100 Books Like Faith and Vision

What if creativity was not a talent given to a chosen few, but an invitation extended to us all? What if the desire for beauty was not gratuitous in life, but central to our faith? Drawing upon the biblical account of Creation and the witness of a myriad of creative thinkers, this book asserts that all of us—from plumbers to painters and meteorologists to musicians—were made in the image of an imaginative God. In that light, Naming the Animals encourages us to see creativity as an essential part of God’s design for partnership with humanity. This is a great introduction to the Art and Faith conversation.

Kelly Crow of The Wall Street Journal said that the Art World is like a cocktail party that has been going on for quite some time. Without question Rainbows for the Fallen World: Aesthetic Life and Artistic Task is a critical voice for Christians to hear in that conversation, and it is a classic that should be required reading for everyone. But there are other conversations at the art cocktail party and, as in most professions, there is a peculiar language that must be learned in order to pick up the nuances and meanings in the discussions. How is the newcomer to the party to learn the vocabulary and begin to understand the accents at this party? Objects of Grace: Conversations on Creativity and Faith stands out as a one-of-a-kind method to begin picking up “art speak.” Objects of Grace is a collection of conversations with some intriguing artists—Sandra Bowden,… show more.

Possibly the most helpful book for those looking to engage both Art and the Church. In Visual Faith the reader will find a wonderful overview of art history from a Christian perspective, beginning with art in the Early Church and coming all the way up to Warhol, Pollock, and art today. There is also an entire chapter devoted to making and looking at art. If there was one book I’d give to people in my church who were interested in engaging with art, this would be it.

From the moment that Jesus Christ first proclaimed the Kingdom of God, he appealed to our imagination. He made that appeal through the parables, the paradoxes of the Gospel, his miracles, and those moments when the heavens opened and the ordinary was transfigured. In this book, the poet Malcolm Guite explores how the creative work of poets and other artists can begin to lift the veil, kindling our imaginations for Christ. N.T. Wright has commended this book, calling it “A small treasure-house of beauty and imagination, helping us in turn to imagine God’s world and God’s love with multi-faceted and grateful wisdom.” Although I heartily recommend other recent books, Lifting the Veil is my favorite new work in the Art and Faith conversation. 

I was overwhelmed as I stood before Grünewald’s 16th-century Crucifixion in Colburg, France. At almost nine feet tall, the powerful Crucifixion was at the time the largest ever painted in Europe. 

Blood flows from Christ’s side and head, which hangs low into the breast. Some of the thorns have broken off and are projected into the flesh, which is marked with pustules, sores, and lesions. The wounds are visible, the ribs protrude, and the skin and lip colors evoke death. The nails have become instruments of torture. 

Hayum’s comprehensive historical investigations underscore the healing mission of Grünewald’s Crucifixion: ugliness can be empathetic; ill patients could identify with Christ’s suffering and pray for healing and redemption.

The medieval images that survive today might seem like simplistic or bizarre pictures now. But medieval viewers saw them differently. They treated images as tools for understanding, analyzing, and remembering complex ideas about the world.

Bolzoni works to crack that “code” through the case of late medieval Italy: she illustrates how viewers’ relationships to images changed the more they learned, how preachers communicated with their congregations in ways that listeners would visualize and internalize, and how certain images—like six-winged angels or trees of life—served as effective conduits of information but also as platforms for layered conceptual associations that got increasingly sophisticated the more that authors and audiences thought about them.

This beautiful, fascinating book is well worth seeking out from a library or used bookseller.

There have definitely been times in my life that I wanted to quit! Can you identify? I keep this book handy for days like those, and every time I grab it and read it, my faith gets renewed and I get encouraged enough to keep going. This book shows how to develop faith that won't quit – and if we don’t quit, we win in Jesus! 

If we only had Paul to rely on for our knowledge of Jesus’ life, all we’d know is that he was born, was Jewish, had brothers and died. Written by a British academic, The Mythmaker is a break-through book that shows how Paul created Christianity by developing a mythology/theology about the significance of the death of Jesus as a Christ. Maccoby’s thought is further developed in my book, How Jesus Became Christian (2008) that demonstrates how different Paul’s religion was from that of Jesus.

Sticky Church may initially seem like an unconventional choice for business owners looking to improve customer retention, as it focuses on growing a congregation within a church setting.

However, the principles of customer retention remain the same across different contexts and can offer valuable insights to entrepreneurs.

Imagine enticing your customers to visit your business every week and even bringing friends and family with them - that's the power of Sticky Church.

While the book delves into Sermon Based Small Group meetings, which might not directly apply to most businesses, the underlying principles of connecting customers with each other and encouraging them to share their experiences are universal.

These ideas form the foundation of political movements, committed fan bases, and customer groups like Apple fans.

In the context of a church, Sticky Church offers unique customer retention insights that might be difficult to glean from a business-centric book. It's an… show more.

Surrounded by so many generalities regarding the treacherous merging of white supremacy with Christianity, I needed this deep-dive sociological study into the reality of how “whiteness” has become a subconscious but tangibly verifiable idol within white Evangelicalism.

The assumption of white cultural superiority has become so hardwired into the church across centuries that, like a fish in water, as white folks, we can’t see how “normal” gets weighed down with racial consequences.

The wetness of water is felt by everyone but the fish, and in this case, what seems experientially obvious to most non-white people requires in-depth study and argumentation for white folks to see. I appreciated how this book named specifics and compared the answers to racialized questions between different people groups in their study.