100 Books Like Faith and Vision

What if creativity was not a talent given to a chosen few, but an invitation extended to us all? What if the desire for beauty was not gratuitous in life, but central to our faith? Drawing upon the biblical account of Creation and the witness of a myriad of creative thinkers, this book asserts that all of us—from plumbers to painters and meteorologists to musicians—were made in the image of an imaginative God. In that light, Naming the Animals encourages us to see creativity as an essential part of God’s design for partnership with humanity. This is a great introduction to the Art and Faith conversation.

Kelly Crow of The Wall Street Journal said that the Art World is like a cocktail party that has been going on for quite some time. Without question Rainbows for the Fallen World: Aesthetic Life and Artistic Task is a critical voice for Christians to hear in that conversation, and it is a classic that should be required reading for everyone. But there are other conversations at the art cocktail party and, as in most professions, there is a peculiar language that must be learned in order to pick up the nuances and meanings in the discussions. How is the newcomer to the party to learn the vocabulary and begin to understand the accents at this party? Objects of Grace: Conversations on Creativity and Faith stands out as a one-of-a-kind method to begin picking up “art speak.” Objects of Grace is a collection of conversations with some intriguing artists—Sandra Bowden,… show more.

Possibly the most helpful book for those looking to engage both Art and the Church. In Visual Faith the reader will find a wonderful overview of art history from a Christian perspective, beginning with art in the Early Church and coming all the way up to Warhol, Pollock, and art today. There is also an entire chapter devoted to making and looking at art. If there was one book I’d give to people in my church who were interested in engaging with art, this would be it.

From the moment that Jesus Christ first proclaimed the Kingdom of God, he appealed to our imagination. He made that appeal through the parables, the paradoxes of the Gospel, his miracles, and those moments when the heavens opened and the ordinary was transfigured. In this book, the poet Malcolm Guite explores how the creative work of poets and other artists can begin to lift the veil, kindling our imaginations for Christ. N.T. Wright has commended this book, calling it “A small treasure-house of beauty and imagination, helping us in turn to imagine God’s world and God’s love with multi-faceted and grateful wisdom.” Although I heartily recommend other recent books, Lifting the Veil is my favorite new work in the Art and Faith conversation. 

I was overwhelmed as I stood before Grünewald’s 16th-century Crucifixion in Colburg, France. At almost nine feet tall, the powerful Crucifixion was at the time the largest ever painted in Europe. 

Blood flows from Christ’s side and head, which hangs low into the breast. Some of the thorns have broken off and are projected into the flesh, which is marked with pustules, sores, and lesions. The wounds are visible, the ribs protrude, and the skin and lip colors evoke death. The nails have become instruments of torture. 

Hayum’s comprehensive historical investigations underscore the healing mission of Grünewald’s Crucifixion: ugliness can be empathetic; ill patients could identify with Christ’s suffering and pray for healing and redemption.

The medieval images that survive today might seem like simplistic or bizarre pictures now. But medieval viewers saw them differently. They treated images as tools for understanding, analyzing, and remembering complex ideas about the world.

Bolzoni works to crack that “code” through the case of late medieval Italy: she illustrates how viewers’ relationships to images changed the more they learned, how preachers communicated with their congregations in ways that listeners would visualize and internalize, and how certain images—like six-winged angels or trees of life—served as effective conduits of information but also as platforms for layered conceptual associations that got increasingly sophisticated the more that authors and audiences thought about them.

This beautiful, fascinating book is well worth seeking out from a library or used bookseller.

I have never been able to look at Renaissance paintings of the Madonna and child the same after reading this brilliant and controversial book. I promise your eyes will be opened as well. These paintings were not simple religious decoration. Christ’s genitalia, exposed or covered, was a visible element in theological arguments in the Renaissance about the humanity of Christ. In our secular world, Steinberg argues, we have lost sight of the sexual component of these images. Steinberg’s breadth of learning is astounding, and the extensive footnotes are as stimulating as the text.  

I found this academic anthology helpful for grounding me in some of the more conceptual issues regarding how we think about Earth. How does it affect us, for example, to think about Earth as Mother or as a resource provided primarily for humans?

I appreciated the diversity of more philosophical explorations alongside some history of how different religious groups understand the environment. The chapter on American Evangelicalism was especially interesting. This wasn’t a short or easy read, but it was important for helping me focus on how we think about our planet and why that matters. 

The author has a great YouTube channel that offers writing advice for Christian authors. After getting so much value from her channel, I was happy to buy her first novel Free. It’s such a clever book that had me quickly rooting for the main character. She overcomes so much. And I found the process of the ship’s crew and captain slowly warming up to her to be heartwarming. It’s a great story of a person without a family finally finding one on the high seas!

He is so hilariously good at swearing!

That’s a major reason I love this book: Francis Spufford raises profanity to a high art, and he does it in a book that is, ostensibly, about Jesus.

A Christian friend recommended this one to me, and I bought it and let it sit on the shelf for a long time before I finally picked it up. Then I read it in maybe three sittings, because it’s silly and profound at the same time. (Also it’s short and carries you along—this is a good one to stick in your bag and read a couple pages at a time whenever you are at a bus stop.)

Spufford is mainly a novelist, and his aim here is not to convince you that Christianity’s fact claims are true. (Although he does think it’s all true.) Instead, he’s explaining the way the Christian picture of God and… show more.