17 books like The Medicus

If you love underdog stories, this one offers a double helping. First, Inspector Witherspoon’s career is threatened by ambitious and unscrupulous men who want to see him fail. Secondly, his household staff are the real heroes, tracking down clues that they cleverly feed to their unsuspecting employer to help him solve murder cases. Each staff member has unique methods for uncovering information, and together they make an effective team. I chuckle at their close calls as they scramble to hide their secret sleuthing from the inspector and the rest of the police force.  

This first novel gives the backstory: what’s at stake for the inspector and his household, plus why his housekeeper (Mrs. Jeffries) is a plausible and capable sleuth.

Charlotte Holmes is everything I adore in a protagonist—unapologetically brilliant, unconventional, and always one step ahead. I couldn’t put this book down because it reimagined Sherlock Holmes in a way that felt fresh and exciting while keeping all the intellect and intrigue I crave in a mystery.

I loved watching Charlotte dismantle society’s expectations while outwitting everyone around her. If you love fiercely independent women and clever mysteries, this series is addictive.

I love historical detective novels, and this one, set in AD 70, is a great way to immerse yourself in the Roman world. Lindsey Davis does her research, creating a real, lived-in space that makes the ancient past feel alive and present.

Another big plus is that it’s hilariously entertaining: I’m regularly guffawing out loud while reading it. Best of all? It’s the first book in a fantastic series, and I’ve enjoyed following private instigator Marcus Didius Falco, and then later his daughter, Flavia Alba, over a number of adventures across the city of Rome and the wider Empire.

I admit it: I underestimated Flavia de Luce.

She is 11 years old, self-schooled, and lives outside a small English town in the 1950s. She is overlooked and underestimated by everyone. Deep inside, I’m still 11 years old, underestimated, and overlooked. I had an insatiable desire to learn about my environment, and I often saw things others didn’t. Flavia also reminds me of my childhood living in the country in the 1980s. I ran unchecked, safe, and constantly delighted in discovering new things about my corner of the world. I wince at the de Luce family politics. I cheer Flavia’s investigations and her fearlessness. I want nothing more than to stay in Flavia’s 11-year-old world forever. She is the kick-ass kid I wanted to be. 

This enthralling evocation of the long life of Rome’s first emperor, Augustus, uses fictional letters and other invented documents to tell his story, from the point when, as a teenager, he found himself the heir of the assassinated dictator Julius Caesar, to his final days as sole ruler of a vast empire. Emerging as victor from a protracted civil war, Augustus managed to impose a degree of stability across the Roman world, though at a cost. Could the bloodthirsty youth have really turned into the modest statesman? His contemporaries found him hard to read. Williams charts with subtlety and insight the phases in Augustus’ self-reinvention, shining a particular spotlight on his fraught relationship with Julia, his daughter, whom he found himself obliged to send into exile, as a conspicuous offender against his flagship legislation on adultery.

Bryher's historical novels, once acclaimed, are out of print. I think Bryher deserves re-discovery. I like how The Coin of Carthage, set during ancient Rome’s war against Carthage, concerns everyday people: traders, farmers, common soldiers. And no Rome. Rome is a glimpse from a hill. I like this ̶ a true peasant’s sense of distance, where very near is still far. We follow the workaday lives of Italian-Greek traders Zonas and Dasius, from Naples docks to Carthage streets, to bucolic Tivoli, farms, markets, courtyards, piers, ships, mule-trains. Setting Italia, characters commoners, heroes Italian-Greeks, the periphery, usually silenced, is given voice. A curiously moving book.

Romance isn't the only genre I read, of course. Lavinia is written by one of my favorite authors, Ursula K LeGuin. This historical fiction novel takes a character from the ancient Aeneid and brings her to life.

In the Aeneid, Lavinia is the prize for Aeneas. But, she never speaks. Not even one word. LeGuin decided to fix that. She gives Lavinia her own story and journey. In doing so, she creates a rich protagonist who takes destiny into her own hands. 

LeGuin traditionally writes science fiction. I love how this female writer in a male-dominated genre broke out of sci-fi to bring a historical female character to proper life. This is female empowerment, and I am so here for it! Lavinia is enthralling, exciting, and impassioned. Definitely a favorite!

I became enthralled by Claudius through the TV drama starring Derek Jacobi, but later came to the novels.

A stammering, reclusive young man dismissed as a fool, the bookish Claudius is all of us who watch from the wings, hoping not to draw attention to ourselves. He manages to outlive others, including Tacitus and Caligula, to succeed to the imperial purple.

Graves is a noted historian who drew on Plutarch, Suetonius, and Tacitus for his portrayal. His books on ancient cultures and religions were among many that I devoured in my research.

Although this is not Mary Renault’s first novel set in Bronze Age Greece, it’s a classic.

She retells the story of Theseus in his own words, but not as a simple hero tale. Set long before the Trojan War, much takes place in Minoan Crete where Theseus performs his first heroic act.

Renault depicts the advanced Minoan culture and Mother Goddess religion intriguingly and gives fresh interpretations, from the character of Theseus himself to the Minotaur in the Labyrinth and what follows.

First read while I was a college student (not for a class), this book inspired me to one day create my own mythic retelling.

I’m embarrassed that I only read this book recently because it’s a wonderful engagement with ancient evidence to create a vision of Roman Britain. Evaristo uses the burial of the so-called Spitalfields Lady – a woman buried in a sarcophagus with scallop shell decorations and a rich range of grave goods – to create Zuleika, a lively girl who lives with her Nubian parents in Roman London; in blank verse, the story follows her life from being married off as a child bride to catching the eye of the emperor Septimius Severus. Evaristo mixes historical detail with contemporary slang and references, bringing her vision of London under a multi-cultural Roman Empire vividly to life.