Here are 100 books that Feeling Very Strange fans have personally recommended if you like
Feeling Very Strange.
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I’m the author of the short story collection How to Capture Carbon, which explores how people’s lives change when touched by a bit of magic. Writing these stories helped me try to make sense of the early years of parenting when a dream-like blend of sleep deprivation, worry, and overpowering love made my life feel like a Dalí painting. I love stories and books that continue to make me feel less alone in that struggle. For me, stories that make the leap into surrealism give me both a dose of delight and highlight the real magic found in connecting with the people and places I love.
Every time I read something by George Saunders, I’m in awe of what, for me, is his trifecta of powers: hilarious writing, fantastically creative situations, and deep compassion for his characters and their choices. This book is no exception, and I was particularly struck by The Semplica Girl Diaries, which shows what lengths a suburban dad goes to—it involves unusual, morally questionable human lawn ornaments—in order to support his daughters’ happiness.
While reading these stories, I found my sympathies shifting and unfolding from character to character, each a person whose beating heart lies just below the surface of their unusual circumstances.
**ESCAPE FROM SPIDERHEAD NOW STREAMING ON NETFLIX - STARRING CHRIS HEMSWORTH AND MILES TELLER**
The prize-winning, New York Times bestselling short story collection from the internationally bestselling author of Lincoln in the Bardo
'The best book you'll read this year' New York Times
'Dazzlingly surreal stories about a failing America' Sunday Times
WINNER OF THE 2014 FOLIO PRIZE AND SHORTLISTED FOR THE NATIONAL BOOK AWARD 2013
George Saunders's most wryly hilarious and disturbing collection yet, Tenth of December illuminates human experience and explores figures lost in a labyrinth of troubling preoccupations.
A family member recollects a backyard pole dressed for…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I grew up on a tiny peninsula in Downeast Maine, an evocative and rugged place, both lovely and haunting. As a girl, walking home late down gravel roads through an encompassing darkness I’ve found nowhere else, I sensed the world’s dangers long before I knew how to articulate them. Surrounded by woods, water, and unnerving quiet broken by the fox’s scream and rustling branches, I began to write. I sought out strange and unsettling books by Shirley Jackson and Stephen King (his home just a few towns away from mine) that left their mark. Storytelling became a way to process and explore what keeps me up at night.
Horrifying, brutal, sinuous, and uncanny, this one floored me. It evokes the peril of girlhood and womanhood with unwavering intensity.
Each story is fresh and unexpected, yet also timeless, rich with wisdom and mythology centuries old. Steeped in painful history, past atrocities twine with the present to nightmarish effect.
Mariana Enríquez is part of a new vanguard of Argentine and Latin American Gothic writers alongside Samanta Schweblin. Their writing, born from real-world horrors, is among the most thrilling discoveries I’ve made in years.
'A portrait of a world in fragments, a mirrorball made of razor blades' Guardian
Sleep-deprived fathers conjuring phantoms; sharp-toothed children and stolen skulls; persecuted young women drawn to self-immolation. Organized crime sits side-by-side with the occult in Buenos Aires - a place where reality and the preternatural fuse into strange, new shapes. These stories follow the wayward and downtrodden, revealing the scars of Argentina's dictatorship and the ghosts and traumas that have settled in the minds of its people. Provocative, brutal and uncanny, Things We Lost in the Fire is a paragon of contemporary Gothic from a writer of singular…
I had no expectations about what the first short stories I wrote would end up being like. Although I’d read mostly realistic literary fiction before starting to write, most of my stories included fantastical elements. This set me off reading and writing stories categorised as weird, cross-genre, slipstream, magical realist, fantastic, fabulist, horror, soft sci-fi, and surreal. The thing that struck me was how slippery these categories are. But what unites them is their openness to unbounded imagination. Like a lens concentrating a fire, their strange and fantastical techniques amplify feelings and reality in unique ways, while always paying attention to language. It’s been a thrilling, exciting ride!
Published in 1983, I only recently came across this anthology. A Sunday Times review says: “As an introduction to the delights of fiction about “the impossible seeping into the possible” Black Water has not been surpassed.” This book is on my indispensable reading list. It includes seventy-two stories that span a broad range of writers, many of whom would not be considered writers of the fantastic, from D.H. Lawrence and Edith Wharton to Julio Cortázar and Ray Bradbury. An eye-opening book that demonstrates a myriad of techniques for using strangeness to illustrate reality, and is an absolute reading feast of wonder and imagination. My favourite story is "The Third Bank of the River" by João Guimarães Rosa.
Short stories by authors including Julio Cortazar, Saki, Edgar Allan Poe, and Ray Bradbury deal with hauntings, time warps, prophetic dreams, strange creatures, and bizarre occurrences
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
Whether it’s campfire tales told with the moon high or bedtime fables told to get children to stay in their beds after lights out, I believe horror fiction is at its purest, most effective form as short prose. These collections of horror, fantasy, sci-fi, and Western tales are all touched by the weird and terrifying. The twin sensations of being unsettled by something you’ve read and of being unable to resist reading on are guiding lights in my own writerly pursuits. These collections and many more played a defining role in shaping my own debut dark fiction collection Pre-Approved for Haunting and Other Stories.
While trending more toward the fantasy side, then the previous picks on the list here, Link still manages to pull out some of the most unsettling moments in a short story that I’ve ever read.
When I finished her story “Some Zombie Contingency Plans,” I found myself immediately flipping back to the beginning of the story and reading it fresh. Link is masterful when it comes to weaving together narrative threads, playing literary sleight of hand. While the collection and one of the stories within are called “Magic for Beginners,” she’s very much an expert.
The cross-genre blending is very much following in the footsteps of Bradbury, giving a more fantasy-style focus where his work trends toward science fiction.
Best of the Decade: Salon, The A.V. Club "If I had to pick the most powerfully original voice in fantasy today, it would be Kelly Link. Her stories begin in a world very much like our own, but then, following some mysterious alien geometry, they twist themselves into something fantastic and, frequently, horrific. You won't come out the same person you went in."-Lev Grossman, The Week "Highly original."-Publishers Weekly (starred review) "Dazzling."-Entertainment Weekly (grade: A, Editor's Choice) "Darkly playful."-Michael Chabon Best of the Year: Time Magazine, Salon, Boldtype, PopMatters. Kelly Link's engaging and funny stories riff on haunted convenience stores,…
I am a classicist (Greek and Latin) and a serious student of history. Modernity has obsessed me for the last 10 years, how it unfolds, what its implications are, whether it generates more gains than losses, whether it’s changing us profoundly and whether we can dodge it or not. Because of this interest (which I lecture on often) I am fascinated to see modernity’s gleanings in earlier times and always curious to see what other critics make of it. Because its effects will only grow down the road, the task of understanding its mechanisms and outcomes is one of extreme urgency, as these books illustrate in different ways.
This book is great because Norberg is calm, methodical, rational, and optimistic: we have come a long way, we live in the best of times, and let’s get on with it. I love the modern as I’ve said, and appreciate historians who understand that, from a material perspective at least (health, wealth, freedom, and security), most people today are in the top 99.999999 percentile of all the humans who have ever lived.
I so admire (and share) Norberg’s belief in our brilliance and problem-solving skills and admire, too, his arguments which are complex but easy to follow. Modernity gives us plenty to celebrate, and Norberg, I feel, makes this eminently clear.
It is a book that serves as the perfect balance to Barrat’s and to Kurzweil’s. Although the three together will lead to cognitive dissonance, which, in my view, is as healthy as having one’s mind blown periodically.
A Book of the Year for The Economist and the Observer
Our world seems to be collapsing. The daily news cycle reports the deterioration: divisive politics across the Western world, racism, poverty, war, inequality, hunger. While politicians, journalists and activists from all sides talk about the damage done, Johan Norberg offers an illuminating and heartening analysis of just how far we have come in tackling the greatest problems facing humanity. In the face of fear-mongering, darkness and division, the facts are unequivocal: the golden age is now.
I’m an emeritus professor of psychology (University of Washington) who has long been intrigued by the mistakes that people have made throughout history. I’ve long been struck by Oppenheimer’s observation, immediately after the Trinity explosion, that “I am become Death, the destroyer of worlds.” This led me to look into the wide array of mistakes, from the mythic, literary, athletic, business, political, medical, and military. In writing OOPS!, I let myself go in a way that I’ve never before, writing with a critical and wise-ass style that isn’t strictly academic, but is factually accurate and, frankly, was a lot of fun!
Two renowned social psychologists show how people—some famous and some not—avoid taking responsibility for their blunders.
By the book''s end, we see how we avoid admitting our missteps, and aware of how much our own (and everyone's) lives would improve if we could simply say, ''I made a mistake. I'm sorry.”
Renowned social psychologists Carol Tavris and Elliot Aronson take a compelling look into how the brain is wired for self-justification. This updated edition concludes with an extended discussion of how we can live with dissonance, learn from it, and perhaps, eventually, forgive ourselves.
Why is it so hard to say “I made a mistake”—and really believe it?
When we make mistakes, cling to outdated attitudes, or mistreat other people, we must calm the cognitive dissonance that jars our feelings of self-worth. And so, unconsciously, we create fictions that absolve us of responsibility, restoring our belief that we are smart, moral,…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I am a survivor of dual tracks of abuse: both in the home and in higher education. The disturbing link between the two emerged after twenty years working across public, private, and elite universities, where I witnessed and endured so much. My story is one data point in a widespread crisis festering in the dark. Exposing that pressures universities to change. Through my memoir, related projects, and academicabuse.com—a hub of data and resources to identify and disrupt the problem—I aim to apply that pressure, and give survivors the tools and courage to do the same.
Phoenix does something unique: alongside her lived story, she builds an irrefutable case for why "consensual" relationships between professors and students are inherently unethical.
Her examination of how adults over 18 remain neurologically underdeveloped, her analysis of obedience to authority dynamics, and her discussion of professors as "helping professionals" evading sexual boundary ethics struck at the heart of the problem.
Additionally, the university, in her case, did hold the accused accountable and created new policies that were modeled by other universities. That's what inspired me to file my own Title IX complaint, which led to the resignation of the accused.
Cal is determined to forge a stable future, free from the burdens of poverty, mental illness, and alcoholism. Pursuing academia—writing, research, and teaching—promises her a path to advance in life. But when her sociology professor seduces her, everything she’s worked for is threatened.What begins as a seemingly consensual relationship spirals into a nightmare fueled by deceit and manipulation. After it ends, Cal discovers she's just one of many victims of a serial predator who exploits students and other faculty for his own pathological desires, and that the institution she trusted has no policies to regulate this abuse.Through Cal's journey, we…
Every teacher from pre-Kindergarten to higher education, who has experienced and understands what it means to be committed to equity and to practice transformation but still not see the kinds of outcomes expected, needed, or deserved among students of color. These students of color, particularly Black and Brown students, tend to be grossly underserved in and through the educational system. Decoteau Irby amplifies the humanity of those young people and situates them in the context of suburbia, an understudied place and space among Black and Brown communities.
This book provides the most comprehensive but succinct explanation of all the key elements that are required to lead to equity in a school.
It has everything from the beginning key concepts that someone would need to understand in the beginning to concrete practices that someone should be doing.
This timely and essential book provides a comprehensive guide for school leaders who desire to engage their school communities in transformative systemic change. Sharon I. Radd, Gretchen Givens Generett, Mark Anthony Gooden, and George Theoharis offer five practices to increase educational equity and eliminate marginalization based on race, disability, socioeconomics, language, gender and sexual identity, and religion. For each dimension of diversity, the authors provide background information for understanding the current realities in schools and beyond, and they suggest "disruptive practices" to replace the status quo in order to achieve full inclusion and educational excellence for every child.
I have spent most of my professional life trying to understand why the criminal justice system so often gets things wrong. For twenty-five years, I served as Director of the California Innocence Project and helped free innocent people from prison, including individuals serving life sentences and facing execution. Along the way, I became fascinated not only by wrongful convictions themselves, but by the larger cultural forces that shape how societies think about crime, punishment, race, fear, and justice. The books on this list deeply influenced both my work and my understanding of the human beings trapped inside the system. They are the books I return to when I want to remember why this work matters.
What I appreciate most about this book is how grounded and practical it feels.
Mark Godsey understands that wrongful convictions are rarely caused by a single evil actor or one dramatic mistake. Instead, they emerge from a chain of assumptions, pressures, tunnel vision, and institutional habits that slowly push cases in the wrong direction. I found myself nodding along constantly because the stories mirrored so many cases I have personally encountered over the years.
I also admire the book because it avoids sensationalism. It explains complicated legal and psychological concepts in a way that is accessible without losing nuance. That balance is incredibly difficult to achieve, and Godsey pulls it off beautifully.
In this unprecedented view from the trenches, prosecutor turned champion for the innocent Mark Godsey takes us inside the frailties of the human mind as they unfold in real-world wrongful convictions. Drawing upon shocking, yet true, stories from his own career, Godsey shares how innate psychological flaws and the "tough on crime" political environment experienced by judges, police, prosecutors, defense attorneys, and juries can cause investigations to go awry, leading to the convictions of innocent people. Each chapter explores a distinct psychological human weakness inherent in the criminal justice system-confirmation bias, memory malleability, credibility-determining errors, tunnel vision, cognitive dissonance, bureaucratic…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
A children's DK book presented green clubs and made sustainability fun: of course, I started a club with my friends. In college, an Environmental Justice class professed methods for cooperation but focused only on devastation—so depressing that change seemed pointless; every story went: "1) horrible thing, 2) drawing attention, 3) corporations erode results." The class catalyzed my interest in changing the climate narrative. There are always triumphs to celebrate, stories of vision and excitement; that's what matters to me. It's what the DK book I loved as a child gave me, and what I hope to be able to give to others as an editor at PoeticEarthMonth.com.
We've all heard about climate change by now—but does constantly talking about it make a difference? Or does it matter more how you talk about it? Stoknes gives comprehensive explanations about the messaging that's most effective to get through to people about climate change from a psychological and marketing point of view.
A must-read for anyone who wants to talk about global warming, whether you're creating large-scale marketing plans or just trying to talk to family and friends.
Why does knowing more mean believing-and doing-less? A prescription for change
The more facts that pile up about global warming, the greater the resistance to them grows, making it harder to enact measures to reduce greenhouse gas emissions and prepare communities for the inevitable change ahead.
It is a catch-22 that starts, says psychologist and economist Per Espen Stoknes, from an inadequate understanding of the way most humans think, act, and live in the world around them. With dozens of examples-from the private sector to government agencies-Stoknes shows how to retell the story of climate change and, at the same…
