Books like Objects of Grace — picked by fans

What if creativity was not a talent given to a chosen few, but an invitation extended to us all? What if the desire for beauty was not gratuitous in life, but central to our faith? Drawing upon the biblical account of Creation and the witness of a myriad of creative thinkers, this book asserts that all of us—from plumbers to painters and meteorologists to musicians—were made in the image of an imaginative God. In that light, Naming the Animals encourages us to see creativity as an essential part of God’s design for partnership with humanity. This is a great introduction to the Art and Faith conversation.

The best mediator over the past several decades in the awkward relationship between Art and the Church has been Christians in the Visual Arts (CIVA). The beginning of their story was told beautifully in Faith and Vision: Twenty-Five Years of Christians in the Visual Arts. Between its covers are more than 200 images that showcase the work of CIVA’s most accomplished artists and highlight the quality and breadth of its many traveling exhibitions, conferences, directories, and publications. Founded in 1979, Christians in the Visual Arts (CIVA) was born as a response to the absence of a tangible Christian community within the contemporary American art world. As it matured, CIVA grew to become a place of aesthetic stimulation and spiritual encouragement both to its members and to the several thousand artists and institutions in its formal network. This book is the record of a generation or two of Christians… show more.

Possibly the most helpful book for those looking to engage both Art and the Church. In Visual Faith the reader will find a wonderful overview of art history from a Christian perspective, beginning with art in the Early Church and coming all the way up to Warhol, Pollock, and art today. There is also an entire chapter devoted to making and looking at art. If there was one book I’d give to people in my church who were interested in engaging with art, this would be it.

From the moment that Jesus Christ first proclaimed the Kingdom of God, he appealed to our imagination. He made that appeal through the parables, the paradoxes of the Gospel, his miracles, and those moments when the heavens opened and the ordinary was transfigured. In this book, the poet Malcolm Guite explores how the creative work of poets and other artists can begin to lift the veil, kindling our imaginations for Christ. N.T. Wright has commended this book, calling it “A small treasure-house of beauty and imagination, helping us in turn to imagine God’s world and God’s love with multi-faceted and grateful wisdom.” Although I heartily recommend other recent books, Lifting the Veil is my favorite new work in the Art and Faith conversation. 

I’m so sick of the culture wars in America. That’s why Makoto Fujimura’s call towards Culture Care was so refreshing and encouraging.

He acknowledges how artists may end up as border walkers, gaining inspiration by living on the edges of society. But mere rebellion isn’t enough. I was so inspired by his encouragement to see cultural care as comparable to environmental work. How do we create estuaries where new growth and ideas can emerge? As a painter, Mako brings his visions to life on canvas. Yet, this book challenged me to usher more beauty into my community through any medium.

In his years as a historian at Queen’s University (Kingston, Ontario) Rawlyk inspired a wealth of solid writing on Canada’s religious history, while also inaugurating an ambitious series in religious history for the McGill-Queen’s University press that continues to this day. Rawlyk’s own research detailed the religious history of the Maritime Provinces, especially the dramatic, long-term impact of radical Christian revivals in the period of the American Revolution that were spearheaded by Henry Alline. A special feature of this book is the shrewd assessment of how Canada’s early religious history differed from parallel developments in the United States.

Tom Wright is the leading New Testament scholar of today. This powerful and persuasive magnum opus brings Wright’s skills as the finest historian of the period to bear on his subject matter. He sets Jesus’ resurrection well and truly in its historical context. The idea of a general resurrection at the end of time may have been around but not the resurrection within time of a single individual. Yet all the evidence leads inexorably to the conclusion that this is precisely what happened. This was not a belief that emerged over time and then found its way into the gospels but the very foundation of Christian preaching and writing from the beginning and the basis of the existence and spread of the church from its earliest days.

As an author ready to write my own horse book series with a Christian message many years ago, I gleaned much from reading some of Dandi Daley Mackall’s Horse Gentler series. This first one impressed me the most because it portrays the main character, twelve-year-old Winnie Willis, close to the age of Skye Nicholson, the main character in my own series. As Winnie teaches her horses about unconditional love and blind trust, God shows Winnie that he can be trusted too. The book is good, safe reading for tween and teen horse lovers. 

What amazes me about A Confession is that here is Tolstoy, one of the giants of world literature, at the top of his game, lamenting that there is no meaning to his life. This made me realize that there is no one immune from this feeling of purposelessness and that there are no prizes, accolades, awards, or other external things that will prevent you from feeling existential angst.

The book also shows how Tolstoy worked through his crisis, and although I do not agree with his conclusions, the path that he takes in the book was very useful for me in my own journey to meaning. 

He is so hilariously good at swearing!

That’s a major reason I love this book: Francis Spufford raises profanity to a high art, and he does it in a book that is, ostensibly, about Jesus.

A Christian friend recommended this one to me, and I bought it and let it sit on the shelf for a long time before I finally picked it up. Then I read it in maybe three sittings, because it’s silly and profound at the same time. (Also it’s short and carries you along—this is a good one to stick in your bag and read a couple pages at a time whenever you are at a bus stop.)

Spufford is mainly a novelist, and his aim here is not to convince you that Christianity’s fact claims are true. (Although he does think it’s all true.) Instead, he’s explaining the way the Christian picture of God and… show more.