100 Books Like The Thief of Always

As a horror writer whose interests tend to favor morbid topics that are often neglected, end-of-the-world stories have fascinated me since I first read Stephen King’s The Stand at far too young of an age. I love how these works enable the exploration of life, death, and survival. My appreciation for the subject matter deepened during my studies in Seton Hill University’s Writing Popular Fiction MFA program, where I learned how genre fiction has the unique ability to both enlighten and entertain readers. This inspired me to write my post-apocalyptic horror novel, What Remains.

Growing up very pale in a sun-washed Australian coastal town, I often found myself retreating to the cool shadows. It was in the darkness that I felt most at home—which may be why I’ve always been drawn to stories with a darker edge. My fascination with creatures in those frightening tales—immortal, dark, and possessed of terrible appetites—led to Winter’s Shadow, my debut YA novel, and the reason I still write today. I love books that blur the line between horror and the mundane—tales that feel like nightmares recalled in the comforting light of day. These are the stories that linger, and this list is a love letter to them.

I grew up hearing Scottish folklore told as truth, stories of spirits, warnings, and strange kindnesses passed off as everyday fact. I have always been fascinated by the idea that there is something more, something hidden just out of sight. As a child I was scared of everything, so I forced myself to watch old Hammer horror films to toughen up. It worked a bit too well and left me with a lifelong love of the dark underside of things. Now, as a stand-up comedian and writer, I have learned there can be humour in anything, and sometimes the best way to make something real is to laugh at the awful.

As an author of experimental and genre-bending books, I evangelize people not only to read more books but to read books outside of their comfort zone. And while it doesn’t take much work to get adult readers to consider Young Adult titles, getting them to read Middle-Grade books has been a much greater challenge, which is a shame because middle school has a lot to offer. Some of the best and most life-changing books exist within the Middle-Grade category. My own Middle-Grade books were written with readers of many age ranges in mind. 

I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.

I’ve spent a lifetime reading horror, I was probably in third grade when I stumbled across a battered collection of short stories by Saki in the adult section of the library—where I wasn’t supposed to be. I snuck the book back to the children’s section, started reading, and I was hooked. Then it was Edgar Allan Poe, and from Poe until now, it’s been every horror novel or short story I could find. The best of them have never left me. And they make up my list, The Most Terrifying Novels You Can’t Escape From.

I taught my first three recommendations as an English professor at Dickinson College. Since I retired, I’m constantly on the lookout for books worth discussing. Growing up, my feelings towards my brilliant and accomplished older sister cycled between awe, jealousy, resentment, and affection. That must partly account for the draw of books that explore the shared experiences and complex relationships of siblings. She’s sadly gone now, but watching the closening ties and lingering frictions between my own daughter and son keeps that interest alive—as does my constant witnessing of my wife’s rich relationship with her two older brothers. Since Cain and Abel, it’s all been about siblings.

To understand why I write macabre stories, you could ask my therapist if I had one. I’ve had this bent since my mother read me Dr. Seuss’ What Was I Scared Of? (A title that inspired the title of my TV series Are You Afraid of the Dark?) Blame it on her. My reading was dominated by the short stories I mentioned and magazines like Eerie and Creepy. I also consumed a steady diet of Twilight Zone and Saturday matinee horror movies. Why? I believe it’s because these stories offer imaginative conflicts that are far removed from reality yet told through the perspective of common experience. And they’re always wrapped in a compelling mystery.

When I was 13, I paid 25 cents to see a mysterious fortune teller at a local carnival. She predicted I would marry a tall, handsome man, and then she paused and told me my next-door neighbor would soon break his arm. Within a week, my neighbor, Jack, dressed in his Superman costume, jumped off his roof and broke his arm. I was impressionable – and impressed. Since that time, I have been fascinated with fortune tellers and the magic that surrounds them as well as books based on magical realism and the paranormal. Oh, and by the way, I did marry a tall, handsome man.

Horror is my passion and most things I read and everything I write fits neatly into the genre. But I am also passionate about telling stories from a unique perspective, or if not entirely unique then at least one that is underused. My novella A Man in Winter is told from the perspective of an elderly chap with dementia for instance. I have also found that many people think books with child protagonists must be children’s books and it makes me sad to think of all the wonderful work is being missed out on, I hope that my list has convinced you to try one of the above books.