Books like Faith and Vision — picked by fans

What if creativity was not a talent given to a chosen few, but an invitation extended to us all? What if the desire for beauty was not gratuitous in life, but central to our faith? Drawing upon the biblical account of Creation and the witness of a myriad of creative thinkers, this book asserts that all of us—from plumbers to painters and meteorologists to musicians—were made in the image of an imaginative God. In that light, Naming the Animals encourages us to see creativity as an essential part of God’s design for partnership with humanity. This is a great introduction to the Art and Faith conversation.

Kelly Crow of The Wall Street Journal said that the Art World is like a cocktail party that has been going on for quite some time. Without question Rainbows for the Fallen World: Aesthetic Life and Artistic Task is a critical voice for Christians to hear in that conversation, and it is a classic that should be required reading for everyone. But there are other conversations at the art cocktail party and, as in most professions, there is a peculiar language that must be learned in order to pick up the nuances and meanings in the discussions. How is the newcomer to the party to learn the vocabulary and begin to understand the accents at this party? Objects of Grace: Conversations on Creativity and Faith stands out as a one-of-a-kind method to begin picking up “art speak.” Objects of Grace is a collection of conversations with some intriguing artists—Sandra Bowden,… show more.

Possibly the most helpful book for those looking to engage both Art and the Church. In Visual Faith the reader will find a wonderful overview of art history from a Christian perspective, beginning with art in the Early Church and coming all the way up to Warhol, Pollock, and art today. There is also an entire chapter devoted to making and looking at art. If there was one book I’d give to people in my church who were interested in engaging with art, this would be it.

From the moment that Jesus Christ first proclaimed the Kingdom of God, he appealed to our imagination. He made that appeal through the parables, the paradoxes of the Gospel, his miracles, and those moments when the heavens opened and the ordinary was transfigured. In this book, the poet Malcolm Guite explores how the creative work of poets and other artists can begin to lift the veil, kindling our imaginations for Christ. N.T. Wright has commended this book, calling it “A small treasure-house of beauty and imagination, helping us in turn to imagine God’s world and God’s love with multi-faceted and grateful wisdom.” Although I heartily recommend other recent books, Lifting the Veil is my favorite new work in the Art and Faith conversation. 

I was overwhelmed as I stood before Grünewald’s 16th-century Crucifixion in Colburg, France. At almost nine feet tall, the powerful Crucifixion was at the time the largest ever painted in Europe. 

Blood flows from Christ’s side and head, which hangs low into the breast. Some of the thorns have broken off and are projected into the flesh, which is marked with pustules, sores, and lesions. The wounds are visible, the ribs protrude, and the skin and lip colors evoke death. The nails have become instruments of torture. 

Hayum’s comprehensive historical investigations underscore the healing mission of Grünewald’s Crucifixion: ugliness can be empathetic; ill patients could identify with Christ’s suffering and pray for healing and redemption.

The medieval images that survive today might seem like simplistic or bizarre pictures now. But medieval viewers saw them differently. They treated images as tools for understanding, analyzing, and remembering complex ideas about the world.

Bolzoni works to crack that “code” through the case of late medieval Italy: she illustrates how viewers’ relationships to images changed the more they learned, how preachers communicated with their congregations in ways that listeners would visualize and internalize, and how certain images—like six-winged angels or trees of life—served as effective conduits of information but also as platforms for layered conceptual associations that got increasingly sophisticated the more that authors and audiences thought about them.

This beautiful, fascinating book is well worth seeking out from a library or used bookseller.

Tom Wright is the leading New Testament scholar of today. This powerful and persuasive magnum opus brings Wright’s skills as the finest historian of the period to bear on his subject matter. He sets Jesus’ resurrection well and truly in its historical context. The idea of a general resurrection at the end of time may have been around but not the resurrection within time of a single individual. Yet all the evidence leads inexorably to the conclusion that this is precisely what happened. This was not a belief that emerged over time and then found its way into the gospels but the very foundation of Christian preaching and writing from the beginning and the basis of the existence and spread of the church from its earliest days.

Elisabeth Elliot knows pain. She lost her first husband, Jim Elliot, when he and other missionary husbands were murdered by the tribe of people they were trying to reach. With incredible tenacity and bravery, Elisabeth continued to reach out to the tribe who killed her husband and ended up living among them and helping translate the bible into their language. In addition to that, she also lost her second husband to cancer. Despite all of that, she has offered the hope of Jesus to countless people – including myself. And the profound wisdom that she’s gained through unimaginable suffering has been such a gift to me as I’ve struggled to understand the purposes of my own pain. 

I first heard the audio dramatization of this book on a podcast call The Untold Podcast, showcasing speculative fiction from Christian authors.

The story is short, telling of our unnamed narrator who is struggling with sin in his life. He reads the Bible verse, if thy hand offend then, cut if off. From there begins his meltdown into wanting to take off his hand because he has done sinful things with it.

What made this one so chilling is the rational outlook of the narrator. Then comes the grisly bits that make you squirm in your chair as you listen. Now, it’s in book form and I guarantee you, it’s a very good book. Thank God for grace!

Sticky Church may initially seem like an unconventional choice for business owners looking to improve customer retention, as it focuses on growing a congregation within a church setting.

However, the principles of customer retention remain the same across different contexts and can offer valuable insights to entrepreneurs.

Imagine enticing your customers to visit your business every week and even bringing friends and family with them - that's the power of Sticky Church.

While the book delves into Sermon Based Small Group meetings, which might not directly apply to most businesses, the underlying principles of connecting customers with each other and encouraging them to share their experiences are universal.

These ideas form the foundation of political movements, committed fan bases, and customer groups like Apple fans.

In the context of a church, Sticky Church offers unique customer retention insights that might be difficult to glean from a business-centric book. It's an… show more.