Here are 100 books that Dinosaurs on Other Planets fans have personally recommended if you like
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After writing two expansive novels—The Edge of the World, about lives spanning six decades, and Liberty Landing, a contemporary novel rooted in the arc of American history—I found myself drawn to something smaller. Not smaller in meaning or scope, but in form. I wanted to experiment with the art of compression in storytelling. I was inspired by a microfiction written by novelist Joyce Carol Oates—The Widow’s First Year, which reads: “I kept myself alive.” Eight words. A complete universe of sorrow, endurance, resilience, and time. It stunned me. As I began to write Small Worlds, I was compelled to study fast fiction with the sharpest forensic tools.
Before I began to write my own cycle of flash fiction and microfiction, I decided to study virtuosos of the form. Bender’s book was my first encounter with fast fiction. Her surreal, emotionally raw flashes and short-shorts walk a tightrope between the absurd and the profound. Her characters often exist in dreamlike states—wearing prosthetic arms, dating monsters, or grieving through magical realism. These compact stories don’t just surprise; they haunt.
As a novelist who leans towards conventional storytelling, I found this book foundational for taking risks to be weird and brief.
In The Girl in the Flammable Skirt Aimee Bender has created a world where nothing is quite as it seems. From a man suffering from reverse evolution to a lonely wife who waits for her husband to return from war; to a small town where one girl has a hand made of fire and another has one made of ice. These stories of men and women whose lives are shaped and sometimes twisted by the power of extraordinary desires take us to a place far beyond the imagination.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
After writing two expansive novels—The Edge of the World, about lives spanning six decades, and Liberty Landing, a contemporary novel rooted in the arc of American history—I found myself drawn to something smaller. Not smaller in meaning or scope, but in form. I wanted to experiment with the art of compression in storytelling. I was inspired by a microfiction written by novelist Joyce Carol Oates—The Widow’s First Year, which reads: “I kept myself alive.” Eight words. A complete universe of sorrow, endurance, resilience, and time. It stunned me. As I began to write Small Worlds, I was compelled to study fast fiction with the sharpest forensic tools.
This groundbreaking anthology helped define flash fiction for American readers.
With contributions from the greats—Ernest Hemingway, Joyce Carol Oates, Grace Paley, Raymond Carver, Tobias Woolf, and more—these tiny narratives often pack the emotional force of a full novel.
A perfect introduction to what flash fiction can achieve when it delivers the whole arc—character, conflict, resolution—in a breath.
Here Are 70 of The Very Best Short-Short Stories of Recent Years Including Contributions From Such Contemporary Writers As Raymond Carver, Leonard Michaels and John Updike; A Few Modern Masters As Hemingway and Cheever; and An Assortment of Talented New Young Writers. Sudden Fiction Brilliantly Captures The Tremendous Popularity of This New and Distictly American Form.
After writing two expansive novels—The Edge of the World, about lives spanning six decades, and Liberty Landing, a contemporary novel rooted in the arc of American history—I found myself drawn to something smaller. Not smaller in meaning or scope, but in form. I wanted to experiment with the art of compression in storytelling. I was inspired by a microfiction written by novelist Joyce Carol Oates—The Widow’s First Year, which reads: “I kept myself alive.” Eight words. A complete universe of sorrow, endurance, resilience, and time. It stunned me. As I began to write Small Worlds, I was compelled to study fast fiction with the sharpest forensic tools.
Andrade, an Ecuadorian poet-diplomat who served in Japan, was strongly influenced by Japanese haiku.
These exquisite prose poems—many under 100 words— capture entire worlds in the space of a single image and blur the line between poetry and microfiction. Each piece offers a miniature fable, observation, or wonder.
This is flash fiction at its most distilled—haiku with a heartbeat. An example, "In the alphabet of things the snail invents the penultimate letter.” Translated from Spanish to Japanese and then English, the romance of Spanish and the precision of Japanese are found everywhere in these words as cut jewels.
Along with Neruda, Vallejo, Paz, and Borges, Jorge Carrera Andrade is widely considered one of the most important poets of Spanish-American postmodernism.
Harvard Review wrote of Andrade's poetry in translation, it is "a testament to Andrade's status as one of the most original and enduring voices in twentieth-century poetry."
The co-translators have worked previously together on well-received projects. Joshua Beckman's translations are particularly well-known: his translation of Tomaz Salamun's Poker was a finalist for the PEN/America translation award.
The unique format of Micrograms allows for multiple avenues of engagement: as literary history, anthology, and generative guide, this unique work appeals…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
After writing two expansive novels—The Edge of the World, about lives spanning six decades, and Liberty Landing, a contemporary novel rooted in the arc of American history—I found myself drawn to something smaller. Not smaller in meaning or scope, but in form. I wanted to experiment with the art of compression in storytelling. I was inspired by a microfiction written by novelist Joyce Carol Oates—The Widow’s First Year, which reads: “I kept myself alive.” Eight words. A complete universe of sorrow, endurance, resilience, and time. It stunned me. As I began to write Small Worlds, I was compelled to study fast fiction with the sharpest forensic tools.
A genre-bending collection of 40 dark microfictions from writers like Samantha Hunt, Brian Evenson, and Rion Amilcar Scott.
Each story is a flash-sized jolt of horror, dread, or surreal unease—some just a paragraph long. A stunning example of how fear, like fiction, doesn’t need a lot of space to crawl under your skin.
If you like the living daylights scared out of you, you may like this book.
A collection of horror–inspired flash fiction, featuring over 40 new stories from literary, horror, and emerging writers—edited by Lincoln Michel and Nadxieli Nieto, the twisted minds behind Tiny Crimes: Very Short Tales of Mystery and Murder
In this playful, inventive collection, leading literary and horror writers spin chilling tales in only a few pages. Each slim, fast–moving story brings to life the kind of monsters readers love to fear, from brokenhearted vampires to Uber–taking serial killers and mind–reading witches.
But what also makes Tiny Nightmares so bloodcurdling—and unforgettable—are the real–world horrors that writers such as Samantha Hunt, Brian Evenson, Jac…
Long before becoming an author and awarded science teacher, I was a child who explored the unpaved colonial roads in rural New Hampshire and brought home bucket loads of tadpoles, frogs, and turtles from nearby wetlands. I knew the rock walls that lined those roads had been placed by others who’d worked the land long before. My curiosity extended to wondering what the area had been like before humans started changing things. In retrospect, perhaps I wrote Chicken Frank, Dinosaur! in part for that backwoods girl full of questions about the world around her. Equally so, it’s for every curious child—even those who aren’t sure about dipping their toes into the mud just yet. Enjoy!
From the lizard-looking Dimetrodonto the wooly mammoth to the 1,000-pound turtle-like Glyptodont, as well as the modern-day Latimeriafish species that was believed to have gone extinct millions of years ago (Surprise! It turned up in a fisherman’s net!), puts this book in the “must-read” category. A bouncy rhyming text that highlights large creatures that roamed the Earth both before and alongside dinosaurs, makes this book a win, especially since it lands at a modern-day avian dinosaur that can be seen in tweety parakeet.
Way back in time, astonishing creatures lived on our planet. But they weren’t all dinosaurs! In this fun, fascinating book, you’ll meet some of these amazing prehistoric creatures, from a very big fish with 7-inch teeth to a flying reptile. Based on specimens in the collections of the American Museum of Natural History, I Am NOT a Dinosaur! uses riddle-like rhymes and bright illustrations to reveal 16 creatures. With an introduction from Chairman of Paleontology at the Museum, Dr. Mark Norell, the book also features short notes, fossil photos, and an illustrated timeline to explain everything, simply and clearly, to…
Dougal Dixon graduated from the University of St. Andrews with two degrees in geology. But although his education was entirely scientific his background was deeply artistic – a potentially unemployable combination back in the ‘70s. And so he ended up in publishing, as the Earth Science editor for an illustrated encyclopedia publisher. Since then he has become a full-time writer, specializing in geological articles for encyclopedias, handbooks on fossil collecting, and principally children’s books on dinosaurs. As well as that he has done a number of books on speculative evolution – exploring the principles of biology in novel ways.
So you want to paint dinosaurs? An artist depicting a modern animal works from life, or works from photographs. Neither option is open to the dinosaur artist. But now that we know that dinosaurs are evolved from birds we have modern examples that can give us a start – at least we can see the layout of muscles and how they bulk out the body around the skeleton. This book is a wonderful atlas of bird parts and can provide a perfect guide to how bones are articulated and how the muscles are built up. It is the nearest that a dinosaur artist will get to a direct visual reference! And it is so beautifully done that it works as a coffee table book – something to be just looked at and admired.
There is more to a bird than simply feathers. And just because birds evolved from a single flying ancestor doesn't mean they are structurally all the same. With over 385 stunning drawings depicting 200 species, The Unfeathered Bird is a richly illustrated book on bird anatomy that offers refreshingly original insights into what goes on beneath the feathered surface. Each exquisite drawing is made from an actual specimen and reproduced in sumptuous large format. The birds are shown in lifelike positions and engaged in behavior typical of the species: an underwater view of the skeleton of a swimming loon, the…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m a Canadian author who has been fascinated with how others see the world since I was a child. I was captivated by Charlotte’s Web. If pigs and spiders could be having unheard conversations, what else was I missing? I delight in stories that invite me into the distinct world of the narrator, so it’s no surprise that my novel, Entitled, is written from a unique perspective—that of a book. When done well, these stories let us see life through the eyes of someone else. If we all experienced our surroundings, just for a minute, as others did, perhaps there would be more humanity in this world.
A road trip provides a reliable narrative structure. But what makes each journey distinct is what the travellers see, do and learn along the way. This charming, funny book follows Ruthie, a recently single, down-on-her-luck 38-year-old as she accompanies Kay (70s) across Canada from Prince Edward Island to Vancouver, where Kay’s son wishes her to relocate. Kay doesn’t want to move, but if she is going to Vancouver, she has a list of ‘last chances’ for her and Ruthie to experience along the way. And thus an improbable friendship begins. Told from Ruthie’s perspective, this book reminded me of how much there is to discover on a road trip—the places we see, the people we meet along the way, and the person the journey inspires us to become.
At thirty-eight years old, Ruthie finds herself newly unemployed, freshly single, sleeping on a friend’s couch and downing a bottle of wine each night. Having overstayed her welcome and desperate for a job, Ruthie responds to David’s ad: he’s looking for someone to drive his aging mother, Kay, and her belongings from PEI to Vancouver. Ruthie thinks it’s the perfect chance for a brief escape and a much-needed boost for her empty bank account. But once they’re on the road, Kay reveals that she’s got a list of stops along the way that’s equal parts sightseeing tour, sexual bucket-list, and…
When I was a kid growing up in Vancouver my parents had a collection of books arranged on shelves around the living room. The only one I remember taking down and actually reading was an early history of the city. I recalled being impressed by the simple fact that someone had thought my hometown was interesting enough to write about, not something that was self-evident to a cocky teenager. Many years later, some two dozen books of my own under my belt, I decided maybe I’d earned the right to take a crack at the city myself.
Purvey and Belshaw are a husband-and-wife team of academics who know how to spin a great story for a general audience. Their book is an account of the “noir era” in the city, roughly 1930 to 1960. It is inspired by the black and white photographs of crime scenes and shadowy streetscapes that appeared in the daily press of the period. Reading it is like revelling in an old gangster movie. Amply illustrated.
Literary Nonfiction. Photography. Vancouver Sun books list: "30 best reads from B.C. and beyond". It was an era of gambling, smuggling rings, grifters, police corruption, bootleggers, brothels, murders, and more. It was also a time of intensified concern with order, conformity, structure, and restrictions. VANCOUVER NOIR provides a fascinating insight into life in the Terminal City, noir-style.
These are visions of the city, both of what it was and what some of its citizens hoped it would either become or conversely cease to be. The photographs—most of which look like stills from period movies featuring detectives with chiselled features, tough…
Why Vancouver? Yes, it's my hometown, but I've lived in other places for about 20 years of my life, and I'm anything but a thoughtless booster. Vancouver is a beautiful city, but it's a conflicted one between dreamers of its potential greatness, people wanting a laid-back West Coast lifestyle, and those for whom it's the end of the poverty road with the mildest climate in Canada. Thinking about it, painting it, and writing about it—it's an itch I have to scratch.
A unique work of visual storytelling using maps created by the author that trace the evolution of this place defined by a major river, a natural harbour, and a backdrop of snowcapped mountains, decade by decade from Indigenous times through the 1980s.
Each map has detailed notes focusing on changes and developments and a two-page spread of the key players of each period.
Absolutely unique in its presentational style, Vancouver: A Visual History is a delightful and important book. This stunning, full-colour historical atlas brings to life Vancouver’s first fourteen decades, beginning with a map of the 1850s depicting the land use, economy and settlement patterns of its first peoples, and ending with a map of the 1980s.
Using a repeating grid format, in which each ten-year period of the city’s history is examined through the application of the same criteria, each decade is introduced by a full-colour map that illustrates land use patterns. A column of text to the left of this…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have written two short story collections and am working on a third. I have been passionate about short stories for as long as I have been a reader, and continue to find the form extraordinary. Alice Munro famously defined a short story as a house you can step inside rather than a journey you undertake. I feel that a short story is a respectful invitation to the reader to visit briefly and enjoy a small interlude on the way to wherever they are going.
Rose grows up in a working-class family in a town in Southern Ontario between the wars. She is good in school, makes it to university, marries the son of a department store owner, moves to Vancouver, divorces, becomes an actor, teaches acting, grows older, and returns to the town to take care of her stepmother.
These connected stories give us a picture of Rose’s life, but each is a masterpiece by itself. The Beggar Maid, about her marriage, has the most devastating yet subtle ending I have ever read: a precise flick with a small, very sharp knife. I read this first when I was fourteen and too young to comprehend it. Now, I reread it every few years and probably will for the rest of my life.
**A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK**
Previously published as 'The Beggar Maid', Alice Munro's wonderful collection of stories reads like a novel, following Rose's life as she moves away from her impoverished roots and forges her own path in the world.
Born into the back streets of a small Canadian town, Rose battled incessantly with her practical and shrewd stepmother, Flo, who cowed her with tales of her own past and warnings of the dangerous world outside. But Rose was ambitious - she won a scholarship and left for Toronto…
