Here are 9 books that Pendragon fans have personally recommended once you finish the Pendragon series.
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For ten years I’ve been perfecting my own dystopian saga, and with that has come a great love for the genre as I’ve studied and dissected it. Having been involved in the political arena as well, the utopian language politicians have always caused some great concern for me, and through my study of dystopias, these great authors have not only seen dark futures of their respective countries and times, but they’ve always tried to bridge the gap between fiction and societal reality, which I am a great admirer of.
With the topic of Roe V. Wade in the United States, the chasm between pro-life and pro-choice has grown even more, and in a novel that is solely about a great compromise between the two ideologies, Shusterman’s dystopian saga could not be more relevant. Ultimately, Shusterman seems to have great worry about societies lack of value for human life, taking the choice away from those whose lives are being debated over.
Unwindis a classic study on the intertwining of personal choice and the value of human life. Who owns our bodies? Do we? Does someone else? Does the government? Does anyone but the individual have the right to determine the value of their life? Because of society’s proximity to abortion, this storyline seems extreme and disturbing. However, The Unwind Dystology is no more extreme and disturbing than other classic dystopian novels such as 1984and A Brave New World…
In a society where unwanted teens are salvaged for their body parts, three runaways fight the system that would "unwind" them
Connor's parents want to be rid of him because he's a troublemaker. Risa has no parents and is being unwound to cut orphanage costs. Lev's unwinding has been planned since his birth, as part of his family's strict religion. Brought together by chance, and kept together by desperation, these three unlikely companions make a harrowing cross-country journey, knowing their lives hang in the balance. If they can survive until their eighteenth birthday, they can't be harmed -- but when…
I’m a YA fantasy writer, and I’ve been addicted to stories of adventure for as long as I can remember. My love of story filled me with a heart for other worlds and realms and a fondness of reading things that challenged my heart and mind here in the real world. Stories are what make us human, and we storytellers are tasked with challenging readers’ assumptions about how the world, life, love, and humanity works. My obsession with story-telling led me to write my YA fantasy series The Annals of Lusiartha.
As a big sci-fi fan, I often loved exploring the idea of what would happen if the human race ever met aliens. In Galax-Arena, three children are kidnapped and forced to perform death-defying circus stunts in order to entertain their captors. Not only does the story contain some riveting descriptions of acrobatic feats and tricks, the story explores fascinating concepts of slavery, trust, and what it means to be a child in comparison to an adult.
Before The Hunger Games—even before Battle Royale—there was the Galax-Arena, where children are pitted against each other for the benefit of a shadowy audience that feeds on their fear. A Children's Book Council of Australia Honour Book for Older Readers, Galax-Arena is a dark, uncompromising thriller and a cult classic.Joella, her brother Peter and her sister Liane, are kidnapped and transported to become entertainers for an alien species. Many of the performing children are desaparecidos—the disappeared—kidnapped from third world slums and chosen for their extraordinary gymnastic ability. For the children, there is only one escape from the Galax-Arena: out of…
I’m a YA fantasy writer, and I’ve been addicted to stories of adventure for as long as I can remember. My love of story filled me with a heart for other worlds and realms and a fondness of reading things that challenged my heart and mind here in the real world. Stories are what make us human, and we storytellers are tasked with challenging readers’ assumptions about how the world, life, love, and humanity works. My obsession with story-telling led me to write my YA fantasy series The Annals of Lusiartha.
The Animorphs series combines two things I was fascinated with as a child—aliens and animals! In The Invasionmind-controlling aliens called Yeerks invade Earth. A group of teens accidentally sees proof of this invasion and are given the power to turn into animals in order to fight the Yeerks! Most adventure series take you to different worlds, but I really enjoyed how The Invasion was set in the real world. While Jake, Cassie, Marco, Rachel, and Tobias struggle with a powerful alien force bend on world domination, they’re also dealing with the typical challenges and stresses of teenage life like exams, parents, and prom! The Invasionalso offers fascinating viewpoints of what it might be like to live as the animals that surround us.
The Earth is being invaded, but no-one knows about it. When Jake, Rachel, Tobias, Cassie and Marco stumble upon a downed alien spaceship and its dying pilot, they're given an incredible power they can transform into any animal they touch. With it, they become Animorphs, the unlikely champions in a secret war for the planet. And the enemies they're fighting could be anyone, even the people closest to them. So begins K.A. Applegate's epic series about five normal kids with a limitless amount of forms and abilities.
My dad raised me on science fiction and fantasy. At first, it was enough for me to be entertained by stories of spaceflight, of rescuing maidens in distress, and of fighting bug-eyed monsters. But over the years, as I read more, I realized that I wanted stories with a moral or ethical center, stories where murder, mayhem, and war were to be avoided if possible, and where, if they couldn’t be avoided, the protagonists struggled deeply with the moral dimensions of the actions forced upon them. I wanted to see characters growing into their ethical consciousness.
I love this series of three short novels enough to have read it more times than I can count. The language of the novel is simple and evocative. I love the main character, a young wizard who starts out as proud, angry and arrogant, but becomes deeply compassionate when his hubris leads him to make a tragic and evil use of magic.
I could feel myself grabbed by the world of the novel, a world of men and dragons, of islands dotted in an endless sea, of powerful mages who interfere at their peril with the precarious balance of the world between good and evil.
The first book of Earthsea in a beautiful hardback edition. Complete the collection with The Tombs of Atuan, The Furthest Shore and Tehanu
With illustrations from Charles Vess
'[This] trilogy made me look at the world in a new way, imbued everything with a magic that was so much deeper than the magic I'd encountered before then. This was a magic of words, a magic of true speaking' Neil Gaiman
'Drink this magic up. Drown in it. Dream it' David Mitchell
Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth.
To understand why I write macabre stories, you could ask my therapist if I had one. I’ve had this bent since my mother read me Dr. Seuss’ What Was I Scared Of? (A title that inspired the title of my TV series Are You Afraid of the Dark?) Blame it on her. My reading was dominated by the short stories I mentioned and magazines like Eerie and Creepy. I also consumed a steady diet of Twilight Zone and Saturday matinee horror movies. Why? I believe it’s because these stories offer imaginative conflicts that are far removed from reality yet told through the perspective of common experience. And they’re always wrapped in a compelling mystery.
Like Stephen King, Clive Barker has an impressive list of horror-themed novels for all tastes, ranging from fantasy to deeply disturbing and graphic horror tales like Books of Blood. This book skews more toward fantasy but still has its share of scares and disturbing imagery.
A young boy is sent on a whimsical and horrifying imaginative adventure. It’s like a modern-day Grimm fairy tale, right up my alley.
To understand why I write macabre stories, you could ask my therapist if I had one. I’ve had this bent since my mother read me Dr. Seuss’ What Was I Scared Of? (A title that inspired the title of my TV series Are You Afraid of the Dark?) Blame it on her. My reading was dominated by the short stories I mentioned and magazines like Eerie and Creepy. I also consumed a steady diet of Twilight Zone and Saturday matinee horror movies. Why? I believe it’s because these stories offer imaginative conflicts that are far removed from reality yet told through the perspective of common experience. And they’re always wrapped in a compelling mystery.
This is more of a general recommendation for the myriad of terrific horror-themed short stories that I’ve been reading since I was young. The Most Dangerous Game, The Birds, The Upper Berth, anything by Poe, The Legend of Sleepy Hollow, The Specialty of the House, the list goes on. And on.
These types of short stories always have a disturbing premise that makes you shudder; they are paced so that you can’t turn the pages fast enough and often end with a stunning twist. I picked this book since I feel it is a quintessential example of this genre and because I have a personal bias since I used it as the basis for the pilot episode of my TV series.
Outside, the night is cold and wet. Inside, the White family sits and waits. Where is their visitor? There is a knock at the door. A man is standing outside in the dark. Their visitor has arrived. The visitor waits. He has been in India for many years. What has he got? He has brought the hand of a small, dead animal - a monkey's paw. Outside, in the dark, the visitor smiles and waits for the door to open.
I’ve spent a lifetime reading horror, I was probably in third grade when I stumbled across a battered collection of short stories by Saki in the adult section of the library—where I wasn’t supposed to be. I snuck the book back to the children’s section, started reading, and I was hooked. Then it was Edgar Allan Poe, and from Poe until now, it’s been every horror novel or short story I could find. The best of them have never left me. And they make up my list, The Most Terrifying Novels You Can’t Escape From.
Like the other books on the list, The Shining felt personal, more like something that was happening to me than a story I was reading.
Like Jack, I could feel myself hanging on while the menace around me grew more real, more concrete. And more overwhelming. Even today, I can feel the terror of losing control, of becoming part of the menace, part of the threat to everything of meaning and value. Snowbound with horror, and Spring will never come.
#1 NEW YORK TIMES BESTSELLER • Before Doctor Sleep, there was The Shining, a classic of modern American horror from the undisputed master, Stephen King.
Jack Torrance’s new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he’ll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote . . . and more sinister. And the only one to notice the strange and terrible forces gathering around…
I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
This is the book that taught me how powerful loneliness can be.
Every time I return to it, I feel one character’s ache settle into me, that desperate want to belong somewhere, even if it’s a house that doesn’t love you back. I recommend it because it still feels as if I’m attempting to figure out what is happening alongside the characters, the way only great writing can.
Jackson makes you realize that the scariest hauntings aren’t in the walls, they’re the ones we carry within us.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
Growing up very pale in a sun-washed Australian coastal town, I often found myself retreating to the cool shadows. It was in the darkness that I felt most at home—which may be why I’ve always been drawn to stories with a darker edge. My fascination with creatures in those frightening tales—immortal, dark, and possessed of terrible appetites—led to Winter’s Shadow, my debut YA novel, and the reason I still write today. I love books that blur the line between horror and the mundane—tales that feel like nightmares recalled in the comforting light of day. These are the stories that linger, and this list is a love letter to them.
When I first read Interview with the Vampire (I was 12), I was struck by how Anne Rice made darkness beautiful. The mood, the grief, the sensuality—it all felt so rich and strange and alive.
I didn’t just want to read about Louis and Lestat; I wanted to live inside that shadowed world, however painful. The power of her vampires was alluring, even as their sadness confused me. How could being immortal be such a torment?
This book taught me that supernatural fiction could be poetic, philosophical, even transcendent. There’s a reason this novel endures.
It made me want to write stories where beauty and horror dance together in candlelight.
From #1 New York Times bestselling author Anne Rice, this sensuously written spellbinding classic remains 'the most successful vampire story since Bram Stoker's Dracula' (The Times)
In a darkened room a young man sits telling the macabre and eerie story of his life - the story of a vampire, gifted with eternal life, cursed with an exquisite craving for human blood.
When Interview with the Vampire was published the Washington Post said it was a 'thrilling, strikingly original work of the imagination . . . sometimes horrible, sometimes beautiful, always unforgettable'. Now, more than forty years since its release, Anne…
