power, beauty, charisma, showmanship, intimidation, and shrewd business sense, Marie Leveau also was known for her kindness and charity, nursing yellow fever victims and ministering to condemned prisoners, and her devotion to the Roman Catholic Church. In separating verifiable fact from semi-truths and complete fabrication, Carolyn Morrow Long explores the unique social, political, and legal setting in which the lives of Laveau's African and European ancestors became intertwined in nineteenth-century New Orleans.
At age 49, I traveled to Cuba to find a version of woman- and motherhood large enough to hold all I wanted to be. And it was there, among the island’s mother saints and goddesses, that I found the mirror I was looking for. In this list, I share five books that reconnect us with the spiritual mothers who might show us the way back to ourselves. From Luisah Teish’s New Orleans household magic to Gloria Naylor’s mystical Willow Bay, we meet the goddesses, conjure women, and “women who know” who shine a light on the power and multidimensionality of the feminine through the lens of spirit, faith, and identity.
I love a biography that is as well-researched as it is immersive, and this book does not disappoint! Marie Laveau―a free woman of color who all but ruled New Orleans in the mid-1800s—may be the most legendary American practitioner of the magical arts, and in this book, Denise Alvarado—a New Orleans born, native Creole who studies African and Indigenous-based healing traditions from a personal and academic perspective—separates the myth from the fact.
Moving seamlessly between historical archives and her personal experience as a practitioner, Alvarado introduces us to the New Orleans Voodoo queen, her reign and legacy, and the spells, charms, prayers, rituals, and recipes that bring her magic to life.
The life and work of the legendary “Pope of Voodoo,” Marie Laveau―a free woman of color who practically ruled New Orleans in the mid-1800s
Marie Laveau may be the most influential American practitioner of the magical arts; certainly, she is among the most famous. She is the subject of songs, films, and legends and the star of New Orleans ghost tours. Her grave in New Orleans ranks among the most popular spiritual pilgrimages in the US. Devotees venerate votive images of Laveau, who proclaimed herself the “Pope of Voodoo.” She is the subject of respected historical biographies and the inspiration…
