Books like A Wizard of Earthsea — picked by fans

The first printing of this book in c.1470 laid the foundation for our popular, very British myths about Arthur and the Round Table.

I was absorbed by the legends of this great king and his knights; of his desire to bring honour and peace to our island. I at once fell in love with the young king, then wept over his demise when he discovered his wife’s affair with Sir Lancelot.

The thread flowing though these stories, and which eventually leads Arthur to his end, is one of striving for honour above all things. I was so inspired that I drew up an ancestral tree from its pages, so I could see at a glance where the knights linked together with their great leader. I still have that work.

I read this trilogy in 1998 when I had just finished high school.

Even then, I understood the book presented Frodo as the main hero, but I was always aware that without Sam, Frodo couldn't go far. He was just a gardener in the beginning, but when the books were over, he proved himself and even became the mayor of the Shire.

Seeing a regular guy carrying the main hero on his shoulders is something else. The decisions he made and his forcing himself to do more transformed him into a natural hero and a leader.

This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.

Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.

The world-building is vivid and rich in dactylic hexameter, a rhythmic style.… show more.

Everybody talks about the shock value of this series, but they forget that these books have the greatest and most realistic character developments of all time.

Sansa, Daenerys, and Jon Snow are the most obvious ones, but I chose Jaime because I can relate to him the most. Sometimes everything goes your way, and you feel invincible. But remembering the fall of Jaime keeps my feet on the ground.

I had similar experiences several times when I acted like a jerk because of my job titles before reading his story. Now I never get ahead of myself. 

Here is another masterpiece.

It purports to be historical fiction set in the Old West, following one of the last great cattle drives. Yet within a few chapters, it begins to feel like a series of episodes from Grimm’s fairy tales.

I remember at UC Irvine, where I earned my Fiction MFA, several fellow writers were reading this novel alongside me. We kept stopping each other in the hall or at cocktail parties to relive this or that chapter, struggling to understand how it could be both so entertaining and so good.

The fact that it is long—a real doorstopper of a book—adds to its “too-big-for-one-genre” feel.

I’m a fan of Dune because it feels larger than science fiction and more enduring than almost any genre label can contain.

I admire the depth of Frank Herbert’s worldbuilding, the strength of his prose, and the narrative weight carried by his characters and ideas. I return to books like this because they helped define what speculative fiction could become.

I also value Dune as a work of its own time. I do not want foundational novels rewritten to imitate modern language or contemporary storytelling habits. I want them preserved, studied, and experienced as they were written. To me, the best way to keep a genre alive is not to alter its past, but to let new authors build upon it with voices of their own.

Reading this was like drinking tea with a ghost in a dusty library—charming, eerie, and wonderfully slow.

Clarke's ability to mix historical fiction with brooding, folkloric magic was inspiring. I admired how it builds tension not with battles, but with manners, contracts, and impossible choices. It taught me patience in worldbuilding and in life.

Jemisin combines geological apocalypse, complex magic, and generational trauma with raw power.

That’s something I explore in my own work, so this trilogy was a strong—if abstract—indirect influence. Few books have stayed with me so viscerally.

The writing is sharp, emotionally devastating, and fearless. It doesn’t just tell a story—it tears through it with tectonic force. It made me want to write braver and more honestly about pain, survival, and what breaks beneath the surface.

When I first read The Grapes of Wrath in high school, I was moved by the story of the Joad family’s poverty and desperation, and the lack of sympathy they encountered when they arrived in California. 

It is a very gritty description of their journey to California, and details how their dreams sour when they arrive, working as slaves for big orchard owners. This was the fate of thousands of farmers who fled the Dust Bowl. 

I now want to reread all of Steinbeck’s work. 

This has to be one of–if not the–greatest single book I’ve ever read about war in the ancient world. I read the first ten pages, and I was interested; then I read the next forty, and I was utterly hooked. As a description of an elite military force holding out against overwhelming odds it fascinated me, but as a human story of the way Spartan society worked to produce those warriors, imbued with heroism, honour and humour in equal amounts I was simply blown away.

It’s fair to say that this book has been my greatest influence all the way through my writing career. I dare anyone with an interest in the genre to read this and then deny that they were informed, entertained, and (perhaps darkly) amused by the story and its payoff. This is God-tier writing, plain and simple, and, not for no reason, the closest thing the… show more.