I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.
My Book of Life by Angel is an unlikely subject for a novel in verse—the life of a young prostitute on Vancouver’s East side. Drugs, illness, abandonment, violence are all shown in a first-person narrative of incredible sensitivity and honesty. It is a novel that will both open and break your heart as you see life on the street through Angel’s flawed and imperfect humanity. I love the grace and delicacy of Leavitt’s poetry as it contrasts with the horror of Angel’s life.
When 16-year-old Angel meets Call at the mall, he buys her meals and says he loves her, and he gives her some candy that makes her feel like she can fly. Pretty soon she's addicted to his candy, and she moves in with him.
As a favor, he asks her to hook up with a couple of friends of his, and then a couple more. Now Angel is stuck working the streets at Hastings and Main, a notorious spot in Vancouver, Canada, where the girls turn tricks until they disappear without a trace, and the authorities don't care. But after…
I’m a multi-genre writer, a passionate reader, and, like all of us, a flawed human being. The stories that truly speak to me are the ones with a main character who is imperfect. I may not like the protagonist at first, but as the author develops the story and the hero’s challenges, the character grows, we see inside them and learn to love them, as they also learn to love and accept themselves, flaws and all. They use this growth to make a better world. And that’s what fiction is all about. Of course, it helps if they’re funny too. I love humor.
A touch of romance, quite a bit of magic, and a whole lot of snark! Ashira Cohen is scarred emotionally and physically but it doesn’t stop her indomitable spirit. When her magical powers come on her suddenly, she doesn’t miss a beat as she figures her way around the unknown supernatural worlds. I laughed out loud reading this one!
"This giddy, sexy series launch is a delight.” - Publishers Weekly (starred review) Featuring an enemies-to-lovers romance and a smart female P.I., this hilarious paranormal mystery will keep you up all night.
Missing teens. Long-lost magic. And the sexy nemesis who might drive her to murder.
Detective for hire, Ashira Cohen is having a no-good, very bad day.
When Ash was thirteen, her con artist father disappeared, leaving her with emotional scars and a limp she can't hide. But she toughened up, determined never to be played again. Is history repeating itself?
Two sisters. One opulent hotel. A chance to change everything.
For 17-year-old Clara Wilson, the glamour of the Roaring Twenties feels worlds away. With her family on the brink of eviction, Clara pins her hopes on a position at the grand Hotel Hamilton. But when her adventurous sister impulsively follows…
I am an author, illustrator, and award-winning creative director. I have loved to draw and make things since a young age, mostly wacky contraptions (inspired by my love of the Hanna-Barbera Wacky Races cartoons). I’m also passionate about mazes, having spent many family holidays drawing mazes on a small whiteboard for my two boys to complete.
Here’s another maze book by Usborne, Around the World Mazes by Sam Smith (as I mentioned previously, Usborne publishes great children’s books!). Unlike The Big Maze book this book has an overarching theme linking all the mazes, ‘places around the world’, also, each maze covers the entire double-page spread, so there are fewer mazes but with greater visual impact. While the delightfully illustrated mazes will appeal more to younger children, they do playfully bring to life the different locations they depict, whether that be the Australian Outback or coast of Vancouver, and so provide educational content along with oodles of fun!
Travel from the Amazon and the Antarctic to the Himalayas and Hollywood with this entertaining selection of mazes from across the globe. Each maze is more challenging than the last, from taking a ramble in Rio de Janeiro to touring the Norwegian fjiords or finding your way in a Moroccan market. All the answers are at the back of the book.
Why Vancouver? Yes, it's my hometown, but I've lived in other places for about 20 years of my life, and I'm anything but a thoughtless booster. Vancouver is a beautiful city, but it's a conflicted one between dreamers of its potential greatness, people wanting a laid-back West Coast lifestyle, and those for whom it's the end of the poverty road with the mildest climate in Canada. Thinking about it, painting it, and writing about it—it's an itch I have to scratch.
A crash course in how the city's evolution has been shaped by its buildings old and new, their architects and developers, and touching on the campaigns to make the city "world class" while others try to hang on to its historic areas. Presented in an engaging tour format with excellent colour photos.
This new edition of the classic urban guidebook brings the city’s architectural story up to date.
Harold Kalman and Robin Ward, long-time chroniclers of Vancouver, offer an authoritative and highly readable book about Vancouver’s most interesting places and explain how, why and by whom the city’s urban environment was created.
Containing more than four hundred entries, ten self-guided tours highlight significant buildings from all eras in the city and its metro region, and feature new projects that transform the skyline more radically than ever before. The tours―organized by neighbourhood and planned variously for walking, cycling, car and transit―reveal Vancouver in…
Crime is intrinsically interesting. From an early age, we’re taught behavioral norms. Hearing of transgressions, we ask, “How’d this happen?... Is it true?... What’s the deeper meaning?” Audiobooks also have a unique ability to engage us. With my reporting background plus a historical novel under my belt, I began researching the real-life case behind Takers Mad, aiming to bring it to life with the intimacy, suspense, and power of an audio drama. Then I was gobsmacked to find fresh evidence in this Gilded Age murder. Now, with Khristine Hvam’s ultra-talented narration, I hope our work entertains and also leads listeners to ponder vital questions—just like the best crime audiobooks.
Unspooled as an episodic series, Danielle Elliot traces the true story of one woman’s long-running nightmare in Vancouver. Police received hundreds of complaints about a stalker and then repeatedly arrived at shocking scenes. But authorities began to doubt the victim’s claims—until she was found dead. I’ve long admired the hard-boiled writing of Ross Macdonald and Margaret Millar, and I don’t think it is only the Canadian setting that makes Death by Unknown Event remind me of their work, but rather the psychological intrigue. Except the twisting plot of these 12 episodes is no work of fiction—sometimes life just can be that strange.
For seven years, Vancouver nurse Cindy James reported more than 100 separate incidents of harassment, ranging from threatening phone calls to home invasions to ritualistic assaults, including strangulations and stabbings. Canada’s Royal Mounted Police spent over a million dollars investigating her claims and found zero evidence of foul play, leading them to suspect she was making it all up. Then, in 1989, Cindy was found dead, bound and naked, half a mile from where her car was parked in a shopping mall. What happened to Cindy James remains one of the most bizarre and perplexing true crime stories in recent…
I was first drawn to the Olympics when, at age nine, I watched US speedskater Eric Heiden win five gold medals at the 1980 Lake Placid Games. Heiden hailed from my hometown of Madison, and to celebrate his victories my mom knit me a replica of Heiden’s signature rainbow cap. A few years later, at the age of nineteen, I was representing the US U-23 men’s National Team in soccer, playing international matches against countries like Brazil and the Soviet Union. I have lived in numerous Olympic cities and written six books about the politics of the Games. I hope you find these books as engaging as I have!
In this edited collection, Russell Field assembles a capable slate of writers who offer ground-eye explanations of how various Winter Olympics affected everyday working people, generating local dissent. Perhaps because the Winter Olympics are smaller than their splashy Summer cousin—today, the Winter Games feature around 2,900 athletes while the Summer Olympics have upwards of 10,500—they have spawned less scholarly and media attention.
This book addresses that deficit with riveting chapters, including one on the Denver 1976 Olympics that never happened after locals torpedoed the event through a public referendum, another on the Sochi 2014 Games in Putin’s Russia, and yet another featuring the politics of the Pyeongchang Olympics in South Korea.
This is a must-read if you want to get the full story behind the Winter Olympics. (Full disclosure: I contributed a chapter on the 2010 Vancouver Winter Games).
Every four years, the Winter Olympics become a focal point for activism and resistance. But in the modern era, mere bids to host the Games have sparked fierce opposition from groups motivated by local or global concerns. Russell Field edits a collection that charts the evolution of protest around the Winter Games and illuminates the issues at the heart of anti-Olympic activism.
The essays collectively explore the shifting dynamics and power relations between the civic coalitions that pursue the Winter Olympics and the social movements that oppose their efforts. The contributors look at specific Games impacted by dissent and probe…
Two sisters. One opulent hotel. A chance to change everything.
For 17-year-old Clara Wilson, the glamour of the Roaring Twenties feels worlds away. With her family on the brink of eviction, Clara pins her hopes on a position at the grand Hotel Hamilton. But when her adventurous sister impulsively follows…
Why Vancouver? Yes, it's my hometown, but I've lived in other places for about 20 years of my life, and I'm anything but a thoughtless booster. Vancouver is a beautiful city, but it's a conflicted one between dreamers of its potential greatness, people wanting a laid-back West Coast lifestyle, and those for whom it's the end of the poverty road with the mildest climate in Canada. Thinking about it, painting it, and writing about it—it's an itch I have to scratch.
Historic photos and maps weave a rich tale of the settlement of the
southwest corner of British Columbia, complementing Bruce MacDonald's
work with an extraordinary range of images, including of the
oft-overlooked suburbs and farming communities on Vancouver's doorstep.
Compared with MacDonald's maps, many of the images here are art—birds-eye views by artists from an era before people could fly and others that dream of a great, huge city when, in reality, it was a
collection of little cabins.
Map researcher and collector Derek Hayes here presents the sixth in a series of critically acclaimed, award-winning historical atlases. Gathered together in a single volume for the first time, here are the maps that shaped Vancouver and the surrounding Lower Fraser Valley. More than 370 original maps chart the region’s development beginning with the years of discovery and exploration. They depict its days as a fledgling colonial outpost, its appearance on the world scene after the arrival of the Canadian Pacific Railway, through to its emergence as a postwar Pacific metropolis. These maps evoke such historic events and developments as…
I am a care aide (aka personal support worker) who has happily worked at an extended care facility for more than twenty years, and as such, I have been a compassionate listener to many a family member suffering from the tsunami of feelings involved when coping with aging parents or spouses, so I thought I would be well-positioned and emotionally prepared to cope when it was my turn to face my own mother's deterioration. How wrong I was! Thank goodness for the generous souls who write memoirs. Each of the books that I have chosen was an education and an affirmation to me as I tried to maintain my equilibrium while supporting my mother and my mother-in-law through their final years.
When I read memoirs about aging parents, loss is usually an important theme; Ilsley's memoir stands out because his regret is for a closeness that never was. "Only now, as my father enters his nineties . . . and my aspirations of eldercare become more interventionist, has our relationship had a chance to deepen.
"And by deepen, I mean really begin to annoy each other."
Ilsley's relationship with his father is challenging. There are good reasons why Ilsley chooses to live in Vancouver rather than "home" in Nova Scotia. But his father is still is his father, and Ilsley commits. His writing is clear, candid, thoughtful, and so warm and funny. I loved this book.
George K. Ilsley explores his complex relationship with his aging father in this candid memoir full of sharp emotion and disarming humor. George’s father is ninety-one years old, a widower, and fiercely independent; an avid gardener, he’s sweet and more than a little eccentric. But he’s also a hoarder who makes embarrassing comments and invitations to women, and he has made no plans whatsoever for what is inevitably coming over the horizon.
Decades after George has moved four time zones away, he begins to make regular trips home to help care for his cranky and uncooperative father, and to sift…
One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.
Trickster Drift is Book Two in the Trickster trilogy. (Side Note: I loved the entire trilogy, but Book Two is my favourite.) Trickster Drift is an edgy blend of the supernatural, Indigenous lore, and substance abuse. The characters, particularly Jared’s mother Maggie (who is literally a witch) are memorable, and the dialogue is smart and funny. I have to be careful of spoilers, so I’ll just say that Jared’s conversations in his aunt’s Vancouver apartment with a certain individual wearing a bathrobe are not to be missed. Robinson juggles a number of characters (something I have to contend with in my hockey books), and she does it very well.
Following the Scotiabank Giller Prize-shortlisted Son of a Trickster comes Trickster Drift, the second book in Eden Robinson's captivating Trickster trilogy.
In an effort to keep all forms of magic at bay, Jared, 17, has quit drugs and drinking. But his troubles are not over: now he's being stalked by David, his mom's ex--a preppy, khaki-wearing psycho with a proclivity for rib-breaking. And his mother, Maggie, a living, breathing badass as well as a witch, can't protect him like she used to because he's moved away from Kitimat to Vancouver for school. Even though he's got a year of sobriety…
After writing two expansive novels—The Edge of the World, about lives spanning six decades, and Liberty Landing, a contemporary novel rooted in the arc of American history—I found myself drawn to something smaller. Not smaller in meaning or scope, but in form. I wanted to experiment with the art of compression in storytelling. I was inspired by a microfiction written by novelist Joyce Carol Oates—The Widow’s First Year, which reads: “I kept myself alive.” Eight words. A complete universe of sorrow, endurance, resilience, and time. It stunned me. As I began to write Small Worlds, I was compelled to study fast fiction with the sharpest forensic tools.
McLaughlin’s stories are quiet detonations—elegant, spare, and emotionally charged.
While some exceed strict flash length, many hover under 1,000 words, offering intimate glimpses into fractured families, disquieting silences, and the melancholy of unspoken things. Her language is knife-sharp and lyrical, and her restraint lets each story echo long after it ends.
A woman battles bluebottles as she plots an ill-judged encounter with a stranger; a young husband commutes a treacherous route to his job in the city, fearful for the wife and small daughter he has left behind; a mother struggles to understand her nine-year-old son's obsession with dead birds and the apocalypse.
In Danielle McLaughlin's stories, the world is both beautiful and alien. Men and women negotiate their surroundings as a tourist might navigate a distant country: watchfully, with a mixture of wonder and apprehension. Here are characters living lives in translation, ever at the mercy of distortions and misunderstandings,…
