100 Books Like A Wizard of Earthsea

The first printing of this book in c.1470 laid the foundation for our popular, very British myths about Arthur and the Round Table.

I was absorbed by the legends of this great king and his knights; of his desire to bring honour and peace to our island. I at once fell in love with the young king, then wept over his demise when he discovered his wife’s affair with Sir Lancelot.

The thread flowing though these stories, and which eventually leads Arthur to his end, is one of striving for honour above all things. I was so inspired that I drew up an ancestral tree from its pages, so I could see at a glance where the knights linked together with their great leader. I still have that work.

I would have thought to list another book here, and for sure, there are truly many books to be read that could easily be listed here, and despite that, this is listing Tolkien’s works for a third time; the truth simply stands in my library that his works are simply that great. 

So far be it that the renowned book of The Lord of the Rings be not included. I had been introduced to Tolkien and fantasy’s more serious nature by my dad and grandfather with readings of The Hobbit, and by it, I was already enamored with the world of Middle-earth, as Bilbo was my hero.

I loved the classic animated cartoon adaptations back then by Rankin and Bass, and Bakshi, which at the time was my main exposure to The Lord of the Rings, along with commentaries from my dad, until I finally read it at the time… show more.

This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.

Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.

The world-building is vivid and rich in dactylic hexameter, a rhythmic style.… show more.

This was the first fantasy book that made me afraid for its characters and helped me understand that fantasy is allowed to feel realistic.

Up until this point, the types of books I was reading were very paint-by-numbers, but here the stakes felt real because no one was safe... not even the ones who seemed typical fantasy rules were untouchable.

What stuck with me wasn’t the true-to-form fantasy bits (dragons/battles), but how human the characters felt. In this world, loyalty is a death sentence... love is dangerous, and power always comes with a price.

Here is another masterpiece.

It purports to be historical fiction set in the Old West, following one of the last great cattle drives. Yet within a few chapters, it begins to feel like a series of episodes from Grimm’s fairy tales.

I remember at UC Irvine, where I earned my Fiction MFA, several fellow writers were reading this novel alongside me. We kept stopping each other in the hall or at cocktail parties to relive this or that chapter, struggling to understand how it could be both so entertaining and so good.

The fact that it is long—a real doorstopper of a book—adds to its “too-big-for-one-genre” feel.

This book is prophecy, power, and paranoia wrapped in a sandstorm.

It was the first book that showed me how deeply philosophy and politics could be embedded in a fantastical world. It taught me that “epic” doesn’t mean loud—it means legacy. I still marvel at Herbert’s precision—his control of tone, symbolism, and tension.

It’s the rare kind of book that makes you feel like you’re trespassing into something sacred and dangerous. Every time I return to it, I leave with something new—and a little unsettled.

Reading this was like drinking tea with a ghost in a dusty library—charming, eerie, and wonderfully slow.

Clarke's ability to mix historical fiction with brooding, folkloric magic was inspiring. I admired how it builds tension not with battles, but with manners, contracts, and impossible choices. It taught me patience in worldbuilding and in life.

Jemisin combines geological apocalypse, complex magic, and generational trauma with raw power.

That’s something I explore in my own work, so this trilogy was a strong—if abstract—indirect influence. Few books have stayed with me so viscerally.

The writing is sharp, emotionally devastating, and fearless. It doesn’t just tell a story—it tears through it with tectonic force. It made me want to write braver and more honestly about pain, survival, and what breaks beneath the surface.

Set within the greatest mass migration in American history, Steinbeck’s 1939 classic follows the Joad family as they join nearly three million others who escape the Dust Bowl of the American Midwest.

Usurious banks have foreclosed and crushed the bereft farmers. More than 200,000 refugees head for California, and the Joads join them in an ambling caravan of rattling jalopies. Young Rose of Sharon moves pregnant across the continent, emblematic of both the promise and the peril of the human condition. She’s surrounded by family and hangers-on who ford the wasted continent, only to face a glut of labor in the vast farms of California and the brutal exploitation of the owner classes. The Joads are slapped with the bitter understanding that the promise of California exists largely in myth. Yet always Steinbeck returns to the promises of human connection and even happiness that beckon from just over the next… show more.

This has to be one of–if not the–greatest single book I’ve ever read about war in the ancient world. I read the first ten pages, and I was interested; then I read the next forty, and I was utterly hooked. As a description of an elite military force holding out against overwhelming odds it fascinated me, but as a human story of the way Spartan society worked to produce those warriors, imbued with heroism, honour and humour in equal amounts I was simply blown away.

It’s fair to say that this book has been my greatest influence all the way through my writing career. I dare anyone with an interest in the genre to read this and then deny that they were informed, entertained, and (perhaps darkly) amused by the story and its payoff. This is God-tier writing, plain and simple, and, not for no reason, the closest thing the… show more.