Here are 100 books that Faith and Vision fans have personally recommended if you like
Faith and Vision.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
In my late high school years and during college I was confronted with a question that has dogged many artists over the years who are in the church: should a Christian be in the arts or not? As it turns out, the first person to be described as filled by the Spirit in the Bible was an artist. I had to wait until my college years to find that out by reading Francis Schaeffer’s book Art and the Bible. This and Madeleine L’Engle’s Walking on Water gave me a theology that valued art. Now I'm a full-time artist and curate a small art gallery, but I've never stopped looking for good books on Art and Faith.
What if creativity was not a talent given to a chosen few, but an invitation extended to us all? What if the desire for beauty was not gratuitous in life, but central to our faith? Drawing upon the biblical account of Creation and the witness of a myriad of creative thinkers, this book asserts that all of us—from plumbers to painters and meteorologists to musicians—were made in the image of an imaginative God. In that light, Naming the Animals encourages us to see creativity as an essential part of God’s design for partnership with humanity. This is a great introduction to the Art and Faith conversation.
A brief invitation to all people to live creative lives. Stephen Roach is host of the Makers and Mystics podcast and founder of The Breath & the Clay creative arts movement takes the reader back to the initial creative acts of God at Creation and explores the implications of Adam naming the animals, drawing out applications on how that merciful gift informs creative acts today of all kinds.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
In my late high school years and during college I was confronted with a question that has dogged many artists over the years who are in the church: should a Christian be in the arts or not? As it turns out, the first person to be described as filled by the Spirit in the Bible was an artist. I had to wait until my college years to find that out by reading Francis Schaeffer’s book Art and the Bible. This and Madeleine L’Engle’s Walking on Water gave me a theology that valued art. Now I'm a full-time artist and curate a small art gallery, but I've never stopped looking for good books on Art and Faith.
Kelly Crow of The Wall Street Journalsaid that the Art World is like a cocktail party that has been going on for quite some time. Without questionRainbows for the Fallen World: Aesthetic Life and Artistic Taskis a critical voice for Christians to hear in that conversation, and it is a classic that should be required reading for everyone. But there are other conversations at the art cocktail party and, as in most professions, there is a peculiar language that must be learned in order to pick up the nuances and meanings in the discussions. How is the newcomer to the party to learn the vocabulary and begin to understand the accents at this party?Objects of Grace: Conversations on Creativity and Faith stands out as a one-of-a-kind method to begin picking up “art speak.” Objects of Grace is a collection of conversations with…
Conversations with some of today's most intriguing artists-Sandra Bowden, Dan Callis, Mary McCleary, John Silvis, Edward Knippers, Erica Downer, Albert Pedulla, Tim Rollins and K.O.S., Joel Sheesley and Makoto Fujimura-focuses on the intersection of Christianity and creativity.
In my late high school years and during college I was confronted with a question that has dogged many artists over the years who are in the church: should a Christian be in the arts or not? As it turns out, the first person to be described as filled by the Spirit in the Bible was an artist. I had to wait until my college years to find that out by reading Francis Schaeffer’s book Art and the Bible. This and Madeleine L’Engle’s Walking on Water gave me a theology that valued art. Now I'm a full-time artist and curate a small art gallery, but I've never stopped looking for good books on Art and Faith.
Possibly the most helpful book for those looking to engage both Art and the Church. In Visual Faith the reader will find a wonderful overview of art history from a Christian perspective, beginning with art in the Early Church and coming all the way up to Warhol, Pollock, and art today. There is also an entire chapter devoted to making and looking at art. If there was one book I’d give to people in my church who were interested in engaging with art, this would be it.
How can art enhance and enrich the Christian faith? What is the basis for a relationship between the church and visual imagery? Can the art world and the Protestant church be reconciled? Is art idolatry and vanity, or can it be used to strengthen the church? Grounded in historical and biblical research, William Dyrness offers students and scholars an intriguing, substantive look into the relationship between the church and the world of art.
Faith and art were not always discordant. According to Dyrness, Israel understood imagery and beauty as reflections of God's perfect order; likewise, early Christians used art to…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
In my late high school years and during college I was confronted with a question that has dogged many artists over the years who are in the church: should a Christian be in the arts or not? As it turns out, the first person to be described as filled by the Spirit in the Bible was an artist. I had to wait until my college years to find that out by reading Francis Schaeffer’s book Art and the Bible. This and Madeleine L’Engle’s Walking on Water gave me a theology that valued art. Now I'm a full-time artist and curate a small art gallery, but I've never stopped looking for good books on Art and Faith.
From the moment that Jesus Christ first proclaimed the Kingdom of God, he appealed to our imagination. He made that appeal through the parables, the paradoxes of the Gospel, his miracles, and those moments when the heavens opened and the ordinary was transfigured. In this book, the poet Malcolm Guite explores how the creative work of poets and other artists can begin to lift the veil, kindling our imaginations for Christ. N.T. Wright has commended this book, calling it “A small treasure-house of beauty and imagination, helping us in turn to imagine God’s world and God’s love with multi-faceted and grateful wisdom.” Although I heartily recommend other recent books, Lifting the Veil is my favorite new work in the Art and Faith conversation.
Christianity has often been suspicious of the human imagination, equating it with what is imaginary or merely made-up, while in the secular world the arts are often seen as little more than a source of entertainment. In Lifting the Veil, Malcolm Guite explores the vision from which all his writing springs - that there is a radiant reality at the heart of things which our dulled sight misses, and that the imagination is an aspect of the image of God in us that can awaken us to the presence and truth of God shimmering through all creation.
My fields at the University of Notre Dame, where I teach and do research, are philosophy and literature, and I have often been attracted to broader questions. I found ugliness to be a topic of considerable fascination, also for students, and yet it has almost never been addressed. I wrote the book to discover for myself what ugliness is and what it has to do with beauty.
I was overwhelmed as I stood before Grünewald’s 16th-century Crucifixion in Colburg, France. At almost nine feet tall, the powerful Crucifixion was at the time the largest ever painted in Europe.
Blood flows from Christ’s side and head, which hangs low into the breast. Some of the thorns have broken off and are projected into the flesh, which is marked with pustules, sores, and lesions. The wounds are visible, the ribs protrude, and the skin and lip colors evoke death. The nails have become instruments of torture.
Hayum’s comprehensive historical investigations underscore the healing mission of Grünewald’s Crucifixion: ugliness can be empathetic; ill patients could identify with Christ’s suffering and pray for healing and redemption.
Andree Hayum approaches Matthias Grunewald's Isenheim Altarpiece, now at the Musee d'Unterlinden in Colmar, as a structural and iconographic entity and restores it to its broader cultural context in the early sixteenth century. She interprets the altarpiece in terms of its hospital context, then explores how this polyptych functions as a system of communication, in relation to contemporary sermons and in response to an emerging print culture. The meaning and motivation behind the direct visual appeal of the Isenheim panels are considered within the liturgy and the sacramental economy.
I’m a historian of the early Middle Ages. There are all sorts of unexpected differences and similarities between modern and medieval life, and things get especially interesting when it comes to thinkingabout thinking. Our understanding of how our minds work has obviously changed—and so have the ways that we actually use them. Medieval thinkers in Europe and the Mediterranean world struggled with concentration and memory and information overload, just like we do. But they were savvier in dealing with those problems, and these books invite you into the wonderful world of their cognitive practices. You’ll probably find yourself experimenting with many of these techniques along the way!
The medieval images that survive today might seem like simplistic or bizarre pictures now. But medieval viewers saw them differently. They treated images as tools for understanding, analyzing, and remembering complex ideas about the world.
Bolzoni works to crack that “code” through the case of late medieval Italy: she illustrates how viewers’ relationships to images changed the more they learned, how preachers communicated with their congregations in ways that listeners would visualize and internalize, and how certain images—like six-winged angels or trees of life—served as effective conduits of information but alsoas platforms for layered conceptual associations that got increasingly sophisticated the more that authors and audiences thought about them.
This beautiful, fascinating book is well worth seeking out from a library or used bookseller.
Through her investigation of the mnemonic role of images in vernacular preaching and in mystical texts, Lina Bolzoni moves beyond the traditional art-historical approach to late Mediaeval and Renaissance art which tends to concentrate on style and iconography. She shows how these images were viewed at the time of their creation, and offers new ways of reconstructing their meaning. By bringing her knowledge of rhetoric and the art of memory to bear on the visual arts she opens up new perspectives for the study of religious art and literature of the Renaissance, and shows how these images actually functioned within…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
Instead of experiencing a mid-life academic crisis, I discovered Canada. Through George Rawlyk, a senior historian at Queen’s University in Ontario, and then through many fruitful contacts with older and younger Canadians as well as frequent visits north of the border, I became increasingly intrigued by comparisons with U.S. history. Most of my specialized scholarship has treated American developments, but I have been able to explain those matters more perceptively by keeping Canada’s alternative history in mind. The chance to introduce undergraduates at the University of Notre Dame to Canadian history provided a regular stimulus to think about a common subject (Christianity) taking somewhat different shapes in the two nations.
In his years as a historian at Queen’s University (Kingston, Ontario) Rawlyk inspired a wealth of solid writing on Canada’s religious history, while also inaugurating an ambitious series in religious history for the McGill-Queen’s University press that continues to this day. Rawlyk’s own research detailed the religious history of the Maritime Provinces, especially the dramatic, long-term impact of radical Christian revivals in the period of the American Revolution that were spearheaded by Henry Alline. A special feature of this book is the shrewd assessment of how Canada’s early religious history differed from parallel developments in the United States.
Rawlyk sees the Baptists of Nova Scotia and New Brunswick as reaching their zenith during the latter half of the nineteenth century. He makes some controversial comments on the differences between New Brunswick and Nova Scotia Baptists of both the present and past century. Ravished by the Spirit does not deal merely with a distnt historical past but raises some fundamental and disconcerting questions about the vulnerability of the Baptist denomination in contemporary Nova Scotia and New Brunswick.
I’m that infamous medievalist who wrote the big book on medieval race. It took 20 years of thinking and research, and a whole lot of writing, but now people are convinced that there was, indeed, such a thing as race and racism between the 11th and 15th centuries in the West (aka Christendom/Europe). I'm Perceval Professor of English and Comparative Literature, with a joint appointment in Middle Eastern studies and Women’s studies at the University of Texas at Austin.
You’ll be dazzled by the brilliance of this author, and the beauty of his writing. The book is impossible to summarize, but if you want to understand how the spread of a specifically Christian imagination around the world produces a racial grid, racial thinking, and racism, this book is indispensable. Whether you’re interested in modern race, or race in all the long centuries before, you’ll come away with a better understanding of how the spread of the Christian religion has produced race and racisms.
A ground-breaking account of the potential and failures of Christianity since the colonialist period-winner of the 2015 Louisville Grawemeyer Award in Religion and of an American Academy of Religion Award for Excellence
"Detailing the nooks and crannies of white supremacist Christianity, The Christian Imagination allows not only for greater sophistication when considering race and theology. It also points to possible cures to the disease so elegantly diagnosed."-Edward J. Blum, Journal of Religion
"[A] theological masterpiece."--Chris Smith, Englewood Review of Books
Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions? In this ambitious…
I was never an outdoorsy kid. But I was a church kid. As I grew up and moved into a calling to serve the church in ordained ministry, that calling took an unexpected turn when I visited West Virginian hollers poisoned by nearby mining operations and met the people living with the consequences. Subsequent trips to Hurricane Katrina-ravaged New Orleans, drought-wracked Kenyan hillsides, and to international climate negotiations in Paris all solidified for me the truth that loving my neighbor required loving God’s creation too. I’ve spent the last 10 years speaking, writing, and teaching Christians across the country the same simple truth.
This book was my gateway into Christian climate action 16 years ago.
When my older brother came home from a semester abroad in New Zealand and told my conservative Christian family that he was now a vegetarian because of his environmental convictions, he handed me this book to help me understand why.
It was the first time that I was given permission to engage pollution, environmental destruction, and climate change becauseof my faith, rather thanin spite of it. Nothing has ever been the same.
Caring for the environment is a growing interest among evangelicals. This award-winning book provides the most thorough evangelical treatment available on a theology of creation care. "Authentic Christian faith requires ecological obedience," writes Steven Bouma-Prediger. He urges Christians to acknowledge their responsibility and privilege as stewards of the earth. The second edition has been substantially revised and updated with the latest scientific and environmental research.
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I have been around animals all my life and have a deep sense of love for these God created creatures and their amazing gifts to humans. I started a therapy dog ministry in 2007, bringing therapy dogs into hospitals, nursing homes, trauma and disaster sites, and many more places. Spirit-filled volunteers then share God's love, hope, and salvation message. Hundreds of people serve in this wonderful ministry. I have seen people's wonderful compassion and kindness for animals and how they make this world a better place with unconditional love, just like our savior, Jesus Christ. My heart is full of joy and peace when I read these types of books.
Every morning in my prayer time, I pray, talk, and listen to God through this wonderful 365-day journey of Scripture-based prayers that draw you closer to the One who loves you perfectly. Often, the prayers written reflect exactly what I am going through and enhance the words that I can say to God to comfort me and encourage me as I walk in step with my Lord.
The book has many prayers of peace, joy, and hope, as they will guide you in your daily walk with Christ.
When your days feel overwhelming and life has you anxious and stressed, you can find peace and hope in Jesus. In this 365-day devotional prayer book from the author of Jesus Calling, you'll find confidence to come to God in all circumstances with short, heartfelt prayers based on Scripture.
God desires a relationship with you?through continual conversation-prayer.?Jesus Listens (R) empowers you to pray daily, whether it serves as your only prayer for the day or simply a jump starter to your own prayers.?
This comforting book?is ideal for those?who . . .
are going through difficult times?and are looking for…
