I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.
I’ll Be Watchingis a verse novel that evokes place and character in tight, specific moments. It’s a page-turner that tells a harrowing story of children in 1941 surviving on their own through the brutal winter in a small Prairie town. Nuanced and impressionistic, moments are layered to create a world of childhood without a supportive adult net. I love the restraint and the specificity of Porter’s writing. She has focussed on childhood, during the war, in a very ordinary, very unlikely location and written a thriller.
In a small prairie town like Argue, Saskatchewan, everyone knows everybody else's business. It's common knowledge that the Loney family has been barely hanging on, but when the Loney children's father George dies in a drunken stupor and their stepmother takes off with a traveling Bible salesman, it looks as though the children are done for. Who's to save them when everyone is coping with their own problems the lingering Depression and the loss of the town's young men to the Second World War? Under the watchful eye of their ghostly parents and…
My Book of Life by Angel is an unlikely subject for a novel in verse—the life of a young prostitute on Vancouver’s East side. Drugs, illness, abandonment, violence are all shown in a first-person narrative of incredible sensitivity and honesty. It is a novel that will both open and break your heart as you see life on the street through Angel’s flawed and imperfect humanity. I love the grace and delicacy of Leavitt’s poetry as it contrasts with the horror of Angel’s life.
When 16-year-old Angel meets Call at the mall, he buys her meals and says he loves her, and he gives her some candy that makes her feel like she can fly. Pretty soon she's addicted to his candy, and she moves in with him.
As a favor, he asks her to hook up with a couple of friends of his, and then a couple more. Now Angel is stuck working the streets at Hastings and Main, a notorious spot in Vancouver, Canada, where the girls turn tricks until they disappear without a trace, and the authorities don't care. But after…
During the 1970s and 80s, the Soviet Union penetrated the corporate economy and financial systems of the United States to engage in industrial espionage.
Cold Warrior is the story of Kasia Kerenski, a street mime who is “discovered” to work as a Hollywood actress. Coerced into becoming a double agent…
The House on Mango Streetis an evocation of a place written in prose poetry vignettes. Families, relationships, and neighborhood emerge as the vignettes are woven to create a narrative. Shards are pieced together as the setting becomes a character that supports, encourages and is the catalyst for young Esperanza’s emerging sense of self. It is this sense of neighborhood that draws me in, making me think of the responsibility of a community to help raise each child.
NATIONAL BESTSELLER • A coming-of-age classic, acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature.
The House on Mango Street is the remarkable story of Esperanza Cordero, a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Told in a series of vignettes-sometimes heartbreaking, sometimes deeply joyous-Sandra Cisneros' masterpiece is a classic story of childhood and self-discovery. Few other books in our time have touched so many readers.
In A Wreath for Emmett Till, Marilyn Nelson reminds us of the unique beauty of a life, of the vibrancy of youth at 14 years old. Written as a “crown of sonnets,” where the last line of one sonnet becomes the first of the next, it is a book that bears witness and conveys huge themes of justice, loss, and remembrance while focussing on small moments, gestures, and images. I am in awe of Nelson’s ability to use a very formalized writing style to depict one of the most brutal murders of the twentieth century.
In 1955, people all over the United States knew that Emmett Louis Till was a fourteen-year-old African American boy lynched for supposedly whistling at a white woman in Mississippi.The brutality of his murder, the open-casket funeral, and the acquittal of the men tried for the crime drew wide media attention.
Award-winning poet Marilyn Nelson reminds us of the boy whose fate helped spark the civil rights movement.This martyr's wreath, woven from a little-known but sophisticated form of poetry, challenges us to speak out against modern-day injustices, to 'speak what we see.'
Love and War in the Jewish Quarter
by
Dora Levy Mossanen,
A breathtaking journey across Iran where war and superstition, jealousy and betrayal, and passion and loyalty rage behind the impenetrable walls of mansions and the crumbling houses of the Jewish Quarter.
Against the tumultuous background of World War II, Dr. Yaran will find himself caught in the thrall of the…
Little Comrades is a memoir written in prose poetry. It is about growing up in a dedicated Communist home in the 1930’s in Canada. It is a home where The Party is more important than the family. Young Laurie and her brother Andy try to understand the world that they are growing up in while their abusive, alcoholic father uses his commitment to the cause to justify brutality and abandonment. In the end, it is a story of triumph but the journey to that “happy” ending is colored by the reaction of The Party, and eventually, the horrors of McCarthyism. Full disclosure—Laurie Lewis is my mother. It was not until she was 80 that she was able to tell the tale, just showing that a story cannot be told until it is ready.
Little Comrades tells the story of a girl growing up in a dysfunctional left-wing family in the Canadian West during the Depression, then moving, alone with her mother, to New York City during America's fervently anti-Communist postwar years. With wit and honesty, Laurie Lewis describes an unusual childhood and an adventurous adolescence.
These Are Not the Words takes place in New York City in 1963. It is a semi-autobiographical novel, set in the rhythms of the jazz, beat poets, and the 60s visual arts world.
Twelve-year-old Missy lives the most exciting city in the world. She goes to a great school where she learns about poetry, music, and plays. Missy’s father starts taking her on secret midnight excursions to Harlem and the Village so she can share his love of jazz. But things start to spiral out of control. Missy and her father write poems for each other that become an exchange of apologies as his alcohol and drug addiction begin to take over their lives. It’s a raw journey from innocence to action, and finally acceptance.
“The alien abduction meets lesbian yearning novel that will restore your faith in the universe. Ilana Masad excavates the juiciness of historical archives and the otherworldly mysteries of the everyday in her most brilliant work yet.” –Ruth Madievsky, author of All-Night Pharmacy
Every picture tells a story, but it’s not always the one we expect or remember. Christmas Actually is a festive drama about family and forgiveness and a snapshot of modern family life, addressing Instagram to motherhood and everything in between.
Why Christmas? My publisher wanted my new novel to have…
