Books like Naming the Animals — picked by fans

Kelly Crow of The Wall Street Journal said that the Art World is like a cocktail party that has been going on for quite some time. Without question Rainbows for the Fallen World: Aesthetic Life and Artistic Task is a critical voice for Christians to hear in that conversation, and it is a classic that should be required reading for everyone. But there are other conversations at the art cocktail party and, as in most professions, there is a peculiar language that must be learned in order to pick up the nuances and meanings in the discussions. How is the newcomer to the party to learn the vocabulary and begin to understand the accents at this party? Objects of Grace: Conversations on Creativity and Faith stands out as a one-of-a-kind method to begin picking up “art speak.” Objects of Grace is a collection of conversations with… show more.

The best mediator over the past several decades in the awkward relationship between Art and the Church has been Christians in the Visual Arts (CIVA). The beginning of their story was told beautifully in Faith and Vision: Twenty-Five Years of Christians in the Visual Arts. Between its covers are more than 200 images that showcase the work of CIVA’s most accomplished artists and highlight the quality and breadth of its many traveling exhibitions, conferences, directories, and publications. Founded in 1979, Christians in the Visual Arts (CIVA) was born as a response to the absence of a tangible Christian community within the contemporary American art world. As it matured, CIVA grew to become a place of aesthetic stimulation and spiritual encouragement both to its members and to the several thousand artists and institutions in its formal network. This book is the record of a generation or two of Christians… show more.

Possibly the most helpful book for those looking to engage both Art and the Church. In Visual Faith the reader will find a wonderful overview of art history from a Christian perspective, beginning with art in the Early Church and coming all the way up to Warhol, Pollock, and art today. There is also an entire chapter devoted to making and looking at art. If there was one book I’d give to people in my church who were interested in engaging with art, this would be it.

From the moment that Jesus Christ first proclaimed the Kingdom of God, he appealed to our imagination. He made that appeal through the parables, the paradoxes of the Gospel, his miracles, and those moments when the heavens opened and the ordinary was transfigured. In this book, the poet Malcolm Guite explores how the creative work of poets and other artists can begin to lift the veil, kindling our imaginations for Christ. N.T. Wright has commended this book, calling it “A small treasure-house of beauty and imagination, helping us in turn to imagine God’s world and God’s love with multi-faceted and grateful wisdom.” Although I heartily recommend other recent books, Lifting the Veil is my favorite new work in the Art and Faith conversation. 

I wonder about the relationship between art and activism. I’ve long loved the sharp and prophetic songs of Sho Baraka.

Like his raps, Sho’s book simultaneously enlightened and entertained me. It has rhythm and flow, interweaving short stories and poems with insightful and enduring truths. I appreciated how he explained where hip-hop comes from and connected it to Scriptural roots. He discusses how flawed so many of our heroes may be, and yet they still accomplish amazing things.

After reading Sho’s provocative work, I want to practice the same kind of integration of faith and action. 

Every page of this book should be framed.

The illustrations are incredible, and the language invites readers of every age to imagine how expansive God is. I love the use of the female imagery for God. This has been lost for too long. If you’re looking to instill a theology that’s broad, diverse, and full of wonder, start here.

This is the ONE book I recommend to younger women who want a mentor’s advice on what’s truly most important in life. The author writes from the perspective of a “seasoned sister” who was often asked to share how she was able to raise a large family, work, run a ministry, and write multiple books while at the same time maintaining a vital spiritual relationship with God. 

Lucinda Secrest McDowell gives practical, accessible advice about love, authenticity, prayer, dealing with suffering, sharing one’s story, and much more. I recommend listening to the audio version read in the author’s own voice. This book also works well for book clubs and Bible study groups. 

Believers in God see him as the creator of man and women in his own image. Firm believers tried throughout history to model themselves as they imagined God. But God, the author says, evolves through his relationship with man, and man becomes rival to God. So believers and non-believers discover that God, the protector of the poor and weak, becomes a warrior who nearly destroys all humans and animals he created by causing the flood. So rational people realize that God is a tribal chief who gets angry, kills, destroys, loves some and forgets many more. This book is a must-read for all believers and non-believers. I found this book unusual in telling amazing stories about God and his actions and reactions. 

Max, with his absorbing style and captivating stories and word pictures, explains how God’s story shall become ours when we follow His leading.

Max does a marvelous job of illustrating that there is purpose for our pain; and yes, God dearly loves each of us and has some amazing plans for us if we will only trust Him.

I call him HIM is an apocalyptic horror story about a man who is a fighting machine.

Hell has come to earth and wreaked havoc. Demonic beings lurk everywhere, feasting off of humanity. Our main character is simply called Him. He has no name, but only rage as he kills demonic hordes with his sword and his strength.

Where is God in a world filled with demonic influences? Where is God when the cry of humanity reaches out for answers? This thought consumes Him, but there may be a light. A young girl who may be the key.

Scott Kimak blends this horror, apocalyptic story with gritty violence, intense action scenes, coarse language, but also themes of redemption and sacrifice.