100 Books Like A Wizard of Earthsea

The first printing of this book in c.1470 laid the foundation for our popular, very British myths about Arthur and the Round Table.

I was absorbed by the legends of this great king and his knights; of his desire to bring honour and peace to our island. I at once fell in love with the young king, then wept over his demise when he discovered his wife’s affair with Sir Lancelot.

The thread flowing though these stories, and which eventually leads Arthur to his end, is one of striving for honour above all things. I was so inspired that I drew up an ancestral tree from its pages, so I could see at a glance where the knights linked together with their great leader. I still have that work.

What truly is there left to say about this masterpiece of classic fantasy that hasn’t been said a million times already?

After devouring the light appetizer that is The Hobbit, my teenage imagination was utterly blown away by what I only later understood to be the quintessential blueprint for nearly everything that’s followed throughout the years in this genre.

The sheer level of minute detail and painstakingly developed mythos is nothing short of a masterclass in world-building—a must-have skill for writing this kind of epic tale—but it was the story itself, with its core principles of friendship, loyalty, and sacrifice, that resonated so deeply with me.

This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.

Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.

The world-building is vivid and rich in dactylic hexameter, a rhythmic style.… show more.

This was the first fantasy book that made me afraid for its characters and helped me understand that fantasy is allowed to feel realistic.

Up until this point, the types of books I was reading were very paint-by-numbers, but here the stakes felt real because no one was safe... not even the ones who seemed typical fantasy rules were untouchable.

What stuck with me wasn’t the true-to-form fantasy bits (dragons/battles), but how human the characters felt. In this world, loyalty is a death sentence... love is dangerous, and power always comes with a price.

Here is another masterpiece.

It purports to be historical fiction set in the Old West, following one of the last great cattle drives. Yet within a few chapters, it begins to feel like a series of episodes from Grimm’s fairy tales.

I remember at UC Irvine, where I earned my Fiction MFA, several fellow writers were reading this novel alongside me. We kept stopping each other in the hall or at cocktail parties to relive this or that chapter, struggling to understand how it could be both so entertaining and so good.

The fact that it is long—a real doorstopper of a book—adds to its “too-big-for-one-genre” feel.

This entire series was amazing. Okay, a few of the books were a bit slow, but overall, it was great. The new worlds, the political intrigue, everything about this story was great. There were histories that drove the characters that were only hinted at or mentioned in passing, but they brought life to them. Just like we are all shaped by our past, our countries, and our places in society, so are all the characters in this book.

My favorite character wasn’t Paul, though; it was Duncan Idaho. I was so sad when he was killed, but I was fascinated when they brought him back from the dead in the second book and others because Herbert made it so interesting. The bodyguard programmed, created even, to kill the one he once died to protect. Now, that’s some drama right there. 😊 

The twists, turns, and world-building were amazing. I learned… show more.

My favorite fantasy novels are those that take place in real and recognizable worlds because they allow me to imagine more clearly what it could be like if the marvelous, the magical, and the mythical were just as real as the kitchen sink and the laundry basket.

Susanna Clark’s iconic first novel, set against the turmoil of the Napoleonic Wars, is built upon a recognizable and very credibly created backdrop of social and economic unrest, bloody conflict, and international politics—at the heart of which is the quest of the eponymous Strange and Norrell to bring real magic back to the world. 

The two magicians are the only people able to make the magic work—and as they become more successful in their endeavors, they become the most famous men of their day—helping the Duke of Wellington to defeat Napoleon and setting the country on its heels with their… show more.

This book is both a fascinating vision of a tumultuous world and a deep dive into the mind of a troubled and compelling protagonist.

The character work in this book is incredibly impressive, with the long arc of the protagonist’s development drawn in convincing and gripping detail that left me feeling like I had known this person for years through all their triumphs, tragedies, and mistakes, which is to say nothing of its creative and plausible magic, its socio-political commentary, and its meditation on family and grief. Rightfully recognized as a modern classic, it is a book all fans of fantasy should read.

Set within the greatest mass migration in American history, Steinbeck’s 1939 classic follows the Joad family as they join nearly three million others who escape the Dust Bowl of the American Midwest.

Usurious banks have foreclosed and crushed the bereft farmers. More than 200,000 refugees head for California, and the Joads join them in an ambling caravan of rattling jalopies. Young Rose of Sharon moves pregnant across the continent, emblematic of both the promise and the peril of the human condition. She’s surrounded by family and hangers-on who ford the wasted continent, only to face a glut of labor in the vast farms of California and the brutal exploitation of the owner classes. The Joads are slapped with the bitter understanding that the promise of California exists largely in myth. Yet always Steinbeck returns to the promises of human connection and even happiness that beckon from just over the next… show more.

This has to be one of–if not the–greatest single book I’ve ever read about war in the ancient world. I read the first ten pages, and I was interested; then I read the next forty, and I was utterly hooked. As a description of an elite military force holding out against overwhelming odds it fascinated me, but as a human story of the way Spartan society worked to produce those warriors, imbued with heroism, honour and humour in equal amounts I was simply blown away.

It’s fair to say that this book has been my greatest influence all the way through my writing career. I dare anyone with an interest in the genre to read this and then deny that they were informed, entertained, and (perhaps darkly) amused by the story and its payoff. This is God-tier writing, plain and simple, and, not for no reason, the closest thing the… show more.