Here are 100 books that The Emperor's Babe fans have personally recommended if you like
The Emperor's Babe.
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We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
Even though it’s more of a YA book, I struggled with this as a teenager, so I picked it back up a few years ago with no great expectations. We were staying in a static home in Cornwall and the weather was vile, morning and night. Perhaps I would have motored through any book given these circumstances. Or perhaps it’s just a magical novel.
I’m going with the latter because it has since become my number-one comfort read. Comradeship, adventure, tension and drama, authentic historical detail, lyrical descriptions of Iron Age Britain… it has it all and more. As it happens, I have only just finished the sequel – The Silver Branch – and this book is a worthy challenger, too!
The Everyman edition reprints the classic black and white illustrations of C. Walter Hodges which accompanied the first edition in 1954.
Around the year 117 AD, the Ninth Legion, stationed at Eburacum - modern day York - marched north to suppress a rebellion of the Caledonian tribes, and was never heard of again. During the 1860s, a wingless Roman Eagle was discovered during excavations at the village of Silchester in Hampshire, puzzling archaeologists and scholars alike. Rosemary Sutcliff weaves a compelling story from these two mysteries, dispatching her hero, the young Roman officer Marcus Aquila, on a perilous journey beyond…
Brings together Maggie Humm's pioneering work on feminist literary criticism, Virginia Woolf, film and visual cultures. Explores a range of critical approaches to Woolf’s writings including modernism, psychoanalysis, French feminist theory, and postmodernism.
A survey and analysis of feminist criticism from the 1970s.
I am an American citizen who taught Classical Studies at the University of Toronto, Canada. I have taught Homer (in translation and in Greek), ancient myth, and “reception” of ancient myth. All the books that I discuss below I have taught many times in a first-year seminar about creative “reception” of the Odyssey. Other topics include comparable stories (like The Tempest by Shakespeare) and other great works of reception (like Derek Walcott’s stage version of the Odyssey and his epic poem "Omeros"). Every time I’ve taught the class, I’ve learned the most from free-wheeling discussions with students.
I thought it was great to have Circe herself narrate her love affair with Odysseus.
The first half of the novel interestingly shares her tribulations growing up as a child in a family of gods. I found that this establishes a theme of immortality vs. mortality that the book explores in profound ways. Especially fascinating was Circe’s personal story of her love affair with Odysseus.
I was surprised and delighted that Miller included the resulting child, Telegonus, who is not in Homer but is in ancient myth. Even more surprising to me was Circe falling in love with Telemachus, Odysseus’ son by Penelope (also not in Homer!). This relationship allows the novel to end on a positive note as Circe learns to live like a mortal in her new life with Telemachus.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens…
Dr. Simon Elliott is an award-winning and best-selling historian, archaeologist, author, broadcaster, Honorary Research Fellow at the University of Kent, Trustee of the Council for British Archaeology, Ambassador for Museum of London Archaeology, Guide Lecturer for Andante Travels, and President of the Society of Ancients. He frequently appears on broadcast and social media as a presenter and expert regarding the ancient world, and currently has 12 books on sale on similar themes, with three more due later this year. He is also a PR Week award-winning, highly experienced communications practitioner who has advised a wide variety of clients at a senior level on their interaction with the world of the media and politics.
In my opinion the definative, academic standard account of the Roman occupation of Britain. Professor Mattingly’s book is very well organised, with sections which easily engage the reader on specific aspects of the Roman presence here, for example religion, political organisation, the military, agriculture, and industry. It also explains in great detail the various impacts across Britain of the transition from the Late Iron Age to the Roman period.
Part of the Penguin History of Britain series, An Imperial Possession is the first major narrative history of Roman Britain for a generation. David Mattingly draws on a wealth of new findings and knowledge to cut through the myths and misunderstandings that so commonly surround our beliefs about this period. From the rebellious chiefs and druids who led native British resistance, to the experiences of the Roman military leaders in this remote, dangerous outpost of Europe, this book explores the reality of life in occupied Britain within the context of the shifting fortunes of the Roman Empire.
Brings together Maggie Humm's pioneering work on feminist literary criticism, Virginia Woolf, film and visual cultures. Explores a range of critical approaches to Woolf’s writings including modernism, psychoanalysis, French feminist theory, and postmodernism.
A survey and analysis of feminist criticism from the 1970s.
A family visit to Hadrian’s Wall first sparked my interest in Roman Britain, and since then I’ve written eight novels, one novella, and a couple of short stories featuring Roman Army Medic and reluctant sleuth Gaius Petreius Ruso and his British partner, Tilla. I’m the owner of an archaeological trowel and infinite curiosity, both of which I wield as often as possible in search of the “real” Roman Britain.
A modern tour around sites of Roman Britain, and a fascinating look at the stories we later Britons have told ourselves about the Roman era over the ensuing centuries – in ways that perhaps say more about us than they do about the Romans.
What does Roman Britain mean to us now? How were its physical remains rediscovered and made sense of? How has it been reimagined, in story and song and verse? Sometimes on foot, sometimes in a magnificent, if not entirely reliable, VW camper van, Charlotte Higgins sets out to explore the ancient monuments of Roman Britain. She explores the land that was once Rome’s northernmost territory and how it has changed since the years after the empire fell. Under Another Sky invites us to see the British landscape, and British history, in an entirely fresh way: as indelibly marked by how…
Emma Southon has a PhD in Ancient History from The University of Birmingham and has been obsessed with Romans since she was 16. Her first book for general audiences was Agrippina: A Biography of the Most Extraordinary Woman in Rome and she co-hosts the podcast History is Sexy with the writer Janina Matthewson. She lives in Belfast, Northern Ireland.
Vindolanda is one of Britain’s best Roman sites, in part because of the letters which have been discovered. Written by Roman soldiers and their families, these letters include birthday party invitations, complaints about debts and shopping lists and they only surviving letters from a woman to a female recipient. They provide a staggeringly intimate look at daily living in a Romano-British fort and Alan K. Bowman brings the whole site to life.
Ever since I was a child, I’ve been dismayed by the humdrum monotony of everyday life. Of course, that is why one is drawn to books. The books on this list are historical fiction with otherworldly wonder. The world of the imagination is not an escape; it’s a portal to a new view of life. I’ve written four books set in the Italian Renaissance and two set in ancient Britain. Because of the depth of research, each one has taken about eight years. I’m constantly astonished at how imagination can fill the gaps history leaves. Striving always for plausibility, it is encouraging to count historians and archaeologists amongst my readers, cheering me on.
I was still at school when I came across Mary Renault’s The King Must Die and was absorbed into the world of ancient Greece.
I knew then what was missing from history lessons: any sense of being there, of feeling emotion for the characters, of being gripped. I went on to read all her books and took to philosophy and Platonism because of them.
When I put the book back on the library shelf, I made a vow: let me do for others what this author has done for me.
Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birth right, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.
I’m a Reader in Latin Language and Literature at Royal Holloway, University of London. In my research and my teaching, I think a lot about the literature and culture of the Roman empire around the first century A.D. As well as sharing my enthusiasm about the people whose writing and objects have survived down to us, I also enjoy reading and exploring how contemporary authors have used their creative freedom to recreate the worlds of ancient Greece and Rome.
This is the first book in Downie’s Medicus series, a series of crime novels based around Ruso, a Roman military doctor. Ruso finds himself based in Britain, in an attempt to escape his past, and finds himself reluctantly drawn into a series of mysterious deaths of women working at a local bar. He also finds himself unexpectedly buying Tilla, a British woman, to rescue her from her abusive previous owner – so with a new job, a new household, and a new set of questions to answer, he has plenty on his plate. Downie spins an excellent murder mystery and gives her reader liberal doses of both comedy and tragedy.
Welcome to the most remote part of the Roman Empire. Britannia, AD117 – primitive, cold, damp and very muddy.
The Gods are not smiling on army doctor Gaius Petreius Ruso in his new posting in Britannia. He has vast debts, a slave girl who is much more trouble than she is worth and an overbearing hospital administrator to deal with . . . not to mention a serial killer stalking the local streets.
Barmaids’ bodies are being washed up with the tide and no one else seems to care. It’s up to Ruso to summon…
I’m a woman. Laughing, crying, and swooning are all things I know intimately—sometimes heart-achingly. I’m living my life with my heart open, learning to be unashamedly me. That means I love, sometimes recklessly. That meant I hurt, sometimes more than anyone could know. And that means I swoon, not only for romance but also for the beauty of this “wild and precious life.” My recommended novels take you through all the feels. My own novels use my roots in Nashville, TN. Family and music are key. But more than that, my books are about learning to love yourself. I’ve learned personally that that’s the true happily ever after.
Romance isn't the only genre I read, of course. Laviniais written by one of my favorite authors, Ursula K LeGuin. This historical fiction novel takes a character from the ancient Aeneidand brings her to life.
In the Aeneid, Lavinia is the prize for Aeneas. But, she never speaks. Not even one word. LeGuin decided to fix that. She gives Lavinia her own story and journey. In doing so, she creates a rich protagonist who takes destiny into her own hands.
LeGuin traditionally writes science fiction. I love how this female writer in a male-dominated genre broke out of sci-fi to bring a historical female character to proper life. This is female empowerment, and I am so here for it! Lavinia is enthralling, exciting, and impassioned. Definitely a favorite!
An exceptional combination of history and mythology - 'an intriguing, luxuriously realised novel' FINANCIAL TIMES
'Subtly moving, playful...a novel that brought me to tears more than once. Lavinia is a delightful heroine' GUARDIAN
'Like Spartan Helen, I caused a war. She caused hers by letting men who wanted her take her. I caused mine because I wouldn't be given, wouldn't be taken, but chose my man and my fate. The man was famous, the fate obscure; not a bad balance.'
Lavinia is the daughter of the King of Latium, a victorious warrior who loves peace; she is her father's closest…
I am the author of five books, including the New Angles Prize shortlisted, Low Country, London’s Lost Rivers and Camden Town: Dreams of Another London. I write about forgotten history, lost places, and strange landscapes in London and on the coast. I have appeared on television (including PBS) and radio and have written for The Guardian and The Daily Telegraph, among others. I also write about music and theatre.
Iris Murdoch’s first novel makes the pubs of 1950s London key characters as a down-at-heel writer roams the city from a shabby Earl’s Court base, trying to square philosophy, political ideas, and reality.
It brings to life a London where people without money could live in the center, and social life was all about who you ran into. This was a place that was still as much a village as a global city.
Iris Murdoch's debut-a comic novel about work and love, wealth and fame
Jake Donaghue, garrulous artist, meets Hugo Bellfounder, silent philosopher.
Jake, hack writer and sponger, now penniless flat-hunter, seeks out an old girlfriend, Anna Quentin, and her glamorous actress sister, Sadie. He resumes acquaintance with the formidable Hugo, whose 'philosophy' he once presumptuously dared to interpret. These meetings involve Jake and his eccentric servant-companion, Finn, in a series of adventures that include the kidnapping of a film-star dog and a political riot on a film set of ancient Rome. Jake, fascinated, longs to learn Hugo's secret. Perhaps Hugo's secret…
I love reality television, shamelessly. I find it fascinating what people are willing to share about themselves in front of a national audience: their disgusting habits, their motivations, vices, secrets, and most importantly, their vulnerabilities. I think the reason I’m drawn to this medium is because I enjoy examining and thinking about why people make the choices they do. When it comes to my writing, I seek to portray the same multidimensional view of my characters that I see on these shows. I want their selfish choices and most humanizing insecurities to shine equally.
I enjoyed reading this novel because of how tangible Martha and her struggle felt to me—both with her own mental illness and with her failing marriage.
This novel illuminated for me the idea that a character can be sad and lonely but at the same time retain a sense of humor and a comedic level of exasperation. I especially loved the relationship Martha has with her sister, Ingrid, and the sharp reflections this novel offers on motherhood and family.
