Book description
Andree Hayum approaches Matthias Grunewald's Isenheim Altarpiece, now at the Musee d'Unterlinden in Colmar, as a structural and iconographic entity and restores it to its broader cultural context in the early sixteenth century. She interprets the altarpiece in terms of its hospital context, then explores how this polyptych functions asâŠ
Why read it?
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I was overwhelmed as I stood before GrĂŒnewaldâs 16th-century Crucifixion in Colburg, France. At almost nine feet tall, the powerful Crucifixion was at the time the largest ever painted in Europe.Â
Blood flows from Christâs side and head, which hangs low into the breast. Some of the thorns have broken off and are projected into the flesh, which is marked with pustules, sores, and lesions. The wounds are visible, the ribs protrude, and the skin and lip colors evoke death. The nails have become instruments of torture.Â
Hayumâs comprehensive historical investigations underscore the healing mission of GrĂŒnewaldâs Crucifixion: uglinessâŠ
From Mark's list on Books that examine beauty and ugliness.
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