Books like Huey Long — picked by fans

This book is maybe my favorite novel ever written about politics and the lengths that some men are willing to go in the pursuit of power.

It features a memorable cast of characters, most importantly, of course, the figure of Governor Willie Stark, the quintessential populist politician, who manipulates others for his own gain and demonstrates a total lack of morals. Set in the 1930s, the story of Stark’s rise to power and eventual downfall always strikes me for how contemporary it feels and how many parallels it offers with the populist politics of our own time. 

Plunkitt infected me with “the political bug.” George Washington Plunkitt’s “very plain talks on very practical politics” showed me the joys of playing the political game, of devising and executing strategies and tactics, of outwitting opponents. I first read Riordon’s classic for grade school and loved its gritty romp through turn-of-the-century New York. I reread the book for a college history course and came to appreciate politics as the art of the possible – and to see the innate conflict between ambition and conscience. After seven years in journalism, I “crossed to the dark side” and became a political operative, partly because Plunkitt had shown me that playing politics can be far more rewarding – and fun – than watching it.

Brammer’s novel has resonated throughout my career, warning of almost inevitable disillusionment with a political powerhouse. Brammer had served as a top aide to Lyndon Johnson, on whom he based Arthur Fenstemaker, a star as bright as Penn Warren’s Willie Stark. The Gay Place spoke to me even more directly, focusing on minor politicos and their ambitions, frailties, and humanity. And the book drove home, through a pervading sadness, the anomie that rises from disillusionment. Brammer’s “Flea Circus” metaphor continues to amuse and bum me.

O’Connor’s expose on old-time politics was an inspiration for my first novel.

Set in the mid-1950s, O’Connor describes the transition from machine politics to the modern political system that dominates American politics today. For a true glimpse and understanding of the political world, I recommend starting with The Last Hurrah.

Jefferson's Louisiana is an absorbing study of a clash of cultures that helped to shape America's legal empire as it moved westward. Louisiana, governed by Spain and France under civil law codes for nearly a century before it became part of the United States, was a crossroads at which English law (dominant elsewhere in the new nation) and European law collided. Prof. Dargo first describes the uneasy cultural accommodation that French and Spanish settlers made with American immigrants at the turn of the nineteenth century, an accommodation made more challenging by Aaron Burr's simultaneous efforts to foment revolution in the trans-Appalachian West. Dargo then tells the story of how American and old-settler jurists collaborated to shape a new Louisiana code amalgamating common and civil law. 

Hurston’s Mules and Men is a classic work in which the author returns to her hometown, Eatonville, Florida, in the late 1920s to conduct anthropological research. 

In the work Hurston captures the complex texture of social life in a fully incorporated African American community. The result is a rich mix of character descriptions, masterfully crafted dialogues, and a collection of stories that reflect powerfully the deep knowledge and profound wisdom of Eatonville’s cast of characters. 

Unique cultural and social traditions are a big part of what makes New Orleans a special place. 

This book helped me gain a much deeper appreciation of how these traditions build and sustain communities, serve as artistic and political expression and draw on New Orleans’ African and Caribbean connections. 

The House of Dance and Feathers is a rare and beautiful book that presents the Mardi Gras Indians, Social Aid and Pleasure Clubs, Second Line parades (and a lot more) from a practitioners’ perspective as told by Ronald W. Lewis, founder of the museum of the book’s title. 

The scores of photos by Lewis and others provide rich documentation of the arts, crafts, practices, and communities that constitute these traditions.   

I discovered and used The World That Made New Orleans as a source for my book.

Upon opening the book, I was gleefully surprised to discover what an informative, interesting, and fun read it is. Sublette describes the French origins of the city in the early 1700s which involved wild parties, debauchery, tragic exploratory expeditions, and a massive Ponzi scheme that used Louisiana and the fictional gold mines there to defraud most every rich person in France, eventually crashing the entire French economy.

He then took me on a thrilling journey through the Spanish and early American periods to quadroon balls, Congo Square, and so many other fascinating places. I knew the city’s history was interesting, but reading The World That Made New Orleans blew me away. 

I pulled this book off the shelf for the first time as a young mother who had far more choices and liberties than the story’s main character. Chopin was a writer ahead of her time, and she actually paid a heavy professional price when this story was published.

The world just wasn’t ready to consider a female character whose inner dialogue and view of her place in the world were so raw and honest. It wasn’t until many years later that she was rediscovered and the feminist themes were more palatable, that a broader audience had the chance to appreciate Chopin’s gorgeous prose and nuanced language.

She also had the ability to capture subtle changes in each character’s awareness masterfully. This is an even bigger treat if you listen to it as an audiobook. 

The Tin Roof Blowdown shows us New Orleans, and the surrounding areas the days after Katrina raged havoc. Taking into account the lives that have been traumatized as crime and murders increased nine-fold. Detective David Robicheaux of Iberia Parish finds himself in the midst of a murder in an old-time neighborhood, as he tries to figure out if the murder of a local black boy during a robbery was racially motivated or not. The details and stories of this horrific tragedy show the bleakness of the aftermath and that not only did many reach their deaths, but how many who survived died also. No order exists as Robicheaux tries to unravel his latest mystery.