Books like Trickster Drift — picked by fans

Like many adults, I love a good YA story. YA books take us back to our younger days when we were stronger, faster, and likely better-looking, but also to the confusing transitional time of being a teenager. Mostly, I love reading and writing YA novels because despite being about hard topics–friendship, disease, toppling the patriarchy–they are hopeful. In this confusing, stressful world, we need a little optimism. With that in mind, I offer you five of my favorite YA books that I think adults will love, too.

One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.

One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.

One of my favourite sounds is teens interacting—especially when they are throwing shade. I spent twenty-five years as a junior and senior high teacher, and I miss rocking and rolling during class discussions with my students. As a writer of contemporary fiction (actually in anything I write), I work hard at using dialogue as an engine to drive each scene. Each line needs to be refined to ensure that it’s snappy, engaging, and real. I’m a writer from southeast Saskatchewan, Canada, where there’s no shortage of great one-liners to use. I hope you enjoy the dialogue in these five recommendations as much as I did.

Joshua Cutchin has written seven books. If you find yourself beside him on an airplane and ask what he writes about, he’ll say, “Speculative non-fiction.” If he warms up, he’ll explain that he writes about supernatural mysteries—UFOs, Bigfoot, ghosts, etc.—all through the lens of folklore. A suspicion that all these phenomena are connected undergirds his writing. In addition to his books, Joshua regularly contributes to essay collections and, in 2019, appeared on the hit History Channel series Ancient Aliens. Joshua has appeared on countless paranormal programs, including Coast to Coast AM. He regularly speaks at events nationwide, most recently Rice University’s 2023 Archives of the Impossible conference.

Having grown up on S.E. Hinton, I love a good, gritty young adult novel that doesn’t pull any punches! In my book, Black Chuck, four misfit teens suddenly find themselves cast adrift after the very charismatic Shaun dies, leaving them to navigate their way to adulthood without their leader. All the books on this list are coming-of-age stories about kids growing up in tough circumstances, finding love, making mistakes, getting hurt, and ultimately finding joy in a world that at times seems set against them.

I’ve always been drawn to badass female protagonists in fantasy, but the femme fatale has a special place in my heart, and none more so than spies and assassins. Their weapons are a mix of daggers and subterfuge, poison, and seduction. They often straddle the line between cold-hearted villainess and righteous freedom fighter, and that complex morality can make for intriguing internal struggles that coincide nicely with their goal of dismantling corruption, which is not always black and white. Additionally, the aforementioned seduction means that they get to be unapologetically sexual (but only on their terms!). All of this went into Lily’s character.

Unburdened with prejudice or beliefs, children are open to the world. I find great joy in books that reflect the child’s fresh perception and playful spirit. Such books have no intention to teach a moral lesson. They rejoice in freedom. In the non-stereotypical, not yet molded to conform reality of the child. Books beyond good or bad may shine with the light of freshness, the unfiltered seeing. In times of great political divisions, non-didactic books can be a window to the glorious amoral way of perceiving.

I used to steal Tolkien and Piers Anthony books from my older brother’s bookcase and burn through library world mythology sections like a ravenous beast. When I reached college in the 1990s, I realized “world” mythology had usually meant “Western” myths, and that’s when I became a Japanese Studies major and dove headfirst into feudal Japan: kitsune, dragons, dream-eaters, tengu, and other fantastical creatures. I was in love. Perfectly natural that when I started writing novels, my brain conjured romantic fantasy based on East Asian myths. Hope you’re ready to fall in love as well, with the Japanese version of fox spirits—kitsune!

I am instantly drawn to stories with voyages, spices, and trade. But as much as these, I love meddlesome and crafty gods. I’m not a religious person, but I love to understand how people behave around religion, how it influences their choices, and how our world’s history can be chronologized as a series of fanatical events and conquests. Fantasy gives me the option to explore characters and worlds where gods are not only inherently intrusive but also cast a long shadow on people’s nature, giving birth to folklore, myths, and, of course, great stories to tell. They drive destinies, but more importantly, they drive the resistance against being puppeteered.