100 Books Like The Isenheim Altarpiece

I have always loved the central premise of the book, that a human being might never age, and yet a portrait of him ages as the years go by.

I love the way that Wilde used elegant and lyrical prose, always boosted by a flamboyant irony, in describing the dissolute life of an aesthete while putting it in the context of a philosophical pursuit of beauty and art. Dorian Gray himself is a deeply flawed moral character, and that is key to the success of the novel.  

When I was interviewing for a position at Notre Dame, the campus museum had an exhibit of illustrations for Dante’s Inferno, which reinforced to me the fascination of Dante. 

When I began teaching the work a few years later, my students were engrossed by its riveting portrayals of moral ugliness. They were also amazed that Dante places even popes in hell. The work has so inspired my students that one of them submitted her final paper in terza rima, the form Dante uses, and another reflected on where precisely in hell she might belong.

This beautifully translated bilingual edition contains extensive, helpful commentary.

George Grosz was the first great artist I encountered whose works were both strikingly powerful and deeply ugly. Grosz portrayed the ugliness of the Germans during the period before Hitler’s ascent.

His works are intentionally disordered. Yet the combination of ugly content and dissonant form work together, such that on a higher level, form and content are in harmony.

Grosz painted intemperance, gluttony, lust, and unbridled power as the driving forces of society. He was a master at showing us the ugliness of the ugly. The book offers an excellent combination of images and text, with an appropriate focus on the Weimar years.

Ugliness can be playful. When students encounter Arcimboldo for the first time, they find him enchanting. 

The artist layers images of objects, mainly from nature, such as fruits, vegetables, flowers, tree roots, and sea creatures, but also other objects, such as books, onto the canvas so as to create the bizarre semblance of a portrait or the creative rendition of a theme. The Viennese court painter dissolves boundaries between portraiture, still life, and landscape as well as between nature and humanity. 

This book offers a comprehensive understanding of Arcimboldo, from his youth in Lombardy, with the influence of Leonardo’s works, to his nature studies in Vienna.

This crucial book was originally published by Putnam’s, New York, in 1941. 

Riess admitted in his autobiography (which exists only in German) that the book was largely a compilation of material from various sources, much of it handed to him personally by Robert Vansittart, the head of British Intelligence at the time. Large portions of the book were in fact written by Heinrich Pfeifer, and supplied to British Intelligence, part of it on Pfeifer’s two trips to London, and part passed across via Vansittart’s agent Walker in Lucerne.

Riess was a Jewish refugee from Germany who was trusted by Vansittart to aid him in helping to persuade the American public to enter the War against Germany. The book is one of the most astonishing books of its kind ever written, full of breathtaking revelations. It deserves to be widely known and to be a classic text for historical studies.

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Terry Laster, who translated this work from the German original, does a masterful job of expressing the situation in 14th-century Heidelberg when a female secretly heals patients and for her success, is accused of performing works of the devil. In their ignorance, the town council appoints her husband, a lawyer, to discover her identity. How this story resolves is a testament to the power of good works and encourages me when I face opposition from ignorant people. 

This amazing narrative history of the invention of synthetic fertilizer is arguably a bit off topic, except that the subtitle could have ended: …That Fed the World, But Now Generates 10 Percent of Agricultural Emissions.

Nitrogen fertilizer was probably the most important invention of the 20th century, even more so than TV or the bomb; half the 8 billion people on Earth wouldn’t be here without it.

But the Haber-Bosch chemical process that literally converts fossil fuels into nutrition has created all kinds of environmental problems, including not only greenhouse gases but nitrate pollution that has created a dead zone the size of Connecticut in the Gulf of Mexico.

Now a new scientific race is on, because farmers will need to produce 50 percent more calories by 2050 to feed the growing world population, but they’ll have to do it with a lot less fertilizer pollution and other agricultural messes.

Prefer to learn about Nazi Germany through literature? Try this novel by Irmgard Keun, who excelled at writing from the perspective of different young women. Here, nineteen-year-old Sanna relates how her life has changed under the Third Reich. She encounters people who express unqualified admiration for Adolf Hitler or at least concede that the Nazis are right about many things, who enjoy denouncing others or adapting to the new rules of the game. With her naïve understanding and unsophisticated language, Sanna lays bare vain pretensions, catchy slogans, and ponderous pseudo-profundities. She can’t understand why she should listen to Nazi speeches and avoid Jews. Contacts with critical friends finally compel her to leave Germany—just like her literary creator, who published her novel in exile in the Netherlands. 

I wanted to introduce a book and author who is very famous in Germany but practically unheard of here in North America. This one was one of my favourites when I was a little kid. In Little Tiger, Get Well Soon, Tiger is not feeling well and Bear takes care of him. When Bear brings Tiger to the hospital, it turns out one of the tiger's stripes has gotten dislocated and needs to be adjusted. A touching and hilarious story about two friends who are always there for each other but also about how going to the hospital doesn’t have to be scary at all! 

Scobie presents a concise exposition of the Nazis’ inferiority complex vis-à-vis imperial Rome.

Hitler, ever a fan of grotesque gigantomania, found a soulmate in Albert Speer. Their designs for rebuilding major cities on Roman principles became reality only to a small degree.

The apex was to have been Berlin, renamed Germania, as world capital. Its most stupendous building, modeled on but dwarfing the Pantheon in Rome, was the Great Hall (also People’s Hall, Hall of Glory). It was to accommodate 180,000 standing people. Above it a copper-plated dome sixteen times the size of St. Peter’s in Rome was to have risen.

Inside, the balcony from which Hitler was to deliver his addresses would have made him appear tiny. The contrast exemplifies the essence of Kitsch: unrestrained grandiosity turns ridiculous.