Books like The Shining — picked by fans

I read this trilogy in 1998 when I had just finished high school.

Even then, I understood the book presented Frodo as the main hero, but I was always aware that without Sam, Frodo couldn't go far. He was just a gardener in the beginning, but when the books were over, he proved himself and even became the mayor of the Shire.

Seeing a regular guy carrying the main hero on his shoulders is something else. The decisions he made and his forcing himself to do more transformed him into a natural hero and a leader.

This book is part odyssey, part ghost story, and part passion play. Toni Morrison is one of the patron saints of American literature whom I was fortunate to discover at an early age. This is her masterpiece, an example of what is possible when a writer’s heart, mind, and spirit are aligned.

The fact that the unfathomable sacrifice around which Beloved is imagined is based upon an actual event speaks volumes about the innate horrors of slavery. In matters of race, America’s skeletons are buried in shallow graves.

As someone who considers her brother her creative muse, I would describe this novel as one interested in siblings.

Between Leonie and Given, and Jojo and Kayla is an indescribable, utterly unique bond, held within and beyond both family and friendship. 

I was utterly consumed by this heartbreaking novel. From the opening scene where Pop and Jojo kill and skin a goat, to the heat in Leonie’s car and the scene of Jojo’s police cuffing, Ward delivers a pace, language, and viscerality that means you can’t look away. 

Somewhat surprisingly, I was even compelled by the book’s ghostly elements. I found they enhanced the magnitude of the characters’ burdens, especially for thirteen-year-old Jojo, who already shoulders so much.

I highly recommend this book, as a pleasure and as a duty to your fellow human beings. 

This ghost story is in many ways the inspiration for my book.

I love that the ghost of Susie Salmon has a quest from the very beginning that not only deals with an earthly injustice but reveals her prior human nature. It is heart-wrenchingly sad and beautiful at the same time, a dichotomy of emotions that I sought to capture in my book.

I find Tom Ripley such a wonderful character—a con man who commits crimes under the guise of someone else, a male protagonist written by a lesbian.

I love the levels of deception the reader is pulled in, so is on the side of the criminal throughout, hoping for him not to get caught in his awful, amoral behaviour.

It is a masterful use of the narrative voice in crime fiction at its best.

As I indicated earlier, I am a Lee Child superfan. I’ve read all his original books. A thick (and expensive) biography. A long essay he wrote on heroism. All his short stories. You get the idea. So it was fun to re-read this book, his first.

It wasn’t what I remembered, that’s for sure! Yes, the action scenes are vivid and instructive (Child writes about the utility of a headbutt versus the risk of breaking your hand with a punch), and the action is what I remember most. But there’s more to this book than fights: there’s a major romance, which the author writes with gusto and in detail, heavy on feelings, not on private parts; the prose is better than solid, with imagery that really makes it come alive; and the story is plausible and tightly woven, with plenty of surprises. 

I recommend this book because of its evident understanding of the psychology of fear. 

From the very first, there is an ominous atmosphere—evil characters, and above all, misunderstanding. Everything in this novel is pointed toward a ambience of fright. The characters are, aside from Rebecca, who is quite innocent, mysterious and dark.

Everything in the novel, the house, the furnishings therein, the weather, everything is portrayed as sinister. This is a tour de force of maintaining a consistent and frightening atmosphere.

Illusion. Women’s framing. Adrift in a world everyone thinks is perfect. Living the glamorous life others want. Being the thing men desire to have, to own, as long as the veneer holds. Dealing with mental illness that people explain away because all the tinsel is just dressing and sparkles, but if you lean on it, it parts, and you find yourself falling through the space.

Although ‘they’ say they care, they don’t, and no one wants to hear the truth, they only want pretend. Within the first five pages, we understand what’s going on inside her, that she has something to hide, and that she’s willing to lie about who she really is. In chapter one, we discover that her best friend, Doreen, doesn’t really know her name. We see the world through her eyes, interspaced with an actual conversation that calls the world a lie and her own framing… show more.

I adore reading atmospheric adventures of mystery, supernatural, and ghostly powers; this book has these values in abundance. Noemi’s alluring character is smart, savvy, and admirably vulnerable. Loved her. At High House in the Mexican countryside, Noemi discovers ghostly entities repeatedly forming blisters across the walls. How mysterious and threatening; I was fascinated.

The best part of the novel for me was the emotional intelligence of the characters because their behavior is both suspiciously rational and heart-stopping clever. Gripping as all heck. This family was obsessed with a relentless desire to rule and control their destiny at all costs via Otherworld powers. Absolutely compelling. I was breathless along with Noemi at every step as she was drawn into the dangers and treacherous family secrets that threatened to kill her.

Even though this is a period novel, I read this story for its Gothic horror and literary acumen. Repression of memories, feelings, and guilt struck me throughout. Dr. Faraday discovers ghostly mysteries at Hundreds Hall, and his romance with Caroline is spooky enough, but this ghost story is grounded in reality.

Who is the little stranger haunting the premises? I sunk deeply into this story, drinking up the beauty. But the ending! Wow. Brilliantly revealed and aptly placed on the final page. Sarah Waters hides the ghost in plain sight, and yet I was surprised at the conclusion—delightfully so. I’m a sucker for one-liners that grab the reader by the throat, metaphorically speaking, at the last line. I plan to read it again because it’s that good.