Here are 100 books that The Sexuality of Christ in Renaissance Art and in Modern Oblivion fans have personally recommended if you like
The Sexuality of Christ in Renaissance Art and in Modern Oblivion.
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For four decades, I have written about art for publications in the U.S., Europe, and Asia. I have interviewed, among other artists, Frank Stella, Mary Ellen Mark, Dale Chihuly, Deng Lin (the daughter of Deng Xiaoping), the most celebrated Vietnamese contemporary painters, and the leading Japanese ceramicists. My ideal vacation is to wander the cobblestone streets of Italy, walking into a church to see the art of Caravaggio, Raphael, and Bernini. On a trip to Venice, I saw the immense illusionist ceiling painting by Giovanni Fumiani in the church of San Pantalon. Looking up at angels swirling in heaven, the idea for my second novel was born.
I am married to an auction veteran and have written on art and antiques in an earlier life so Frayn’s satirical farce hits all the right notes for me. A farce without slamming doors but plenty of misunderstandings and self-inflicted confusion.
Martin Clay, a philosopher turned amateur art historian and art expert, tumbles down the rabbit hole of self-delusion as he convinces himself that a painting he barely glimpsed is a lost Bruegel. He searches countless documents to find the facts that he twists to prove his hunch leading the reader on a deep dive into Dutch political and art history. Moral equivocation, adultery, tax evasion, double-dealing, plot twists and turns—everything a good farce should be.
Headlong begins when Martin Clay, a young would-be art historian, believes he has discovered a missing masterpiece. The owner of the painting is oblivious to its potential and asks Martin to help him sell it, leaving Martin with the chance of a lifetime: if he could only separate the painter from its owner, he would be able to perform a great public service, to make his professional reputation, perhaps even rather a lot of money as well. But is the painting really what Martin believes it to be? As Martin is drawn further into…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
The bottom has fallen out of my world several times now, but it’s much worse watching disaster strike someone you love. When my husband suffered a near-fatal stroke, it was inevitable I’d end up writing about his road to rehab. Grit and humour were what they said he’d need, and Scousers like me laugh at anything. We also cry and argue a lot. I’m on a mission to cheer people on and hand them arms as they battle through hard times. A life, or a state of mind, can change in a moment, and that’s what I read and write about.
I was hungry for a great piece of comic writing when a friend handed me this book, and it delivered so much more than laughter.
Once I’d tuned in to the language, I ended up shambling through 30s London alongside impecunious painter Gulley Jimson. A humble man, driven by a holy need to make the sort of art which, it turns out, nobody wants, he encounters a world of squalor and beauty, both physical and moral.
I grew to love him and his daily observations on the play of weather and light on the Thames, which form a sort of sketchbook. As Jimson’s physical health declines, he grips beauty wherever he finds it. Theroux, Lessing, and Updike all rated this author.
The Horse's Mouth, famously filmed with Alec Guinness in the central role, is a searing portrait of the artistic temperament.
Gulley Jimson is the charming, impoverished painter who cares little about the conventional values of his day. His unfailing belief that he must live and paint according to his intuition without regard for the cost to himself or to others, makes him a man of great, if sometimes flawed, vision.
But with an admirable drive for creation comes an astonishing hunger for destruction. Is he a great artist? A has-been? Or an exhausted, drunken ne'er-do-well?
For four decades, I have written about art for publications in the U.S., Europe, and Asia. I have interviewed, among other artists, Frank Stella, Mary Ellen Mark, Dale Chihuly, Deng Lin (the daughter of Deng Xiaoping), the most celebrated Vietnamese contemporary painters, and the leading Japanese ceramicists. My ideal vacation is to wander the cobblestone streets of Italy, walking into a church to see the art of Caravaggio, Raphael, and Bernini. On a trip to Venice, I saw the immense illusionist ceiling painting by Giovanni Fumiani in the church of San Pantalon. Looking up at angels swirling in heaven, the idea for my second novel was born.
For my high school sophomore history teacher, world history was only Greece under Pericles and England under Elizabeth I. I went to Greece under her spell, and ever since, I have been drawn to books about Greece—fiction and non-fiction.
This book is about a fictional Greek island at the end of the Ottoman empire, an English con man caught up in his archaeological con, a beautiful artist (played by a young Helen Mirren in the film version), greedy government officials, and an informer who fears for his life is our unreliable narrator. It makes for an engrossing novel of adventure and ideas that holds up on a second reading after over forty years.
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
For four decades, I have written about art for publications in the U.S., Europe, and Asia. I have interviewed, among other artists, Frank Stella, Mary Ellen Mark, Dale Chihuly, Deng Lin (the daughter of Deng Xiaoping), the most celebrated Vietnamese contemporary painters, and the leading Japanese ceramicists. My ideal vacation is to wander the cobblestone streets of Italy, walking into a church to see the art of Caravaggio, Raphael, and Bernini. On a trip to Venice, I saw the immense illusionist ceiling painting by Giovanni Fumiani in the church of San Pantalon. Looking up at angels swirling in heaven, the idea for my second novel was born.
One of my favorite poets writing about one of my favorite artists. Cornell’s mysterious, alluring dreamscapes in his delicately crafted boxes meet their soulmate in the prose poems of Simic. In this work of only seventy-seven pages of short meditations on Cornell’s life, inspiration, and method, Simic creates the poetic equivalent of Cornell’s visual art. Simic recognizes, as did Cornell, that “The commonplace is miraculous if rightly seen, if recognized.”
In Dime-Store Alchemy, poet Charles Simic reflects on the life and work of Joseph Cornell, the maverick surrealist who is one of America’s great artists. Simic’s spare prose is as enchanting and luminous as the mysterious boxes of found objects for which Cornell is justly renowned.
As an essayist, literary critic, and professor of literature, books are what John Milton calls my ‘pretious life-blood.’ As a writer, teacher, and editor, I spend my days trying to make meaning out of reading. This is the idea behind my most recent book, On Purpose: it’s easy to make vague claims about the edifying powers of ‘great writing,’ but what does this actually mean? How can literature help us live? My five recommendations all help us reflect on the power of books to help us think for ourselves, as I hope do my own books, including The Midlife Mind (2020) and Comparative Literature: A Very Short Introduction (2018).
Writing in the sixteenth century, Montaigne essentially created the modern ‘essai’ as we know it. What I love about his writing, erudite though it is, is that there is nothing dry about it: his subject was himself, which is to say, by extension, ourselves.
Mixing references both Christian and Classical, learned and personal, Montaigne explores subjects ranging from cowardice to thumbs, and solitude to smells. In inventing the essay as a way of understanding ourselves, Montaigne invented our age of narcissism: ‘I have never seen a greater monster or miracle than myself.’
In the 1980s, I was living in Spain, teaching high school. On weekends and vacations, I traveled throughout the country, fascinated with the remnants of its flourishing medieval civilization, where Jews, Christians, and Muslims mingled. When I later became a historian, I focused on the rich history of Jewish-Christian-Muslim contact in Spain and throughout the Mediterranean. I also wanted to understand conflict and prejudice, particularly the historical roots of antisemitism and islamophobia in Europe. I have increasingly realized that classical religious texts need to be reread and contextualized and that we need to rethink our ideas about religion and religious conflict.
If Donner shows that Muslims don’t necessarily know who Muhammad was or agree about him, Pelikan shows that the same is true for Christians and Jesus. He looks at various ways in which Christians over twenty centuries have conceived of Jesus: a sage Jewish rabbi? An apocalyptic preacher, warning of the imminent end of the world? King of the universe, destined to preside over the final judgment, model for worldly judges and kings? The paradigmatic monk and mystic? An egalitarian preacher of social justice? He has been all of these things to different Christians over the ages, and Pelikan shows how different people in very different circumstances have reinterpreted Jesus the better to fit their own ideas of what Christianity should be.
"A rich and expansive description of Jesus' impact on the general history of culture. . . . Believers and skeptics alike will find it a sweeping visual and conceptual panorama."-John Koenig, front page, New York Times Book Review
Called "a book of uncommon brilliance" by Commonweal, Jesus Through the Centuries is an original and compelling study of the impact of Jesus on cultural, political, social, and economic history. Noted historian and theologian Jaroslav Pelikan reveals how the image of Jesus created by each successive epoch-from rabbi in the first century to liberator in the nineteenth and twentieth centuries-is a key…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
I am adopted. I am a birth mother and also a mother through adoption. I have lived through all ‘three faces’ of adoption and know how each ‘face’ affects millions of people's lives all over the world. I am passionate that conversations around adoption need to come out of the closet and the secrecy surrounding the subject must disappear. By writing my books, I am on a mission to support adoptees, birth mothers, and adoptive parents and help them realise they are not alone. After publication of my first book in the Survival Without Roots trilogy, I am humbled that people are reaching out to say that reading Book One has helped them so much.
Fiona leaves no stone unturned as she describes the journey of her years dabbling with drugs and alcohol brought on by the trauma of growing up adopted. Fiona shows a true spirit of determination to fight through her adoption traumas of rejection and abandonment. I wondered all the way through this book whether she would succeed or if her experiences would eventually be too much for one person to bear.
The true-life story of Fiona who always felt displaced, a girl looking for belonging and security. This is Me No Darkness Too Deep, explores the ups and downs when as a young woman she roller-coasted, travelling from city to city and meeting trouble at every stop. Fiona spent many years in the depths of dark and desolate places, emotionally, physically, and spiritually. She was beaten, she slept rough and was used and abused and endured the horrors of rape. Carrying the weight of being an adoptee meant that she struggled through abandonment and rejection issues.
I am a former hospital chaplain. My job was to accompany people through the earliest stages of dealing with crisis, trauma, and grief. In four years, I responded to more than 750 deaths, along with countless car accidents, gunshots, stabbings, miscarriages, stillbirths, violence, and unimaginable abuse. With a front-row seat for the worst of this world, faith became much more complicated. I wrestle every day but still cling to faith amid the spiritual and mental scars.
I found so much freedom in this book. Richard Rohr put words to things I had long felt but struggled to articulate—that Christ’s presence is not confined to religion, rules, or a distant heaven but woven into everything, here and now.
This book expanded my view of God, shattering the small, transactional faith I had been handed and replacing it with a love big enough to hold all things. Rohr’s words helped me see Christ in the ordinary, in the broken, in myself—and that changed everything.
'One of the most influential speakers in the world' - OPRAH WINFREY
In his decades as a globally recognized teacher, Richard Rohr has helped millions realize what is at stake in matters of faith and spirituality. Yet Rohr has never written on the most perennially talked about topic in Christianity: Jesus. Most know who Jesus was, but who was Christ? Is the word simply Jesus' last name? Too often, Rohr writes, our understanding has been limited by culture, religious squabbling, and the human tendency to put ourselves at the centre.
I have been writing for more than a decade specifically in fantasy. My mind was filled with tales of magic, heroes, and mythical creatures for decades. When Christ called me it was like learning how to fit my creativity and imagination into this box. Except, He is the box from which all creativity comes. As for my expertise concerning the Word of God, I have studied the Bible from beginning to end and I have prepared and preached a number of sermons. I will one day be a full-fledged pastor, and writing is a part of the job. I have a unique blend of fantasy and Christ.
Lost in a magical world, an ordinary group of teenagers find themselves under threat from the Hunters of Avoria.
When a teen mission trip goes wrong, Nani and her friends find themselves stranded on the world of Milana. The key to their survival is buried somewhere in Nani's broken memory.
Nani's friends are counting on her, but if she wants her memories back, Nani will have to align with one of the very men trying to capture her friends. Can she trust the Hunter? Can Nani forgive him for his past, in order to regain her own?
The Pillar of…
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
As a children’s author, poet, bookseller, and librarian, I surround myself with books and sometimes books of faith. I remember the joy I felt reading many Bible stories with my parents as a child. It took months to journey from the battle of David and Goliath to the bravery of Queen Esther, and then onto Jesus’ miracles. Exploring something new, I decided to tell these stories through short poem, so a family could read an entire book in one sitting. I truly appreciate when faith-based books work to build the love of God for young readers. Thankfully, more books exist now to show young readers what a faith-centric life looks like.
We’re pulled into this story right from the title of Mitchell’s book.
Inquiring minds wonder: What miracle happened at one o’clock? Soon we discover a father who’s beginning a very long journey to find Jesus, the only one who might heal his dying son. The problem is Jesus is preaching far away in Cana. What if the man’s son passes away before he can return to him? Still, the father walks for miles and miles until he finds Jesus, who instructs the man to return home, for his son will be healed.
Could a miracle have happened at one o’clock, as soon as Jesus spoke, miles away from the sick child? We can all be inspired by this grown man who had the faith of a child and believed.
Stunning retelling of the story of Jesus healing the officials son that will teach children about the instant power of Jesus' words.
Based on the healing of the officials son in John chapter 4, this wonderful storybook will teach children about the instant power of the words of Jesus, and that they should trust Jesus because he is Gods Son.
Stunningly illustrated by Catalina Echeverri, author and illustrator of several bestselling childrens books and all the storybooks in the Tales That Tell the Truth series from The Good Book Company.
This book is perfect for children aged 3-6 years old…
