After writing two expansive novels—The Edge of the World, about lives spanning six decades, and Liberty Landing, a contemporary novel rooted in the arc of American history—I found myself drawn to something smaller. Not smaller in meaning or scope, but in form. I wanted to experiment with the art of compression in storytelling. I was inspired by a microfiction written by novelist Joyce Carol Oates—The Widow’s First Year, which reads: “I kept myself alive.” Eight words. A complete universe of sorrow, endurance, resilience, and time. It stunned me. As I began to write Small Worlds, I was compelled to study fast fiction with the sharpest forensic tools.
Before I began to write my own cycle of flash fiction and microfiction, I decided to study virtuosos of the form. Bender’s book was my first encounter with fast fiction. Her surreal, emotionally raw flashes and short-shorts walk a tightrope between the absurd and the profound. Her characters often exist in dreamlike states—wearing prosthetic arms, dating monsters, or grieving through magical realism. These compact stories don’t just surprise; they haunt.
As a novelist who leans towards conventional storytelling, I found this book foundational for taking risks to be weird and brief.
In The Girl in the Flammable Skirt Aimee Bender has created a world where nothing is quite as it seems. From a man suffering from reverse evolution to a lonely wife who waits for her husband to return from war; to a small town where one girl has a hand made of fire and another has one made of ice. These stories of men and women whose lives are shaped and sometimes twisted by the power of extraordinary desires take us to a place far beyond the imagination.
McLaughlin’s stories are quiet detonations—elegant, spare, and emotionally charged.
While some exceed strict flash length, many hover under 1,000 words, offering intimate glimpses into fractured families, disquieting silences, and the melancholy of unspoken things. Her language is knife-sharp and lyrical, and her restraint lets each story echo long after it ends.
A woman battles bluebottles as she plots an ill-judged encounter with a stranger; a young husband commutes a treacherous route to his job in the city, fearful for the wife and small daughter he has left behind; a mother struggles to understand her nine-year-old son's obsession with dead birds and the apocalypse.
In Danielle McLaughlin's stories, the world is both beautiful and alien. Men and women negotiate their surroundings as a tourist might navigate a distant country: watchfully, with a mixture of wonder and apprehension. Here are characters living lives in translation, ever at the mercy of distortions and misunderstandings,…
A witchy paranormal cozy mystery told through the eyes of a fiercely clever (and undeniably fabulous) feline familiar.
I’m Juno. Snow-white fur, sharp-witted, and currently stuck working magical animal control in the enchanted town of Crimson Cove. My witch, Zandra Crypt, and I only came here to find her missing…
This groundbreaking anthology helped define flash fiction for American readers.
With contributions from the greats—Ernest Hemingway, Joyce Carol Oates, Grace Paley, Raymond Carver, Tobias Woolf, and more—these tiny narratives often pack the emotional force of a full novel.
A perfect introduction to what flash fiction can achieve when it delivers the whole arc—character, conflict, resolution—in a breath.
Here Are 70 of The Very Best Short-Short Stories of Recent Years Including Contributions From Such Contemporary Writers As Raymond Carver, Leonard Michaels and John Updike; A Few Modern Masters As Hemingway and Cheever; and An Assortment of Talented New Young Writers. Sudden Fiction Brilliantly Captures The Tremendous Popularity of This New and Distictly American Form.
Andrade, an Ecuadorian poet-diplomat who served in Japan, was strongly influenced by Japanese haiku.
These exquisite prose poems—many under 100 words— capture entire worlds in the space of a single image and blur the line between poetry and microfiction. Each piece offers a miniature fable, observation, or wonder.
This is flash fiction at its most distilled—haiku with a heartbeat. An example, "In the alphabet of things the snail invents the penultimate letter.” Translated from Spanish to Japanese and then English, the romance of Spanish and the precision of Japanese are found everywhere in these words as cut jewels.
Along with Neruda, Vallejo, Paz, and Borges, Jorge Carrera Andrade is widely considered one of the most important poets of Spanish-American postmodernism.
Harvard Review wrote of Andrade's poetry in translation, it is "a testament to Andrade's status as one of the most original and enduring voices in twentieth-century poetry."
The co-translators have worked previously together on well-received projects. Joshua Beckman's translations are particularly well-known: his translation of Tomaz Salamun's Poker was a finalist for the PEN/America translation award.
The unique format of Micrograms allows for multiple avenues of engagement: as literary history, anthology, and generative guide, this unique work appeals…
This is the fourth book in the Joplin/Halloran forensic mystery series, which features Hollis Joplin, a death investigator, and Tom Halloran, an Atlanta attorney.
It's August of 2018, shortly after the Republican National Convention has nominated Donald Trump as its presidential candidate. Racial and political tensions are rising, and so…
A genre-bending collection of 40 dark microfictions from writers like Samantha Hunt, Brian Evenson, and Rion Amilcar Scott.
Each story is a flash-sized jolt of horror, dread, or surreal unease—some just a paragraph long. A stunning example of how fear, like fiction, doesn’t need a lot of space to crawl under your skin.
If you like the living daylights scared out of you, you may like this book.
A collection of horror–inspired flash fiction, featuring over 40 new stories from literary, horror, and emerging writers—edited by Lincoln Michel and Nadxieli Nieto, the twisted minds behind Tiny Crimes: Very Short Tales of Mystery and Murder
In this playful, inventive collection, leading literary and horror writers spin chilling tales in only a few pages. Each slim, fast–moving story brings to life the kind of monsters readers love to fear, from brokenhearted vampires to Uber–taking serial killers and mind–reading witches.
But what also makes Tiny Nightmares so bloodcurdling—and unforgettable—are the real–world horrors that writers such as Samantha Hunt, Brian Evenson, Jac…
A collection of flash fiction and microfiction that captures the messy, often absurd architecture of human lives—compressed into moments of sharp beauty, sly humor, and unsettling truth. From slow dances that never end to customer service calls that turn into romances to rebellious seniors plotting a great escape, these stories chronicle the intimate and the epic in miniature.
Here, love is both a balm and a weapon. Loneliness births imaginary friends. Deviants justify cruelty with high-minded philosophy. And in the end, everyone is seeking—connection, redemption, or simply a way out. With razor-sharp wit and unsparing insight, Small Worlds invites readers to peer into the condensed universes we each inhabit—worlds where longing, compulsion, invention, and self-rationale collide.
Haunted by her choices, including marrying an abusive con man, thirty-five-year-old Elizabeth has been unable to speak for two years. She is further devastated when she learns an old boyfriend has died. Nothing in her life…
